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Indian Artists | Global Indian
Global IndianstoryIndian artists are dominating the global music scene
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Indian artists are dominating the global music scene

Written by: Namrata Srivastava

(June 1, 2022) The international music scene is currently in a phase of discovery, with neo genres and interesting never-before-heard songs. Born of this experimentation is the keenness to embrace the sounds that come from across the globe. Indian artists, backed by their longstanding traditions and the willingness to innovate, are proof of how far the country’s sonic landscape can go. Never before have as many independent Indian artists been seen on international platform… and it seems their tribe is increasing. Global Indian puts the spotlight on four talented artists who have roots in both places, India and abroad.

Raveena Aurora, American singer 

A soft-spoken 27-year-old from Massachusetts, Raveena Aurora became the first Indian woman to perform at Coachella, 2022. She gained a following after her first debut EP, Shanti, was released independently in 2017. Her first album, Lucid, was released independently in 2019 and distributed through Empire Distribution. After signing with Warner Records, she released her second album, Asha’s Awakening in February 2022 which rose to acclaim.

Indian Artists | Raveena Aurora | Global Indian

Raveena Aurora

The youngster, who was raised between Queens and Connecticut by Sikh parents, creates music that is comforting but nuanced, balancing cultures old and new. Her music is a mashup of contemporary R&B with traditions from the South Asian diaspora. Growing up with Bollywood soundtracks, Ella Fitzgerald and Nina Simone side by side, Raveena began writing songs at 13 and experimenting with different genres. Inspired by soul queen Minnie Riperton and Indian jazz fusion star Asha Puthli, Raveena worked for years on her melismatic runs.

Speaking to NPR during an interview, the Indian artist said, “I love to see it being embraced by the mainstream audience and not just, you know, stuff that we share between us. It becomes validated in that way, because it’s not just this thing that we’re importing constantly from South Asia — it’s a thing that we’ve taken and claimed, and now we’re running with it.”

  • Follow Raveena Aurora on Twitter and Instagram
Aditya Prakash, vocalist 

An award-winning vocalist known for his powerful and emotive voice, Aditya Prakash is a young virtuoso of Carnatic music, and one of the youngest musicians to tour and perform with Ravi Shankar at the age of 16. The musician has collaborated with leading innovators and Indian artists, including Anoushka Shankar (he was featured on her Grammy-nominated Traveler); Armenian pianist Tigran Hamasyan (working together on a new album planned for release in 2021); Asian Underground artist Karsh Kale, and most recently the acclaimed dancer, choreographer Akram Khan (in his final solo work, XENOS, touring internationally from 2018-2021).

Indian Artists | Aditya Prakash | Global Indian

Aditya Prakash

In 2010, the Indian artist founded the Aditya Prakash Ensemble, a group that frames Aditya’s highly ornamented, stylized and emotive Carnatic vocal style around jazz instrumentation. Indian classical music and jazz seem poles apart but on closer look they share very many similarities in their philosophy and approach. Both are centered around improvisation, dialogue and spontaneous “creative flow” to inspire the direction of the music. The Ensemble brings together musicians of different backgrounds to dialogue, crafting a profound result: a melding of seemingly disparate cultures coming together to create one unique language.

  • Follow Aditya Prakash on Twitter and Instagram
Arushi Jain, Indian-American music producer 

A singer, pianist, and modular synthesist with an unorthodox vision of that centuries-old tradition, Arushi Jain aka Ose, produces music that’s rooted in the colours and virtuosity of the Indian culture she adores. After spending first 18 years of her life in India, the San Francisco-based music producer started her career as a software engineer at Reddit.

Indian Artists | Arushi Jain | Global Indian

Arushi Jain

Indian composer Arushi Jain weaves her diasporic identity into this notion of timely ragas. Her debut album, Under the Lilac Sky, was composed for the sunset and it blends Ose’s training as an Indian classical vocalist with modular synth work. In 2019, the musician released her own label, Ghunghru. The Indian artist, who started training at the age of eight, routed her programming brain towards electronic music, while she was studying in the US. It was there that she discovered the world of sound synthesis. “Modular synthesis can be intimidating for anyone without a background in physics or electronics, but for a programmer this under-the-hood approach makes sense. I was instantly in love with modular synthesis because it fits the way I think,” she said during an interview.

  • Follow Arushi Jain on Twitter and Instagram
Rehan Dalal, music composer 

Rehan Dalal is one of the lucky few who has been able to struck the elusive work-life balance. During the day, Dalal goes through the motions of a nine-to-fiver as a web developer in Toronto. At night, though, his soul musician alter ego comes alive and brings with it a remarkable transformation that includes a slick pompadour, thick rimmed glasses, a fitted red tuxedo with a waistcoat in place, and if the occasion demands, a bowtie.

Indian Artists | Rehan Dalal | Global Indian

Rehan Dalal

Born in Mumbai, the young Rehan discovered a love for the sound of a keyboard. The Indian artist, who moved from Mumbai to Canada in 2005 to pursue a degree in computer science, eventually picked up a guitar and began writing songs. Though he probably missed a lot of classes Rehan was able to make some incredible songs, one of which – Walk With Me – was among the top 10 India radio hits (2013). The Toronto-based musician, who loves to be on stage, has done several national and international performances, including gigs at NH7 Weekender (Bengaluru, Delhi and Pune). He was also spotlighted as a featured artist at the 28th Toronto International Jazz Festival.

  • Follow Rehan Dalal on Twitter and Instagram
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Published on 01, Jun 2022

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Cannes 2022: How India’s soft power was on display at the biggest film festival

(May 28, 2022) The picturesque city of Cannes is pulsating with energy, glamour and glitz as it hosts the best of world cinema under one roof. Welcome to the Cannes Film Festival 2022, an annual affair that has the who's who of showbiz turning heads on the red carpet and the best of the films up for screening. The 75th edition is unlike any other for Indians, at least, as India takes centre stage like never before. Being named the Country of Honour at Cannes Market, the spotlight is on India's cinema, culture, and heritage, and a perfect celebration of its soft power. Yes, Minister  If six Indian films were officially screened at the film festival, an array of Bollywood stars sashayed down the red carpet in exquisite numbers by top designers. But it was the many firsts for India that made Cannes 2022 a lot more special. The biggest film festival on French Riveria saw the largest Indian contingent led by Information and Broadcasting Minister Anurag Thakur take over the red carpet at Palais des Festivals with biggies like Shekhar Kapur, Nawazuddin Siddiqui, Ricky Kej, and Prasoon Joshi in tow. Not just this, Rajasthani singer Mame Khan scripted history

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Siddiqui, Ricky Kej, and Prasoon Joshi in tow. Not just this, Rajasthani singer Mame Khan scripted history by becoming the first folk artist from India to walk the Cannes red carpet.

[caption id="attachment_24968" align="aligncenter" width="640"]Cannes 2022 | Global Indian The largest Indian contingent at Cannes 2022[/caption]

While the red carpet looks kept the global audience hooked, Cannes 2022 gave India the perfect platform to celebrate its heritage and rich history, and one man who pulled it off with elan was Anurag Thakur. The minister not only emphasised the diversity of India's cinematic excellence but also hailed the OTT platforms for their content. "I stand here before you, honoured to represent a civilisation that is over 6000 years old, a youthful nation of over 1.3 billion Indians, and the world's largest film industry that produces over 2000 films annually," he said at Cannes, adding, "The land of storytellers is on the spotlight of the cinematic world today - ready to engage and collaborate."

India’s offerings  

R Madhavan's Rocketry: The Nambi Effect proved Thakur's words right when it received a deafening ten-minute standing ovation at the film festival. Based on the life of Nambi Narayan, a former scientist and aerospace engineer at ISRO who was falsely accused of being a spy and arrested in 1994, the film had its world premiere at Cannes. Along with this much-talked-about film, an array of other Indian films serenaded the audience including Shaunak Sen's All That Breathes, Nikhil Mahajan's Godavari, Achal Mishra's Dhuin, Shankar Shrikumar's Alpha Beta Gamma, Biswajeet Bora's Boomba Ride and Jayraj's Tree Full of Parrots.

Proud!!!🇮🇳
The hysteria surrounding @ActorMadhavan 's #RocketryTheNambiEffect is just getting started with the world premiere at #CannesFilmFestival receiving a thunderous standing ovation from the audience!

#RMadhavan #RocketryAtCannes pic.twitter.com/0ex05a757f

— Elfa World (@ElfaWorld) May 21, 2022

Though Cannes 2022 has turned the spotlight on India, its first tryst with Indian cinema began in 1946 when Chetan Anand's Neecha Nagar became the first Indian film to win the Palme d'Or (which was earlier called Grand Prix du Festival International du Film), the highest honour in cinema. The next big turn came in 1954 when Bimal Roy's Do Bigha Zamin was honoured at the Prix Internationale at Cannes, followed by Satyajit Ray's Pather Panchali in 1956. For decades, Indian films like Devdas, Salaam Bombay, Titli, and Udaan have satiated the palates of film aficionados across the globe.

The Rai effect 

[caption id="attachment_24969" align="aligncenter" width="623"]Cannes 2022 | Aishwarya Rai | Global Indian Aishwarya Rai makes her 20th appearance at Cannes[/caption]

It was Aishwarya Rai who made Cannes mainstream for Indians with her first red carpet appearance in 2002 along with Shah Rukh Khan. And since then, the diva has been a regular at the film festival and has paved the way for other Bollywood stars like Sonam Kapoor and Deepika Padukone. Speaking of which, the Piku actress has marked her debut as a jury member, who along with seven others like Asghar Farhadi, Rebecca Hall, Vincent Lindon, Jasmine Trinca, and Ladj Ly, would announce the winner of Palme d'Or. "We can literally count on our fingertips the number of times anyone from India has been on the jury or has had the opportunity to represent the country at a platform such as this. To see India being recognised at a global level at a platform like this... I think it says a lot about where we are as a nation and the road ahead for us as a nation," she told PTI.

[caption id="attachment_24970" align="aligncenter" width="468"]Cannes 2022 | Deepika Padukone | Global Indian Deepika Padukone on Cannes 2022 red carpet[/caption]

The 12-day extravaganza that pulled out all the stops to bring the best of cinema, celebrities, and fashion under one roof is on the tail end of the celebration, but not without giving India a platform to project itself as a 'global content hub'. From here, it's only up and above for India.

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Reading Time: 4 min

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Viraj Mithani: The contemporary artist reclaiming Indian art

(July 11, 2022) When he first picked up a blank piece of paper as a child to pour out the colours of his imagination, little did Viraj Mithani know that had found his true calling. In years to follow, his passion for "reclaiming Indian art that has been lost due to colonisation" earned him a name in the contemporary art world. "Nothing entered the academia, and we as a society didn't do anything to reclaim the narrative. Interestingly, we have been seeing art through Western lens. To the general population in India, the knowledge of art still starts and ends with Picasso," he tells Global Indian. The Forbes 30 Under 30 artist is currently doing a master’s in painting and printmaking from the Rhode Island School of Design. In 2017, Viraj, the founding member of ‘Carpe Arte’, with a bunch of like-minded people helped to create a community that supports Indian contemporary art. "We wanted to make art more accessible, and so we organised gallery walk-throughs and talks." During the pandemic, they built an online community which is ever growing. "Helping people navigate the art space that most are intimidated to explore alone is where we come in," says Viraj

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contemporary art. "We wanted to make art more accessible, and so we organised gallery walk-throughs and talks." During the pandemic, they built an online community which is ever growing. "Helping people navigate the art space that most are intimidated to explore alone is where we come in," says Viraj who believes art is an unknown territory for many people. "You know what to expect in a movie hall, but not in an art gallery. We help bridge the gap by helping people explore the spaces in groups and learn more about art."

[caption id="attachment_26694" align="aligncenter" width="663"]Artist | Viraj Mithani | Global Indian Viraj Mithani at Rhode Island[/caption]

The young artist is also challenging the status quo by combining technology with art. "Technology is the point of curiosity that influences the medium. I am interested in exploring the complexities of plastic age," says Viraj, who exhibits a wide collection of plastic wrappers (over the video call) that he plans to use in mixed media. "The digitisation and the rapid consumption, and how it comes into play with the history of art which got lost. It's interesting to know how it would have turned out in recent times had it flourished and how it would have influenced the pop culture," he adds.

An artist in the making

Art was more than just a subject for this Mumbai-born since childhood. For hours, he would sit in front of a blank paper onto which he would pour his imagination. "I was always in love with art, but my earliest memory goes back to third grade, drawing on an A4 size sheet," smiles Viraj, who continued the process for the next few years before starting elementary, then intermediate formal training in art. Having a strict tutor who would make him draw "50 compositions in two days", he honed his craft in what he calls his "training ground." By the time he finished grade ten, he knew he wanted to pursue art professionally. Despite "initial apprehension" from his dad, his family supported him in following his dream. "No one in my family had previously pursued anything in the creative field, and it wasn't common to see kids thinking about fine arts as a profession. But our decisions were always respected and supported," says the artist who put in his heart and soul for the next two years to prepare his portfolio.

[caption id="attachment_26695" align="aligncenter" width="726"]Artist | Viraj Mithani | Global Indian Viraj Mithani's Arrives on the island of Sangaldip[/caption]

Having grown up in an education system where art is only considered as a co-curricular activity, he felt "limited". "It was frustrating to be unable to express my creativity and talent as there were not many opportunities. But I felt great when I was making art," says Viraj who participated in every art competition across fests during his college days. This passion for arts took him to University of Arts London in 2011, which gave him the perfect foundation. Despite being in love with the eclectic city that is known for its art  scene (galleries, museums and broadways), Viraj wasn't too convinced with their education system, and moved to School of Art Institute of Chicago in 2012 for its "interdisciplinary curriculum."

"It gave me the freedom to pursue things the way I wanted," says the artist. However, this uprooting made him see a stark contrast in the education systems in India and the US. "In India, we copy the compositions of other artists, and 80 percent of my portfolio was that, when I had applied. We believe in perfecting our skills in India, but in the US, the focus is on authenticity," explains Viraj who took one year to unlearn. "I learnt how to cultivate my own voice. It took me sometime to consciously break away and look at things with a newer perspective."

Giving Indian art a voice

Calling art a part of Western American/European culture, Viraj feels art galleries and museums abroad have a "monumental aura". "The way they preserve art and history is impressive and fascinating." However, the contemporary artist believes in India's rich history of art forms and crafts. "To give a few examples - Warli and Madhubani painting were community built and used organic products. But we lost our art and culture due to colonisation." But he’s bringing these traditional art forms to the foreground with his work.

Artist | Viraj Mithani | Global Indian

Being an intrinsic part of the art scene for the last few years, he believes that while art in India is at its "nascent stage", it's "spearheading the vibrant and upcoming space in South Asia." However, he feels "government support" is fundamental in growth of art space in India. "With 95 percent art space run by private entities, change needs to happen, especially in terms of grant and funding. Currently, it's surviving not thriving."

The world is his canvas

With the art space across the globe ever evolving, it's an era of global artists. "With the advent of the internet, the world has become cohesive. The boundaries are blurring and a very cross-cultural dialogue is happening among artists, in terms of talks, panel discussions and exhibitions." Viraj, who has lived in India, UK and the US, and has his art exhibited across the globe calls himself "an Indian by nationality", but he identifies as a "citizen artist." "Having lived in many places, it affects our lifestyles and what we think and do." An artist who is curious about combining technology with art, Viraj believes that Indian art never found its day in the sun. But he is happy that new artists are challenging the statusquo and re-evaluating, including him. Having grown up on mythological tales, Viraj wants to "combine it with the Western influences, and create something that fits the pop culture."

[caption id="attachment_26697" align="aligncenter" width="743"]Artist | Viraj Mithani | Global Indian Jupiter as Heavenly King by Viraj Mithani[/caption]

An artist, who has been pushing boundaries with each of his artworks, found himself on the Forbes 30 Under 30 2022 list, and it was a moment of gratitude for him. "Coming from a place where I have been constantly questioned about my artwork and my choices, this feels good to know that I am noticed. It's a good validation that I have set a benchmark as an artist." For Viraj, all these years in art have been a learning curve as they helped him understand people and their ideologies. "I have learnt how to fully disagree, and respect other point of views as everyone comes with their unique set of values, regionally and culturally."

An art lover, he loves exploring galleries and putting up shows. But it is chess, movies and board games that help him unwind. He intends to "reclaim history that's been neglected for too long" and use his artwork to "tie up different cultural fabrics".

  • Follow Viraj Mithani on Linkedin

 

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ttps://stage.globalindian.com//story/entrepreneurship/jayshree-ullal-indian-american-self-made-billionaire-on-forbes-list/" target="_blank" rel="noopener">Jayshree Ullal studied electrical engineering at San Francisco State University and later pursued her master's at Santa Clara University. Always ambitious, Jayshree worked in a few companies - including Advanced Micro Devices (AMD) and Fairchild Semiconductor - before joining the Crescendo Communications (later acquired by Cisco), where she grew to the position of vice president of marketing.

[caption id="attachment_26627" align="aligncenter" width="464"]Jayshree Ullal | Self-made women | Global Indiale CEO | Global Indian Jayshree Ullal, CEO, Arista Networks[/caption]

In 2008, Jayshree joined the Arista Networks, a cloud networking company as the CEO and President. Interestingly, at the time of her joining, Arista was a tiny startup, with not more than 50 employees. After years of hard work, the 61-year-old business executive led the company to an IPO at the New York Stock Exchange in 2014. Currently one of America's wealthiest female executives, Jayshree’s net worth stands at about $1.9 billion.

  • Follow Jayshree Ullal on LinkedIn
Neerja Sethi, cofounder, Syntel

A Delhi University graduate, Neerja Sethi was always interested in pursuing a career in the IT industry. She moved to the United States of America for a master's in computer science at Oakland University in the late ’70s. Soon after graduating, Neerja joined the IT firm Tata Consulting Services. And this is where she met her husband, Bharat Desai. In 1980, after the couple tied the knot, they co-founded Syntel - an IT consulting and outsourcing company - in their small apartment in Michigan.

[caption id="attachment_26626" align="aligncenter" width="365"]Neerja Sethi | Self-made women | Global Indian Neerja Sethi, cofounder, Syntel[/caption]

From starting it with a tiny investment of $2,000, the couple ran the company successfully till French IT firm Atos acquired it for $3.4 billion in 2018. Neerja received an estimated $510 million for her stake during the acquisition, and decided to not continue her association with the company. With a net worth of about $1 billion, Neerja was ranked 24th in the Forbes America’s Richest Self-Made Women 2022 list.

Neha Narkhede, CTO and cofounder, Confluent

A Maharashtra girl, Neha Narkhede went to the Pune Institute of Computer Technology (PICT), where she earned an engineering degree. Her quest to become a software engineer took her to USA, where she pursued a master's in computer science from Georgia Institute of Technology. Neha started her career as a principal software engineer at Oracle, and later moved to LinkedIn, where she created the open-source software platform Apache Kafka, along with Jun Rao and Jay Kreps.

[caption id="attachment_26625" align="aligncenter" width="568"]Neha Narkhede | Self-made women | Global Indian Neha Narkhede, cofounder and CTO, Confluent[/caption]

In 2014, the three engineers cofounded Confluent, a company for real-time data and Apache Kafka in Palo Alto, California. Although, she started as the Chief Technology Officer, Neha later also served as the Chief Product Officer of the company till 2020. In 2021, the company went public at a $9.1 billion valuation. Serving as a board member of Confluent, Neha presently advises several techno startups. With investment in several tech companies, her net worth stands at $490 million according to Forbes.

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Reshma Shetty, cofounder, Ginkgo Bioworks

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[caption id="attachment_26624" align="aligncenter" width="391"]Reshma Shetty | Self-made women | Global Indian Reshma Shetty, cofounder, Ginkgo Bioworks[/caption]

Slowly but surely, things started to change and Ginkgo managed to raise $45 million in its series B funding. By 2017, Ginkgo became one of most well-known companies in the sector and went public in 2021. Since she found the company, Reshma has received several awards and honors, including the Rosalind Franklin Award for Leadership in Industrial Biotechnology and Agriculture in 2019. Positioned at 97 in the 2022 Forbes America’s Richest Self-Made Women list, Reshma's net worth is estimated to be about $220 million.

  • Follow Reshma Shetty on LinkedIn and Twitter
Indra Nooyi, former Chair and CEO, PepsiCo

Indra Nooyi needs no introduction. The former chairperson and CEO of PepsiCo, this Indian-American business executive is ranked among some of the most powerful names in the corporate world. Born in Chennai, India, Indra moved to USA in 1978 to pursue a master's in public and private management at the Yale School of Management. After working with companies such as Johnson & Johnson and Beardsell Ltd, Indra joined PepsiCo in 1994.

[caption id="attachment_26623" align="aligncenter" width="491"]Indra Nooyi | Self-made women | Global Indian Indra Nooyi, former Chair and CEO of PepsiCo[/caption]

In 2006, she was appointed as the CEO of the multinational food, snack, and beverage corporation. In a tenure that lasted 12 years, Indra was honored with several accolades and awards, including the third-highest Indian civilian award, Padma Bhushan in 2013. With a net worth of $320 million, Indra is currently ranked 66th on the Forbes list.

  • Follow Indra Nooyi on LinkedIn

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From Khagaul’s railway barracks to global art fairs: How Subodh Gupta became a leading contemporary artist

(October 21, 2021) Every Indian household has had its brush with stainless steel pots, pans and buckets. But not many see these everyday objects as pieces of art, unless you are Subodh Gupta. An Indian artist who has become a global name, thanks to his love for stainless steel objects. His installations have grabbed the attention of art lovers across the world, making him a name to reckon with. It's through these steel objects that he reminisces a childhood spent in a small town of Bihar. Coming from a humble background, Gupta had to learn and unlearn a lot to become the artist that he's now. From studying in a remote village to having his work exhibited at some of the biggest art shows in the world, Gupta's journey is inspiring. From wannabe actor to a painter Born in the small town of Khagaul in Bihar in 1964 to a railway guard father and a homemaker mother, Gupta grew up in the railway colony. It was a common notion that boys who lived there ended up working there. But Gupta had other plans, he wanted to outdo himself and everyone. So when his mother took him to watch theater on

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her plans, he wanted to outdo himself and everyone. So when his mother took him to watch theater on the other side of the railway, he instantly fell in love with the world of acting and was keen to pursue it as a career. However, after his father's death, his mother, who came from a farming family, sent him to live with his uncle in a remote village. "Not a single school kid wore shoes, and there was no road to go to school. Sometimes we stopped in the field and we sat down and ate green chickpeas before we went to school," the Indian artist said in an interview.

But the dream of making it big as an actor kept simmering in his heart. So, after school Gupta joined a theater group in Khagaul where for a brief period he worked as an actor. The youngster had always had a creative streak and even designed the posters to advertise the plays he acted in. It is what led to him discovering his talent for painting; he eventually enrolled at the College of Arts and Crafts, Patna, in 1983. He chose to study painting as he wanted to be his own set director, actor, and designer. His mother wanted him to have a stable job; but he instead chose to work part-time as an illustrator at a newspaper to make meets end.

 

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A post shared by Subodh Gupta (@subodhguptastudio)

While Gupta was keen to study art in college, the lack of infrastructure back then left him feeling lost. "Can you imagine the library of an art college forever locked? I just felt so lost when I passed out of the college. Had there been proper infrastructure in the college, I feel I wouldn’t have had to experience the same kind of struggle. I don’t want any art student to suffer because of such things but even if one doesn’t have access to resources, a student always has the freedom to think, the freedom to create and express. I had that drive to make a good painting and this was the discovery I made. You know, to discover the drive in you is another challenge," the Indian artist told The Hindu in an interview.

Finding himself and his path

In 1993, Gupta moved to Delhi as a struggling artist. It was here that he met his wife, UK-based Bharti Kher, who changed his perspective about himself and his art. She has been a key influence in his life, constantly nudging him to hone his craft and find his own creative style. Though painting was his primary specialization, Gupta began to explore a variety of disciplines and media like interactive art, video and photography, installations, and sculptures. But it was his use of everyday objects like stainless steel utensils that became his unique identity. He saw art in pots and pans, a dialogue, a poem as it was a way to relive his childhood. "All these things were part of the way I grew up. They are used in the rituals and ceremonies that were part of my childhood. Indians either remember them from their youth, or they want to remember them," he told The Guardian.

 

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A post shared by Subodh Gupta (@subodhguptastudio)

Journey to global stardom

Just three years after his first installation in 1996, the Indian artist found his work being exhibited at the prestigious Fukuoka Asian Art Triennale in Japan and at the Gwangju Beinnale in South Korea in 2000. This international exposure was a turning point in Gupta's career. He was invited to display his work across the world. Around the same time, he began his association with Khoj Studios, an organization that promotes young artists and experimental work. This alliance turned out to be another milestone. His next few shows at Frieze Art Fair and Art Basel made people sit up and take notice of his craft that transformed seemingly mundane items into works of art. A few years later, Gupta produced one of his most prominent installations, Very Hungry God — a one-tonne skull crafted out of aluminum pots and pans that found itself at the Venice Biennale, the Chicago Museum of Contemporary Art, and in a Parisian church. In 2006, French billionaire and art collector Francois Pinault bought the sculpture after one of his curators spotted it in a show at Paris's Eglise Saint-Bernard Church. This truly put Gupta on the global stage.

[caption id="attachment_13640" align="aligncenter" width="678"]Indian artists | Subodh Gupta - Indian Contemporary Artist | Global Indian Subodh Gupta's Very Hungry God at Paris.[/caption]

The ease with which Gupta makes art out of everyday objects is what makes his work unique and popular among art lovers. Over the last few decades, his art has travelled across the globe. If Line of Control (2008), a mushroom cloud constructed out of pots and pans, was shown at the Tate Britain in 2009, his Banyan Tree (2014), a life-size sculpture made from stainless steel, has found a permanent home in Delhi's National Gallery of Modern Art.

This Global Indian's popularity in the world of art skyrocketed after a record breaking sale at the Saffron Art auction in 2008, when a painting featuring images of tin cans and pots fetched $1.4 million. Not just this, in 2007, the ArtReview Power 100 list included him as one of the three most powerful figures in Indian contemporary art. Known to be a prominent name in the world of art, Gupta's work is a beautiful amalgamation of heritage and craft and it is this eccentricity that makes the Indian artist stand out.

 

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Nalini Malani: Experimental artist, feminist icon

(May 3, 2023) It was year 1966. Still a student at the JJ School of Art, Nalini Malani had her first solo exhibition at Mumbai's Pundole Art Gallery, sharing studio space with big names like VS Gaitonde, Tyeb Mehta and MF Husain. In the subsequent years, she immersed herself in the art that soon became her form of expression. At a time when Indian painters were still painting the traditional way, Nalini Malani was busy experimenting with mixed media. Her art isn't just visual but an orchestra for all the five senses. Her work in the last few decades has been a comment on feminism and gender, a subject close to her heart. And her latest exhibition at London's National Gallery is proof of it, where she is smashing the patriarchy through her work. "My endeavour has always been to make art that addresses not just those who visit art galleries but the larger public, and moving images have a wider appeal," she said. For someone who can be easily called the pioneer of Multimedia Art in India, her work has been giving voice to the women who have been silenced over generations, and this has earned her the Arts

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earned her the Arts & Culture Fukuoka Prize, making her the first Asian woman to achieve the feat. The 77-year-old artist, who studied in the Paris, has carved a niche for herself in the art world.

[caption id="attachment_38042" align="aligncenter" width="780"]Nalini Malani | Artist | Global Indian Nalini Malani[/caption]

The beginning - Mumbai to Paris

Nalini's journey began a year before India attained independence, and her family sought refuge in Kolkata during the Partition before relocating to Mumbai in 1958. During her formative years, the conflict of displacement and refuge played a crucial role in her life, and soon she began expressing herself through art. Her idea of creative liberation took her to the JJ School of Art where she obtained a diploma in Fine Arts. During her art school days, she had a studio at the Bhulabhai Memorial Institute, which was a multidisciplinary centre inviting artists, musicians and theater actors to work individually and as a community. This experience gave the young Nalini the perfect exposure and became a stepping stone for her participation in the Vision Exchange Workshop (VIEW), an initiative by veteran artist Akbar Padamsee. With art being a male-dominated craft, she was the only female member at the workshop. It was here that she developed a penchant for photography and film, and explored the themes of the turbulent political and social scenario of India during those times.

In 1970, Malani moved to Paris on a scholarship awarded by the French government to study fine arts. In Paris, Malani found the freedom to design her own education since the Ecole des Beaux-Arts was yet to reconfigure its new syllabus. Those two years in the capital of France, Malani practiced printmaking at Atelier Friedlander and immersed herself in Marxist politics while attending lectures by Naom Chomsky, Simone de Beauvoir and attending film screenings at the Cinematheque Francaise where she met Jean-Luc Godard and Chris Marker. Paris gave her the foundation she needed as an artist before returning to India in 1973.

Nalini Malani | Global Indian | Artist

The feminist artist

Upon her return, she settled in the bustling market of Lohar Chawl in Mumbai where her work reflected the lives of middle-class Indian families. She began working with paintings - acrylic on canvas and watercolour on paper, and produced art that portrayed contemporary India. Though Paris gave her the freedom to explore art, she was disappointed with the lack of acknowledgement that women artists had to face back home in the 70s. She resolved to bring them together for a group show after a meeting with visual artist Nancy Spero and American feminist artist May Stevens at the AIR Gallery in New York in 1979. Seeing the gallery's fierce determination to create a space for the work of female artists, Nalini returned to India with idea of extending the formula. After years of negotiation with public and private institutions, she curated the first exhibition of Indian female artists, titled Through The Looking Glass. It toured for three years, between 1986 and 1989, to non-commercial venues as Nalini was keen to take art beyond the elitist atmosphere of the art gallery.

Nalini has been an advocate for feminism and has made every attempt to make women visible outside the narratives of femininity through her work. She often gave voice to women who have been silenced by works of literature like Sita from Ramayana and Cassandra and Medea from Greek mythology. "Understanding the world from a feminist perspective is an essential device for a more hopeful future, if we want to achieve something like human progress, she said at Centre Pompiduo in 2018.

 

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Pioneer in Multimedia Art

Over the next few years, her art was exhibited in India and abroad. She has been one of the earliest artists to experiment with mixed media and move away from traditional media. "A major turning point in my relationship to written sources in my work came in 1979 when I met the artist RB Kitaj at one of his exhibitions in New York. There I saw an artwork titled If Not, Not, taken from TS Eliot’s The Wasteland. Kitaj said to me: 'Some texts have artworks in them.' Since then, the inclusion of literary or philosophical excerpts has remained a constant in my practice," she told Studio International in an interview.

It was in the 90s that her work began to drastically incorporate medium other than the canvas after the Babri Masjid demolition as it triggered a shift in her art. The renewed religious conflicts that brought back the memories of the Partition for her pushed her artistic endeavours past the boundaries of the surface and into the space. Her foray into the performing art and keen interest in literature brought new dimensions to her art. This even led her to create a new form of art, the video-play that would allow her theatre plays to travel.

 

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Known as one of the pioneers of Multimedia Art, she found her work exhibited across the globe from New Zealand to Switzerland to Mauritius to USA. In 2013, she added another feather to her cap when she became the first Asian woman to receive the Arts & Culture Fukuoka Prize for her consistent focus on contemporary themes like war, oppression of women and environmental destruction.

Malani, who began her journey in the art scene in the 60s, has come a long way and has become a name to reckon with in the international art circle.

Key takeaways:

- Embrace experimentation: A pioneer in multimedia art, Nalini moved away from traditional media at a time when it wasn't heard of.  Experiment with different forms of art and media to create a unique style and reach a wider audience.

- Speak your truth: Malani used her art to express her beliefs and address pressing social, political, and cultural issues. Art can be used to voice opinions and make comments on important issues.

- Promote inclusivity and accessibility: As Malani did, curating non-commercial exhibitions and collaborations with public institutions can go a long way in bringing inclusivity and accessibility to the art world.

- Build a supportive community: Malani engaged with other artists, mentors, and peers to learn from their experiences, collaborate, and create a supportive network. A supportive community can bring invaluable resources and opportunities for growth.

  • Follow Nalini Malani on Instagram and Twitter

 

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About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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