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Metaverse | Global Indian
Global IndianstoryThe future is now: Indian startups going strong in Metaverse space
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The future is now: Indian startups going strong in Metaverse space

Written by: Charu Thakur

(September 5, 2022) What was originally planned as a computer-generated graphic novel turned into a science fiction paperback in 1992 where author Neal Stephenson first introduced the word Metaverse. And now almost three decades later, the concept has caught up with the world so much that startups have started popping up in the space. Interestingly, the global metaverse market, which reached $47.69 billion in 2020, is expected to register $828.95 billion by 2028. And Indian startups are not far behind in playing a pivotal role in the metaverse space.

Global Indian turns the spotlight on a handful of such startups that are making a mark for themselves in the space.

OneRare

Food does have a language of its own and connects people like nothing else, and husband-wife-entrepreneur-duo Gaurav Gupta and Supreet Raju knew it was time to bring the F&B industry to Web3 with OneRare. It was during the lockdown that the couple decided to dip their toes into the world of food metaverse or ‘Foodverse’ by creating virtual experiences, food NFTs and games, and interactions with foodies from across the globe.

“Food is what connects us and the metaverse only brings us closer together in a unique way in which we can share our culture and our food. Now with the launch of the Foodverse, there is no reason why brands and consumers can’t come together in this safe, virtual setting,” Supreet said in a statement.

Metaverse | Onerare | Global Indian

So how does it work? Designed like the real world, the Foodverse indicates geographical locations like forest, beaches and the lakeside, and one can explore the world at their own will. Moreover, it features zones where users can discover celebrity chefs, food brands and virtual restaurants, and can even claim dish NFTs by collecting ingredients and following recipes to mint exclusive NFT artworks. Interestingly, the dishes include global cuisines, festive specials, keto and vegan-friendly recipes, as well as signature recipes from celebrity chefs and restaurants. “As we grow, users will also be able to swap these NFTs for real meals and deals – amalgamating our real and virtual lives,” Raju said in a statement.

  • Follow OneRare on Twitter
Wall.app

In 2021, when NFT market boomed and an increasing number of startups began innovating in the space, entrepreneurs Anuj Kodam and Amarnath JV felt that something was amiss. Despite the hullabaloo, they couldn’t find any reliable platforms that provided easy access to trends, analytics and on-chain data in the NFT market. That’s when the idea of Wall App germinated, which helps users discover and stay up-to-date with new NFT projects.

On Wall.app, users can look at NFT data on Ethereum in terms of volumes, price action, the number of sales, track leading NFT collections, get details on specific whale wallets that move markets, big sweeps in the sector, and other highlights,” Anuj told The Decrypting Story in an interview.

For Anuj, things started to shift when he stumbled upon Web3 in 2017 after he quit his job at Ola, and started spending time playing poker professionally. It was then that he realised the similarities between the lack of transparency in online poker platforms and lack of information on blockchain assets. That’s when he met Amarnath and started working on Wall.app.

  • Follow Wall.app on Twitter
NextMeet

At a time when isolation and UI fatigue due to remote working was taking a toll on people, Hyderabad-based Pushpak Kypuram decided to shake things up with Next Meet – India’s first avatar-based immersive platform that enables virtual conferencing and networking in a 3D environment. In October 2020, he started incorporating interactive environments, spatial audio and 3D avatars to facilitate UI within its diversified ecosystem.

Events in the Metaverse are a synonym to
1) Saving Costs
2) Highly Immersive
3) Global Presence
4) Flexibility

Download the app now!https://t.co/QPN9yoSYKe
#thefuture #virtualengagement #nextmeet #web3 #immersive #virtualreality pic.twitter.com/5CAMTx94TE

— NextMeet (@NextMeet_Live) August 29, 2022

“I endorse virtual realities wherever possible. If one could get splendid views of the Himalayan mountain ranges and the next minute, don an avatar to walk in and out of an office, meet in a huddle room and even indulge in the proverbial water cooler talk – all virtually, then why not?,” Pushpak told International Institute of Information Technology.

  • Follow Next Meet on Twitter
LOKA

Fancy a multiplayer gamified virtual metaverse? Then LOKA is your answer – India’s first multiplayer gamified virtual metaverse based on 3D maps of real-world cities and locations where players can participate in live and concurrent experiences. Founded in 2020 by Krishnan Sunderarajan, LOKA provides gaming experiences that are powered by third-party apps – which means one can visit a theatre in the game and watch the latest movies on the Netflix app or attend yoga classes via the Cult Fit app or order pizza which will be delivered to your actual address via Zomato.

Additionally, the platform also boasts of elements like ambience, background noise and non-player characters.

  • Follow LOKA on Twitter
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Published on 05, Sep 2022

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Story
Khyati Trehan’s Oscar ‘22 creative aside, her 3D projects are the talk of the artsy world

(April 29, 2022) The 94th Oscar Academy Awards, the greatest galas of 2022, had an august array of creative spirits. Among them was an Indian graphic designer whose 3D artwork was among eight creatives invited to contribute to the Oscars. 3D artist Khyati Trehan, a well-known fluid digital artist was no doubt thrilled to be selected, even wishing she had been invited to the ceremony. However, her body of work earlier has included working with the biggest names in the industry - New York Times, Apple, WeWork, Adobe, etc.   View this post on Instagram   A post shared by Khyati Trehan (@khyatitrehan) “I am still in disbelief,” shares Khyati laughing, during an interview with Global Indian. Expressing her love for 3D graphics, Khyati adds, “While working on a project in college, looking for an image, I realised I was spending more time on searching for a photograph, than designing. I started exploring possibilities of making all the pictures, rather than hoping that someone had clicked an image suiting my requirements. That’s how I discovered 3D. It seemed like magic,” recalls the Forbes 30 under 30 2022. Freedom to learn Born in Jalandhar, Khyati moved to Delhi with her parents

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tyle="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;">

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A post shared by Khyati Trehan (@khyatitrehan)

“I am still in disbelief,” shares Khyati laughing, during an interview with Global Indian. Expressing her love for 3D graphics, Khyati adds, “While working on a project in college, looking for an image, I realised I was spending more time on searching for a photograph, than designing. I started exploring possibilities of making all the pictures, rather than hoping that someone had clicked an image suiting my requirements. That’s how I discovered 3D. It seemed like magic,” recalls the Forbes 30 under 30 2022.

Freedom to learn

Born in Jalandhar, Khyati moved to Delhi with her parents at a young age. As the family welcomed another daughter, it was struck with tragedy when Khyati’s father passed away in an accident when she was nine. “My mother, a college teacher in genetics and embryology before marriage, had to leave her job to look after the family,” shares the graphic designer, adding, “After my father passed away, she raised us, and it was a difficult period,” she remembers. Eventually, Khyati’s mother entered the world of haute couture, managing luxury fashion brands.

[caption id="attachment_23835" align="aligncenter" width="593"] Khyati with her mother and sister, Kavya[/caption]

Raised by a single parent, Khyati has a special bond with her sister Kavya, and her mother. “We spent a lot of time together. There was a lot of feminine energy. Yet, as a family of three women, I came across misogyny way sooner - People who worked for us wouldn’t take us seriously without a paternal figure,” recalls Khyati, adding, “My mother is a great parent, more of a friend to me and my sister. Frankly, a lot of my work and who I am today is defined by being raised by a single parent.”

An alumnus of a remarkably interesting school in Delhi, Mirambika - Free Progress School, the 3D designer had a unique childhood. “Mirambika is based on the integral philosophy of Sri Aurobindo and the Mother. We were given a lot of freedom and exposed to all kind of subjects. It was a great place to understand my skillset,” shares the once shy girl. “My sister is the opposite. Yet, I was aggressively protective of her. In fact, I named her,” she laughs.

The world of 3D

Mirambika helped Khyati realise her true potential. After school, the artist toyed with the idea of studying economics or languages. “I wasn’t interested in designing. People around me told me about this whole world of design and 3D,” the graphic designer adds.

[caption id="attachment_23836" align="aligncenter" width="650"] Khyati's art, Are Viruses Alive, for New York Times[/caption]

She fell in love with a new world of shapes, colours and design after joining National Institute of Design (Ahmedabad). "NID was a whole new world. A focus on craft - we were asked to draw to help us see things in a certain way. A mindset change, and gaining skills to become a designer, the most amazing was being surrounded by creative people,” says the 3D designer Khyati, who also met her now-husband Sanchit Sawaria during her NID days.

After NID, a few stints at graphic designing companies in Delhi led her to a big change in 2017 - she shifted to Berlin to work at one of the leading European online platforms for fashion and lifestyle, Zalando. “Design is one of those industries that allows one to have different careers. So, if I am working for hospitality, I get to learn how to run a hotel, and if I switch to designing for a musician I might hang out with the artist and learn about his craft. I needed to be versatile, and I absolutely loved it," the graphic designer smiles. The same year Khyati was named as one of Print Magazine’s 15 new visual artists under 30.

 

View this post on Instagram

 

A post shared by Khyati Trehan (@khyatitrehan)

In 2019, Khyati joined award-winning global design and innovation firm IDEO. The sky was the limit as she worked on projects with NYT, New Yorker Magazine, Apple, Adobe, Absolut, Instagram and Snapchat. The successful graphic designer won several awards and recognitions too - Artistry Creator of the Year at Adweek’s Creator Visionary Awards, ADC Young Guns 19 – 2021, etc.

Back to India and straight to Oscars

Having worked without a break for eight straight years, and with the pandemic, the 3D designer decided to return home, and spend some quality time with my loved ones,” the graphic designer adds.

That was when an email from the Academy popped up asking if she was interested in participating on a project. The theme focused on the intersection of storytelling and technology, inviting eight artists from around the world to each create a representation of the Oscar statue inspired by their personal appreciation of movies and  ‘how do movies transform and inspire?’

 

View this post on Instagram

 

A post shared by Khyati Trehan (@khyatitrehan)

“My concept was of the Oscar statue as a movie viewer amidst the action,” shares the Forbes 30 under 30, and she immediately got a “go ahead.” “It was a dream project and I drew inspiration from the immersive power of movies. I wanted to create an overwhelming sense of feeling,” she shares, adding, “I just wished they has called us to the US for the ceremony when my design was selected,” laughs the artist, who has many interesting projects on the anvil.

  • Follow Khyati Tehran on Instagram, LinkedIn and Twitter

Reading Time: 7 mins

Story
Mindfulness on the menu: Sumukh Tallam celebrates the slow life at Maya

(May 26, 2024) It is always heartening to meet a young person who follows his or her passion while caring about the environment. Their career trajectory feels like a victory lap – a win-win situation where they are doing what they love best, and simultaneously, saving the earth. One such determined young entrepreneur is Sumukh Tallam from Bengaluru. Though he comes from a family of jewellers, he had an early interest in cooking. One he attributes to his mother and grandmother. “I was always curious about what went on inside the kitchen. My mother and grandmother were feeding us haute cuisine, microgreens and edible flowers, and experimenting with regional cuisines, well before these concepts became trendy,” recalls Sumukh in an exclusive with Global Indian, adding, “My grandmother has also written a cookbook – Pakadharshi – by Bhoopalam Suryakaanthamma and Tallam Vijaayalakshmi.” The freedom to pursue his calling led Sumukh to a post graduate degree in culinary arts at Manipal University. This was followed by a course in food styling and mixology at EBS, London. On his return to India, he worked with various food brands as a food stylist before launching his restaurant, Maya, in Jaya Nagar, Bengaluru. [caption id="attachment_51973"

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ds as a food stylist before launching his restaurant, Maya, in Jaya Nagar, Bengaluru.

[caption id="attachment_51973" align="aligncenter" width="465"] Sumukh Tallam[/caption]

Recollections in tranquillity

Maya is unique in several ways. Sumukh elaborates, “Firstly, I believe in the concept of the maker’s maya – that everyone has a creative side. You have an ikigai, as do I, and Maya gives you a platform to reflect on your creative side, whatever it may be – from painting to writing to cooking.” To each their own Maya. In keeping with this paradigm, the restaurant is on the first and terrace floors and the ground floor houses an art gallery. “We provide a platform for up-and-coming artists and my sister Anusha, who runs a creative studio named Ebbxflo, is also a curator. We have a different artist exhibiting every month and Maya is the first restaurant in India to have built a dining experience inside the premises of an art gallery where you can enjoy a slow, relaxed meal and art.”

The bungalow in Jaya Nagar is on a long-term lease and Maya has been designed in keeping with the Sri Lankan architect Geoffrey Bawa’s design philosophy. Seamless incorporation of lush greenery, natural elements and ventilation, open spaces, and a synergistic blending in with the surroundings. As a nature lover, Sumukh has planted over 100 species of plants there that have certification from the Lalbagh Botanical Institute. He plans to bring in 100 more to make it the greenest restaurant in the country.

Mindfulness on the menu

The ambience is all about tranquil and calm surroundings. The music playing in the background too is soothing. The icing on the cake? The food reflects all these artistic elements. Says Sumukh, “I believe that you eat with your eyes first. The entire concept of eating is an art to me. When you eat mindfully, your soul is appeased. I aim to create that experience with every meal. I want my guests to have a consciously relaxed, spatial and culinary experience. Maya has a homely feel amidst all the chaos; we chose this area because you won’t find a green belt like this anywhere in the city, and the locality represents old world Bengaluru.”

[caption id="attachment_51974" align="aligncenter" width="703"] Maya[/caption]

The most important aspect of course, is the food. Sumukh, who refuses to call himself a chef, but prefers the moniker ‘a passionate cook,’ has designed the menu to serve global cuisine in a farm to table concept. “We source most of our ingredients locally. Most of them are organically grown. Having said that, since the water and soil is contaminated with pollutants and pesticides from elsewhere, one can’t really say they are 100 percent organic. Our herbs however are certified organic. We source our produce fresh every day directly from farmers and they are all within an 80 km radius of the city. We have a zero plastic policy and within six months we aim to achieve a 100 percent zero-wastage in our kitchen too. Our crockery is sourced from a company that works with tribals who live around the Nugu river. The eggs and chicken come from a farm where they are not fed hormones or antibiotics and are completely free range. Our seafood comes from Mangalore.” All in all, with the best practices to bring in the best quality and freshest food to the table.

Beyond Maya

The cuisine is global with Pan-Asian, Italian and a smattering of Indian dishes on the menu. Sumukh reveals, “We did try cuisines of my choice – Greek, Ethiopian and a bit of Sri Lankan. For some reason, they were not popular so we stuck to global food with wood fired pizzas, freshly made spring rolls etc. The most popular dishes today are the Vietnamese Onion Flower – a starter made with the flower bloom of the onion, the pizzas, and the Vegan Spring Rolls with julienned vegetables and glass noodles. Though they take us five to ten minutes more, we roll the wraps freshly just before filling them. This makes them less oily and is in keeping with our fresh food-only philosophy. The Palak Stuffed Paneer and the Kokum Infused Prawn are popular dishes. I love working with unique and atypical ingredients like kokum, jicama, palm sugar, cayenne pepper, salt alternatives like soy, miso paste, parmesan rinds, and pickle juice.

Maya is an all-day diner open from noon till late night but comes with its inherent challenges. Sumukh believes they are commonly faced in the hospitality business. “Staff attrition is huge; it is the hardest because getting good skilled staff is difficult. The overheads eat into our profits as real estate costs in Bengaluru are quite high. Plus, we face constant harassment from the regulatory and compliance folks.”

Despite all this, once the zero wastage in food milestone is achieved, Maya will become the greenest restaurant in India due to its sustainable practices. Sumukh’s company is called The Food Smith and Maya is one of its brands. Next on the agenda is a new project in Hyderabad, and, at Maya – virtual art exhibitions, artisanal food pairings where the artist’s vision is echoed through the food. He plans to hold an exhibition of the wildlife photographs shot by Chef Michael Swamy, Sumukh’s mentor and a photographer as well. He also wants to grow herbs where guests can walk through the garden and pick their herbs as ingredients or garnishes for the dish they have chosen.

With Maya on such a solid footing, where Mama Earth and her well-being is as important as serving good food, Sumukh is bound to be blessed by the universe to achieve greater heights.

While travelling, Sumukh likes to eat at:

Michelin star or guided restaurants as well as street hawkers, “I love jumping into the authenticity of the regional cuisine and trying local specials. Here are some of the best restaurants I have tried around the world,” he concludes.

  • Gaggan Anand, Bangkok – Opera of Food
  • Les Fondus de la Raclette, Paris – Grill and Meat
  • Moeders, Amsterdam – Translates to Mother’s Authentic Dutch cuisine
  • Dishoom, London – Modern Indian
  • Savoy, Sthalika, Mussorie – Garhwali cuisine

Follow Maya on Instagram.

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Indian artists are dominating the global music scene

(June 1, 2022) The international music scene is currently in a phase of discovery, with neo genres and interesting never-before-heard songs. Born of this experimentation is the keenness to embrace the sounds that come from across the globe. Indian artists, backed by their longstanding traditions and the willingness to innovate, are proof of how far the country's sonic landscape can go. Never before have as many independent Indian artists been seen on international platform… and it seems their tribe is increasing. Global Indian puts the spotlight on four talented artists who have roots in both places, India and abroad. Raveena Aurora, American singer  A soft-spoken 27-year-old from Massachusetts, Raveena Aurora became the first Indian woman to perform at Coachella, 2022. She gained a following after her first debut EP, Shanti, was released independently in 2017. Her first album, Lucid, was released independently in 2019 and distributed through Empire Distribution. After signing with Warner Records, she released her second album, Asha's Awakening in February 2022 which rose to acclaim. [caption id="attachment_25144" align="aligncenter" width="680"] Raveena Aurora[/caption] The youngster, who was raised between Queens and Connecticut by Sikh parents, creates music that is comforting but nuanced, balancing cultures old and new. Her music is a mashup of

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ass="wp-image-25144 size-full" style="font-weight: bold;" src="https://stage.globalindian.com//wp-content/uploads/2022/05/Raveena.jpg" alt="Indian Artists | Raveena Aurora | Global Indian" width="680" height="638" /> Raveena Aurora[/caption]

The youngster, who was raised between Queens and Connecticut by Sikh parents, creates music that is comforting but nuanced, balancing cultures old and new. Her music is a mashup of contemporary R&B with traditions from the South Asian diaspora. Growing up with Bollywood soundtracks, Ella Fitzgerald and Nina Simone side by side, Raveena began writing songs at 13 and experimenting with different genres. Inspired by soul queen Minnie Riperton and Indian jazz fusion star Asha Puthli, Raveena worked for years on her melismatic runs.

Speaking to NPR during an interview, the Indian artist said, "I love to see it being embraced by the mainstream audience and not just, you know, stuff that we share between us. It becomes validated in that way, because it's not just this thing that we're importing constantly from South Asia — it's a thing that we've taken and claimed, and now we're running with it."

  • Follow Raveena Aurora on Twitter and Instagram
Aditya Prakash, vocalist 

An award-winning vocalist known for his powerful and emotive voice, Aditya Prakash is a young virtuoso of Carnatic music, and one of the youngest musicians to tour and perform with Ravi Shankar at the age of 16. The musician has collaborated with leading innovators and Indian artists, including Anoushka Shankar (he was featured on her Grammy-nominated Traveler); Armenian pianist Tigran Hamasyan (working together on a new album planned for release in 2021); Asian Underground artist Karsh Kale, and most recently the acclaimed dancer, choreographer Akram Khan (in his final solo work, XENOS, touring internationally from 2018-2021).

[caption id="attachment_25145" align="aligncenter" width="731"]Indian Artists | Aditya Prakash | Global Indian Aditya Prakash[/caption]

In 2010, the Indian artist founded the Aditya Prakash Ensemble, a group that frames Aditya’s highly ornamented, stylized and emotive Carnatic vocal style around jazz instrumentation. Indian classical music and jazz seem poles apart but on closer look they share very many similarities in their philosophy and approach. Both are centered around improvisation, dialogue and spontaneous “creative flow” to inspire the direction of the music. The Ensemble brings together musicians of different backgrounds to dialogue, crafting a profound result: a melding of seemingly disparate cultures coming together to create one unique language.

  • Follow Aditya Prakash on Twitter and Instagram
Arushi Jain, Indian-American music producer 

A singer, pianist, and modular synthesist with an unorthodox vision of that centuries-old tradition, Arushi Jain aka Ose, produces music that’s rooted in the colours and virtuosity of the Indian culture she adores. After spending first 18 years of her life in India, the San Francisco-based music producer started her career as a software engineer at Reddit.

[caption id="attachment_25154" align="aligncenter" width="686"]Indian Artists | Arushi Jain | Global Indian Arushi Jain[/caption]

Indian composer Arushi Jain weaves her diasporic identity into this notion of timely ragas. Her debut album, Under the Lilac Sky, was composed for the sunset and it blends Ose's training as an Indian classical vocalist with modular synth work. In 2019, the musician released her own label, Ghunghru. The Indian artist, who started training at the age of eight, routed her programming brain towards electronic music, while she was studying in the US. It was there that she discovered the world of sound synthesis. "Modular synthesis can be intimidating for anyone without a background in physics or electronics, but for a programmer this under-the-hood approach makes sense. I was instantly in love with modular synthesis because it fits the way I think," she said during an interview.

  • Follow Arushi Jain on Twitter and Instagram
Rehan Dalal, music composer 

Rehan Dalal is one of the lucky few who has been able to struck the elusive work-life balance. During the day, Dalal goes through the motions of a nine-to-fiver as a web developer in Toronto. At night, though, his soul musician alter ego comes alive and brings with it a remarkable transformation that includes a slick pompadour, thick rimmed glasses, a fitted red tuxedo with a waistcoat in place, and if the occasion demands, a bowtie.

[caption id="attachment_23555" align="aligncenter" width="677"]Indian Artists | Rehan Dalal | Global Indian Rehan Dalal[/caption]

Born in Mumbai, the young Rehan discovered a love for the sound of a keyboard. The Indian artist, who moved from Mumbai to Canada in 2005 to pursue a degree in computer science, eventually picked up a guitar and began writing songs. Though he probably missed a lot of classes Rehan was able to make some incredible songs, one of which - Walk With Me - was among the top 10 India radio hits (2013). The Toronto-based musician, who loves to be on stage, has done several national and international performances, including gigs at NH7 Weekender (Bengaluru, Delhi and Pune). He was also spotlighted as a featured artist at the 28th Toronto International Jazz Festival.

  • Follow Rehan Dalal on Twitter and Instagram

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Mani Kishore Vajipeyajula and Rajkiran Madangopal: Transforming plastic recycling in India

(October 9, 2022) A Lok Sabha session in August this year saw Ashwini Kumar Choubey, Minister of State in the Ministry of Environment, Forest and Climate Change claim that around 34.7 lakh tonnes per annum of plastic was generated in India during 2019-20, out of which 15.8 lakh tonnes per annum of plastic waste was recycled. What began in the 1960s as a popular material for consumer products and a tangible sign of modernity has turned into an environmental hazard in the last few decades. While activists are continuously raising their voices against the use of single-use plastic, Hyderabad-based entrepreneurs Mani Kishore Vajipeyajula and Rajkiran Madangopal have already stepped on the gas, so to speak, with Banyan Nation, a startup that's helping global brands use more recycled plastic instead of virgin plastic. [caption id="attachment_30343" align="aligncenter" width="750"] Mani Kishore Vajipeyajula and Rajkiran Madangopalare the founders of Banyan Nation[/caption] "Recycling activities in India are driven by market forces that are informal, illegal, and largely invisible. Millions of ragpickers scavenge the streets or bins or the landfills collecting valuable materials, which they sell to the kabbadiwallahs, who then sell to backend aggregators, who finally sell to the recyclers. The goal of such an

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re driven by market forces that are informal, illegal, and largely invisible. Millions of ragpickers scavenge the streets or bins or the landfills collecting valuable materials, which they sell to the kabbadiwallahs, who then sell to backend aggregators, who finally sell to the recyclers. The goal of such an industry is to recover the material at the lowest possible costs, and at any cost," says Mani Kishore Vajipeyajula in a video on the company's website. That's when he decided to take things into his hands and started Banyan Nation in 2013 to convert post-industrial plastic waste into high-quality recycled granules – Better Plastic – comparable in quality and performance to virgin plastic.

Mani and Raj first met at the University of Delaware, where they were pursuing their engineering degrees. It was during his MBA at Columbia Business School that the idea of Banyan Nation struck Mani. "I always knew going into business school that I wanted to solve real-world problems plaguing developing economies. During one of my travels in India, the filth deeply disturbed me. However, I realised something amazing was happening underneath. India was recovering and recycling almost double that of any developed or developing economy in the world. Yet the benefits of such a system were not being felt. I wanted to solve all this and build an organisation that would fundamentally transform the way India saw recycling and plastic," the Global Indian says in the video, adding, "This is how my journey from Silicon Valley to the back alleys of Hyderabad began." After working at companies like Motricity, Saint Gobain, Infospace, and Qualcomm for years at length, the two quit their lucrative jobs in the US to launch their startup.

[caption id="attachment_30345" align="aligncenter" width="679"]Entrepreneur | Mani Kishore Vajipeyajula and Rajkiran Madangopal | Global Indian Plastic is an environmental hazard[/caption]

Such has been the impact of Banyan Nation that each year, it recycles 3600-tonnes of high-density plastic, which in turn saves huge carbon footprints. They have now recycled over one lakh tonnes of plastic, which also helped it bag the Circulars Awards at the World Economic Forum (2018) and World Economic Forum Global Technology Pioneers (2021). In 2020 itself, Banyan Nation helped to lead FMCG firms to make 100-million shampoo and lotion bottles using their recycled plastic. By 2030, they hope to replace 100,000 tonnes of virgin polymers with recycled plastics.

While Mani calls plastic "the most versatile invention of our time", the entrepreneur is aware of how single-use plastic has become "an ecological and environmental poison." It's this discernment that led him to take action as he calls a "formal recycling system" the need of the hour which ensures "a superior quality, and the ability to recycle the material that has entered the system more than once."

"We started by building a simple app in Hyderabad where we mapped over 1500 stationery recyclers. This data gave us a bird's eye view of the city such as the amount of waste coming out of the house, and data on local efficiencies of collection and transportation of waste. At Banyan, we have used thermal and mechanical testing to produce a high-quality recycle that rivals virgin plastic. When the product enters the waste value chain, its ability to be recycled increases by a factor of three," the entrepreneur explains.

https://www.youtube.com/watch?v=JtCpf32x3Vs&feature=emb_imp_woyt

Banyan Nation is changing the way India recycles and thinks about plastics and waste management. With the startup, Mani and Raj have found a way to convert plastic waste into reusable plastic, thus stopping it from making its way into landfills. “Our goal is to achieve scale and profitability while staying true to our core mission of solving the menace of plastic pollution and creating lasting environmental and social impact," Mani, whose company is now aiming to have an installed capacity of 50,000 tonnes by 2024, told Forbes India. The entrepreneurs believe that collaborations with policymakers, corporations, and other startups can bring a shift in how Indians view plastics.

  • Follow Mani Kishore Vajipeyajula on Linkedin
    Follow Rajkiran Madangopal on Linkedin

Reading Time: 5 min

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Who is Subrahmanyan Chandrasekhar? The scientist after whom Elon Musk named his son

(December 8, 2023) Early this November, a conversation between billionaire Elon Musk and India's IT Minister, Rajeev Chandrasekhar at AI Safety Summit, UK, unearthed a revelation. The 52-year-old disclosed that his son with Shivon Zilis has an Indian connect. He bears the middle name "Chandrasekar," a homage to the Nobel Laureate Professor Subrahmanyan Chandrasekhar. Making the revelation, Rajeev Chandrasekhar tweeted, "Look who i bumped into at #AISafetySummit at Bletchley Park, UK. @elonmusk shared that his son with @shivon has a middle name "Chandrasekhar" - named after 1983 Nobel physicist Prof S Chandrasekhar." Look who i bumped into at #AISafetySummit at Bletchley Park, UK.@elonmusk shared that his son with @shivon has a middle name "Chandrasekhar" - named after 1983 Nobel physicist Prof S Chandrasekhar pic.twitter.com/S8v0rUcl8P — Rajeev Chandrasekhar 🇮🇳 (@Rajeev_GoI) November 2, 2023 Replying to Rajeev Chandrasekhar's tweet, Shivon Zilis tweeted, "Haha, yes, that’s true. We call him Sekhar for short, but the name was chosen in honour of our children’s heritage and the amazing Subrahmanyan Chandrasekhar." Indian scientist Subrahmanyan Chandrasekhar won the Nobel Prize for Physics in 1983 "for his theoretical studies of the physical processes of importance to the structure and evolution of the stars." Global Indian puts the

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Replying to Rajeev Chandrasekhar's tweet, Shivon Zilis tweeted, "Haha, yes, that’s true. We call him Sekhar for short, but the name was chosen in honour of our children’s heritage and the amazing Subrahmanyan Chandrasekhar."

Indian scientist Subrahmanyan Chandrasekhar won the Nobel Prize for Physics in 1983 "for his theoretical studies of the physical processes of importance to the structure and evolution of the stars." Global Indian puts the spotlight on the Indian physicist.

The child prodigy

It was in the Pre-Independent India that Chandrasekhar was born into a free-thinking and Tamil speaking Brahmin family in Lahore to a civil servant father CS Ayyar. For him and his siblings, education began at home where their mother Sitalakshmi taught them Tamil and English, and their father would take the charge of teaching arithmetic and English before leaving for work every day. At the age of eight, he moved to Madras with his family as his father was promoted to the role of a deputy accountant general, and by 1921, he started going to a regular school. In the second year of his school, he was introduced to algebra and geometry, and he was so fascinated by the subjects that he ended up devouring the books the summer before the start of the school.

[caption id="attachment_47310" align="aligncenter" width="689"]Subramanyam Chandrasekhar | Global Indian Subrahmanyan Chandrasekhar[/caption]

This interest led him to Presidency College in 1925, where he studied physics, maths, chemistry, Sanskrit and English. While his interest in physics and maths kept going, he was also inspired by S Ramanujan who had gone to England and was counted among the world’s most distinguished mathematicians. Though he eyed mathematics honours, his father was keen that his son too becomes a civil servant. But it was Chandrasekhar's mother who backed him up and asked him to follow his heart. Chandrasekhar opted for Physics honours in order to placate his father because his paternal uncle CV Raman was a noted physicist who had won a Nobel Prize in 1930.

The discovery that led to Nobel Prize

At the age of 17, he spent a summer working in his uncle's lab but soon realised that experimental physics wasn't his calling. However, in those days he befriended one of Raman's colleagues who introduced him to the work of Arnold Sommerfeld, one among a group of theorists revolutionising the field of physics through the principles of quantum mechanics. This group also had Ralph H Folwer who helped Chandrasekhar publish his first professional paper in the Proceedings of the Royal Society of London. Towards the end of his college, he was offered a scholarship from Govt of India to study in England, and in 1930, he set off sail for the University of Cambridge. It was during his voyage that the 19-year-old, while reading physics publications, came across an insight that led him to win a Nobel Prize in 1983.

Almost seven decades ago astronomers saw a white dwarf for the first time. It's a tiny, hot, and super dense leftover from a star that ran out of fuel. But something didn't add up—this object should have collapsed under its own gravity. Fowler, who was going to be Chandra's teacher for a Ph.D. at Cambridge, figured out the mystery by using quantum theory to explain why the white dwarf didn't collapse. He explained that when the nuclear energy source in the center of a star such as the Sun is exhausted, it collapses to form a white dwarf, and he demonstrated that there is an upper limit — now called the Chandrasekhar limit — to the mass of a white dwarf star.

 

Subramanyan Chandrasekhar | Global Indian

Moreover, up until that time scientists used to think that when a star used up all its fuel, it would become a cold ball of ashes—a white dwarf star. Chandra's math proved that a white dwarf heavier than the sun couldn't exist. Instead, it would collapse forever into an incredibly tiny point with infinite density. This collapse would create something called a black hole, a place in space where nothing, not even light, could escape. Chandra's work was the first undeniable proof, backed by math, that black holes, as we now call them, had to be real.

The controversy that changed it all

Excited about his discovery, he thought that he would be welcomed with open arms in Cambridge, however, his hoped were dashed as the scientists ignored his discovery. Depressed, he continued and finished his doctorate in 1933. The same year he also won a fellowship to continue his work at Cambridge. Feeling encouraged by these achievements, he went back to studying what happens to stars in the future. Surprisingly, the well-known Sir Arthur Stanley Eddington, a leader in astrophysics, started visiting him often to check on his progress.

Encouraged by his support, Chandrasekhar prepared a paper for a meeting of the Royal Astronomical Society in London in 1935 that was to have all the leading figures in astrophysics in attendance. He presented the paper, showing a chart that if a star was heavier than a certain amount, it would definitely shrink away to nothing and even more. However, Eddington didn't back Chandrasekhar's conclusions and even stating that it has no basis in reality. His reputation was so strong that nobody felt brave enough to disagree with him. Chandrasekhar wasn't even allowed a chance to respond. The argument continued for many years in papers and during scientific meetings.

Subramanyam Chandrasekhar | Global Indian

The confrontation had a lasting effect on Chandrasekhar, who for decades, didn't follow up on his discovery and even turned to a different field, and took up a position in University of Chicago. A few decades later, scientists trying to make the hydrogen bomb noticed that it resembled an exploding star. In 1966, at the Livermore National Laboratory in California, scientists started using computer codes for both astrophysics and hydrogen bombs. This breakthrough led the scientific community to accept that a star could indeed collapse and turn into a black hole.

Six years later, scientists identified the first black hole, named Cygnus X-1. Since then, many more black holes have been discovered. This meant that, 40 years after Chandrasekhar's first discovery, he was proven right, and Eddington was proven wrong. Chandra received the Nobel Prize in 1983 for his research on white dwarfs.

Subramanyam Chandrasekhar | Global Indian

The scientist breathed his last in 1995 and four years later, NASA's premier X-ray observatory was named the Chandra X-ray Observatory in his honour.

And now the Nobel laureate is again in news as Elon Musk has named his son after Chandrasekhar. His groundbreaking contributions to astrophysics, particularly his work on the Chandrasekhar limit, significantly advanced our understanding of stellar evolution. Musk's choice to honour this scientist underscores the enduring impact of scientific pioneers and the importance of recognising their invaluable contributions to humanity.

 

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About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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