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Manish Dayal with Helen Mirren
Global IndianstoryThe Hundred-Foot Journey to Resident: How Manish Dayal is winning hearts one role at a time
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The Hundred-Foot Journey to Resident: How Manish Dayal is winning hearts one role at a time

Written by: Global Indian

When Manish Dayal watched Jurassic Park as a kid, he knew that he wanted to be in the film business. The emotions, the spectacle, the sets, the story – everything about films intrigued him. But little did he know that this dream was soon going to be realized when he made his first appearance in front of the camera. Everything changed for this boy from South Carolina, and movies and television became his real world.

With 90210, The Resident and The Hundred-Foot Journey to his credit, Dayal is inching towards success with each role. Meet the Global Indian who has been breaking the stereotypes with each passing film.

Love for theatre

Born as Manish Patel to Gujarati parents, Dayal grew up in South Carolina. With nothing much to do, Dayal would often find himself glued to television watching films. It was Steven Spielberg‘s Jurassic Park that left a profound effect on a young Dayal, so much so, that he wanted to make it big in the entertainment industry.  After completing his schooling from Heathwood Hall in Columbia, Dayal enrolled himself at George Washington University to pursue a degree in International Business. It was here that Dayal discovered theatre and instantly fell in love with it. Dayal knew that it was his true calling, so he packed his bags and moved to New York to pursue his dream of making it big in the entertainment industry.

With no godfather in the industry, Dayal began his journey with commercials. McDonald’s, Nintendo, Dominos’s Pizza – every big brand had Dayal’s face plastered on it. One such commercial caught the fancy of Scott Elliot who was then planning to give a Broadway twist to Ayub Khan-Din’s Rafta Rafta, and Dayal found himself playing the lead in a production that opened to full house in New York in 2008.

The positive response to the Off Broadway production opened many doors for Dayal. If he made his Hollywood debut with a small role in the 2010 film The Sorcerer’s Apprentice, he saw himself making special appearances on American television with Outsourced and Crime Scene Investigation.

 

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A post shared by Manish Dayal (@manishdayal)

While Dayal was steadily climbing up the ladder of success with each role, not many know that direction was his first love. But a sudden opportunity to be in front of the camera made Dayal fall in love with acting. “I had no clue what I was doing. It was weird, but there was something so cool about it—it was kind of like free falling and not knowing what you’re doing, but at the same time, I understood it. After that experience, I was hooked,” he told Interview Magazine.

The 2011 show 90210 that put a spotlight on Dayal for playing an effervescent Raj Kher. Suddenly Dayal had become the dream boyfriend of every American girl, all thanks to his show. “It was huge because that Raj was devoid of any sort of ethnic reference. It was a place for me to spotlight what it means to be a young American in America today,” he told The Hindu. This new found popularity helped Dayal break some stereotypes about Asian representation on American TV with Switched at Birth, The Good Wife, Law & Order: Criminal Intent and Agents of S.H.I.E.L.D.

While American TV had become Dayal’s second home, he found his big break in Hollywood with Steven Spielberg’s The Hundred-Foot Journey. When he auditioned for the film, he had no idea what the project was, apart from the fact that he had to play a young Indian boy in the film. But his audition tape left producers Spielberg and Oprah Winfrey so impressed that he immediately got a call from director Lasse Hallstorm informing that Spielberg wants to hire him.

“When I learned that Steven was involved in this movie, I wasn’t nervous because I knew whatever it was, it had to be special. Steven Spielberg was my idol growing up. I knew that all of his movies have a very specific message and point of view, and the always are really epic,” he added.

The Hundred-Foot Journey didn’t just give him a chance to work with Spielberg but also an opportunity to share screen space with a legend like Helen Mirren. The success of this film helped Dayal bag a role in Gurinder Chadha‘s 2017 partition drama Viceroy’s House that opened at Berlin International Film Festival. With two powerful films to his credit, Dayal smashed the glass ceiling when he got one of the main roles in American medical drama The Resident. Dayal is a part of the brigade that’s representing South Asians on the big screen in a powerful way. It was during the prep for the show that Dayal realized how few South Asians are represented on TV, and he wants to take every opportunity to create the right space for more South Asian actors to follow.

“I think it’s important that we create. It’s important that we diversify the portfolio. Try everything and diversify as much as you can because creating as much as you can ultimately provide opportunities for all. Even as an actor, I am an Indian-American man in the US; roles are going to be few for me. We’re not represented as fully as some other ethnic groups,” he told American Bazaar Online.

Dayal, who fell in love with acting at a young age, has become a known face on American TV, thanks to 90210 and The Resident. The 38-year-old is helping bring inclusivity and diversity with each of his roles, something that many actors have failed to pull off.

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  • 90210
  • Berlin International Film Festival
  • Crime Scene Investigation
  • George Washington University
  • Gurinder Chadha
  • Helen Mirren
  • Lasse Hallstorm
  • Manish Dayal
  • Oprah Winfrey
  • Outsourced
  • Rafta Rafta
  • Steven Spielberg
  • The Hundred-Foot Journey
  • The Resident
  • The Sorcerer's Apprentice

Published on 11, Sep 2021

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Khyati Trehan’s Oscar ‘22 creative aside, her 3D projects are the talk of the artsy world

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A post shared by Khyati Trehan (@khyatitrehan)

“I am still in disbelief,” shares Khyati laughing, during an interview with Global Indian. Expressing her love for 3D graphics, Khyati adds, “While working on a project in college, looking for an image, I realised I was spending more time on searching for a photograph, than designing. I started exploring possibilities of making all the pictures, rather than hoping that someone had clicked an image suiting my requirements. That’s how I discovered 3D. It seemed like magic,” recalls the Forbes 30 under 30 2022.

Freedom to learn

Born in Jalandhar, Khyati moved to Delhi with her parents at a young age. As the family welcomed another daughter, it was struck with tragedy when Khyati’s father passed away in an accident when she was nine. “My mother, a college teacher in genetics and embryology before marriage, had to leave her job to look after the family,” shares the graphic designer, adding, “After my father passed away, she raised us, and it was a difficult period,” she remembers. Eventually, Khyati’s mother entered the world of haute couture, managing luxury fashion brands.

[caption id="attachment_23835" align="aligncenter" width="593"] Khyati with her mother and sister, Kavya[/caption]

Raised by a single parent, Khyati has a special bond with her sister Kavya, and her mother. “We spent a lot of time together. There was a lot of feminine energy. Yet, as a family of three women, I came across misogyny way sooner - People who worked for us wouldn’t take us seriously without a paternal figure,” recalls Khyati, adding, “My mother is a great parent, more of a friend to me and my sister. Frankly, a lot of my work and who I am today is defined by being raised by a single parent.”

An alumnus of a remarkably interesting school in Delhi, Mirambika - Free Progress School, the 3D designer had a unique childhood. “Mirambika is based on the integral philosophy of Sri Aurobindo and the Mother. We were given a lot of freedom and exposed to all kind of subjects. It was a great place to understand my skillset,” shares the once shy girl. “My sister is the opposite. Yet, I was aggressively protective of her. In fact, I named her,” she laughs.

The world of 3D

Mirambika helped Khyati realise her true potential. After school, the artist toyed with the idea of studying economics or languages. “I wasn’t interested in designing. People around me told me about this whole world of design and 3D,” the graphic designer adds.

[caption id="attachment_23836" align="aligncenter" width="650"] Khyati's art, Are Viruses Alive, for New York Times[/caption]

She fell in love with a new world of shapes, colours and design after joining National Institute of Design (Ahmedabad). "NID was a whole new world. A focus on craft - we were asked to draw to help us see things in a certain way. A mindset change, and gaining skills to become a designer, the most amazing was being surrounded by creative people,” says the 3D designer Khyati, who also met her now-husband Sanchit Sawaria during her NID days.

After NID, a few stints at graphic designing companies in Delhi led her to a big change in 2017 - she shifted to Berlin to work at one of the leading European online platforms for fashion and lifestyle, Zalando. “Design is one of those industries that allows one to have different careers. So, if I am working for hospitality, I get to learn how to run a hotel, and if I switch to designing for a musician I might hang out with the artist and learn about his craft. I needed to be versatile, and I absolutely loved it," the graphic designer smiles. The same year Khyati was named as one of Print Magazine’s 15 new visual artists under 30.

 

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A post shared by Khyati Trehan (@khyatitrehan)

In 2019, Khyati joined award-winning global design and innovation firm IDEO. The sky was the limit as she worked on projects with NYT, New Yorker Magazine, Apple, Adobe, Absolut, Instagram and Snapchat. The successful graphic designer won several awards and recognitions too - Artistry Creator of the Year at Adweek’s Creator Visionary Awards, ADC Young Guns 19 – 2021, etc.

Back to India and straight to Oscars

Having worked without a break for eight straight years, and with the pandemic, the 3D designer decided to return home, and spend some quality time with my loved ones,” the graphic designer adds.

That was when an email from the Academy popped up asking if she was interested in participating on a project. The theme focused on the intersection of storytelling and technology, inviting eight artists from around the world to each create a representation of the Oscar statue inspired by their personal appreciation of movies and  ‘how do movies transform and inspire?’

 

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A post shared by Khyati Trehan (@khyatitrehan)

“My concept was of the Oscar statue as a movie viewer amidst the action,” shares the Forbes 30 under 30, and she immediately got a “go ahead.” “It was a dream project and I drew inspiration from the immersive power of movies. I wanted to create an overwhelming sense of feeling,” she shares, adding, “I just wished they has called us to the US for the ceremony when my design was selected,” laughs the artist, who has many interesting projects on the anvil.

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An author of the book of Dance as Yoga: The Spirit and Technique Odissi, Rekha explains that yoga has been the fundamental building block of Indian art for centuries. "In essence, yoga is the union of matter and spirit. The process of refining any body movement skills and aspiring for excellence, is by itself very naturally ‘yogic’," shares the artiste during a conversation with Global Indian, adding, "Yoga has made such a strong impact on global consciousness, and all Indian classical dance forms embody yoga. This integral connection will acquire more widespread acknowledgment and as it does, I am sure more people will gravitate towards them."

Born to dance

Born in Karachi, Pakistan, well-known Odissi dancer Rekha Tandon is shaping Indian classical dance - Odissi - for a contemporary world. As her father was working with the Indian Foreign Services, Rekha lived in various countries, including Germany, Belgium, and Egypt. Moving from one country to the other, if there was one thing that stuck with Rekha, it was dancing. "I loved to dance even as a child," shares the artiste, adding, "I was introduced to various Indian classical dances, such as Bharatnatyam, Kathak, and Khathakali in school. In fact, when I lived in Cairo, I even learned western ballet."

[caption id="attachment_24386" align="aligncenter" width="550"]Artiste | Rekha Tandon | Global Indian Rekha with Padmashree Madhavi Mudgal, in 1985[/caption]

However, the family was struck with tragedy when the artiste's father passed away in a glider crash, in 1981. The dancer's mother, who had been a housewife until then, started working India Tourism Development Corporation and later also worked for the former Prime Minister of India, Rajiv Gandhi. The family moved to Delhi, and it was in this city that Rekha fell in love with Odissi.

"I was about 15 years old, and during an event, I saw eminent dancer Kiran Segal perform. Although I had been dancing for about six to seven years by then, I was transfixed by the lyrical quality of her performance, It seemed to combine contrasts effortlessly — strong, defined lower body footwork with a very fluid, curvilinear upper body that was perfectly amalgamated," shares the artiste, who soon started learning Odissi, under Guru Surendra Nath Jena - whose dance style incorporated the various aspects of Indian culture, such as temple sculpture, ancient dance, Sanskrit and vernacular literature, yoga, traditional painting, manuscripts, and philosophy.

[caption id="attachment_24387" align="aligncenter" width="551"]Artiste | Rekha Tandon | Global Indian Rekha Tandon with other Odissi artistes[/caption]

"Initially it was more like something I did in the afternoons, after school. But slowly my focus changed and dancing became much more than just a hobby for me," shares the artiste, who pursued a bachelor's degree in planning and architecture.

A dance academician

After six years of practice under Guru Surendra Nath Jena, a 23-year-old Rekha started rehearsing at the Gandharva Mahavidyalaya, under Padma Shri Madhavi Mudgal. "Though my mother was very supportive, I still had a lot of pressure to look for a job. So, in 1985 after my graduation, I apprenticed under an architect, who was working with noted designer Rajeev Sethi. We worked on the event Festivals of India. However, I think dancing was where my soul was," laughs the artiste, who later did a master's in history of art, from the National Museum Institute of History of Art, Conservation and Museology between 1990 and 1994.

[caption id="attachment_24388" align="aligncenter" width="551"]Artiste | Rekha Tandon | Global Indian Rekha at Skandavan with her students[/caption]

While Rekha had been practicing Odissi and presenting solo performances at many festivals in different parts of the world since 1985, she wanted to learn more about the history of Indian dances and understand the culture better. So, in 1995 the dancer started pursuing a PhD in Dance Studies from the Trinity Laban - United Kingdom's only conservatoire of music and contemporary dance. It was here that the dancer met her now-husband, Michael Weston, who is a musician.

As the artiste studied and researched at the centre about how the Indian dances were connected to the temples, yoga, and philosophy, Rekha was also working with the kids trained in Gotipua dance in Bhubaneswar, Odisha. In 1997, the dancer co-founded Dance Routes with her husband, to help these kids slow down their acrobatics and learn new choreography.

 

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Explaining her work with the Gotipua dancers, Rekha shares, "Gotipua is basically a traditional dance form, which is the precursor of Odissi. These kids have been performing in the courtyards of the Hindu temples since 16th century. It has been performed in Orissa for centuries by young boys, who dress as women to praise Jagannath and Krishna. Once they become fully mature at the age of 14 or 15, they stop dancing. So much skill was invested in 10 years of their life. However, they eventually were jettisoned from this tradition and had to find alternative sources of income. Our work involved developing their skills further and creating productions that could be staged in cities.”

Living in the lap of nature

The artiste first visited the beautiful Auroville - which she now calls home - for a workshop, along with her husband. "It was during our third visit to Auroville that we decided to make it our base. We have beautiful rooms for foreign visitors, who come for the residencies. I also have a few students from Auroville, and Puducherry, whom I teach Odissi."

Over the last few years, Rekha and her husband have documented, researched, and produced DVDs in connection with the art form. Shares the artiste, “We have this interesting history folk tradition being revised as classical tradition. And, it would be tragic to just tap into the final product of Odissi and not look back at the elements that went into it. The focus of the hour is while learning Odissi, being aware of the resources that went into building it right from the beginning.”

https://www.youtube.com/watch?v=Vp5P__5Pvgs

Giving an insight into her world, the artiste shares, "I live and work mostly from a studio residence in Skandavan which is a beautiful two-acre garden near Auroville, with my husband, Michael, two dogs, a cat, several chickens, and two big fishponds. We inevitably always have guests or students living on the premises as well. So, every day is always busy from very early morning onwards. When I can, I enjoy watching movies, reading, or just being with the animals."

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A loneliness that led to music

Born to billionaire industrialist Kumar Mangalam Birla and Neerja Birla, Ananya often found herself at the crossroads of living up to her family's name and carving her own identity. With a bodyguard and a curfew in place, Ananya felt claustrophobic trying to fit into the world's expectations of her. It was music that came to her rescue in times of loneliness and made her feel understood.

[caption id="attachment_34628" align="aligncenter" width="508"]Ananya Birla | Global Indian | Artist Ananya Birla with father Kumar Mangalam Birla[/caption]

Her parents who were supportive of her dreams often helped ease her dilemma. Even as a child, it was music that gave Birla solace and joy. At age nine, she picked up the santoor, having watched her mother play the instrument over the years. Growing up, she fell in love with the guitar and taught herself to play the instrument through YouTube tutorials. That's when she started tiptoeing into the world of music composition. However, music continued to be a hobby, until, she moved to Oxford University to study Economics and Management.

The musical journey

It was here that Ananya was introduced to the vibrant music scene and the gig culture that played a catalyst in transforming her passion into a career. She began playing at local pubs and clubs in London, and also started writing her own music. This exposure to several genres of music gave her the confidence to make her own music. And that's what she did when she dropped her first single Livin the Life in 2016.

The popularity of the song landed her a worldwide release through AM:PM recording after Dutch DJ Afrojack remixed it. This was the beginning of her innings in music.

Ananya arrived on the scene when there were not many takers of the music that she was producing. But the 28-year-old had to break the ceiling to make her voice heard, literally.

https://www.youtube.com/watch?v=KzeKmJj7L-Q

In a conversation with Billboard, she said, "When I started out, I was told that there wasn’t really an audience in India for my type of music. Until recently, film music really dominated. Different genres and English-language songs didn't get much attention. Now labels are pushing independent singers, and there's a lot more opportunity for artists who want to create their own music. The digital shift and globalisation also mean the appetite for English language music has increased so much," adding, "I think if you want to stand out from the crowd you have to be willing to take risks and go against the grain. Breaking out was tough and I got a bit of criticism at first which was hard to deal with. But, I learned quickly that this comes with the territory and anything creative is 100% subjective. I am so happy people are now responding so positively to my music back home."

With 2017 came her next single Meant To Be. Such was the response to her song that made her the first Indian artist with an English single to go platinum in India. In no time, Ananya made a name for herself in the music world and was recognized by international artists. So much so that she soon found herself performing at Coldplay's concert in Mumbai.

The platinum singer

Ananya is one of the few women artists who is making it big in pop music with five of her singles making it to platinum. Be it Hold On (2018) or Unstoppable (2019), Ananya has been carving a niche for herself in the world of music, one song at a time. "As a woman in a male-dominated industry, it’s important to believe in yourself and not to do anything you don’t feel comfortable with. It can be tough. When I started out, it really hurt when I was told that my style, look, or sound wasn’t right. But my vision was strong and I refused to change for anyone. As soon as I was confident being unapologetically myself, everything started falling into place," she added.

 

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Ananya's songs are an extension of herself, something that she draws from her personal experiences. For her, music is a medium through which she connects with people and emotions.

The singer and songwriter is one of the few artists to collaborate with big names like Sean Kingston and Mood Melodies, thus giving the world a perfect mix of pop music. Ananya's songs and collaborations are a reminder that music is a universal language. "International perspective definitely helps take a song to the next level. I'm influenced by all the places I go. I’ve been lucky to work in some of the best cities across the world where music is a huge part of the culture. India, though, is a part of my soul. It is impossible not to be influenced by it, the intensity, the sounds, the centuries of culture," added the Global Indian.

In just a few years, Ananya has become a name to reckon with in international music circles. If her 2019 song Day Goes By was proof of the first collaboration between an Indian and American artist, her 2020 song Everybody's Lost put her on an American national top 40 pop radio show, Sirius XM Hits, making her the first Indian artist to achieve that feat.

Ananya's music is universal, and her performances at some of the biggest music events like Global Citizen, Oktoberfest, and Sunburn are proof of her popularity.

The entrepreneur making a difference

Ananya's love for music is quite evident, but not many know that she founded her first startup at 17. While her heart is in music, her purpose lies in making a difference and that's exactly what she did when she started Svatantra Microfin to provide financial aid to women in rural India.

Despite her privileges, Ananya was aware of the existing income gap and wanted a company that could help small businesses grow. But it was a challenge to start a company at 17, even with a powerful surname.

 

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"When I started up, I was young and no one was willing to join my team; banks were not willing to lend. No clients are willing to come in. I used to cry in the bathroom when I came home after work," she told Makers India in an interview. But she was determined to make it happen and currently, her startup has reached over one million customers across the country.

Ananya expanded her vision and dove into a global luxury e-commerce platform with Ikai Asai in 2016. It was in the same year that Forbes named her one of Asia's Women to Watch.

The youth icon and entrepreneur is also closely involved with MPower, a mental health foundation she started with her mother Neerja to break taboos around mental health. Her struggles with anxiety as a teenager led to the formation of MPower, and the foundation is working incessantly to create awareness of mental health.

"We have centuries worth of stigma built up around mental health issues - self-perpetuated by the fact that poor mental health is so difficult to talk about. However, the importance of talking about it cannot be overstated. When we talk about mental illness we debunk falsities, tackle isolation and empower those suffering to get the help they so badly need. With global suicide rates on the rise, it is crucial that reaching out for help becomes an act of power as opposed to a sign of weakness," she told YourStory.

Ananya Birla | Global Indian

During the pandemic MPower joined hands with the Government of Maharashtra to launch a 24x7 helpline and more than 45,000 calls were received within the first two months of its launch.

Not only this, Ananya launched Ananya Birla Foundation in 2020 to provide COVID-19 relief work that had the distribution of PPE kits and providing essentials to migrant workers at its centre.

At 28, Ananya is the textbook example of a youth icon who is breaking the glass ceiling with her global music one hit single at a time, and making a difference in society with her philanthropic work.

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Artist Anjini Prakash Laitu: The Colourman of Dubai

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for my work. I have also been honoured with the prestigious Golden Visa from Ministry Of Culture Dubai," he beams with pride.

[caption id="attachment_20135" align="aligncenter" width="755"]Indian art | textiles | Ministry of Culture Dubai | hand-painted sarees Anjini began painting when he was 60 and hasn't looked back since[/caption]

Colours inspired by Mathura

Growing up in Mathura, Anjini’s love for colours began there. “My parents got us colours during summer holidays to keep us engaged. I never missed a chance to experiment with colours,” Anjini says in an interview with Global Indian.

Shantiniketan in West Bengal was a place where he dreamed about honing his skill and artistry. However, he couldn’t pursue his dream as his parents, (from an academic background) had a dim view of art. “My father was an electrical engineer and mother, a teacher. Those days painting was not a noble profession. So my parents did not agree,” recalls Anjini.

A different route

Bidding goodbye to the world of colours, he studied for a diploma in paper technology. He began working as an apprentice at a paper mill in Yamuna Nagar, Haryana, where he worked with the Thapar Group for 37 years across various locations and positions.

The year 1996 brought with it the opportunity to move to Dubai to work for a glass bottle-making company, which is where he retired in 2001. Reinventing himself after retirement, he got back to his first love - art. “After my retirement, I did fabric painting with some Dubai designers, but the desire of being called a qualified Indian artist remained deeply embedded in my heart,” adds the artist.

Rise to stardom

He pushed the pedal and enrolled in Sharjah Art Institute in 2005 to hone his artistic skills, and became a “certified” artist within three years. In no time, his work started attracting art lovers.

[caption id="attachment_20130" align="aligncenter" width="771"]Indian art | textiles | Ministry of Culture Dubai | hand-painted sarees His work is inspired by the colours of Mathura, his hometown[/caption]

It was the Arab Cultural Club that gave him his first break for two solo exhibitions, one exclusively for canvas and the other for textile paintings. “This was when I entered into the art community as a fully qualified painter and there was no looking back,” he chuckles.

Anjini doesn’t believe in rules in the world of art. “I have been a painter who doesn’t believe in mathematics of 2 + 2 = 4. I advocate full freedom when we talk about art. My paintings should pass on positive energy, therefore the use of bright colours to make them lively. It’s also why I am lovingly called ‘Colourman’ in art fraternity,” the Indian artist explains.

Fabric painting

All through his working life, he kept his passion for art alive by painting motifs inspired by nature on dresses, shirts and sarees. “During the 60s, Fevicryl and Camlin started fabric colours. I experimented a lot with them. My wife preferred wearing only my hand-painted sarees. This made me quite an experienced fabric painter,” he adds.

In Dubai, he got the opportunity to work on fabric painting with some of the biggest names in haute couture like Akee and Walid Attalah. Shirts, denim, belts and shoes, had his customised motifs on them. Recently, he showcased his hand-painted saree collection at a fashion show at Dubai’s floating hotel Queen Elizabeth 2. “I am happy that painting is not my livelihood. I paint for my pleasure and happiness. Rest is a bonus and reward,” he smiles.

[caption id="attachment_20132" align="aligncenter" width="539"]Indian art | textiles | Ministry of Culture Dubai | hand-painted sarees As a fabric painter, Anjini has worked with some of the biggest names in haute couture[/caption]

Love for MF Husain

The legendary MF Husain greatly influenced Anjini. As a youngster, he would often travel from Yamuna Nagar to Delhi to meet his idol. “Either in Dhoomimall Art Gallery or Open Coffee House at Connaught Place. Fortunately, I also got a chance to meet my ustaad in Dubai when he shifted his base to the Middle East,” he adds.

Daily regimen

Three-four hours of painting daily, his weekends are for family. “I am also very fond of cooking, especially meat, or paani puri, dahi vada and some fusion dishes,” says the painter who likes a game of billiards once in a while.

Visual Artist | Anjini Prakash Laitu

“My plan for 2022 is to take part in the upcoming World Art Dubai and exhibit my new works on canvas and a fashion show of my hand-painted sarees,” the Indian artist reveals.

He’d like to leave his paintings to the next generation. Learning new things eggs him on, and he feels it’s important to let people, especially youngsters pursue their dreams, instead of waiting for decades like he did.

  • Follow Anjini Prakash Laitu on Instagram

Reading Time: 6 min

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Bringing home the golden statuette: Five Indians who won at the Oscars

(April 6, 2022) The Oscars have had a long and prestigious history. As the Academy of Motion Picture Arts and Sciences (AMPAS) Los Angeles hosted the 94th edition of the Academy Awards this year, the best in the world of cinema was honoured and celebrated. With documentary feature Summer of Soul producer Joseph Patel becoming the first Patel to win an Oscar this year, Indian diaspora yet again basked in the glory at the award ceremony. Global Indian turns the spotlight on five Indian artistes who brought home the golden statuette over the years.  Bhanu Athaiya, best costume design, 1983 Bhanu Athaiya has long been considered Bollywood’s most iconic costume designer. She was also the first Indian to win at the Oscars in 1983 for the historical drama Gandhi. Incidentally, this JJ School of Arts alumna had taken to painting with contemporaries like MF Hussain and FN Souza. After her switch to cinema, she designed costumes for over 100 films including CID, Pyaasa, Sahib Biwi Aur Ghulam, Razia Sultan, Amrapali, Teesri Manzil, 1942: A Love Story, and Swades. She also worked on several international projects with directors like Conrad Rooks and Richard Attenborough. https://www.youtube.com/watch?v=cnw3u-49CJU   A few months before her

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. She also worked on several international projects with directors like Conrad Rooks and Richard Attenborough.

https://www.youtube.com/watch?v=cnw3u-49CJU

 

A few months before her death in 2020, Bhanu had returned her Oscar statuette, to its original owner, (AMPAS), for safekeeping.

Satyajit Ray, lifetime achievement award, 1992

An Indian filmmaker, screenwriter, author, lyricist, music composer, calligrapher and illustrator, he is considered as one of the greatest filmmakers of all time.  Some of his celebrated works include The Apu Triology (1955–1959), The Music Room (1958), The Big City (1963), and Charulata (1964). It was in 1992 that he picked his first Oscar, thus becoming the first Indian to receive an honorary Academy Award for lifetime achievement. However, at the time, Ray was hospitalised due to ill health and was unable to attend the ceremony; he gave his acceptance speech via live feed.

https://www.youtube.com/watch?v=SqlSIqwu0aQ

 

So popular were his works, that they were often used as case studies at various filmmaking institutes. During the span of his career, he’d directed 36 films that included feature films, shorts, and documentaries. In 1978, he was also awarded an honorary degree by Oxford University. Did you know, his first film Pather Panchali had won 11 international prizes?

Gulzar, best original song, 2009

It was in 1963 that this Indian poet, screenwriter, author, and film director made his debut as a lyricist with the 1963 film Bandini and has since worked with many music directors – from RD Burman to AR Rahman. After serenading Bollywood and Indian music lovers with his work, he struck gold with Danny Boyle's 2008 Hollywood film Slumdog Millionaire. He picked the Academy Awards for the best original song - Jai Ho with AR Rahman. He also won a Grammy for it.

Oscars | Five Indians | Global Indian

Born in Dina, British India, the poet writes primarily in Punjabi and Urdu, although he has also written in several other Indian languages such as Khariboli, Braj Bhasha, and Haryanvi. His poetry is mostly in the Triveni (confluence of three) style of stanza. Gulzar has prolifically written lyrics and dialogues for several popular Doordarshan TV series including Jungle Book, Alice in Wonderland, and Hello Zindagi. His latest work as lyricist is for Darlings, a comedy drama releasing this year.

  • Follow Gulzar on Instagram 
 AR Rahman, best original score and best original song, 2009

Music maestro AR Rahman is the first Indian to be nominated in three categories at the Academy Awards for his background score in Slumdog Millionnaire. The maestro created history by winning two awards – one for the best original song and other for the best original score for Jai Ho. Before this the composer had been nominated at the Oscars for best original score for the movies 127 Hours and If I Rise.

https://www.youtube.com/watch?v=aYXsE1dJdiw

 

The Indian composer has been primarily working in Hindi and Tamil films since his film debut with Roja in 1992. In 2009, he was featured on the Time list of the world's 100 most influential people and in 2017, he made his debut as a director and writer for the film Le Musk. Rahman has recently released a modern-day anthem, Moopilla Thamizhe which is composed, arranged, and produced by him. The song celebrates Tamil culture and the achievements of the people of the state in various fields.

  • Follow AR Rahman on Twitter and Instagram 
Resul Pookutty, best sound mixing, 2009

Resul Pookutty, the famed sound designer, sound editor, and audio mixer, won big at the Oscars for immaculate sound mixing in the movie Slumdog Millionaire. He won the award along with Ian Tapp and Richard Pryke. Pookutty has worked in Hindi, Malayalam, Tamil, and British films.

https://www.youtube.com/watch?v=b5syYtQV_Vc

 

The youngest of 10 children, Pookutty would walk six kilometres to attend the nearest school; his father was a bus conductor. Since the village he lived in did not have electricity, he would study using a kerosene lamp. He made his debut with Private Detective: Two Plus Two Plus One, and subsequently engineered sound for major productions like Black, Musafir, Gandhi My Father, Kerela Varma Pazhassi Raja. Of late, he has been busy with his directorial venture.

  • Follow Resul Pookutty on Twitter and Instagram 

 

Reading Time: 5 mins

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About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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