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Madhuri Vijay
Global IndianstoryMadhuri Vijay: The Indian author who landed in Hawaii to give shape to her award-winning debut novel
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Madhuri Vijay: The Indian author who landed in Hawaii to give shape to her award-winning debut novel

Written by: Global Indian

(August 2, 2021; 6.45pm) Once upon a time there was a girl who’d been chosen for the prestigious Watson Fellowship which took her around the world – South Africa, Trinidad and Tobago, and Malaysia – to write short stories. Halfway through the trip though, Madhuri Vijay gave up on her PhD plan. She had been writing every single day, but was quite unimpressed by her short stories. Interestingly years later, one of those stories evolved to become Vijay’s debut novel The Far Field, winner of the 2019 JCB Prize for Literature, one of India’s highest literary awards. The book was also shortlisted for the DSC Prize for South Asian Literature.  

Set between the hustle and bustle of Bangalore and the starkness of the Kashmir Valley, the book explores the fractured relationship of a mother and daughter, the pain of unrequited love, and the need to leave behind one life only to unwittingly leave dangerous repercussions on another. Restless and unsure, Shalini, the protagonist in the book, is the quintessential outsider. Shalini’s desperate need to belong and simply fit in is real and Vijay manages to bring alive each emotion with characters that are carefully fleshed out and situations that are as insightful as they are heart rending.  

The winner of the 2019 JCB Prize for Literature is ’The Far Field’ by Madhuri Vijay.#JCBPrizeWinner #TheJCBPrize2019 #MadhuriVijay @HarperCollinsIN pic.twitter.com/2vqq8nbZTj

— The JCB Prize for Literature (@TheJCBPrize) November 2, 2019

For a debut, the novel was received exceptionally well. In fact, Vijay overtook the likes of Perumal Murugan to win the JCB prize. Nikesh Shukla of The Guardian wrote, “Vijay writes with an assurance surprising in a first-time novelist, and is a delight to read. And while this is an in-depth expansion on the history and people of Jammu and Kashmir (humane but never sentimental), it is her protagonist who compels most, as Shalini watches her certainties gradually taken away from her and then returned laden with nuance and complexity.” 

But did you know that it was a challenge for Vijay to find a publisher in India? First published in the US, The Far Field found no takers in Vijay’s homeland; no publisher seemed to want to take on a novel that threatened the current climate in the country. That is until Harper Collins finally agreed to publish the book and there has been no looking back ever since. Now settled in Hawaii, Vijay is working on her second book as well as teaching English and writing-related subjects at a small school.  

From Bangalore to the world 

Born in 1987 in Bangalore, Vijay spent a majority of her time in the Indian city, before she moved to the US in 2009 to study psychology and English at Lawrence University in Wisconsin. After her graduation, she received a Watson Fellowship, which took her to South Africa, Malaysia and Tanzania while studying Indians living in foreign lands. Halfway through, she left to attend the Iowa Writers’ Workshop.   

Madhuri Vijay: The Indian author who landed in Hawaii to give shape to her award-winning debut novel

Madhuri Vijay; Photo Courtesy: Huffington Post

Vijay also spent a few years volunteering as a teacher with Haji Public School in Jammu & Kashmir’s Doda district. The years she spent there were amongst the “most stimulating, exhausting and exciting of my life,” she told Scroll in an interview. “It forced me to confront my many limitations, as well as the limitations in the average Indian’s knowledge about Kashmir. I was living in the Pahari region of J&K, 250 kilometers from Srinagar, yet Indians kept asking me about “the valley,” as if there were no distinction.”  

“I once showed a photo of my nine-year-old student to an older relative; her half-joking response was that he looked “like a little terrorist.” These subtle prejudices, and their accompanying arrogance, were eye-opening to me, not least because they are the precise opposite of what Haji Public School is trying to achieve.” 

Debut novel 

Vijay had wanted to write a book set in Kashmir for a long time, even before she went there. In an interview with Huffington Post, Vijay said, she was baffled that not many people were aware of the Kashmir conflict or even talking about it. “It was astonishing to me that everybody wasn’t thinking about it. And that was the case, especially where I grew up – in Bangalore – it wasn’t a topic of conversation. All through the ’90s, I cannot remember anybody sitting down and having a long conversation about Kashmir. Or even being able to eavesdrop enough to pick up the contours of the conflict.” 

The author had her fair share of challenges while writing the book. For instance, when she showed her first draft to a teacher, she was asked to scrap it and restart as it wasn’t too great. However, Vijay went with her faith in her writing and soldiered on and she was glad she didn’t take the advice.  

In recent times 

While Vijay dedicates some of her time to teaching, she has also been in the news for her recent short story You Are My Dear Friend, which was first published in The New Yorker. Received well, the story was recently included in the book Best American Short Stories 2021.  

Editor’s Take 

Writing a novel is not everyone’s cup of tea. Writing one with conviction while surrounded by naysayers is even more daunting. But Madhuri Vijay went with her instinct and faith in her writing, and today The Far Field is a complex yet nuanced work that is testimony of her command of storytelling.

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  • 2019 JCB Prize for Literature
  • Bangalore
  • Best American Short Stories 2021
  • Doda
  • DSC Prize for South Asian Literature
  • Haji Public School
  • Harper Collins
  • Iowa Writers’ Workshop
  • Jammu and Kashmir
  • Kashmir Valley
  • Lawrence University
  • Madhuri Vijay
  • Perumal Murugan
  • The Far Field
  • Watson Fellowship
  • Wisconsin
  • You Are My Dear Friend

Published on 02, Aug 2021

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Rupi Kaur: The Indian Canadian breaking taboos with Instagram poetry

(July 31, 9:30 am) "i want to apologize to all women i have called pretty. before i've called them intelligent or brave. i am sorry i made it sound as though something as simple as what you're born with is the most you have to be proud of when your spirit has crushed mountains from now on i will say things like, you are resilient or, you are extraordinary. not because i don't think you're pretty. but because you are so much more than that."   That's 28-year-old Rupi Kaur for you. A poet who speaks of love, loss, pain, empowerment, womanhood, abuse, trauma and sexuality like no one else. She encapsulates a tide of emotions in her bite-sized prose and makes people fall in love with every word. Poetry is an art form that truly embodies the 'less is more' philosophy. Just a couple of lines are enough to make you wince in pain or fall in love or feel empowered in union. That's the power of poems, and the Indian Canadian Kaur is a master of it all.   View this post on Instagram   A post shared by rupi kaur (@rupikaur_) From being someone who couldn't speak

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love or feel empowered in union. That's the power of poems, and the Indian Canadian Kaur is a master of it all.

 

View this post on Instagram

 

A post shared by rupi kaur (@rupikaur_)

From being someone who couldn't speak English till the age of 10 to becoming a bestselling poet and author, the Indian-Canadian has come a long way.

From warm India to lonely Canada

Born in Punjab in 1992, Kaur migrated to Canada at the age of three with her parents who had witnessed the 1984 anti-Sikh riots from close quarters. The family settled in Brampton. But adjusting to the new life in the West was hard for a young Kaur as she moved from a "warm place in India" that was full of love to a "place that was cold, rigid and where you couldn't understand anything."

In her words, she felt like an alien in this new country, where she didn't understand the language or the culture. This alienation sort of pushed her into loneliness at a young age. It was her mom who came to her rescue by encouraging her to draw and write as a means of expressing herself fully. With that Kaur started pouring her feelings and emotions on pieces of paper, and poetry almost became a cathartic experience for her.

 

View this post on Instagram

 

A post shared by rupi kaur (@rupikaur_)

The love for poetry

As spirituality and faith form a large part of Sikh culture, Kaur was introduced to poetry in the form of Gurbani and verses of Bulle Shah (a Sufi poet) at a very young age.

"Sikh scripture written in poetic verse is sung when a child is born, it is recited when someone gets married, or when they pass. And so poetry was a part of my everyday life. I learned early on that poetry is how we can explain big ideas in simple ways. There were evenings when my dad would sit around for hours, analyzing a single verse for hours. I was fascinated by how 5 words could have so much meaning. How we could dig deeper and deeper and deeper, and still there were elements left to explore," she told Vogue.

But it wasn't until her seventh grade - when an introverted and bullied Kaur won an essay competition - that she found the courage to stand tall in front of her class. She saw this award as her first step in becoming the person she always wanted to be. It gave her the confidence to write poems, and by the time she was in high school, Kaur had started blogging anonymously. These were baby steps towards her big dream.

At Waterloo University, she chose to major in rhetoric and professional writing. It was here that her writing became more reflective than before and she began performing poetry. However, her poems received a lukewarm response for being too raw or for making people uncomfortable.

Coming out to the world

By 2013, Kaur was ready to put her work out for the world, and that too, under her name, and that's exactly what she did when she made an account on Tumblr, and many of her posts got over 10,000 notes. A year later, she decided to weave art into poetry and moved to Instagram where she began illustrating poems.

The prose that had love, heartbreak, pain, trauma and abuse at their core resonated with millions of people. Kaur gave voice to feelings that many couldn't put into words. It was in her poems that many found solace, and these very words made Kaur an Insta poet at 22.

 

View this post on Instagram

 

A post shared by rupi kaur (@rupikaur_)

In a conversation with HT Brunch, she said,

"The pain that all people experience in life and the light that helps them champion through it all – it’s their lives and their stories and their love and will to keep living that moves me to write."

Her debut book

While she was a star on social media, thanks to her poems, her work was largely being snubbed by publishing houses. In a world where fiction and non-fiction rule the roost, poetry often finds itself in the dusty corners of a bookstore, or so she was told. But Kaur was adamant to put her work out to a larger audience beyond her social media following. And she did that with her self-published debut book Milk and Honey.

https://www.youtube.com/watch?v=Mnyl4GtW4Gs

In a 2013 poem about the 1984 Sikh genocide, she referred to those who lost their husbands and families to violence as 'milk and honey,' and had dreams of using this phrase for her future projects. A year in, she accomplished this with her first book.

As a child growing up in Canada, Kaur never came across a book that reflected the torment and experiences of her community or South Asian diaspora.

"The trauma of South Asian people escapes the confines of our own times. We're not just healing from what's been inflicted onto us as children… it is generations of pain embedded into our souls," she added.

It was the yearning to have access to words written by people who looked liked her that made her realize the importance of representation.

https://twitter.com/LauraLolder/status/1419655691082469376?s=20

A social-media star

While her words had intrigued many, it was the removal of an Instagram photo posted showing menstrual blood - part of a university project on taboo - that catapulted her to fame. The artist slammed Instagram for being misogynistic and fought against censorship.
It was this photo and Kaur's harsh critique of the photo-blogging site that went viral. This made her an overnight Instagram celebrity and her book Milk and Honey was bought by US publisher Andrews McKeel and reissued in October. In no time, over a million copies were sold and it made its way to the New York Times Bestsellers list

2017 was yet another exciting year for Kaur as she released her second book The Sun and Her Flowers, which made her one of BBC's 100 most influential women of 2017.

In the last few years, Kaur's bite-sized poems and affirmations have promoted self-love and personal growth like nothing else. The universal themes of love and loss delivered in its rawness make Kaur stand out among many contemporaries. Undoubtedly, she is the original Insta Poet who made poetry accessible to millions in the easiest way possible.

 

View this post on Instagram

 

A post shared by rupi kaur (@rupikaur_)

Editor's Take

Even the most legendary poets have found it difficult to make a career purely out of their craft, but Indian-Canadian Rupi Kaur is a textbook example of doing it right, and that too, with elan. Known as one of the original Insta poets, she has revolutionized modern-day poetry and prose and made it appealing to millennials like no one else. Her play-it-straight approach to women empowerment, love and pain has helped her garner a cult following in recent times.

  • ALSO READ: Mindy Kaling: The Indian American actor and producer who truly represents South Asians

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Seeing the world in ‘BLCK’ & white through Santanu’s metier

(February 18, 2022) Santanu Hazarika got into engineering thinking it was the same as studying science. He was wrong. Failing in almost all subjects, except engineering drawing, the youngster tried to drop out early on but no one understood him. As an escape, he took to drawing – a childhood passion. He also self-taught himself philosophy and metaphysics. His notebooks were filled with drawings done during class. ‘Comic’ relief  Shantanu’s fortunes were about to change - in 2014 a friend tagged him in a post by Red Bull about the World Doodle Art Championship. He signed up, won the national round, and competed internationally in South Africa. He clinched that too. “I literally had to beat the world to prove a point to a society which had a very negative predisposition towards art and artists. I had to become a champion just to draw and pursue what I was passionate about,” smiles Santanu, today an internationally-acclaimed visual artist in an exclusive with Global Indian. [caption id="attachment_20088" align="aligncenter" width="618"] Visual artist Santanu Hazarika[/caption] Winning the world’s first Red Bull World Doodle Art championship, chosen from 32,000, the 29-year-old is readying for his first-ever debut solo show titled BLCK -- an iconic display

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02/Santanu-Hazarika-31.jpg" alt="Visual Artist | Santanu Hazarika " width="618" height="412" /> Visual artist Santanu Hazarika[/caption]

Winning the world’s first Red Bull World Doodle Art championship, chosen from 32,000, the 29-year-old is readying for his first-ever debut solo show titled BLCK -- an iconic display of black and white pieces that unsettle and challenge audience perceptions in Mumbai. The show will be on till February 28.

Finding solace in a childhood passion 

Growing up in Guwahati, Santanu’s first introduction to art were comic books. Moving past DC, Marvel, he got into more adult art from image and dark horse comics. “I started copying characters and selling my drawings to friends to buy more comic books,” smiles Santanu, who did his schooling at Maria’s Public School, in the Montessori method.

From a green state like Assam, organic patterns were imprinted in the mind of this engineering dropout, and have impacted his art too.

[caption id="attachment_20089" align="aligncenter" width="530"]Visual Artist | Santanu Hazarika Angry Flower Child by Santanu Hazarika[/caption]

His engineering college years were the most turbulent, he even started taking medication to combat the pressure. “My notebook drawings were my only solace,” Santanu says, despite being a self-confessed science nerd. His artistic journey began during his time of turmoil, as a means to cope.

No looking back 

The multidisciplinary autodidact visual artist soon had an impressive list of clients - Adidas, Reebok, Harper's, Red Bull, Gully Gang, Azadi records, Ritviz, Nucleya and hip-hop artists like Raftaar and Divine. His monochromatic visual vocabulary, rooted in popular culture, took the world by storm.

The artwork which won him the Red Bull World Doodle Championship in 2014 was an ink-on-paperwork inspired from the teachings of Lord Vishnu. An illustration depicting the atman as the creator who embodied the universe within. The first plane was of logic and science through which it tried to understand nature and existence, the second was of nature and the final one was the crown chakra with Vishnu’s six-headed snake,  adi ananta sesh surrounding it.

[caption id="attachment_20090" align="aligncenter" width="669"]Visual Artist | Santanu Hazarika Visual artist Santanu Hazarika[/caption]

“The snake represented the dimension of time -- one, infinite and void -- while nature represented the plane of physical reality. The illustration had a lot of symbolic elements, like the owl for wisdom,” explains Santanu, whose father, Ramen Hazarika, is a businessman.

He has shown his unique art across the world, held workshops in the heart of Siberia. Today, this self-taught independent artist has embellished his metier.

“There is always a battle inside my head - a struggle between the explosive, primal self and the calmer, contained self to meticulously follow a realistic order. It’s like a tug-of-war between abstraction and realism fuelled by heavy metal music,” says the now Mumbai-based visual artist, who is one of the pioneers of the NFT revolution in India. The NFT boom has given digital artists a shot in the arm, with more viability. His collaborative NFT (non fungible token) with Ritviz, became one of the fastest NFTs ever sold, in a record time 37 seconds. He designs and illustrates for showroom murals, cricket team buses, shoes, cars and music album covers too.

Monochrome and turbulence: BLCK 

BLCK is an extension of his turbulent existence and the contentment it brings to him. Drawing heavily on his love for the monochromatic, BLCK, he explains, “absorbs popular culture into intertwined vines of hands, skulls, human bodies and images that mirror our minds, the chaos that descends into our bodies from the images that we consume.” It is an invitation into his world of comfortable turbulence.

[caption id="attachment_20091" align="aligncenter" width="530"]Visual Artist | Santanu Hazarika Grin by Santanu Hazarika[/caption]

A vicarious observer, resonating in the dissonance of humanity and creation, he adds, “I learn, I forget - a humorous paradox. My subjects can range from fictional characters, situations to experiences and subjects from life.”

Working on a few NFT projects, and a highly-anticipated collaboration with the acclaimed fashion brand Dust of Gods, is keeping him inspired.

“I don't wait for inspiration. It has always been a disciplined routine of labour that gets me going. That is my true inspiration,” says the artist who leans towards mockumentaries, anime, manga, physics, philosophy, films and music. Superjail, Dorohedoro, Hellsing, Ghost in the Shell and Apple Seed are his favourites in anime.

Giving back 

Assam is close to Santanu’s heart, and so is the people’s harmonious co-existence with nature and simple living. “Hunting fireflies was a favourite pastime growing up,” recalls Santanu, who believes in giving back to the artist community in Assam. Along with a few friends, he formed a collective Gauhati Art Project to build a design dialogue in the north-east, and connect it with the rest of the world. Since inception (2017), they have conducted workshops, events to help build a community.

[caption id="attachment_20092" align="aligncenter" width="528"]Visual Artist | Santanu Hazarika Visual artist Santanu Hazarika[/caption]

Where does the future lie? 

The future, he feels, is about blurring the line between the physical, digital and artistically building a metascape that represents humanity and civilisation. “You can call it the meta verse,” says the visual artist, who is currently reading a manga series Berserk by the late Kentaro Miura. Calling Bhupen Hazarika his favourite Global Indian, he feels the legend’s true genius, endless humility and being the first Assamese to represent their culture is what overawes him - Hazarika’s prolific artistry.

Actor Shruti Haasan is dating Santanu. Both have often been spotted walking hand-in-hand on the streets of Mumbai. In fact, Shruti recently revealed that she was the first to propose to her artist boyfriend.

  • Follow Santanu Hazarika on Instagram and Twitter

Reading Time: 6 min

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Inspiring melodies: Indian-British artist Dr. Chithra Ramakrishnan is transforming lives

(September 5, 2023) Teachers possess a unique and transformative power — the ability to shape the destinies of their students, instilling knowledge, nurturing talents, and inspiring dreams. In the United Kingdom, one remarkable Indian-British artist, Dr. Chithra Ramakrishnan, has harnessed this power to not only change lives but to help children with disabilities perceive and savour life from an entirely different perspective. The founder of a non-profit South Asian arts and culture organisation, ShruthiUK, the artist has played a pivotal role in making South Indian Classical Dance accessible to a wider audience. Their non-invasive, holistic approach caters to children with autism spectrum disorder, ADHD, learning and behavioural disorders. It also offers solace and support to senior citizens grappling with autism, dementia, and Alzheimer's. The recipient of the honour 'Member of the Order of the British Empire' (MBE), Dr. Ramakrishnan also launched a first-of-its-kind Carnatic Choir group, which aims at creating and exploring choral singing in the South Indian classical music genre. [caption id="attachment_44508" align="aligncenter" width="616"] Dr. Chithra Ramakrishnan[/caption] "Using our shared language - music - to cultivate deeper connections among us and to bring joy into people's lives, one song at a time holds immense significance for me," the artist

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" /> Dr. Chithra Ramakrishnan[/caption]

"Using our shared language - music - to cultivate deeper connections among us and to bring joy into people's lives, one song at a time holds immense significance for me," the artist says, as she connects with Global Indian from the UK, adding, "I aspire to harness the power of Indian classical dance as a holistic form of healing. Thankfully, my efforts have successfully bolstered the confidence of individuals of all age groups and abilities, while enhancing their mental and social well-being."

Young artistic prelude

"I come from a typical Tamil, Brahmin Iyer family. I spent a part of my childhood, in a small town near Trichy, called Lalgudi, which is very famous for its musicians and artists. A few years later my parents and I moved to the Gulf for some time, post which we returned to the country for my pre-university education. I spent most of my childhood outside India, however, music was a big part of my life - we would listen to classical South Indian music, or devotional songs at home. My mother was my greatest influence, she was a musician and dancer herself and instilled a love of music in me from a very young age. She would teach me," says the artist.

https://www.youtube.com/watch?v=Ui3dDaPxDXA

While music gave her joy, her lifelong passion for South Indian arts started when she was about eight years old and witnessed a television concert by the legendary Bharat Ratna Dr. M.S. Subbalakshmi. That incident gave her a dream – to become a playback singer one day. Realising her potential, Dr. Ramakrishnan's parents encouraged her, and soon the artist started training under renowned gurus. "Dr. M.S. Subbalakshmi was a big influence - I remember trying to sing several of her songs including Bhaja Govindam during practice. Thankfully, I came to realise at a young age that true excellence can only be achieved where passion exists. When my parents noticed my enthusiasm, they took the initiative to introduce me to exceptional mentors, with the hope of nurturing my talents even further," shares the artist.

Eventually, Dr. Ramakrishnan - who was also being trained in Bharatnatyam apart from classical music - started performing on various stages. "But, as I come from a South Indian household, and a family of academician, I also had to equally balance my studies," says the artist, laughing, "I pursued an MBA from Manipal University specialising in marketing and finance. While I was in the UK, I also pursued another MBA from the University of Frankfurt in human resources and later earned my Ph.D. in disaster management from the USA, under my father's guidance."

Setting the stage

After her marriage, Dr. Ramakrishnan shifted to the Gulf for a while, and in 2001, arrived in the UK. "I was so out of my comfort zone," she reminisces. "I had spent time in the Gulf growing up so that certainly wasn't an issue. However, the UK was a different world for me. Frankly, my biggest challenge was to get used to the weather of this land. So, it took me a couple of years before I could start calling this country my home."

https://www.youtube.com/watch?v=uEYVCzfmIss

While she did not work full-time, choosing instead to take care of her two children during those early years in the UK, Dr. Ramakrishnan started freelancing as an artist for a few organisations in the northern parts of the country. "I started building my network slowly and giving vocal support for Bharatnatyam performers. Eventually, I also started performing at concerts across the UK," recalls the artist.

As she travelled the lengths and breadths of the country, Dr. Ramakrishnan noticed that while young kids wanted to learn South Indian art forms, there was a severe lack of institutions providing courses in the discipline. It was around this time that the artist established her organisation - ShruthiUK. "I am a dreamer! I believe that everyone should have the chance to immerse themselves in the diverse art forms of South India, irrespective of their geographical location. This dream inspired me to assume the role of an 'Indian cultural ambassador' and educator based in the UK," the artist says.

[caption id="attachment_44511" align="aligncenter" width="677"]Artist | Chithra Ramakrishnan | Global Indian Dr. Ramakrishnan MBE with John Crabtree OBE[/caption]

She adds, "At ShruthiUK, our central objective in arts education is to cultivate an environment that fosters the development of artistic skills and a passion for the arts through consistent training and engaging projects. I aspire to impart my own love for Carnatic music and Bharatanatyam to the younger generation, the future leaders of tomorrow, by encouraging them to embrace their cultures and beliefs. We aim to achieve this through a range of avenues, including classes, festivals, conferences, and school outreach programme."

Of compassion and giving back

Through ShruthiUK, Dr. Ramakrishnan organises the annual Birmingham Thyagaraja Festival, a celebration of Carnatic music held in Solihull. "This festival holds a special place in my heart as it serves as a unifying platform for budding singers, musicians, and dancers, all of us passionately dedicated to showcasing the timeless compositions, rhythms, and teachings of Saint Thyagaraja, a revered figure in the world of Indian Carnatic classical music.

Over the next few years, Dr. Ramakrishnan started working actively with many mental-health-focused and non-profit organisations in the UK. "Giving back to the community holds deep significance for me. It means contributing to the well-being and progress of the place I call home and the people I share it with. To encourage others to participate similarly, I believe in leading by example," share the artist, adding, "Ultimately, it's about recognising our responsibility to contribute to the greater good and finding ways, big or small, to give back to the community that nurtures us. I consider myself fortunate to have witnessed the flourishing of Carnatic music and Indian Classical dance in the younger generation, as well as their ability to empower individuals from underprivileged backgrounds and provide strength to those facing mental and physical challenges. The knowledge that I play a pivotal role in this journey fills me with immense joy."

https://www.youtube.com/watch?v=OuWsZynBla4

But while she has taught several students, this teacher never stopped learning herself. "During my artistic journey, I've accumulated invaluable experiences and life lessons," Dr. Ramakrishnan says, adding, "Some of my most treasured memories stem from my performances in South Indian classical music and dance on various stages. These opportunities to showcase my cultural traditions have amplified my sense of pride in my heritage. I was inspired to share this profound connection with others, which led me to embrace the roles of both performer and teacher, spreading these art forms in the UK. Although my path as an educator and student has been marked by unexpected twists and challenges, my unwavering dedication and deep appreciation for these art forms have smoothed the way. I will forever consider myself fortunate to have had the privilege of being a student of these culturally rich art forms."

  • Follow Dr. Chithra Ramakrishnan on LinkedIn, Twitter, and Facebook
  • Follow ShruthiUK on Facebook and their website

Reading Time: 7 mins

Story
Nalini Malani: The multimedia artist is amplifying women’s voice through art

(November 2, 2021) She can be easily called the pioneer of Multimedia Art in India. At a time when Indian painters were still painting the traditional way, Nalini Malani was busy experimenting with mixed media. Her art isn't just visual but is an orchestra for all the five senses. Her work in the last few decades has been a comment on feminism, a subject closer to her heart. Her artwork has been giving voice to the women who have been silenced over generations, and this has earned her the Arts & Culture Fukuoka Prize, making her the first Asian woman to achieve the feat. The 75-year-old artist, who studied in the Paris, has carved a niche for herself in the art world. Here's the story of this Global Indian who is making women's voices heard through her art. The beginning - Mumbai to Paris Malani's journey began a year before India attained independence, and her family sought refuge in Kolkata during the Partition before relocating to Mumbai in 1958. During her formative years, the conflict of displacement and refuge played a crucial role in her life, and soon she began expressing herself through art. Her idea of creative liberation took

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efuge played a crucial role in her life, and soon she began expressing herself through art. Her idea of creative liberation took her to the JJ School of Art where she obtained a diploma in Fine Arts. During her art school days, she had a studio at the Bhulabhai Memorial Institute, which was a multidisciplinary centre inviting artists, musicians and theater actors to work individually and as a community. This experience gave a young Malani the perfect exposure and became a stepping stone for her participation in the Vision Exchange Workshop (VIEW), an initiative by veteran artist Akbar Padamsee. With art still being a male-dominated craft, she was the only female member at the workshop. It was here that she developed a penchant for photography and film, and explored the themes of the turbulent political and social scenario of India during those times.

In 1970, Malani moved to Paris on a scholarship awarded by the French government to study fine arts. In Paris, Malani found the freedom to design her own education since the Ecole des Beaux-Arts was yet to reconfigure its new syllabus. Those two years in the capital of France, Malani practiced printmaking at Atelier Friedlander and immersed herself in Marxist politics while attending lectures by Naom Chomsky, Simone de Beauvoir and attending film screenings at the Cinematheque Francaise where she met Jean-Luc Godard and Chris Marker. Paris gave her the foundation she needed as an artist before she returned to India in 1973.

[caption id="attachment_14827" align="aligncenter" width="553"]Nalini Malani An artwork by Nalini Malani[/caption]

The feminist artist

Upon her return, she moved to the bustling market of Lohar Chawl in Mumbai where her work reflected the lives of middle-class Indian families. She began working with paintings - acrylic on canvas and watercolour on paper, and produced art that portrayed contemporary India. Though Paris gave her the freedom to explore art, she was disappointed with the lack of acknowledgement that women artists had to face back home in the 70s. She resolved to bring them together for a group show after a meeting with visual artist Nancy Spero and American feminist artist May Stevens at the AIR Gallery in New York in 1979. Seeing the gallery's fierce determination to create a space for the work of female artists, Malani returned to India with idea of extending the formula. After years of negotiation with public and private institutions, she curated the first exhibition of Indian female artists titled Through The Looking Glass. It toured for three years, between 1986 and1989, to non-commercial venues as Malani was keen to take art beyond the elitist atmosphere of the art gallery.

Malani has always been vocal about feminism and she made every attempt to make women visible outside the narratives of femininity through her work. She often gave voice to women who have been silenced by works of literature like Sita from Ramayana and Cassandra and Medea from Greek mythology. "Understanding the world from a feminist perspective is an essential device for a more hopeful future, if we want to achieve something like human progress, she said at Centre Pompiduo in 2018.

 

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Pioneer in Multimedia Art

Over the next few years, her art was exhibited in India and abroad. She has been one of the earliest artists to experiment with mixed media and move away from traditional media. "A major turning point in my relationship to written sources in my work came in 1979 when I met the artist RB Kitaj at one of his exhibitions in New York. There I saw an artwork titled If Not, Not, taken from TS Eliot’s The Wasteland. Kitaj said to me: 'Some texts have artworks in them.' Since then, the inclusion of literary or philosophical excerpts has remained a constant in my practice," she told Studio International in an interview.

It was in the 90s that her work began to drastically incorporate medium other than the canvas after the Babri Masjid demolition as it triggered a shift in her art. The renewed religious conflicts that brought back the memories of the Partition for her pushed her artistic endeavours past the boundaries of the surface and into the space. Her foray into the performing art and keen interest in literature brought new dimensions to her art. This even led her to create a new form of art, the video-play that would allow her theatre plays to travel.

https://www.youtube.com/watch?v=Sj0b9ULNSqU

Known as one of the pioneers of Multimedia Art, Malani found her work exhibited across the globe from New Zealand to Switzerland to Mauritius to USA. In 2013, she added another feather to her cap when she became the first Asian woman to receive the Arts & Culture Fukuoka Prize for her consistent focus on contemporary themes like war, oppression of women and environmental destruction.

Malani, who began her journey in the art scene in the 60s, has come a long way and has become a name to reckon with in the international art circle.

 

Reading Time: 6 min

Story
Journey of an artist: Revati Sharma Singh is crafting artistic narratives that transcend boundaries

(June 4, 2023) In a world where the weight of crises threatens to drain the vibrancy from our existence, it is a somber thought to imagine a world devoid of colour. From the pressing issues of hunger to the disheartening disparities of abundance, humanity stands at a crossroads. But amidst this bleak panorama, one interdisciplinary artist has emerged as a beacon of hope, weaving hues of optimism through her artistic tapestry. For the past 23 years, UK-based artist Revati Sharma Singh has tirelessly traversed the creative realms between London and India. "My paintings are very layered, just like people are," the artist explained during a recent interview, adding, "Often one wouldn’t notice slow, covert changes in the weather, just like one wouldn’t pay heed to the internal workings of the mind of a stranger. In a way, then, adding layers only unpeels my art’s subject." The Global Indian has been a consistent participant in prestigious art events such as the LAPADA Fair, Saatchi's Start Art Fair, the Affordable Art Fair in London and Singapore, the Masterpieces Art Fair in London, Art Monaco, and the Venice Biennale, where she has received two invitations to showcase her work. "Layers of surfaces give

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/a> has been a consistent participant in prestigious art events such as the LAPADA Fair, Saatchi's Start Art Fair, the Affordable Art Fair in London and Singapore, the Masterpieces Art Fair in London, Art Monaco, and the Venice Biennale, where she has received two invitations to showcase her work. "Layers of surfaces give meaning to the depth of understanding and emotion below. Nothing is ever in a vacuum and nothing is ever truly lost. Even if it can no longer be seen, it is right there under the surface. My works are made up of these layers. Sometimes many layers that you only catch a glimpse of how the work started and how it evolved."

Enchanted by nature

Growing up in Mumbai, Revati would never leave any chance to visit her grandparents, who lived in a scenic village in Himachal Pradesh. It was here that the young artist first fell in love with nature's beauty and later incorporated that into her art. "My work finds its verse in memories of my days at my grandmother's tea estate, nestled between the mountains in a tiny village called Darang, in Kangra, Himachal Pradesh," she mentions on her website, adding, "It is my spiritual home that renders my aesthetic. One of the most important concepts ingrained in me from my wandering days in the hills is that of freedom. Freedom from dogma and religion, freedom from closed-mindedness, freedom to choose my influences, and freedom from fitting in."

Artist | Revati Sharma Singh | Global Indian

But, while she loved colours since she was a young kid, Revati was introduced to pottery as a teenager, and in her words she was "hooked for life". Revati said, "My love affair with the pottery first began when I was 14. That summer, I lived with and learned from the great potters, Mini and Mary in an artist village called Andretta in Himachal. I spent hours turning the wheel with my foot and creating little pieces of magic from the earth. The rest of my time I spent walking around the fields on my own."

An artistic inspiration

After earning a Bachelor of Fine Arts (BFA) degree from Delhi College of Art the artist shifted to Singapore, which proved to be a turning point. Venturing beyond the borders of India for the first time, she immersed herself in the vibrant city, tirelessly exploring its art galleries. It was during this period that she developed a deep admiration for the works of Affandi, the renowned Indonesian impressionist master, who would later become a profound influence on her paintings. "I admire Affendi, an old Singaporean Master. I love his work and his style of painting. I relate to his work a lot and am very inspired by him," Revati shared.

[caption id="attachment_39592" align="aligncenter" width="605"]Artist | Revati Sharma Singh | Global Indian Revati's artwork, "Fleeting Glimpses in Delhi"[/caption]

Interestingly, it was also during her stay in Singapore that Revati experienced the triumph of her inaugural exhibition, held at the esteemed Raffles Hotel. Reflecting on this achievement, the artist recalled a profound realisation that her art held the power to make a positive impact. Inspired by this revelation, Revati initiated a heartfelt gesture of philanthropy by donating a portion of the proceeds from each of her sold paintings to charitable organizations based in Indian cities. This philanthropic practice remains an integral part of her artistic journey, with notable contributions made to the annual charity auctions organized by the Magic Bus Foundation.

[caption id="attachment_39594" align="aligncenter" width="692"]Artist | Revati Sharma Singh | Global Indian Revati is working on several pieces for various international art festivals[/caption]

Revati eventually moved back to Mumbai and the return to her homeland sparked a transformation within her artistic expression, taking on a newfound and distinctly political dimension. Moving to the trendy Mumbai suburb of Bandra in 2007 provided Revati with a renewed perspective on the city, allowing her to embark on what she considers a pivotal phase in the evolution of her artistic expression. "I can still recall the moments when I would gaze out from my sea-facing apartment, completely captivated by the juxtaposition before me. I could see the shimmering high-rise apartments of the privileged alongside the sprawling slums below. This stark and powerful contrast became a pivotal moment of realisation for me, as it dawned on me that my art possessed the extraordinary potential to illuminate the urgent challenges that plague India's densely populated and struggling society," the artist expressed.

The broader picture

In 2011, Revati was invited to exhibit at the Art Monaco fair, which she did with Running on Faith, an installation featuring a life-size cycle rickshaw. In the work, the artist turned her focus more directly toward the religious context of modern India, targeting the concepts of faith and karma as manifested in an overweight, gold-coloured passenger being pulled along by an emaciated, grey-blue rickshaw driver – the latter’s thin body covered in tiny artworks of Hindu icons.

https://www.youtube.com/watch?v=Av4R1CVrknQ

A couple of years later the artist shifted base to the United Kingdom, and 2015’s Italia Docet | Laboratorium marked Revati's first appearance at the Venice Biennale, with two multimedia installations drawing on the work of renowned Indian philosophers Rabindranath Tagore, Sri Ramakrishna and Swami Vivekananda. While her art is brilliant, one of the most interesting things about Revati is that she makes her own colours. "I use natural pigments and glues to make my colours. Stunning lapis lazuli and beautiful malachite, earthy raw sienna, and brilliant yellow - it’s the essence of my being."

In 2019, Revati exhibited her sculptural works, Grains of Antiquity with Art and Soul, casting grains in varied materials and stitched together to form maps of countries, cutouts, and drawings are placed over each other using rice paper forming various planes of visual decoupages. Currently, working on several pieces for various international festivals, the artist wishes to use her art for the common good of humanity.

Artist | Revati Sharma Singh | Global Indian

"I have a strong desire to be ethical in the implementation of my work, to not succumb to what is expected but to be courageous and have the integrity to do what I believe in," she expressed, adding, "I found my path in the language of grains, the language of food, the language of hunger and that of abundance, it’s the language we all speak despite our differences in race, colour, class or religion. It is these differences that make life colourful."

  • Follow Revati Sharma Singh on Instagram, LinkedIn, Facebook, and her website

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About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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