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The Indian influencers the world is talking about
Global IndianstoryMasoom Minawala to Prajakta Koli: 5 Indian influencers who are making it big globally
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Masoom Minawala to Prajakta Koli: 5 Indian influencers who are making it big globally

Written by: Global Indian

(August 5, 2021; 10 am) They are funny, witty, stylish and sassy — meet the Indian influencers who have taken over social media and how. This social media  brigade is presenting a slice of India to the world one post at a time, and are loved by their army of followers. Every post, reel or story is smothered with thousands of likes and comments in no time. Welcome to the world of Instagram and influencers. In a world where millennials are literally living and breathing on the digital platforms, there are a handful of content creators who are putting Brand India on the global map with their creatives.

If some are brushing shoulders with the likes of Michelle Obama, others are strutting the red carpets of the biggest international events. Here’s are five Indian influencers who are living it up on social media and making a difference.

 

Masoom Minawala

Masoom Minawala at Cannes Film Festival

With over 1 million followers on Instagram, Belgium-based fashion influencer and entrepreneur Masoom Minawala is a woman on a mission — to make Indian fashion global. Her social media accounts are a testimony to her love for Indian attire, especially saris, and she doesn’t shy away from sashaying in them on the streets of Europe. Her mantra in fashion is a perfect mix of culture and style. The 27-year-old is one of the few Indian fashion influencers who is a regular at Paris Fashion Week, Milan Fashion Week and London Fashion Week. This year was no different when she made heads turn with her Indian style quotient at the Cannes Film Festival. Draped in a Manish Malhotra sari, Minawala was a vision. With her initiative #SupportIndianDesigners, she is promoting homegrown brands and designers on the global platform. From someone who began her journey as a blogger a decade ago when it wasn’t so mainstream to making it to CNN‘s 20 under 40 list, Minawala has come a long way.

Niharika NM

Niharika NM is a content creator

One million followers in two months, now that’s the fastest any content creator has grown on Instagram. But that’s LA-based Niharika NM for you. The Indian-American made surviving 2020 a bit easier, thanks to her humor, sass and relatable reels on everyday life. Well, before Mindy Kaling came out with Never Have I Ever, social media found a perfect and relatable representation of South Indians in Niharika, and since then people are unable to get enough of her — the influencer’s following on social media is proof of it. Born in Chennai and brought up in Bengaluru, the 23-year-old moved to the US, and now her journey to amassing a million followers in such a short span is a case study at California’s Chapman University, where she is pursuing MBA.

Prajakta Koli

Prajakta Koli with Michelle Obama

How popular is Prajakta Koli, you ask? This Indian influencer has just received a personally signed copy of Michelle Obama’s Becoming. The social media star had been chosen by YouTube and the UN for Creators of Change, which brought together 50 creators from around the world to create content on social issues —  in her segment Koli was in conversation with Michelle Obama to talk about girls’ education. She went on to win the Daytime Emmy Award and the 26-year-old became a global brand in her own right. Her powerful song No Offence on cyberbullies, misogyny and homophobia was selected by the  United Nations for screening at International Tolerance Day in 2018. Koli, who began her journey with a hilarious Valentine’s Day video on YouTube has reached global heights. With 4,120 posts and 4 million followers, Prajakta Koli aka MostlySane is a hotshot blogger and influencer on Instagram. A popular YouTuber, influencer and now an actor, Koli is making it big with one video at a time.

Ruhee Dosani

Ruhee Dosani is a social media content creator

Ruhee Dosani just wanted to make cool videos of her ‘we deshi’ friends dancing to Bollywood songs, but little did she know that one such video would catch the fancy of singer and actor Diljit Dosanjh, and as they say, the rest is history. The US-based ‘Punjab di kudi’ is every desi’s delight. Her hilarious spins on brands and group dances with videshi friends have become a hit on social media. Such has been the entertainment quotient of her videos that even Netflix couldn’t stop going gaga over her, and regrammed her video. This content creator and influencer is definitely making it big.

Ami Desai

Ami Desai is a beauty influencer

At a time when there is no dearth of beauty influencers on social media, Ami Desai is rallying for Asian perspective in the beauty world, and that’s what sets her apart from the others. The US-based Desai’s video on make-up, self-care and beauty practices have earned her a devoted fan following. From appearing in the Seventeen Magazine to being a regular on the Golden Globes red carpet, Desai is a popular figure in the West. But it’s her everyday tips on approachable beauty that makes her a star on social media.

Editor’s Take

Indian women are taking over the world, and these influencers are a proof of it. From fashion to beauty to ethnic representation, these content creators are making social media a better place with their artistic expression. But more than anything, they have put India on the global map through their creatives.

 

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  • Ami Desai
  • Becoming
  • Bengaluru
  • Cannes Film Festival
  • Chapman University
  • Chennai
  • CNN
  • Creators of Change
  • Daytime Emmy Award
  • Diljeet Dosanjh
  • Global Indian
  • Global Indians
  • Golden Globes
  • Indian Influencers
  • Indians abroad
  • International Tolerance Day
  • London Fashion Week
  • Manish Malhotra
  • Masoom Minawala
  • Michelle Obama
  • Milan Fashion Week
  • Mindy Kaling
  • Netflix
  • Never Have I Ever
  • Niharika NM
  • No Offence
  • Paris Fashion Week
  • Prajakta Koli
  • Ruhee Dosani
  • Seventeen Magazine
  • South Indians
  • United Nations

Published on 05, Aug 2021

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From a cancer survivor to Delhi’s Matka Man: How Alag Natarajan is bringing about change

(November 26, 2021) "The living are dirtier than the dead," was Alagarathanam Natarajan's response to his mother-in-law, who once reprimanded him for not taking a shower after returning from a crematorium. He was then a volunteer in his 60s and was driving a hearse that he would park outside her house every single day. Cut to 2021, the hearse has been replaced with a specially crafted Mahindra Bolero maxi-truck that this engineering drop-out drives around Delhi each day to place potable water across the city to help quench people's thirst. Meet Alag Natarajan, popularly known as Delhi's Matka Man, a moniker he earned from his daughter on one of his birthdays. Not all superheroes wear capes. Some wake up early in the morning to provide clean drinking water to the underprivileged. Each day the London-returned Natarajan drives his truck, which carries 2,000 litres of water, to refill the 70-80 matkas or earthen pots that he has placed around South Delhi. The Panchsheel Park resident decided to dedicate his life to serving others. Being hailed as a "superhero that's more powerful than the entire Marvel stable" by industrialist Anand Mahindra, Natarajan's selfless work has grabbed attention in India and abroad. "His

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dia and abroad. "His tweet was comforting. He is known to bring attention to the stories that matter," Natarajan tells Global Indian in an exclusive interview.

A Superhero that’s more powerful than the entire Marvel stable. MatkaMan. Apparently he was an entrepreneur in England & a cancer conqueror who returned to India to quietly serve the poor. Thank you Sir, for honouring the Bolero by making it a part of your noble work. 🙏🏽 pic.twitter.com/jXVKo048by

— anand mahindra (@anandmahindra) October 24, 2021

Sri Lanka to India to England

Born in Chillaw in Sri Lanka to a Sri Lankan mother and an Indian father, Natarajan lived in Bengaluru for most of his life before moving to London. An engineering drop-out, Natarajan recalls his days as a "messed up young boy who came from a broken family and was into drugs and alcohol." To change the trajectory of his life, he boarded a flight to London. "In 1974, I left for the UK on a tourist visa that was sponsored by my sister and didn't return to India until three decades later. For 10 years, I was an illegal immigrant in England. I was 24 when I boarded that flight to London and like every other young man, I, too, had dreams," reveals Natarajan.

[caption id="attachment_16745" align="alignnone" width="1080"]Matka Man Matka Man distributing salad at construction sites.[/caption]

He worked many odd jobs — from being a street hawker to driving long-distance trucks — to stay afloat. "I was quite ambitious and after working hard for a few years, I bought a souvenir shop on Oxford Street. I ended up adding two more shops, including one near Harrods. Things were going perfectly until I was diagnosed with colon cancer in my mid-50s. That's when life took a turn and after my surgery, I decided to return to India," reveals Natarajan.

A call for service

Upon his return, he "wandered like an aimless madman" for a while. The battle with cancer had left him emotionally drained; that's when he began volunteering for a terminal cancer centre in Delhi. "I took over their maintenance completely. Since it was for terminally-ill patients, an ambulance was often required to take their bodies to the crematorium. So I bought a car and converted it into a cremation van and started taking the bodies myself to Sarai Kale Khan Crematorium. It was an abandoned ground with no water or any facilities," recalls Natarajan.

[caption id="attachment_16740" align="alignnone" width="1000"]Matka Man Matka Man filling water near a bench installed by him.[/caption]

This pushed him to help quench people's thirst and he installed his first matka stand outside his home in Panchsheel Park. Guards, house helps and drivers from the locality began to flock to his matka as they braved Delhi's scorching summer heat. The response spurred Natarajan to install more matkas across the city. "When I curiously inquired with a guard one day, he revealed that his employer didn't make any arrangements for water for him. He was not allowed to leave his position even for a minute and access to clean drinking water was a luxury for people like him," reveals Natarajan. Soon, he went about installing several matka stands across South Delhi to ensure that the needy had access to clean drinking water. Most of the stands also feature a cycle pump and bench, should anyone need a rest or a quick fill of air for their cycles. "Everyone needs to relax. I want people to have a space where they can relax for a while. In winters, I distribute blankets," he says.

"Helping the needy is paramount to me," says Matka Man. He reveals that though his locality is home to plenty of affluent families, barely anyone steps forward to extend a helping hand to those in need. "People often tell me that I am doing good work but in the last few years, I've received not more than ₹10,000 from the residents as donation. I often think, 'How much more can somebody want?' It's greed that's threatening humanity. I have had my share of living in vanity, now I just want to serve," says the 72-year-old, who likes to spend time in his garden during his free time.

[caption id="attachment_16742" align="alignnone" width="1080"]Matka Man Matka Man filling up water at one of his matka stands.[/caption]

For the 2,000 litres of water that goes into filling the 70-80 matkas that are placed across South Delhi, Natarajan was earlier using the borewell water from a nearby school. But now he has access to Delhi Jal Board's potable water. "When I initially began setting up matka stands across the neighbourhood, many thought it to be a campaign stunt by the Aam Aadmi Party. Gradually they realised that I am neither associated with an NGO nor do I work for the government. They understood that my intention to help the poor is genuine and without any agenda," he explains.

Man on a mission

Natarajan begins his day at 5.30 am to fill the matkas he's installed through his maxi-truck that's fitted with two 1,000 litre water tanks. Though he chose to drop out of his engineering course back in the 1970s, his passion for innovation is evident in his specially modified vehicles. Apart from helping people access potable water, he also spends a few mornings each week distributing a nutritious salad to construction workers and daily wage labourers in the vicinity. He prepares the salad using a variety of legumes such as channa, moong, rajma, sprouts and veggies like potaties, tomatoes and onions. "Construction workers are the most exploited, and I want to help them with a nutritious fix."

The senior citizen employs only a skeletal staff to keep overhead costs low. "I don't want to compromise on the quality of food. I am involved in the entire process hands-on. I have installed industrial machines at home which aid us with the peeling and cutting. For me, it's not about charity, I work like a professional. I visit the sabzi mandis (vegetable markets) to buy fresh produce. I treat them as equals," adds the Good Samaritan, who worked relentlessly even during the lockdown.

[caption id="attachment_16743" align="aligncenter" width="900"]Matka Man Matka Man's truck ready for salad distribution.[/caption]

He uses his savings and investments to fund most of his projects; though there are times when he receives donations from well wishers as well. "During the pandemic, one lady sponsored my entire staff for one year," he reveals.

Natarajan, who found his biggest cheerleader in his mother-in-law, calls her his biggest support system. "She would often brag  about the work I did to others. She never questioned me even when I used to park a cremation van right outside her house every single day," he reminisces.

It has been 15 years since Natarajan returned to India and has been using every opportunity to work for the needy. "Giving and serving has been an integral part of my life. Pain is a teacher. So after I recovered from cancer, I wanted to help more people. But I was soon disillusioned by the workings of an NGO and decided to do something myself. I started spending my own money to bring about the change that I wanted," says Natrajan, who is quite inspired by Victor Frankl's Man's Search for Meaning.

[caption id="attachment_16744" align="alignnone" width="1080"]Matka Man Matka Man driving his Bolero truck.[/caption]

At 72, Natarajan is a force to reckon with as he is diligently working for society. "I try to do everything with absolute sincerity. It's important to be sincere in whatever you do. It's not about what you do but how sincerely you do it," signs off Natarajan.

Follow Matka Man on his website

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Meet Captain Anny Divya, world’s youngest Boeing 777 commander

(Suruchi Kapur-Gomes, May 28 ) Commander Anny Divya has taken life’s highs and downdrafts with equanimity. At the age of 30, the Andhra Pradesh girl became the world’s youngest woman to command the 360-seater Boeing 777 aircraft.  A girl who couldn’t speak proper English while growing up single-mindedly pursued her dream of flying despite her family’s financial constraints and became one of the most recognizable names in global aviation. And looks the part, in her spiffy four stripes uniform. Today, she’s also a TedX speaker, model, LinkedIn Influencer and champion of social causes.   Army man father  Behind the high-flying girl who pilots the world’s largest twin-engine jet is a dedicated daughter who never forgets her parents' role in her journey. “I have always wanted to fly like a free bird since I was 10. It was a very big decision for my dad to send me to flying school as it was expensive – taking a loan from a bank, and friends. My parents have played the biggest role in realizing my dream,” Anny Divya told Global Indian in an interview. Her father who retired as Naik Subedar in the Army’s artillery division, and her homemaker mother have shaped her worldview. “My dad started his journey as soldier and has done two Siachen postings. I am very, very proud of him,” she smiles.  After completing schooling from Vijayawada’s Kendriya Vidyalaya, she chose engineering but

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In Influencer and champion of social causes.  

Army man father 

Anny Divya

Behind the high-flying girl who pilots the world’s largest twin-engine jet is a dedicated daughter who never forgets her parents' role in her journey. “I have always wanted to fly like a free bird since I was 10. It was a very big decision for my dad to send me to flying school as it was expensive – taking a loan from a bank, and friends. My parents have played the biggest role in realizing my dream,” Anny Divya told Global Indian in an interview. Her father who retired as Naik Subedar in the Army’s artillery division, and her homemaker mother have shaped her worldview. “My dad started his journey as soldier and has done two Siachen postings. I am very, very proud of him,” she smiles. 

After completing schooling from Vijayawada’s Kendriya Vidyalaya, she chose engineering but switched to a flying school in two months. She then did a BSc in Aviation and an LLB from Mumbai‘s Rizvi Law College. 

“This is your captain speaking” 

Anny Divya

Anny Divya finished her Boeing 737 training in Spain and the Boeing 777 module from London at the age of 21. Her first flight as commander for Air India involved immense preparation and commitment. “It’s not adventurous, it’s a great sense of responsibility, it’s not about getting command, it’s keeping it there and being with it,” says the 34-year-old. Since 2020, she has been flying Vande Bharat missions for Air India. 

She is saddened as many friends have lost loved ones in the pandemic, and asks everyone to go out and do their bit, especially for the underprivileged. Her TedX speech saw her quote a Hindi sonnet, a collection of which she wants to publish. Divya’s Instagram account has more than 82,000 followers where she’s often seen swaying and shimmying to Bollywood numbers. 

Anny Divya

But Divya’s heart and soul are in the B777’s flight deck and she takes upskilling very seriously. “I feel thankful I am where I am. I’ve been with Air India for 15 years, constantly training so it’s like second nature,” says Divya. 

Giving back 

Anny Divya frequently donates money to a leprosy hospital, helps orphanages with school uniforms and makes contributions to old age homes in Mumbai, her home base. Whenever her parents bring anyone’s needs to her attention, Divya steps in with financial help.

 About visiting orphanages, she says: “The children are happy to see a girl pilot who is ready to spend time. They don’t care about the money. It uplifts their spirit – nobody sits and talks to them.” 

Anny Divya

Anny Divya has assisted her siblings, a brother and sister, study abroad. “I wanted to help my siblings, and donate to the needy. I did not buy a house, instead, I bought one for my parents. I can do this because I didn’t only look out just for myself. There is a greater joy in that. It is incredibly rewarding,” says the pilot. 

Her next project is to get her mother’s startup, organic food company White Cinnamon, up and running when the pandemic abates.

 “With all my learning, my mother is the one that has taught me the most - to be nice, honest, strong and stand up for what is right. I think that is much more important than any qualification,” says Divya. 

Aviation is a male-dominated industry but Anny Divya feels women in all walks of life face similar challenges. “Let’s have each other’s back,” Divya concludes.

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Gira Sarabhai (1923-2021): The force de majeure behind the prestigious National Institute of Design

(July 16, 2021; 5.30 pm) It is one of the most coveted design schools in the country. With established exchange programs and collaborative agreements with over 70 premier design institutions across the world, National Institute of Design (NID) has played a significant role in promoting courses around design, architecture, and communications. With only about 100 seats in its Bachelor’s program, the institution is one of the toughest design schools to get into and has churned out notable alumni such as Nachiket Barve, Dibakar Banerjee, and Rahul Mishra among others. It also has a significant number of international students. And it has all been possible because of the vision and work of Gira Sarabhai, its co-founder, who passed away on July 15 at the age of 98.   The Global Indian architect, designer and teacher is known for her contributions to several industrial and educational projects in Gujarat and is credited as a pioneer of design education in India. She played a crucial role in setting up several other institutions and has through her work contributed greatly in the fields of art and architecture.   [caption id="attachment_5065" align="aligncenter" width="512"] Gira and Gautam Sarabhai at work[/caption] The Vikram Sarabhai connection  Born into Ahmedabad's wealthy Sarabhai family in 1923, Gira

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h her work contributed greatly in the fields of art and architecture.  

[caption id="attachment_5065" align="aligncenter" width="512"]And it has all been possible because of the vision and work of Gira Sarabhai, its co-founder, who passed away on July 15 at the age of 98.   The Global Indian architect, designer and teacher is known for her contributions to several industrial and educational projects in Gujarat and is credited as a pioneer of design education in India. Gira and Gautam Sarabhai at work[/caption]

The Vikram Sarabhai connection 

Born into Ahmedabad's wealthy Sarabhai family in 1923, Gira was the youngest of eight children. She had an exceptionally privileged and progressive upbringing. He father, Ambalal, founded the Calico Mills and her family was a long-time supporter of Mahatma Gandhi and his independence struggle. Gira, along with her siblings was home schooled and never had any formal education. Her brother Vikram Sarabhai is credited as father of India’s space program. Gira trained with noted American architect Frank Lloyd Wright at his Taliesin West Studio in Arizona from 1947 to 1951.  

After her training, Gira and her brother Gautam worked together in Calico and on several other architecture and design projects. Her work was highly influenced by Wright and the siblings sought to create an architectural response to regional concerns by using local materials.  

In an interview with Indian Express, her nephew Kartikeya Vikram Sarabhai said,  

“When she returned to Ahmedabad, my father was planning to build a house. So, he asked her to design it which I will say was first of her design works.”  

Over the years she developed her own style using basic materials in a creative manner.  

Her understanding of space was instrumental in realizing the vision that she and Gautam had to build NID in 1961 along the banks of the Sabarmati River. The design education institute was her baby and Gira was responsible for inviting several international experts as consultants to NID, including the likes George Nakashima, Charles and Ray Eames, Buckminster Fuller, Louis Khan, and Frei Otto. These architectural and design luminaries helped develop architecture and design education in India.  

[caption id="attachment_5066" align="aligncenter" width="560"]And it has all been possible because of the vision and work of Gira Sarabhai, its co-founder, who passed away on July 15 at the age of 98.   The Global Indian architect, designer and teacher is known for her contributions to several industrial and educational projects in Gujarat and is credited as a pioneer of design education in India. Gira Sarabhai with American sculptor Alexander Calder during his visit to India[/caption]

In the book ‘50 Year of the National Institute of Design 1961-2011' Gira is quoted as saying, “While I was in New York, Gautambhai wrote to me asking me to go to the Royal College of Art in London. He had already fixed appointments for me with several people, all experts in different fields. I had to invite them to come to NID as consultants.” 

Design on her mind 

Gira and Gautam were also involved in setting up the Calico Museum, one of India’s most famous private museums. Inspired by Dr Ananda Coomaraswamy, the museum was set up in 1949 and was inaugurated by Pandit Jawaharlal Nehru. The museum houses a historic collection of Indian fabrics and is also a centre for design knowledge, resources, and research.  

[caption id="attachment_5067" align="aligncenter" width="493"]And it has all been possible because of the vision and work of Gira Sarabhai, its co-founder, who passed away on July 15 at the age of 98.   The Global Indian architect, designer and teacher is known for her contributions to several industrial and educational projects in Gujarat and is credited as a pioneer of design education in India. Calico Museum in Ahmedabad[/caption]

Gira also worked on several architecture and design projects along with Gautam and the duo made significant contributions to modern architecture in India in the 1950s and 1960s. They designed the Calico Dome on Relief Road in Ahmedabad.  

Media shy 

A shy and very private woman, Gira avoided giving interviews, though she was very close to those that she worked with. To her, design was a way of life and her time at Wright’s atelier in the US a huge influence in all her work. The NID book quoted her as saying,

“After working in Wright’s office all day we were allowed to be present in the studio at night. Wright’s students would work in the studio all night long. To our fortune, we could look at the original drawings, plans and masterpieces at night.” 

Towards the later years of her career, she began experimenting with traditional Indian forms, elements and motifs for her contemporary work. Even in her last days she was overseeing the activities of the Sarabhai Foundation, according to Kartikeya.  

Editor’s Take 

Gira Sarabhai’s contributions to design education in the country are significant. Not only did she and Gautam found the prestigious NID, they also worked on the soul of the institution - they appointed the first faculty members from diverse fields and inculcated high standards in budding designers. The fact that NID has churned out some very big names in the fields of design is testimony to the extent of perfection Gira envisioned for India. Her vision led NID to always remain oriented towards social good through design interventions.  

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Homai Vyarawalla: Meet India’s first female photojournalist who broke gender stereotypes

"Looking through the camera, focusing on a subject, and isolating it from its surroundings. These were the things that attracted me. The viewfinder of the camera attracted me to photography." This quote by Homai Vyarawalla is the testimony of her love for the art of photography. Picture this: It is the early 1900s. A woman in a sari takes up a Rolleiflex camera and cycles across the city to click photographs. Some men snigger at her, others completely ignore her for she is no authority on the subject or the object of her fascination—her camera. But she sticks her ground and captures moments and emotions on her lens that speak to millions of people. This is the story of Homai Vyarawalla, India's first woman photojournalist. She broke into the male-dominated profession of photography and proved her mettle with every frame that she composed. Here's this Global Indian's fascinating journey. A meeting that changed her life Born in 1913 in Gujarat to a Parsi family, Vyarawalla's childhood was mostly spent on the move as her father was an actor with a travelling theatre group. It was only later that the family settled in Bombay where she completed her studies. Owing to

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mily, Vyarawalla's childhood was mostly spent on the move as her father was an actor with a travelling theatre group. It was only later that the family settled in Bombay where she completed her studies. Owing to her humble background, she often shifted houses and had to walk long distances to reach her school. Despite the social prejudices and barriers prevalent in those times, Vyarwalla was keen to finish her matriculation at a time when she was the only girl in a class of 36 students. A young Vyarawalla then enrolled herself in St Xavier's College for a degree in Economics, after which she opted for a diploma from the prestigious JJ School of Art.

It was here that she met Maneckshaw Vyarawalla, a freelance photographer, in 1926: the man who changed the course of her life. He not only introduced her to the art of photography when he gifted her a Rolleiflex camera but also married her in 1941.

The camera became Vyarawalla's object of obsession as she started capturing her peers at college and Bombay in general through her lens.

[caption id="attachment_7746" align="aligncenter" width="463"]Homai Vyarawalla with her still camera Homai Vyarawalla with her still camera[/caption]

 

The initial struggle

It was under Maneckshaw, who was then working with The Illustrated Weekly of India and The Bombay Chronicle, that Vyarawalla started her career in photography as an assistant. Her initial black-and-white photos captured the essence of everyday life in Bombay and were published under the name of Maneckshaw Vyarawalla as Homai was then unknown and a woman. The publishers believed that Maneckshaw's gender gave the photos more credibility, reported the Homegrown.

This oblivion on the part of men who failed to recognize her potential was a blessing in disguise for this Parsi woman. At a time when women were not taken seriously as photojournalists by men, their ignorance helped Vyarawala take the best pictures without any interference.

"People were rather orthodox. They didn't want the women folk to be moving around all over the place and when they saw me in a sari with the camera, hanging around, they thought it was a very strange sight. And in the beginning they thought I was just fooling around with the camera, just showing off or something and they didn't take me seriously. But that was to my advantage because I could go to the sensitive areas also to take pictures and nobody will stop me. So I was able to take the best of pictures and get them published. It was only when the pictures got published that people realized how seriously I was working for the place," said Vyarawalla.

Creating history through her photos

The World War II and the events that followed gave Vyarawalla many opportunities to capture its political consequences in India. It was a time when women were coming out in the public domain as they played agents of change, and the photographer in her captured every event in its true essence. Soon she began to draw attention with her body of work which was published under the pseudonym Dalda 13.

In 1942, she and her husband were commissioned by the British Information Services as photographers which took them to Delhi. The capital remained home to the Vyarawallas for almost three decades. Running their business from a studio in Connaught Place, the Vyarwallas captured history in the making. This was the beginning of Vyarwalla's long innings as the first female photojournalist in India.

[caption id="attachment_7747" align="aligncenter" width="494"]Homai Vyarawalla clicking Indira Gandhi Homai Vyarawalla clicking Indira Gandhi during an event.[/caption]

Clad in a sari with a Rolleiflex by her side, Vyarawalla cycled across Delhi to capture moments that would define the contours of 20th Century history. Her camera, which documented the last few days of the British empire and birth of a new nation, reflected the euphoria of Independence along with the unresolved issues that came with it. From photographing leaders like Mahatma Gandhi and Jawaharlal Nehru to capturing independent India's first flag being hoisted at the Red Fort, Vyarawalla gave India some of its most iconic photographs. The unique opportunity of capturing intimate political moments was something that she earned with integrity, dignity and perseverance.

By the early late 40s and mid 50s, Vyarawalla's demure persona was present at every significant soiree, documenting historical events and capturing big names like Martin Luther King Jr, Jacqueline Kennedy and Queen Elizabeth II.

Vyarawalla had become so popular that Life Magazine approached her in 1956 to photograph the 14th Dalai Lama when he entered India for the first time through Nathu La. With a camera on her back, Vyarawalla took a train to Darjeeling and after a five-hour car drive, she reached Gangtok to take the perfect shot. But it was her courage to travel alone with no place to stay in times when women's safety was an issue was a testament of her strength and dedication to her work.

1956: The Dalai Lama enters India through a high mountain pass. He is followed by the Panchen Lama. pic.twitter.com/W2yIZC0zqZ

— #IndianHistory (@RareHistorical) December 3, 2015

The photographer who made Nehru her muse

Vyarawalla had photographed many eminent personalities but none were as captivating to the photographer's eye than Jawaharlal Nehru, who was her muse of sorts. She found Nehru a photogenic person and captured the many phases of his life. Such was the trust that Nehru let her capture him even in his unguarded moments. One of them led to the iconic photo of Nehru lighting a cigarette for the British Commissioner's wife, while one dangles from his own mouth.

She even captured Nehru in his last moments. "When Nehru died, I felt like a child losing its favorite toy, and I cried, hiding my face from other photographers," she said.

[caption id="attachment_7743" align="aligncenter" width="410"]Jawaharlal Nehru's photo clicked by Homai Vyarawalla Homai Vyarawalla clicked this photograph of Pandit Nehru[/caption]

After creating some profound and iconic moments through her lens, Vyarawalla hung up her boots in 1970 shortly after the death of her husband. With yellow journalism picking up, Vyarawalla bid adieu to her career.

"It was not worth it anymore. We had rules for photographers; we even followed a dress code. We treated each other with respect, like colleagues. But then, things changed for the worst. They were only interested in making a few quick bucks; I didn't want to be part of the crowd anymore," she added.

After giving up her 40-year-old career, Vyarawalla gave her collection of photographs to the Delhi-based Alkazi Foundation of the Arts. Later, the Padma Vibhushan-awardee moved to Pilani with her son. It was in January 2012 that she breathed her last after suffering a long battle with lung disease.

Making a name for oneself at a time when women were relegated to the confines of the house, Homai Vyarawalla gave the world a perfect example of a woman who was ready to take on the world with her talent.

Reading Time: 7 mins

Story
Deepika Arwind: A contemporary artiste exploring theatre through the gender lens

(October 3, 2021) It's eerily dark and quiet. The strums of the guitar break the silence as they swiftly fill the space with heightened drama. Following in the footsteps of the intense music, the spotlight finds itself warming up the center of the stage that has a woman sitting on her haunches. She enacts pulling down her pyjamas to pee only to find her young niece sitting across her seeing pubic hair for the first time. The lights dim out, and the next chapter unfolds. A strong Sikh man prepares for his routine circus feat of pulling a truck with his long plait in front of a thrilled audience. He exaggerates each step with loud gestures but ultimately fails to pull it off. It's the exploration of sexuality through hair that makes Bengaluru-based theatre director Deepika Arwind's play A Brief History of Your Hair a thought-provoking watch. The 35-year-old is among the few voices in the sphere of Indian feminist theatre who is experimenting with narratives to tell stories that highlight gender issues. "For the longest time, theatre has been performing dated work that's borrowed from colonial Europe. It's time that the world hears the voice of contemporary Indian women,"

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It's time that the world hears the voice of contemporary Indian women," she tells Global Indian in an exclusive interview.

[caption id="attachment_12015" align="aligncenter" width="771"]A Brief History of Your Hair A Brief History of Your Hair (Photo courtesy: Virginia Rodrigues)[/caption]

It was in the 70s that feminist theatre narratives first emerged in the country as a response to male-centric discourses. A perfect amalgamation of art and activism, Indian feminist theatre not just highlighted women's issues but encouraged more women to enter the world of drama as writers and artistes. While the genre has found a strong footing in the last few decades with an authentic portrayal of women and their sexuality on stage, the lack of representation is still bothersome.

"There is a lack of representation in theatre - not just in terms of voice and stories. Even not many women playwrights are seen in India especially in the English language. As a woman living in South Asia, I have had my share of experiences and I put them on stage. I am not an activist on stage but it's the craft and form that's involved in my work," adds Arwind.

For someone who began her journey more than a decade ago, Arwind has become a known face in contemporary theatre.

[caption id="attachment_12025" align="aligncenter" width="700"]I Am Not Here A still from the play I Am Not Here. (Photo Courtesy: Aparna Nori)[/caption]

Vivid imagination led to a creative dream

Born and raised in a Sikh family in Bengaluru to a doctor mother and a civil engineer father, Deepika Arwind was very much of a performer as a kid. "I had a very vivid imagination and I loved being in the spotlight," Arwind reveals. While Arwind loved performing for her family and friends, her tryst with theatre began when one of Bengaluru's well-known theatre personalities Ratan Thakore Grant visited her drama class in National Public School when she was seven. This was enough of a kick-starter for a young Arwind but it wasn't until her college days that Arwind immersed herself in the performing arts.

The mandate of producing a theatre production for her Mass Communication course in Christ College led her to a path that was set to become her destiny. Her very first production Dreaming About Me in collaboration with Thespo, a youth theatre movement cast a spell on the audience. Such was the reception that it soon made its way to a full house in Bengaluru's Ranga Shankara and later at the National Centre for Performing Arts in Mumbai.

"My years at Christ College were full of theatre. After wrapping up my classes at 4 in the evening, I would rush to do theatre. I really enjoyed the process and I would act in many productions at that time," she adds.

[caption id="attachment_12060" align="aligncenter" width="759"]Deepika Arwind Unlisted by Liz-Ann D'Souza[/caption]

Her time at Christ College helped Arwind hone her skills in performing arts. After graduation, Deepika Arwind moved to Chennai to pursue her Master's in Print Journalism from the Asian College of Journalism but her love for theatre kept her afloat. "Since college was hectic, I couldn't perform during that one year but I did write a lot about plays that were happening in Chennai at that time."

Dreams culminate into a beautiful reality

The next two years were spent working with The Hindu covering art and culture. But this time in the newspaper made Arwind realize how much she missed theatre, especially after she won the Toto Award for Writing (poetry and fiction) in 2011. So she quit her job to pursue her passion. In 2013, she formed a theatre collective The Lost Post Initiative to collaborate with varied artistes for her productions. Her directorial debut Nobody Sleeps Alone lit up Jagriti Theatre in Bengaluru as it was a perfect homage to Bollywood's gangster movies of the 70s and 80s. The play was performed far and wide in the country and turned out to be the perfect flight for this fledgling theatre collective. Such was the impact of the play that it was soon shortlisted for The Hindu Playwright Award 2013.

Gender bender

2015 saw another production A Brief History of Your Hair from the artiste. What began as a 15-minute piece at Gender Bender with the help of a trigger grant from the India Foundation for the Arts and the New Voices Arts Project soon translated into a beautiful storybook with six chapters that uses music, dance, theatre, and projected poetry to explore hair that's a marker of social and cultural anxieties surrounding gender, sexuality, caste, and religion.

[caption id="attachment_12062" align="aligncenter" width="764"]Deepika Arwind Deepika Arwind in White Rabbit Red Rabbit[/caption]

Being someone who doesn't feel bound by geography, Arwind's plays soon found themselves on international platforms. Her children's play One Dream Too Many was invited to the International Playwright's Intensive at The Kennedy Centre, Washington DC, and the University of Maryland.

Her next production, No Rest In The Kingdom, a solo piece that has Arwind playing four characters is a dark comedy about how women deal with misogyny and patriarchy. A play that came into existence out of the need to have a conversation about daily misogynies, No Rest in Kingdom confronts inherent prejudices. Packed with humor and vignettes of sexism, the play takes it to form as a collection of shared and personal experiences. "It's a feminist voice coming into its mean. I wanted to connect with the audience through humor and didn't want it to be preachy," adds the 35-year-old.

The show took her to Uganda in Africa. "It generated quite an interest among the international theatre circle and soon my work was traveling across the globe," reveals Arwind. After making the right noise in the US and Africa with her work, Deepika Arwind took off to Berlin in 2018 with her new play I am Not Here, a dark and funny production designed as an 8-step guide in how to censor women's writing. Such was the reception that it was shortlisted for the Stuckemarkt, Theatretreffen.

[caption id="attachment_12013" align="aligncenter" width="601"]Deepika Arwind
Deepika Arwind at Ballhause Naunynstrasse (an independent theatre in Berlin) for Permanente Beunruhigung (Photo courtesy: Wagner Caravalho)[/caption]

 

Art form awaiting its due

Things were running smoothly until the pandemic put the world on standstill, and contemporary art was majorly affected. "Contemporary art doesn't get it due. Especially the pandemic hit the artistes badly. For many, it's the only means of livelihood and with no shows, it did hit them hard. Interestingly, people turned to art, be it films or music, or online shows during the pandemic. I think it's time to give back to the artistes," she adds.

But Arwind is hopeful that things will get back on track soon as she has already started prepping up for her plays that are set to enthrall the audience in Germany, Switzerland, and the UK next year. The contemporary artiste, who calls herself a theatre-maker, loves telling stories that start a dialogue but says that she has an identity beyond the realm of theatre.

https://www.youtube.com/watch?v=XCuYPKJVeSo

"Theatre is not who I am. I have an identity beyond theatre. I would say we are like railways tracks, always coming together and then moving away," she signs off.

 

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Reading Time: 7 min

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About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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