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Rupi Kaur is a popular Insta poet
Global IndianstoryRupi Kaur: The Indian Canadian breaking taboos with Instagram poetry
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Rupi Kaur: The Indian Canadian breaking taboos with Instagram poetry

Written by: Global Indian

(July 31, 9:30 am)

“i want to apologize to all women
i have called pretty.
before i’ve called them intelligent or brave.
i am sorry i made it sound as though
something as simple as what you’re born with
is the most you have to be proud of
when your spirit has crushed mountains
from now on i will say things like, you are resilient
or, you are extraordinary.
not because i don’t think you’re pretty.
but because you are so much more than that.”

 

That’s 28-year-old Rupi Kaur for you. A poet who speaks of love, loss, pain, empowerment, womanhood, abuse, trauma and sexuality like no one else. She encapsulates a tide of emotions in her bite-sized prose and makes people fall in love with every word.

Poetry is an art form that truly embodies the ‘less is more’ philosophy. Just a couple of lines are enough to make you wince in pain or fall in love or feel empowered in union. That’s the power of poems, and the Indian Canadian Kaur is a master of it all.

 

View this post on Instagram

 

A post shared by rupi kaur (@rupikaur_)

From being someone who couldn’t speak English till the age of 10 to becoming a bestselling poet and author, the Indian-Canadian has come a long way.

From warm India to lonely Canada

Born in Punjab in 1992, Kaur migrated to Canada at the age of three with her parents who had witnessed the 1984 anti-Sikh riots from close quarters. The family settled in Brampton. But adjusting to the new life in the West was hard for a young Kaur as she moved from a “warm place in India” that was full of love to a “place that was cold, rigid and where you couldn’t understand anything.”

In her words, she felt like an alien in this new country, where she didn’t understand the language or the culture. This alienation sort of pushed her into loneliness at a young age. It was her mom who came to her rescue by encouraging her to draw and write as a means of expressing herself fully. With that Kaur started pouring her feelings and emotions on pieces of paper, and poetry almost became a cathartic experience for her.

 

View this post on Instagram

 

A post shared by rupi kaur (@rupikaur_)

The love for poetry

As spirituality and faith form a large part of Sikh culture, Kaur was introduced to poetry in the form of Gurbani and verses of Bulle Shah (a Sufi poet) at a very young age.

“Sikh scripture written in poetic verse is sung when a child is born, it is recited when someone gets married, or when they pass. And so poetry was a part of my everyday life. I learned early on that poetry is how we can explain big ideas in simple ways. There were evenings when my dad would sit around for hours, analyzing a single verse for hours. I was fascinated by how 5 words could have so much meaning. How we could dig deeper and deeper and deeper, and still there were elements left to explore,” she told Vogue.

But it wasn’t until her seventh grade – when an introverted and bullied Kaur won an essay competition – that she found the courage to stand tall in front of her class. She saw this award as her first step in becoming the person she always wanted to be. It gave her the confidence to write poems, and by the time she was in high school, Kaur had started blogging anonymously. These were baby steps towards her big dream.

At Waterloo University, she chose to major in rhetoric and professional writing. It was here that her writing became more reflective than before and she began performing poetry. However, her poems received a lukewarm response for being too raw or for making people uncomfortable.

Coming out to the world

By 2013, Kaur was ready to put her work out for the world, and that too, under her name, and that’s exactly what she did when she made an account on Tumblr, and many of her posts got over 10,000 notes. A year later, she decided to weave art into poetry and moved to Instagram where she began illustrating poems.

The prose that had love, heartbreak, pain, trauma and abuse at their core resonated with millions of people. Kaur gave voice to feelings that many couldn’t put into words. It was in her poems that many found solace, and these very words made Kaur an Insta poet at 22.

 

View this post on Instagram

 

A post shared by rupi kaur (@rupikaur_)

In a conversation with HT Brunch, she said,

“The pain that all people experience in life and the light that helps them champion through it all – it’s their lives and their stories and their love and will to keep living that moves me to write.”

Her debut book

While she was a star on social media, thanks to her poems, her work was largely being snubbed by publishing houses. In a world where fiction and non-fiction rule the roost, poetry often finds itself in the dusty corners of a bookstore, or so she was told. But Kaur was adamant to put her work out to a larger audience beyond her social media following. And she did that with her self-published debut book Milk and Honey.

In a 2013 poem about the 1984 Sikh genocide, she referred to those who lost their husbands and families to violence as ‘milk and honey,’ and had dreams of using this phrase for her future projects. A year in, she accomplished this with her first book.

As a child growing up in Canada, Kaur never came across a book that reflected the torment and experiences of her community or South Asian diaspora.

“The trauma of South Asian people escapes the confines of our own times. We’re not just healing from what’s been inflicted onto us as children… it is generations of pain embedded into our souls,” she added.

It was the yearning to have access to words written by people who looked liked her that made her realize the importance of representation.

Finished both ‘With the Fire on High’ and ‘Clap When You Land’ by Elizabeth Acevedo and now on to ‘Milk and Honey’ from Rupi Kaur. This just hit me. I love the simplicity of her writing. pic.twitter.com/YlDRoCJkHN

— Laura Webb (@LauraLolder) July 26, 2021

A social-media star

While her words had intrigued many, it was the removal of an Instagram photo posted showing menstrual blood – part of a university project on taboo – that catapulted her to fame. The artist slammed Instagram for being misogynistic and fought against censorship.
It was this photo and Kaur’s harsh critique of the photo-blogging site that went viral. This made her an overnight Instagram celebrity and her book Milk and Honey was bought by US publisher Andrews McKeel and reissued in October. In no time, over a million copies were sold and it made its way to the New York Times Bestsellers list

2017 was yet another exciting year for Kaur as she released her second book The Sun and Her Flowers, which made her one of BBC‘s 100 most influential women of 2017.

In the last few years, Kaur’s bite-sized poems and affirmations have promoted self-love and personal growth like nothing else. The universal themes of love and loss delivered in its rawness make Kaur stand out among many contemporaries. Undoubtedly, she is the original Insta Poet who made poetry accessible to millions in the easiest way possible.

 

View this post on Instagram

 

A post shared by rupi kaur (@rupikaur_)

Editor’s Take

Even the most legendary poets have found it difficult to make a career purely out of their craft, but Indian-Canadian Rupi Kaur is a textbook example of doing it right, and that too, with elan. Known as one of the original Insta poets, she has revolutionized modern-day poetry and prose and made it appealing to millennials like no one else. Her play-it-straight approach to women empowerment, love and pain has helped her garner a cult following in recent times.

  • ALSO READ: Mindy Kaling: The Indian American actor and producer who truly represents South Asians
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Published on 31, Jul 2021

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were always fascinating for me and a true inspiration. I then married and moved to Delhi - the city sharply contrasted to Bombay. And it inspired me in another way - and my design practice is, in a way, a tale of these two cities - Bombay and Delhi. I studied in St Xaviers. I wanted to be a journalist, but then I studied Interior Design, and of course, my journey took a different direction,” the Global Indian reminisces.

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View this post on Instagram

 

A post shared by Gunjan Gupta Studio (@gunjanguptastudio)

“My work aspires to blur the boundaries between art and design. My work has been exhibited at the Triennale Design Museum in Milan and the Kochi Art and Venice Architecture Biennales in 2016. I have also taken up curatorial roles at the India design exhibition at Revelations Fine Craft Biennial (Paris, 2019) and Experimental Design Biennale (Lisbon, 2009),” she explains.

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View this post on Instagram

 

A post shared by Gunjan Gupta Studio (@gunjanguptastudio)

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Ankon Mitra: Redefining space and structure with the art of origami

(September 21, 2024) Trained as an architect, Ankon Mitra has found his calling as an artist, particularly through the ancient Japanese technique of origami. Over the past decade, the 42-year-old has carved a name for his unique art (central to which is the technique of folding) that transform materials as different as paper and concrete into monumental sculptures that redefine spatial dynamics and textures. Recipient of the All-India Gold Medal for Sculpture in 2018 from the Prafulla Dahanukar Foundation, his art has been published in the Victoria and Albert Museum's catalogue of ‘Papercrafts’ published by the Thames and Hudson in 2018. [caption id="attachment_56306" align="aligncenter" width="696"] Ankon Mitra[/caption] Having showcased his work across the world, including the CODA Museum in Apeldoorn, The Netherlands, and Arte Laguna, Arsenale de Nord, Venice (2021), the India Pavilion of the London Design Biennale at the Somerset House (2022), and the Shanghai Paper Art Biennale (2023), the artist has transcended boundaries due to the universal nature of his work. He shares with Global Indian, “My work is an extension of my love of nature. From a beehive to the center of a sunflower—everything I do is centered around nature. It is my inspiration and constant muse.”

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He shares with Global Indian, “My work is an extension of my love of nature. From a beehive to the center of a sunflower—everything I do is centered around nature. It is my inspiration and constant muse.”

An accidental artist

Born and brought up in Delhi in an artistically inclined family, Ankon never explored the possibility of being an artist. “My mother worked with the Ministry of Defense, while my father was in the steel trade. While we were interested in the artistic side of life, no one in my family pursued it seriously.”

Incidentally, his passion for art stemmed from his interest in landscape architecture, as he confesses that he always loved the clean lines of a well-tended garden. He explains, “I was always interested in math and science, so that gives a great sense of grounding and balance to my art. Because I am artistically inclined as well as technically minded, I can see things uniquely.”

 

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A post shared by Ankon Mitra (@ankonmitra)

Folding is intrinsic to Ankon’s art. He started with folding paper, as it made him look at things structurally differently. The interplay of light and shadows in folded structures fascinated him, which led to his initiation into art. His ability to take the fragile, often overlooked medium of paper and transform it into complex, layered structures earned him recognition both in India and internationally.

“When you fold something, a flat structure appears three-dimensional due to the trick of light,” he notes and adds, “Fold is a natural form. We are all made of folds, and through my experiments, I hope to showcase diverse perspectives.”

He experiments not only with paper but with various materials like metal, wood, fabric (from ikat to zardosi), and even concrete, pushing the boundaries of traditional art forms.

A mirage of forms

One of Ankon’s most significant achievements is his contribution to the intersection of art and science, where he applies the principles of origami to solve architectural and engineering problems. His large-scale installations explore eclectic concepts, creating immersive experiences that invite viewers to contemplate the delicate balance between order and chaos.

 

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A post shared by Ankon Mitra (@ankonmitra)

In a short period, the artist has made a name for himself. In 2014, when he had his first show (he laughs, saying he did not sell a single work from the exhibition), he introduced the concept of working with different materials to the art world. By 2016, when he had his second show, he had already made his mark and gained confidence, as was seen in stunning installations that included metal folding and using origami techniques to work with fabric.

His latest show, Maps Unfolded, uses historic maps (from traditional Indian pilgrimage maps, printed bazaar maps, and city maps) to create a stunning array of work. One interpretation shows the juxtaposition of the British Map of Jaipur from 1920 and the UNESCO World Heritage Map in 2012. While a folded surface gives a glance of the same localities separated by nearly a century, one can see how time changes borders, populations, and priorities.

He explains, “I want people to view narratives in unexpected ways. As one walks around the maps, different stories emerge from different views. The visual comparison shows how the syntax of the journey of cities and people can change with the passage of time.”

Other installations show the maps of Tibet that explore terrain through folds, while others use the Japanese technique of origami to create objects of startling beauty. Apart from maps, installations traverse the genres of space and nature, a recurring theme in the artist’s work.

 

View this post on Instagram

 

A post shared by Ankon Mitra (@ankonmitra)

A global artist

The artist proudly states that group effort is core to his output. He works with a team of architects at his studio in Delhi, and given the size and scale of the work he does, collaboration is a key part of his artistic process. Another key aspect of his success lies in the fact that there is a dialogue between the artist and the material (from jute to cane) that shines through. Depending on the medium, he derives the process be it making molds, undercutting the strength of the material or creating distorted shapes.

In little over ten years, the artist has made his mark for his eclectic work without precedence. Ask him why, and the genial artist smiles, “It is because geometry is universal and I layer Indian sensibility throughout my works. The material, the sense of color, and the references are all Indian, while the outlook is international. My work marries global thought with Indian roots.”

 

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Ankon’s work has been exhibited in prestigious galleries and art fairs across the world, and he continues to inspire with his pioneering approach. What makes his art special is its capacity to evoke wonder—a simple fold in his hands becomes a dynamic, intricate universe that mirrors the complexity of life itself.

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Dancer Aparna Satheesan is taking Indian classical art to new levels

(April 26, 2024) When she lost her father at the age of 15 in a car accident, the one motivation that kept her going was his wish that she would become a great dancer. Living his dream, 32-year-old, Indian classical dancer and choreographer, Aparna Satheesan has won several awards over the years. The Thiruvananthapuram native, who is settled in the US for the past 10 years, Aparna is an expert in seven Indian classical dance forms, including Bharatanatyam, Mohiniyattam, Kuchipudi, Kathakali, Ottam Thullal, and Kerala Nadanam. "My mother loved dancing, but my grandparents didn't allow her to learn. So, she wanted me to train in classical dance forms," shares Aparna during an interview with Global Indian. The dancer, who recently received the prestigious Abhinandan Saroja National Award 2021 by the National Institute of Indian Classical Dance, believes that her career, spanning 25 years, has been blissful. "I am blessed to have learnt from several eminent dancers, including Regatta Girija Chandran, Padma Bhushan Dhananjayans, Smt Vyjayanthi Kashi, Sri. Nelliyodu Vasudevan Namboothiri, Smt. R.S Lekshmi, and Smt. Chithra Mohan," she adds. Young prodigy Starting her journey at the tender age of three, the dancer shares that the more she understood Indian classical

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ncers, including Regatta Girija Chandran, Padma Bhushan Dhananjayans, Smt Vyjayanthi Kashi, Sri. Nelliyodu Vasudevan Namboothiri, Smt. R.S Lekshmi, and Smt. Chithra Mohan," she adds.

Young prodigy

Starting her journey at the tender age of three, the dancer shares that the more she understood Indian classical dance forms, the more she wanted to learn. Growing up with an elder sister in Kerala, Aparna says that her family was her biggest support throughout her life. "My father especially was always encouraging and supportive. I can hardly express how happy he would get watching me perform on the stage. Unfortunately, I lost him very early," Aparna shares.

 

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Having won several awards right from a young age, the brilliant dancer also worked as a video jokey at leading television channels during her school and college years. "I had a busy childhood, apart from the school and regular dance classes, I also hosted several shows for the channels like AsiaNet, Soorya TV, Kairali, and AsiaNet Plus. I briefly also worked as a radio jockey and even as a dubbing artist for Malayalam movies," shares Aparna.

Moving to the States

In 2011, after finishing her under graduation, Aparna moved to United States of America to pursue Masters in Software Engineering, at the Ball State University, Indiana. However, in the States people did not know much about Indian classical dance forms. "They thought that Bollywood dance was Indian classical," she shares. To showcase the Indian culture Aparna decided to take part in the University events. And from there started her journey of pursuing dance professionally.

"While I was at the University, I got several opportunities to perform and won many awards. Although I had a degree, I was sure then that I cannot leave the stage ever. So, I started choreographing my performances with a mixture of various dance forms, which was highly applauded. Later, I was even able to collaborate with many artists. My first dance production “Krishna" was premiered at The Sangam event, organised by Eli Lilly Corporation, Indianapolis. I played the main role as Krishna, which got great appreciation from the artist community," she says.

 

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With an idea of giving back to the society, Aparna started a non-profit organisation Samyoga Foundation India, in 2015, in memory of her late father. "Princess of Travancore inaugurated the foundation, Her Highness Aswathi Thirunal Gowri Lakshmi Bayi. We have conducted several fundraising events for the welfare of society under the project "Transforming Life through Dance" in India and abroad since 2015. However, we weren't able to organise any event in the last two years due to the pandemic."

The show goes on...

Living happily with her husband, Hari, and a one-year-old son, in Indianapolis, Aparna is gearing up for a performance - Amma – which she considers very close to her heart. "I am a new mother, so I understand that the journey is not all cheerful. A new mother also struggles to cope up with the new phase of her life. There is a lot of mood swings, loneliness, anger and irritability that she deals with. While we always show the happy side of motherhood, we often skip these things. However, I wanted to highlight them too. The 45-minute-long dance production will premiere in Atlanta in summer. I am quite excited about that," shares the dancer, who enjoys travelling and reading during whatever little she gets between dance practice and playing with her son.

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About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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