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Jonita Gandhi is a popular playback singer in Bollywood
Global IndianstoryJonita Gandhi: The Indo-Canadian YouTuber who is ruling Bollywood chartbusters
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Jonita Gandhi: The Indo-Canadian YouTuber who is ruling Bollywood chartbusters

Written by: Global Indian

(August 13, 2021; 9.40 am) One balmy afternoon in May 2012, Indo-Canadian artist Jonita Gandhi exploded on YouTube with the acoustic cover of Pani Da Rang. Her velvety voice, the soothing melody and distinctive tone serenaded millions across the globe. A YouTube star was born.

Her covers catapulted her to fame and to the studios of Bollywood music composers, making her one of the few Indo-Canadians to have made it big in the Hindi film industry. What started on YouTube soon translated into big offers from music composers. In a short span, Gandhi had reserved a spot amongst Bollywood’s best playback singers.

Love for music began with her dad

Born in New Delhi, Gandhi moved to Canada with her family when she was just 9 months old. Growing up in Brampton, she fell in love with Indian music at a young age, thanks to her dad who was a part-time musician. Seeing the potential in Gandhi, her father encouraged her to perform at community events where he played the keyboard. So at 7, Gandhi began her musical journey.

Jonita Gandhi with her dad in throwback photo

Jonita Gandhi with her dad in a throwback photo

“Growing up, I always had Indian music playing around the house. My father was a musician and he played the keyboard for a lot of community events; he would listen to a lot of old Bollywood numbers from the retro era. Listening to those songs played at home, I would hum along to the tune and when my father heard me, he realized that I had potential and so he encouraged me to practice and perform with him on shows and it just took off from there,” she told The Hindu.

Keeping up with her riyaz and formal training in Western and Hindustani classical singing, Gandhi graduated in health science and business from the University of Western Ontario. But her heart was in music, and at 16, she auditioned for Canadian Idol. However, she failed to get past the audition rounds. That did not deter Gandhi from pursuing her passion.

The biggest discovery – YouTube

In 2010 it was YouTube that came to Gandhi’s rescue, and made her a pop sensation. Back in the day, YouTube videos were far from the sleek and stylized versions one sees today. Instead they were home-made amateur videos put together by youngsters who were happy experimenting with the medium. Gandhi was one such youngster who recorded a video in the basement of her home and posted on YouTube.

In a conversation with Hindustan Times, she said,

“I was too shy. If I had to sing, everybody had to turn around or I would close my eyes so that I don’t see anybody. Maybe that is why YouTube caught my fancy. You can do it on your own, whenever you feel like, and perfect it before the world gets a glimpse of it.”

Viral sensation

It was here that she stumbled upon composer, singer and pianist Akash Gandhi with whom she collaborated for the cover of Pani Da Rang which went viral in no time.

Soon, Gandhi became an overnight sensation. The popularity helped her belt out more covers like Suhaani Raat and Tum Hi Ho which made her portfolio unique in its own way. With each cover, she kept winning hearts and followers.

It was her North America tour with singer Sonu Nigam that prompted her to consider singing as a professional career. “That experience made me think seriously about giving a professional career as a singer a shot. With two degrees in hand and a solid backup plan to fall back on, I thought why not. Thankfully, I toured with Sonuji for the first few years while I was in India and simultaneously worked on making a name for myself,” she told Darpan Magazine.

If her cover of Yeh Honsla garnered a great response on YouTube and a retweet from original music composers Salim-Sulaiman, her 2012 cover of Christmas Carol Silent Night caught music maestro AR Rahman‘s fancy.

Bollywood calling

In no time, Gandhi was in Mumbai and singing her first Bollywood song for composer duo Vishal Dadlani and Shekhar Ravijani‘s Chennai Express. This big break took her to the studio of AR Rahman for Imtiaz Ali‘s Highway — this was just the beginning of her long innings in Bollywood.

Despite her big Bollywood break, Gandhi was subjected to prejudices owing to her accent.

“Most people would hear me speak before they heard me sing and assume that I couldn’t pronounce lyrics correctly because of my Canadian accent. This was a barrier for me at first,” she added.

However, Gandhi wasn’t ready to give into the preconceived notions and won everyone over with her talent. Interestingly, the 31-year-old now sings in eight languages.

In the last eight years with songs like Yaadon Mein (Harry Met Sejal) and The Breakup Song (Ae Dil Hai Mushkil) to her credit, Gandhi has earned the reputation of one of the best playback singers in the industry. For someone from Canada who’d had no connections within Bollywood, Gandhi learnt the ropes of the business on her own and has come a long way.

Global citizen

Despite her success in the Indian film industry, Gandhi hasn’t restricted herself to it. She has been collaborating with independent artists from India and abroad for her singles. For someone who calls herself the citizen of the world, she continues to go wherever her voice takes.

This May, the popular singer was in for a surprise when she found herself on one of the billboards of Yonge-Dundas Square in Toronto as part of Spotify‘s North American campaign for empowering Asian artists and their contribution to the global music space. Interestingly, she was the only Indo-Canadian singer among several Asian artists featured on the list. “To see myself on the iconic billboard seemed a far-fetched dream. It is an honor to celebrate my South Asian roots in my home country,” she told IANS.

 

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A post shared by Jonita Gandhi (@jonitamusic)

It’s not easy to make a mark in a place like Bollywood that survives on cut-throat competition, and especially when you are an outsider. But Gandhi is proof that talent transcends borders. From a YouTuber to playback singer, Gandhi has come a long way on her own steam and is an inspiration for millions to make it big in Bollywood.

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  • Akash Gandhi
  • AR Rahman
  • Canadian Idol
  • Chennai Express
  • Christmas Carol Silent Night
  • Desis
  • Global Indian
  • Global Indians
  • Highway
  • Imtiaz Ali
  • Indians abroad
  • Jonita Gandhi
  • Pani Da Rang
  • Shekhar Ravijani
  • Sonu Nigam
  • The Breakup Song
  • University of Western Ontario
  • Vishal Dadlani
  • Yaadon Mein
  • YouTube

Published on 13, Aug 2021

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Operatic Oz-mosis: Indian-origin tenor Shanul Sharma’s aria mesmerises the world

(April 19, 2022) On the sets of Carmen at the Arts Centre Melbourne, Shanul Sharma gave his first audition for an opera. For someone with a decade-long experience in heavy metal and rock n roll, it was unusual to see him take the centre stage. But everything stopped the moment he stepped on stage. “I loved the spectacle. In no time, I forgot everything and sang like there was no tomorrow. That was a turning point for me,” Shanul says in an interview with Global Indian. In years to follow, he performed across Australia, Europe, and Russia, becoming one of the few Indian-origin tenor soloists to achieve the feat. Yet Bolshoi (Russia) holds pride of place. The winner of the 2017 Canto Lirico discipline and the Rossini International Award, Shanul is the first Indian-born Australian to perform as a principal artist in an Australian opera. [caption id="attachment_23456" align="aligncenter" width="506"] Shanul Sharma[/caption] A musical ear Born in Jabalpur to a civil engineer father and a homemaker mother, a young Shanul grew up listening to Mohammed Rafi and Kishore Kumar in the backseat of the family Fiat. “My dad had a huge influence on me. He loved music but he never had

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eight="606" /> Shanul Sharma[/caption]

A musical ear

Born in Jabalpur to a civil engineer father and a homemaker mother, a young Shanul grew up listening to Mohammed Rafi and Kishore Kumar in the backseat of the family Fiat. “My dad had a huge influence on me. He loved music but he never had the outlet. I had a musical ear, and learnt everything by just listening. So when he saw my gift, he encouraged me to follow my passion,” says Shanul whose teenage years were dedicated to Michael Jackson. “I idolised him not only for his songs but also loved him as a performer. He was a complete package. I imitated him, and would try to sing as high as I could,” says the tenor for whom music was a way of expression. Slowly, he started taking baby steps into heavy metal and ended up performing at school events. “I was bullied a lot in school due to my high pitch - music became a way to feel normal. The more I sang, the more I was seen and appreciated. It gave me a sense of positive reinforcement,” adds Shanul who started composing music in school.

The Oz experience

It was in 2002 that he bought a one-way ticket to Australia to study IT engineering at Charles Strut University’s Wagga Wagga campus. Outside his class, he was the lead singer of the rock band Sobrusion and performed at various pubs and clubs. “I always wanted to be a singer, and we used to make Metallica covers,” says Shanul who found his biggest support in his dad, adding, “He used to say ‘IT engineers toh bante rahenge, singer bann (Can always become an IT engineer, become a singer first).’” For almost a decade, he played with the band, and transitioned from heavy metal to rock n roll.

India-origin tenor | Shanul Sharma

Everything changed when he came across the song Nessun Dorma by Italian operatic tenor Luciano Pavarotti on YouTube and immediately fell in love with opera. “Those two-and-half minutes was nothing but unadulterated vocal music. I had never heard something like this. That was the power of his singing. That’s when I knew I wanted to sing like that,” reveals the tenor who started training in western classical music after his band broke up in 2013. “Since I had a high pitch, I started training with an Italian teacher. It was a seamless transition vocally,” adds the 30-something who calls himself “restless” and loves to experiment. But he had to learn the “stagecraft” as working in opera was very different from heavy metal. “In metal, you write your music but opera is more traditional. You are working with an ensemble of 60-70 musicians. Here you have to fit into the grand scheme of things and make everything believable,” explains Shanul who believes his experience with rock n roll helped him bring something unique to the table.

The next year, he made his debut audition at the Arts Centre Melbourne on the sets of Carmen after an artist pulled out last minute. “I was hesitant initially thinking I wasn’t fully prepared. But then I pulled myself up and went for it. Something took over me onstage, and I forgot everything else,” smiles Sharma who got the role, and took only two days to prepare. “Lyndon Terracini, the artistic director of Opera Australia, was impressed and in two days, I was already on the road performing. I enjoyed every bit of it,” adds the young artist.

Indian-origin tenor | Shanul Sharma

Making moves internationally

A year later, he made his operatic debut with Opera Australia as Don Ramiro in Rossini’s La Cenerentola for the Victorian School’s Tour. In 2015, he was accepted into the Wales International Academy of Voice in Cardiff, one of the most prestigious singing academies in the world for his MA in advanced vocal studies. “I raised 53,000 AUD through crowdfunding for the course,” reveals the Indian-origin tenor who soon appeared as Ernesto in Donizetti’s Don Pasquale for Teatro Martinetti in Italy.

Being an Indian and performing opera in a myriad languages, Shanul had to “look, speak and feel” the part. “Whenever I am performing anywhere, the first thing I do is visit their art museum. It gives me an insight into what they find valuable. It helps me gain a sense of expression,” says the tenor. Having performed across Europe, it’s his performance at the Bolshoi Theatre in Russia in 2019 that he holds closest to his heart. “It’s not just the biggest theatre physically but also acoustically interesting. The sounds are beautiful and at the same time loud,” explains Shanul.

 

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A post shared by Shanul Sharma (@shanul_opera)

Shanul found his greatest support system in his parents, both of whom are no more. “My dad never watched any of my performances as he died in 2012. But my mom did watch me perform in Melbourne in 2019, and it was a beautiful moment. During the live performance, I saw my mom waving at me enthusiastically. I tried hard to not get distracted,” laughs Shanul.

The past two years have been trying times for the artiste. “During the lockdown, 15 of my productions were cancelled. We are slowly getting back. However, a lot is still uncertain,” says Shanul who is hopeful of things getting better in 2023. “I am preparing for a handful of productions,” says the tenor who loves watching Bollywood films like Dangal, “I can relate to the life of a sportsperson because it is a lot like that of an artiste,” concludes Shanul.

https://www.youtube.com/watch?v=WjLzIR5e2Y0

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From Bharatnatyam to Hip-Hop: How Telugu American rapper Raja Kumari is breaking culture stereotypes

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It was in her teens that she stumbled upon Fugees, a hip-hop band that made Raja Kumari truly believe in the power of music. She was so enchanted by hip hop that at 13 she began experimenting with song-writing and in the next two years, she started making her music.

Collaborating with Gwen Stefani, Iggy Azalea

In no time, the 35-year old started collaborating with the likes of Gwen Stefani, Iggy Azalea, Fifth Harmony, and Timbaland. Her first big placement was Iggy Azalea's Change Your Life, the song that got her first Grammy nomination.

But it wasn't until the Telugu American saw Iggy Azalea's video of Bounce (where Iggy is seen wearing a golden kiritam, a headgear that Kumari wears only when she plays Saraswati or Lakshmi for her performances) that she decided to truly own her music. In Kumari's own words, the Bounce video woke her inside. In a conversation with Paper magazine, she said:

"I thought I can't keep writing for other people and allow them to exploit my culture. It just woke me up. Seeing someone put on my culture like a costume, it was like 'my culture is your gimmick' and I'm just not playing that way anymore."

Countering racism

But it wasn't a smooth start for the fiery musician at the onset of her journey as she faced racism. She was asked to tone down her ethnicity. "I was told that I was too Indian to be successful in America. I struggled to find someone to look up to as a South Asian kid in America," she told Indiacurrents.

Even a kid, she never shared her love for classical dance with her friends for the fear of judgement.

City Slums with Divine

Raja soon shifted gears and moved to India in 2017 to explore music. She exploded into the Indian music scene with City Slums, a collaboration with rapper Divine. In doing so, she gave voice to a genre that has been almost invisible in the Indian music scene.

Her songs are a unique blend of the East and the West, and the rapper calls herself a bridge between the two.

[embed]https://www.youtube.com/watch?v=qxsQe2EAk40[/embed]

"Me being an American girl, born in America, I am from the West but I am a seed of the East with my knowledge of Eastern culture. It's my goal to be a vessel of culture between the two," she told NBC.

Through her collaborations, the Telugu American has given Indian talent a global platform. From being a judge on MTV Hustle, a rap battle competition to signing Indian label Sony Music, Raja Kumari is happily merging the East with the West.

Raja Kumari wants to be an inspiration for younger girls who are passionate and love their culture.

"I realised I had to become that person so many younger girls want to see. Help them see it's okay to be American and be Indian," she added.

When she is not busy making music in India, she makes her presence felt across the globe. She has been nominated thrice for MTV European Music Awards for Best India Act. Not only this, she is the only person of Indian origin to host the American Music Awards.

But the popular star has also found herself in the eye of the storm many a times.

From accusations of cultural appropriation to being slammed for using Mumbai slums as the backdrop for City Slums video to facing heat for promoting caste hierarchy in Roots, Raja Kumari has had her share of trolling. But the artist is unperturbed by the controversies because she is here to stay.

Giving Back

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View this post on Instagram

 

A post shared by Raja Kumari (@therajakumari)

Even in the US, she performed for many temples as a child to raise funds for building temples in Southern California.

In 2020, the artist collaborated with UNICEF for a version of Bob Marley's One Love and donated all the proceeds to charity.

Currently, she is backing the charities that support girl child.

"I believe in India we need more attention and more support to encourage young girls to be in art and not just sciences or leaving school as we usher in an era of more creative artists. So anything that will help support the art, I am there," added Kumari.

When the artist entered the rap scene, seeing a woman on stage was a rarity. She made it her mission to change the dynamics and use her influence to create a platform for female artists. And that's exactly happened with her latest track The Rani Cypher that focuses on gender equality.

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Defeating misogyny: Saxophone Subbalaxmi’s rise to stardom

(February 28, 2022) A diminutive pre-teen girl clutching an outsized saxophone - the image alone was enough to make Subbalaxmi an object of ridicule among her boisterous male peers. Her unwavering determination to learn the instrument only made things worse - how could a girl dare to do something meant only for boys? "Tell her to learn how to cook," they called out. "At least that will help her in the future." The 12-year-old Subbalaxmi, however, refused to back down. She sat through the class, with the blessing of her Guru, Kadri Gopalnath, who fully supported this attempt to break free of a stereotype. Her Guru passed away in 2019 and before she steps on stage, Saxophone Subbalaxmi always takes a minute to close her eyes and pay him tribute. https://www.youtube.com/watch?v=_JHF-uYzIiw   Unconditional support from her teacher and her father MR Sainath, went a long way but Saxophone Subbalaxmi's personal journey was far from easy, at least in the early days in Mangalore where she was born and brought up. Back home, disapproving neighbours would complain about her evening riyaaz. Whether or not she was fazed by the mockery, Subbalaxmi had no intention of giving up. She continued learning and

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ving up. She continued learning and later went to Chennai for higher training.

Amongst numerous brilliant performances across the world, her memorable one has been at Singapore - a concert for the Tamil Association. She had been expecting Indians in the audience but to her surprise there were many Singaporeans. She immediately improvised fascinating them all. With over 3,000 performances, and awards like the prestigious Padmabharathi and Yuvakala Bharathi amongst others, Saxophone Subbalaxmi has also made it into the Limca Book of Records.

Making music count

Today, 'Saxophone Subbalaxmi' has made a name for herself in an industry where rules are sacrosanct, and she boasts a fan base across the world. And if she broke stereotypes as a child, she continues even today – her music has its own signature style, a blend of Indian and Western, played on an instrument that came to India from the West.

[caption id="attachment_20409" align="aligncenter" width="572"]Saxophone Subbalaxmi | Global Indian Saxophone Subbalaxmi[/caption]

She began training in Carnatic vocals at the age of five, having been born into a family of musicians. Her grandfather, MR Rajappa was an Asthana Vidwan in the royal court of Mysuru. Her uncles were percussionists and her father, an exponent of the Mridangam, was an A-grade staff artiste at All India Radio. Growing up, Subbalaxmi would accompany her father as he travelled for shows with Padma Shree Kadri Gopalnath, the noted saxophonist. That was a turning point. “I found divinity in his Gamakams,” Saxophone Subbalaxmi recalls, in an interview with Global Indian. “I fell in love with the instrument but I didn't realise then that it's a very difficult instrument to play, especially for girls, because it requires a lot of lung power.”

Subbalaxmi soon announced that she would learn nothing but the saxophone. It was a radical choice. Her surprised father decided to stand by her. He encouraged her dreams, as did Kadri Gopalnath, who even volunteered to be her guru. That’s how Saxophone Subbalaxmi became Gopalnath’s first female disciple. Her determination and hard work also impressed her two older siblings, both of whom also took to the instrument. Today, after two decades spent performing in India and abroad, Saxophone Subbalaxmi is a role model for young women.

https://www.youtube.com/watch?v=41ZojXfUKSk

Charting her own path

"My challenges mostly are off stage, though,” she says. “There is simply no time to relax when you’re on tour. The only time I manage to sleep is on the flight. Eating hours can also get erratic; this leads to other problems like weight gain. Late-night treats after performances will also play havoc.” She keeps herself fit through yoga, swimming and gymming.

It was during a concert in Chennai, she met the man who would become her husband - Kiran Kumar. The couple married in 2009. Kumar manages his celebrity wife’s business. “Without each other, we would not be able to do anything,” she says, glowingly. They live in Bengaluru with their 12-year-old son, Rudransh.

Her daily riyaaz remains the mantra to her success, Subbalaxmi admits. She keeps herself updated with the latest trends while ensuring that she stays rooted in tradition. "I’m also particular about how I present myself. On stage, I improvise as it’s important to stay in touch with the audience’s taste," says the musician who has an affinity to the stage. “Many tell me that I enjoy myself when I perform and dance along to the music. To this, I say that I am deeply honoured to be playing music written by the greatest composers - how I can do them justice if I lack energy and excitement? Simply put, I just enjoy the whole atmosphere,” she adds.

[caption id="attachment_20410" align="aligncenter" width="599"]Saxophone Subbalaxmi | Global Indian Saxophone Subbalaxmi with popular Bollywood singer, Alka Yagnik[/caption]

Even Western audiences clamour for her trademark fusion style. “My inspirations come from all over the world too,” Subbalaxmi explains. She has always returned, over the years, to Pandit Bhimsen Joshi and Lata Mangeshkar. Tunes like Baahon Mein Chale Aa, Nile Nile Ambar Par and Chura Liya Hai Tumne always find a spot in her concert repertoire. “Once, I had to perform Jab Koi Baat Bigar Jaye eight times on audience demand,” she recalls, laughing.

Not backing down

At the age of 12, she was teased and told to learn how to cook. She did, in fact, find her way around the kitchen, and cooking is one of her hobbies today. “I’m a pro when it comes to rustling non-vegetarian food,” she remarks. The same people who mocked her once are full of praise, and Saxophone Subbalaxmi now finds herself besieged by fans asking for selfies. Even her neighbours no longer complain about her riyaaz, instead, they come to their windows to hear her play as she practices. “Sometimes, they even call me to request a particular song while they listen outside, or drop by to hear me play! I am blessed to have these people in my life,” she smiles.

  • Follow Saxophone Subbalaxmi on Linkedin and Instagram

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From heavy metal to Australian opera: How Shanul Sharma’s musical journey made him a star

(October 19, 2021) It's the laser-like precision and depth of his voice that has made Shanul Sharma a tenor that the world is talking about. When Sharma was headbanging to Def Leppard's music as a teenager, little did he know that one day he would transition into an opera singer that the world will look up to. But destiny had its plan in place and he became the first Indian-born Australian to perform as a principal artist in an Australian opera. In the last few years, Sharma has serenaded the audience across the globe with his performances at some of the biggest theatres in the world. But it has been a long journey for this Global Indian who moved from heavy metal band to becoming an opera singer. https://www.youtube.com/watch?v=WjLzIR5e2Y0 Musical ear gave birth to a dream Born in Jabalpur in Madhya Pradesh to a civil engineer father and a homemaker mother, Sharma was surrounded by music throughout his childhood. His dad was a music lover and his home often had Bollywood songs playing in the background. Growing up, Sharma was a shy kid who loved playing with his computer. But things changed for him when his father gifted him a

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lover and his home often had Bollywood songs playing in the background. Growing up, Sharma was a shy kid who loved playing with his computer. But things changed for him when his father gifted him a Casio keyboard. "I think I had a musical ear from the beginning because I was able to pick up accents and inflections in sound quite naturally. So when I got the keyboard, I would listen to Bollywood music and would play it out on the keyboard," he told Lyndon Terracini in a video interview with Opera Australia.

Soon his family and friends started recognizing his talent and this gave him the confidence to continue experimenting with music. Being a shy kid, music became an expression for him. It was around this time that he was completely mesmerized by Michael Jackson. Sharma not just idolized Jackson for his songs but equally loved him for being a performer and a lyricist. Slowly and steadily, Sharma started taking his baby steps into heavy metal when his friend gifted him a CD of Def Leppard's greatest hits. The music struck the right chord with Sharma who later moved to Iron Maiden, and then one thing led to another and he ended up performing to these songs at school events.

From rock band to opera

It was in 2003 that Sharma arrived in Australia to study IT-Engineering at the Charles Strut University's Wagga Wagga campus. Outside his class time, he was the lead singer of a rock band, Sobrusion, and spent his time gigging at Wagga clubs and pubs. Though he was deeply enjoying his time playing the music, he was apprehensive about his parents' reaction. However, his dad was his biggest supporter and always told him to follow his passion. For almost a decade, Sharma performed with the band but transitioned from heavy metal to rock n roll. It was during this time that he came across opera and immediately fell in love with it.

[caption id="attachment_13376" align="aligncenter" width="700"]Shanul Sharma Shanul Sharma during his band days. ((Photo Courtesy: ABC News)[/caption]

While browsing YouTube randomly one day, he came across a song Nessun Dorma by Italian operatic tenor Luciano Pavarotti and couldn't stop listening to him. So when the band broke up, Sharma decided to branch out to something new and learn opera. In 2013, on a whim, he decided to audition at the Arts Centre on the set of Carmen. He impressed everyone and in a matter of few days, he made it to the school's company and commenced his training.

A tenor in the making

A year later, he made his operatic debut with Opera Australia as Don Ramiro in Rossini's La Cenerentola for the Victorian School's Tour. In 2016, he was accepted into the Wales International Academy of Voice, one of the most prestigious singing academies in the world for his MA in Advanced Vocal Studies. He was one among the 14 singers selected from across the world.

This musical training helped him hone his craft and he soon appeared as Ernesto in Donizetti's Don Pasquale for Teatro Martinetti in Pavia. The next year, he represented the Rossini Opera Festival at the prestigious LaVerdi Auditorium at the Norwegian National Opera in Oslo. In 2019, he made a grand entry at Bolshoi Theatre in Russia, which is considered to be one of the most difficult theatres in the world. "Every time in the inno russo when I sang, I would look up to the heavens and I would go, 'This boy that was born in Jabalpur is in one of the most historic theatres in the world. How did I get here'? It was an exhilarating feeling," he added.

 

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A post shared by Shanul Sharma (@shanul_opera)

The same year he made his main stage debut for Opera Australia at the Sydney Opera House as Madman in Berg's Wozzeck and since then he has performed the roles of Il Conte di Libenskof in Rossini's Il viaggio a Reims and The Student in Reimann's The Ghost Sonata to critical acclaim in both Sydney and Melbourne. In the last seven years, Sharma has had the opportunity to perform at the most prestigious venues across the globe - from the LaVerdi Auditorium in Milan to the Norwegian national opera in Oslo. While Sharma trained in classical style of opera for a few years only, he credits his heavy metal days for helping him become an opera singer.

"The similarities between opera and heavy metal is the virtuosity, more than anything else. An opera singer can sing for a very extended period of time in a very unnatural situation for a male voice. And because the heavy metal band was so loud, I ended up singing very high all the time to cut through the band. So it was a seamless transition into opera," he told ABC Australia.

 

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Opera has been Sharma's true calling, and this reflects in the accolades that he has received over the years. If he is a winner of the 2017 Canto Lirico discipline, he also picked up the Rossini International Award in Italy, making him the only artist to have won both the awards in the same year. Not just this, in 2019, Sharma was awarded Broadway World Sydney's Best Performer in an Opera - Male for his performance as The Student in The Ghost Sonata for Opera Australia.

True calling

Sharma, in a short span of time, has made a name for himself as a tenor in the world of opera and he is happy about his craft. "I cannot think of a line of work more exciting than being an opera singer. I get to sing some of the most amazing music ever written, play different people (sometimes in period), create art and work with some of the most inspiring people of the planet; all the while sharing my most profound feelings with an audience," he told Arts Review.

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Ad jingles to Grammy nomination: How NY-based singer Priya Darshini took Indian music global

(September 2, 2021) The velvety voice, the soulful music and poetic lyrics makes Priya Darshini's Periphery a heartfelt rendition. The album has captured millions of hearts with its melody and why not? It's the same album that earned the 37-year-old her first Grammy nomination. Darshini, who began her journey with ad jingles and later tried her hands at Bollywood music, found her true calling in independent music. It's the perfect blend of the East with the West that makes Darshini's songs meaningful. But it hasn't been an easy journey for this Global Indian who had to battle personal and professional struggles to reach the top.   View this post on Instagram   A post shared by Priya Darshini (@priyism) Growing up with music Born in Chennai into a Tamil-speaking family and raised in Mumbai, Darshini was enrolled into music classes with Carnatic vocalist Lakshmi Rajagopalan at the age of 9. With classically trained parents and grandparents being a source of inspiration, Darshini knew that music was her calling. But things took a turn for the worse when she had to undergo a vocal chords surgery at the age of 12. However, things started to look up and soon she began

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Growing up with music

Born in Chennai into a Tamil-speaking family and raised in Mumbai, Darshini was enrolled into music classes with Carnatic vocalist Lakshmi Rajagopalan at the age of 9. With classically trained parents and grandparents being a source of inspiration, Darshini knew that music was her calling. But things took a turn for the worse when she had to undergo a vocal chords surgery at the age of 12. However, things started to look up and soon she began her training in Hindustani Classical vocals in her teens. Growing up on the MTV culture, Darshini got curious about the world music. But it was a tape of jazz queen Ella Flitzgerald that her father got from an official trip that blew her mind, and she instantly fell in love with jazz.

She performed with college bands while studying mass media at KC College in Mumbai. Despite the precautions and the exercises, Darshini's vocal chords needed another surgery at 19. The fear of not being able to sing again left Darshini grapple with silence for months. "It was very scary, but it also taught me a lot. I listened better, developed more empathy for people… went through the whole 'why me' phase, followed by anger and then acceptance. Eventually I started seeing the benefits of being in silence with myself," she told FirstPost.

With a change in voice quality, Darshini had to work extra hard on her chords. However, exercises and many training sessions later, Darshini found the perfect pitch, and as they say, rest is history.

 

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A Global Indian journey

While interning at an ad agency someone heard her and offered her a jingle. That was the beginning of her professional career. One jingle led to another, and soon, she was spotted by a Bollywood music composer. Her tryst with Hindi film industry began with Salman Khan's Maine Pyaar Kyun Kiya? But it was independent music that captured Darshini's heart. However, with not much indie music scene in Mumbai in the 2000s, the 37-year-old moved to New York Film Academy to study with a jazz vocalist in order to satisfy her insatiable creative appetite.

It was in 2008 that things started to align for the singer as she was chosen by American musician Roy Wilfred Wooten for his Black Mozart Ensemble at Nashville. The dream-like fusion of jazz, hip-hop, blues and classical music put Darshini on the global map. It was on her trip back to India that she met her future husband hammered dulcimer artist Max ZT. Since then, there has been no looking back for this Grammy-nominated singer who moved to the US in 2013.

The album that changed her life

For someone who found her voice in independent music went onto create albums like Grand Tapestry, Following Sunlight, House of Waters and Last House on the Block. But it was her 2020 album Periphery that became the talk of the town after it was nominated in the Best New Age Album category at the 63rd Grammy Awards.

A musical documentation of Darshini's journey - from India to America and from classical music to jazz - the idea of Periphery germinated from not belonging anywhere. "Writing the record was cathartic. It helped me process that it was just about finding stillness within myself and learning to embrace myself in all my authenticity and honesty," she told the Indian Express. It was the exploration of geopolitics that earned her album a nod at the prestigious music awards.

https://www.youtube.com/watch?v=cgBfv_C7FDE

It's the crossover between Darshini's earthy classical training and the American folk and pop that made Periphery secure a place at the Grammy nomination list along with Anoushka Shankar's Love Letters. Talking about her inspiration for the album, she said with her mixed learning lineages, she has found her peace at the periphery.

"I never quite fit in anywhere. To start with, I’m a South Indian in Mumbai. My cultural experiences were already quite different from those of my friends. From being a South Indian in Mumbai to being an Indian in the US, I have understood that being at the periphery while may be discomforting for others, is a place where I’ve found my peace," she told FirstPost.

Darshini, who began her career with ad jingles, has come a long way with her music. And the Grammy nomination turned out to be the perfect validation for her years of hard work, perseverance and struggle. The music artist is truly merging East with the West through the soulful music.

 

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About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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