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Global IndianstorySpeak easy: Meet Chris C, the American Instagrammer teaching Malayalam
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Speak easy: Meet Chris C, the American Instagrammer teaching Malayalam

Written by: Mallik Thatipalli

(February 15, 2024) Chris C is an anomaly on Instagram. An American who speaks Malayalam, his feed stands out in the minefield of social media due to its funny and relatable content, as well as the novelty of a foreigner speaking an Indian language. Started by Christopher (he prefers to go only by his first name) in 2023, the account has grown by leaps and bounds to over 91,000 followers now, with Indians walking up to the young creator and asking for a selfie, that ultimate test of popularity!

Some of his most popular videos include Survival Malayalam (the first one to go viral), Malayali Uncle Vocabulary, and Finding the Most Difficult Words from Kerala.

 

View this post on Instagram

 

A post shared by Chris C (@mr.christopher._)

Even as a child, Chris was especially interested in language, history, music, the humanities, literature, art, and philosophy. Around the time he was completing his studies, he was looking for a sense of home and belonging. He found it among his Malayali friends who then became his extended family and community.

He recalls, “I needed time to figure out what I wanted life to look like before I started working, so essentially I took a gap year. When I did so, much of that time was spent visiting different friends in my newfound community. They really helped support and encourage me at a time when I really needed such things. They welcomed me in and treated me as a friend and brother. I couldn’t see my life today being in any way the same without them.”

‘Nalla Vellakkaran’

The videos began as a fun way to hit upon relatable moments Chris and his Malayali friends had come to share over the years. Armed with humor and broken Malayalam, the Instagram star wants to be a positive presence in the social media environment. The irony is that the creator always had a minimal presence on social media, being a private person!

“I certainly never expected it would go viral!” he exclaims and adds, “When I saw how well-received those first videos were, I knew I needed to do something about it. Now I really see it as an opportunity to share my gratitude for my ‘adopted’ community and decided to address myself as ‘your nalla vellakkaran’. It’s a bit of a pun on ‘nalla ayalkkaran’ (good neighbor), which is a connotation I enjoy.”

There is no formal process the content creator uses, and being a one-man show, his turnaround time from settling on an idea to scripting, recording, editing, and posting is pretty short—around a week.

“Usually I just mark down possible ideas as they come. When I’m creating content, I try to mix things up by switching between funny and informative content. To be honest, often I just go with what I feel like posting,” he tells Global Indian.

When sharing content that is more technical, he usually buries his head in a Malayalam dictionary or grammar to fact-check himself—and candidly admits that he still makes typos! “Mistakes don’t bother me, however, and I think that helps my creative process. I just like to make videos. There’s no hidden incentive behind it or a need to get things perfect. I do the best I can, as regularly as I can, and I learn as I go,” he notes.

Ask him why he zeroed in on Malayalam, and he quips, saying, ‘Because my community is Malayali!’ and adds, “I speak other languages as well (Spanish, Japanese, and French) with varying levels of fluency, but I began learning Malayalam both as a challenge (since I love learning languages) and as an opportunity to connect with more people in my ‘adopted’ community.”

Chris visited Kerala several times over the years, with his longest trip being in 2019, and he traveled extensively in the state, with his favorite places being Kochi, Kottayam, and Thiruvananthapuram, as well as the mountains up north in the Kannur/Kasaragod area.

 

View this post on Instagram

 

A post shared by Chris C (@mr.christopher._)


Positive ripple effect

As the influence of social media grows, much of it is used for bullying and toxicity, but Chris’s videos have mostly a positive reception, barring a very small minority.

He says, “In the beginning, Malayalis were just amused that some American guy would know their language and culture so well. Then, over time, people became more curious. They’ve often expressed that they’re pleasantly surprised that I am doing this out of gratitude to the people I care about—the community that took me in and helped nurture me.”

As the audience grows, so do expectations. For instance, when Chris makes spelling, grammar, and pronunciation mistakes in Malayalam, the internet makes sure he knows it. He simply takes them into his stride, adding, “I’m a learner, and mistakes and failures are opportunities, not setbacks.”

Winning over the Tik-Tok generation

At a time when attention spans are growing smaller and smaller, the Instagrammer has understood the golden rule—that there is no replacing a good idea. He has also learned some things from watching other professionals who have mastered short-form content creation and gained insights.

“There are certain tricks, to be sure: how you edit and cut, your hook, your presentation style… but you have to understand what you want to share with others and why they should hear it. That’s easy for me, because I’m very interested and passionate about the things I share, so my goal is really to pass that interest on to others,” he says.

 

View this post on Instagram

 

A post shared by Chris C (@mr.christopher._)

What motivates Chris are the genuine connections he makes with others and working with other creators. He is one of those few creators who engages with people commenting on his feed and is now getting used to being asked for advice by others.

He says, “I appreciate when I’m able to just have an authentic interaction with others online—usually in the comments. I think it really warms my heart when people say things like ‘you’re so kind,’ ‘you’re so genuine, you’re a real person,’ or ‘wow, you really do care.’ That’s the kind of environment I want to try and grow in.”

As for the future, he committed to starting a YouTube channel if he crossed 100,000 followers, which he will do very soon. Besides, juggling his passion with a full-time job (in medical IT) is not easy, but he manages it because of his interest.

When not doing either, Chris loves hiking, cooking, music, reading, and video games. His immediate plan for the future—to visit Kerala again!

Follow Christopher on Instagram

 

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  • "Finding the Most Difficult Words from Kerala" content
  • "Malayali Uncle Vocabulary" reel
  • "Survival Malayalam" viral video
  • American in India
  • cultural immersion
  • Instagram growth
  • Malayalam speaking foreigner
  • selfie fame

Published on 15, Feb 2024

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The Royal Diaries: Princess Vaishnavi of Kishangarh is working on reviving the lost art

(November 21, 2022) Situated about 100 kilometres from Jaipur, Kishangarh is a small town caught in time. Urban lanes with artistic buildings on either side paint the town unique. But it is not this town that I want to talk about, but its Rajkumari. Princess Vaishnavi, the present-day scion of Kishangarh, has given patronage to several local artists to save the world-famed miniature paintings from Rajasthan. An alum of the British Museum, the princess established Studio Kishangarh in 2010, inspired by the 350-year-old Kishangarh School, the studio produces work deeply influenced by Radha Krishna bhakti and the splendour of the natural beauty around Kishangarh. [caption id="attachment_31913" align="aligncenter" width="566"] Princess Vaishnavi Kumari of Kishangarh[/caption] With her training in design and art history, Vaishvani endeavours to bring Kishangarh art to a global audience. “For me art is all about preserving heritage and continuation," shares the princess, as she connects with Global Indian, adding, "There is so much art and craft in this country, and some of them - unfortunately - are dying and need patronage. While it is upon the ancient royal houses, big industrialists, and the government to save these art forms and artisans, I think everyone, in their own way,

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ares the princess, as she connects with Global Indian, adding, "There is so much art and craft in this country, and some of them - unfortunately - are dying and need patronage. While it is upon the ancient royal houses, big industrialists, and the government to save these art forms and artisans, I think everyone, in their own way, can contribute to saving the country's culture and heritage."

Inspired by art

Born in royalty, the princess was always mesmerised by the art that surrounded her. Some of her most cherished childhood memories are those of the festivals her family celebrated in the Kishangarh Fort. Vaishnavi studied at the Mayo College Girls' School, situated in Ajmer, and later attended the National Institute of Fashion Technology in Delhi. "Growing up my life was no different than any other kid in this country. I went to a boarding school where kids from various backgrounds come to study. It was the same during my college as well. So, I have a very normal upbringing," laughs the princess.

Art | Princess Vaishnavi | Global Indian

The princess, who is also an alumnus of the British Museum where she did a short course in art history, has been inspired by her ancestors, who have passionately promoted art and heritage. "Kishangarh was not a huge kingdom like the other Rajputana states, such as Jodhpur and Jaipur. My forefathers were quite culturally inclined. One of my ancestors is Rajput prince Savant Singh, who is also known as the Poet Prince. He is famous for commissioning beautiful works of miniature painting and composing devotional (bhakti) poetry to Krishna under the nom de plume Nagaridas. My great-great-great grandfather, Sir Madan Singh Bahadur, Maharaja of Kishangarh, took part in the World War I. After he came back from the war, the family did a Hindola, which was a big celebration and we still continue to do it every year. I have grown up hearing the stories of such great people and my family's history. So, these things really inspired me to pursue a career in art history," she shares.

[caption id="attachment_31915" align="aligncenter" width="616"]Art | Princess Vaishnavi | Global Indian Artisans at Studio Kishangarh use miniature paintings and Picchwai techniques in a modern way[/caption]

After finishing her graduation, Vaishnavi pursued post-graduation in art and archaeology at SOAS University, UK where she studied Asian art. Speaking about how that changed her perspective, the princess states, "When I did the diploma from the British Museum, I had access to various art forms that were not even on display. That was an eye-opening experience for me. At SOAS, I concentrated my studies on Indian temples and Buddhist studies. From an academic perspective, Westerners see art from a study point of view. For example, when they see a sculpture of Shiva and Parvati, they talk about its iconography, history, and political implications of it. So, it gave me a new perspective on Indian art and culture."

Taking her legacy forward

After returning to India, the princess wanted to work around art. While she was looking at a starting point when she stumbled upon the rich history of arts and artisans in Kishangarh, who would make top-quality products, including paper and soap. "Our old staff would tell me stories about how the bandej of Kishangarh was so famous that some of the material was used in the movie Mother India. They informed me about the paper and soap makers from Kishangarh were also very well known. I tried to find these soap and paper makers but could find none. With time, many of the traditional art forms have died. Fortunately, however, I was able to find the famed miniature painters. At that time, they would paint on furniture that was to be exported. I got them together and started a studio - where we do not pay them per piece, but give them stable employment."

[caption id="attachment_31914" align="aligncenter" width="639"]Art | Princess Vaishnavi | Global Indian Princess Vaishnavi Kumari of Kishangarh and Kumar Saaheb Padmanabh Jadeja of Gondal[/caption]

And thus, Studio Kishangarh was born. An amalgamation of old aesthetics and techniques with new materials and concepts, the studio, which currently employs five to eight painters, uses miniature paintings and Picchwai techniques in a modern way. The artists work on contemporary pieces, taking inspiration from the royal collection, the architecture of the forts and palaces of Kishangarh, and devotional poetry. "Historically, Kishangarh has been famous for miniature paintings. So, I didn't want our artists to just copy the old paintings. We started experimenting with various mediums and creating new paintings. In fact, we were the first people to the Kamdhenu cow series - and now you see them everywhere," shares the princess. The art forms made by the painters at the studio are sold online through their official website, ensuring a stable livelihood for the artists and a way for them to keep exploring their art. The Royal house also hosts and participates in various art exhibitions across the country.

https://www.youtube.com/watch?v=WG6SlxKABpU

The princess, who involves herself quite actively in the proceedings of the studio, has expansive plans. "I give the ideas and concepts to our artisans. Traditionally, an art karkhana under the Mughal or Rajputana court was a premises based on the patronage of the king. So, I wanted to do something similar with Studio Kishangarh, to preserve miniature paintings and their artists, and to evolve them into a contemporary art form. We wish to leave some heritage and ideas behind for the next generations to come. I wish to expand the studio and eventually start an art school," expresses the princess.

  • Follow Princess Vaishnavi on Instagram
  • Follow Studio Kishangarh on Instagram, Facebook and their website

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One Man, Many Landscapes: Tehzoon Karmalawala’s trailblazing exploration of India’s wilderness

(July 5, 2023) “I am still trying to adapt to urban life," says entrepreneur and photographer Tehzoon Karmalawala as he connects with Global Indian for an interview. Fuelled by his love for the environment and passion for conservation, he is back from an unprecedented journey, unmatched by any Indian before. Over a span of 18 months, Tehzoon covered an astonishing distance of 63,000 kilometres, visiting national parks, sanctuaries, tiger reserves, and world heritage sites. He returned two months back, with 30,000 pictures from his trip and is currently working on a new coffee table book. Along the way, he was also inspired by the resilience of a tribe in Odisha and their seven-year battle with the government and a mining conglomerate. Tehzoon is collaborating on a documentary with an Academy Award-winning director to showcase their remarkable story.  I have explored the maximum of India's environmental treasures, including 104 national parks, 17 biosphere reserves, 54 tiger reserves, and 32 elephant sanctuaries in my epic journey. Additionally, Tehzoon had the opportunity to visit over 40 world heritage sites. He proudly shares, "Apart from the 40 confirmed world heritage sites in our country recognised by UNESCO, there are 52 sites which are considered

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ng 104 national parks, 17 biosphere reserves, 54 tiger reserves, and 32 elephant sanctuaries in my epic journey.

Additionally, Tehzoon had the opportunity to visit over 40 world heritage sites. He proudly shares, "Apart from the 40 confirmed world heritage sites in our country recognised by UNESCO, there are 52 sites which are considered as tentative world heritage sites, and I visited 50 of them.” 

[caption id="attachment_41099" align="aligncenter" width="1005"]Indian Traveller | Tehzoon Karmalawala | Global Indian Tehzoon Karmalawala[/caption]

On October 19, 2021, the Pune based entrepreneur embarked on his expedition, traveling in his own vehicle and trekking in select areas. He successfully completed the entire journey on April 30, 2023. His remarkable achievement has earned him a place in the India Book of Records and the World Records of India as the title-holder of the "longest continuous exploratory expedition."  

Tehzoon has visited every state and union territory of India, except Lakshadweep, as it does not has a world heritage site, national park, or forest reserve. “I am in the process of seeking recognition from the Guinness Book of Records,” tells the maverick traveller. 

Rich repository for reference 

Reflecting on his transformative journey, Tehzoon remarks, "It has been a life-changing experience for me." Throughout his expedition, he meticulously tracked his route using a GPS device, saving the data on a cloud server in the form of a KML file, providing evidence of his extraordinary feat. Additionally, Tehzoon has entry permits for most of the parks and world heritage sites he visited, ensuring documentation of his solo journey.  

The avid nature photographer is in the process of selecting 300 out of the 30,000 pictures he captured to create a coffee table book that showcases the incredible diversity of India's ecosystem, eco-tourism, indigenous tribes, climate, wildlife, handicraft, culture, art, and landscapes. "Notably, the Union Cabinet Minister of environment, forest, and climate change, Mr. Bhupendra Yadav, has agreed to write a foreword for the book," he says. 

Tehzoon’s has extensively documented his journey through videos as well and is working on a 12-part series that will offer viewers a visually captivating and compelling narrative of his experiences.  

https://www.youtube.com/watch?v=XDOcjgW6a8U&t=4s

 

“All this would prove to be a repository for future reference with the purpose of preserving the indigenous elements that are diminishing in India, including handicrafts, art, tribal culture, and rituals that are on the verge of extinction,” he remarks. 

Stories of the epic quest  

During his 18-month odyssey, Tehzoon encountered countless fascinating stories about the wonders of nature and humanity. Some of his stories are enchanting, while others evoke disbelief or fear, such as the time a group of elephants gathered around his tent in Kaziranga National Park in Assam.  

However, there were also stories that led to deep introspection. In Odisha, Tehzoon encountered a tribe that fought for seven years, selling their land and gold to fund their legal battle against the government and a business conglomerate's mining activities in their forest. Inspired by their struggle and triumph, the entrepreneur is in the process of collaborating with an Academy Award-winning director to produce a documentary on the powerful success story.  

Finding a purpose 

Though Tehzoon embarked on his journey with the intention of exploring the wonders of India, he discovered two purposes that he would like to pursue in the future. He noticed that the front-end staff of the forest department lacks basic necessities such as proper shoes and equipment to combat poachers. “They are our green warriors and we have to empower them,” he remarks. 

Additionally, he wants to raise awareness about road safety on highways due to his personal experiences. “Though there are laws in our country, enforceability needs to be better. I have had two near-death experiences without any fault of mine,” he says. His aim is to improve enforceability of road safety laws and preventing the country from becoming prone to road accidents. 

https://www.youtube.com/watch?v=yO7hQ6mQPoQ

Building awareness on biodiversity  

The photographer emphasises the decline in the presence of bird and butterfly species that were once common during his childhood. He explains that their habitats have changed, leading to their disappearance. As a volunteer associated with the Anandvan Foundation in Pune, he has been assisting in addressing the issue.  

The foundation works with the purpose to build biodiversity and restore disappearing species of plants, birds, animals, and butterflies by creating four forests in the vicinity of Pune. The forest near his house, which used to have only 20 bird species seven years ago, now boasts 60 species due to efforts such as planting 150 indigenous plant varieties on a former dump yard. “Anandvan Foundation’s effort is now a case study for forest departments, attracting delegates from across India and even Bangladesh,” he shares. 

When Tehzoon embarked on his journey, over 100 volunteers of the foundation flagged off his expedition. Throughout his journey, Tehzoon took every opportunity to create awareness about the importance of planting trees and improving the green cover of urban areas speaking to people in places like Bengaluru, Hyderabad, Indore, and Shillong. “We as citizens should do our bit for the environment instead of being solely dependent on the government,” he says. 

Getting richer in eighteen months 

Tehzoon works in his family's real estate development business. As an entrepreneur, he considers the travel cost of the journey insignificant compared to the missed opportunities in the work front during the one-and-a-half years of his travel.

The trip has made me the richest man in India due to the invaluable experiences I have gained, encountering indigenous tribes, exploring their culture and belief systems, and witnessing the beauty of nature.

“It has changed me as a person, made me more humble, understanding, and taught me to embrace the concept of minimalism,” says Tehzoon inspired by the happiness quotient of people in rural areas who live without gadgets, LPG, or internet. “This realization itself is worth billions of dollars,” he remarks. 

Then and now 

Tehzoon has always had a love for traveling, previously exploring fascinating destinations in Europe, Dubai, Africa, and New Zealand during short trips while working as a mechanical engineer in the oil and gas industry abroad. It was in 2016 that he had relocated to India to join his family business. 

During the lockdown, when there was enough time in hand to introspect on life, he realised that he wants to do something different. Motivated by an American traveller named Meyer, who had visited every national park in the United States in a single journey, Tehzoon aspired to do the same in his own country. It took him six months to curate the places he wanted to visit. 

https://www.youtube.com/watch?v=YJF-ybjl0Ck

 

Throughout his expedition, Tehzoon traversed diverse terrains, ranging from arid deserts to lush forests, and explored the majestic peaks of the Himalayas and the ecologically rich Western and Eastern Ghats. His journey also took him from the Central Plateau to the enchanting Andaman Islands, exposing him to the ever-changing weather conditions across the country.  

Describing the power of nature, he remarks, “In the forests I used to get into a meditative zone, it’s a different world altogether, it acted as a teleportation funnel into a different world. Oh! don’t remind me more,” he laughs. 

The travel maverick wants to go on more such exploratory trips in future and is thankful to his family for their understanding and support. He is also thankful to the ministry of wildlife and forest resources conservation to support him with forest personnel and approvals for visiting even those national parks where eco-tourism is not allowed and to the ministry of culture for special permission to take photographs of world heritage sites.  

“India is such an incredible country that even if I take another 18-months-trip, I would not be able to cover the vastness and beauty of it in totality,” he signs off. 

  • Follow Tehzoon Karmalawala on LinkedIn and YouTube

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For art’s sake: Meet India’s leading art collector Shalini Passi

(April 17, 2023) Artist, art collector, design connoisseur, writer and philanthropist: Shalini Passi is a woman of many talents. Shalini is the founder of MASH, a digital platform at intersection of architecture, art, craft, design, and fashion in an accessible and engaging format to support emerging young artists. That apart, she also writes for leading lifestyle magazines like Travel+Leisure and Conde Nast Traveller. Shalini's love for art began young, given her family's legacy in the construction business. The rare works of art that adorn the floors, walls and ceilings of her 20,000 square-foot residence in Golf Links, New Delhi, bear testament to her passion. “I enjoy observing and exploring different aspects of art and design. I believe that designs, architecture and shapes influence our lives and vice versa. It impacts our lifestyle,” smiles Shalini Passi, artist, art and design collector, writer, fashion patroness and philanthropist, in an exclusive conversation with Global Indian. Travel, she says, has been her way of familiarising herself with the changing landscapes of art, design, and fashion. “I travel around the world to cover international art fairs and various other art events and biennales for MASH (Her digital platform) and the travel magazines I write for,”

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ation with Global Indian. Travel, she says, has been her way of familiarising herself with the changing landscapes of art, design, and fashion. “I travel around the world to cover international art fairs and various other art events and biennales for MASH (Her digital platform) and the travel magazines I write for,” informs the globetrotter. In recent years, her work-related projects have taken her to Turkey, France, Germany, UK, USA, Bhutan, and China.

The family legacy

Growing up, Shalini would spend hours exploring the offices of her father, grandfather and uncle, observing the blueprints of buildings designed by leading architects like Raj Rewal. “They were the architects who built Palika bazar, the D.D. building and The Vayu Bhawan amongst other distinguished buildings in Delhi,” says Shalini, whose great grandfather came to Delhi from Pakistan and set up the Arya Samaj Mandir on Pusa Road. “I was fascinated by the process of construction, and how the actual plan came alive in real time and space and how powerful the vision of an architect was,” says Shalini, who is also the Creative Director for Pasco group of companies and has been involved in the designing of the showrooms. Her husband, Sanjay Passi, is the managing director of the Pasco group.

https://www.youtube.com/watch?v=z9-KYdXPUHA

Born and raised in New Delhi, Shalini studied at Modern School Barakhamba Road. “My school day memories are filled with attending classes of art, painting, dancing, singing and theatre, learning how different forms of creative expressions are connected to each other,” recalls Shalini, who participated in the state-level diving competitions and gymnastics alongside long-distance or endurance running.

In those days, she also trained as a dancer. “The rhythm in dance helped me understand painting and colours better,” says the artist. She took to painting different mudras and dance costumes, intricately delineating every fold, trying to capture the dynamism of dance on the static canvas.

Art | Shalini Passi | Global Indian

She credits her teacher Bishambar Khanna, who was an enamellist in Modern School, for being instrumental in her growth as an artist. “He taught me the importance of observation and the role it plays in art. Compete with yourself, is what he told me,” says Shalini, who pursued her Bachelor of Arts from Jesus and Mary College in Delhi.

Architecture to collecting art

Shalini wanted to be an architect for the longest time, but her skills in mathematics could not match the course requirements, so that was something that never happened. “Powerful architecture has played an important role in developing my aesthetics and as a result I also started reading about design,” says Shalini, who has extensively read about different types of architectural movements, deciphering the aspects of furniture design belonging to different eras and movements like Renaissance, Baroque architecture, Neoclassical, Bauhaus and Mid-century modern.

 

View this post on Instagram

 

A post shared by Shalini Passi (@shalini.passi)

In the ’80s, she began collecting artworks for her home. “My process of collecting begins with reading and understanding the views and concepts used by an artist. I usually try to visit the studio and like to collect the works of the artists, which inspire my philosophies and vision of life and art,” explains the art aficionado, whose collection is an eclectic mix, including sculptures, paintings, installations, video art and centuries-old pieces of furniture collected from around the world, each chosen after thorough study and research.

At the forefront of contemporary Indian art

Shalini fondly recalls her association with prolific artist MF Husain. “He designed my wedding cards. He created four cards with different compositions full of vivid forms and colours. Those cards are embedded with a personal memory that speaks to me on a sublime level,” smiles Shalini, who has been a patron of the Kochi-Muziris Biennale.

Art | Shalini Passi | Global Indian

She also possesses the personal collection of furniture and art that once belonged to contemporary artist Bharati Kher and renowned sculptor Mrinalini Mukherjee. She says Bharati worked on the four panels titled ‘Untitled’, where she employed bindis - a traditional symbol of femininity and domesticity in Indian culture - as a motif of abstraction. “Observing the overarching themes of abstraction come to fruition was a perfectly sublime experience,” shares Shalini, who has also hosted a dinner in honour of Christie’s UK Chairman Viscount Linley.

Referring to Mrinalini Mukherjee, Shalini says her visual endeavours have shaped the vocabulary of modern Indian modern art in multitudes of ways. She loaned her personal collection of Mrinalini’s works to Frieze London 2019 for their solo booth exhibit featuring international artists who have worked with the mediums of tapestry and textiles. “Her work has held a special place in my collection,” she says. Shalini’s art collection also includes works by Indian contemporary artists including Riyas Komu, Anita Dube, Zarina Hashmi, Subodh Gupta and Atul Dodiya as well as international artists including Jeff Koobs, Damien Hirst and Vladimir Kagan.

 

View this post on Instagram

 

A post shared by Shalini Passi (@shalini.passi)

Through MASH, Shalini aims to provide a platform that will act as a “catalyst for recognising young talent and individuality, and simultaneously, to expand the conventional canon of contemporary art,” says Shalini. As a member of the Advisory Board of Khoj, the not-for-profit contemporary arts organisation based in Delhi, she works to facilitate and support the development of experimental contemporary art practice in India and South Asia. She supports and donates to "The Delhi Society for the Welfare of Special Children" as well.

Philanthropy

Shalini, her husband Sanjay and their son support several religious, cultural and healthcare institutions, which they usually keep away from limelight. “We believe in the philosophy of gupt daan, and always try to support initiatives that are for the betterment of society as a whole,” says Shalini. Whenever the family travels to a religious institution, they try to support organisations, initiatives, and schools around that area to support education, healthcare infrastructure and provide aid to the people in the region.

Since 2010, she has been actively involved in educating underprivileged children in Delhi, through a series of workshops that provide opportunities for them to learn about the arts and crafts with skilled individuals.

https://www.youtube.com/watch?v=aPTGFs_pc_E

Above all, Shalini enjoys travelling and exploring different cultures. “I visit various religious places including temples, mosques and churches in India and abroad. I like to research the hidden pieces of heritage and art as well as exploring the adventures of skiing, scuba-diving, and hiking as well,” she says. When not working, she likes to read books about design, art, architecture and fashion besides learning Bharatanatyam, Katha and Salsa.

  • Follow Shalini Passi on Instagram, Facebook, and Twitter

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Journey of an artist: Revati Sharma Singh is crafting artistic narratives that transcend boundaries

(June 4, 2023) In a world where the weight of crises threatens to drain the vibrancy from our existence, it is a somber thought to imagine a world devoid of colour. From the pressing issues of hunger to the disheartening disparities of abundance, humanity stands at a crossroads. But amidst this bleak panorama, one interdisciplinary artist has emerged as a beacon of hope, weaving hues of optimism through her artistic tapestry. For the past 23 years, UK-based artist Revati Sharma Singh has tirelessly traversed the creative realms between London and India. "My paintings are very layered, just like people are," the artist explained during a recent interview, adding, "Often one wouldn’t notice slow, covert changes in the weather, just like one wouldn’t pay heed to the internal workings of the mind of a stranger. In a way, then, adding layers only unpeels my art’s subject." The Global Indian has been a consistent participant in prestigious art events such as the LAPADA Fair, Saatchi's Start Art Fair, the Affordable Art Fair in London and Singapore, the Masterpieces Art Fair in London, Art Monaco, and the Venice Biennale, where she has received two invitations to showcase her work. "Layers of surfaces give

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/a> has been a consistent participant in prestigious art events such as the LAPADA Fair, Saatchi's Start Art Fair, the Affordable Art Fair in London and Singapore, the Masterpieces Art Fair in London, Art Monaco, and the Venice Biennale, where she has received two invitations to showcase her work. "Layers of surfaces give meaning to the depth of understanding and emotion below. Nothing is ever in a vacuum and nothing is ever truly lost. Even if it can no longer be seen, it is right there under the surface. My works are made up of these layers. Sometimes many layers that you only catch a glimpse of how the work started and how it evolved."

Enchanted by nature

Growing up in Mumbai, Revati would never leave any chance to visit her grandparents, who lived in a scenic village in Himachal Pradesh. It was here that the young artist first fell in love with nature's beauty and later incorporated that into her art. "My work finds its verse in memories of my days at my grandmother's tea estate, nestled between the mountains in a tiny village called Darang, in Kangra, Himachal Pradesh," she mentions on her website, adding, "It is my spiritual home that renders my aesthetic. One of the most important concepts ingrained in me from my wandering days in the hills is that of freedom. Freedom from dogma and religion, freedom from closed-mindedness, freedom to choose my influences, and freedom from fitting in."

Artist | Revati Sharma Singh | Global Indian

But, while she loved colours since she was a young kid, Revati was introduced to pottery as a teenager, and in her words she was "hooked for life". Revati said, "My love affair with the pottery first began when I was 14. That summer, I lived with and learned from the great potters, Mini and Mary in an artist village called Andretta in Himachal. I spent hours turning the wheel with my foot and creating little pieces of magic from the earth. The rest of my time I spent walking around the fields on my own."

An artistic inspiration

After earning a Bachelor of Fine Arts (BFA) degree from Delhi College of Art the artist shifted to Singapore, which proved to be a turning point. Venturing beyond the borders of India for the first time, she immersed herself in the vibrant city, tirelessly exploring its art galleries. It was during this period that she developed a deep admiration for the works of Affandi, the renowned Indonesian impressionist master, who would later become a profound influence on her paintings. "I admire Affendi, an old Singaporean Master. I love his work and his style of painting. I relate to his work a lot and am very inspired by him," Revati shared.

[caption id="attachment_39592" align="aligncenter" width="605"]Artist | Revati Sharma Singh | Global Indian Revati's artwork, "Fleeting Glimpses in Delhi"[/caption]

Interestingly, it was also during her stay in Singapore that Revati experienced the triumph of her inaugural exhibition, held at the esteemed Raffles Hotel. Reflecting on this achievement, the artist recalled a profound realisation that her art held the power to make a positive impact. Inspired by this revelation, Revati initiated a heartfelt gesture of philanthropy by donating a portion of the proceeds from each of her sold paintings to charitable organizations based in Indian cities. This philanthropic practice remains an integral part of her artistic journey, with notable contributions made to the annual charity auctions organized by the Magic Bus Foundation.

[caption id="attachment_39594" align="aligncenter" width="692"]Artist | Revati Sharma Singh | Global Indian Revati is working on several pieces for various international art festivals[/caption]

Revati eventually moved back to Mumbai and the return to her homeland sparked a transformation within her artistic expression, taking on a newfound and distinctly political dimension. Moving to the trendy Mumbai suburb of Bandra in 2007 provided Revati with a renewed perspective on the city, allowing her to embark on what she considers a pivotal phase in the evolution of her artistic expression. "I can still recall the moments when I would gaze out from my sea-facing apartment, completely captivated by the juxtaposition before me. I could see the shimmering high-rise apartments of the privileged alongside the sprawling slums below. This stark and powerful contrast became a pivotal moment of realisation for me, as it dawned on me that my art possessed the extraordinary potential to illuminate the urgent challenges that plague India's densely populated and struggling society," the artist expressed.

The broader picture

In 2011, Revati was invited to exhibit at the Art Monaco fair, which she did with Running on Faith, an installation featuring a life-size cycle rickshaw. In the work, the artist turned her focus more directly toward the religious context of modern India, targeting the concepts of faith and karma as manifested in an overweight, gold-coloured passenger being pulled along by an emaciated, grey-blue rickshaw driver – the latter’s thin body covered in tiny artworks of Hindu icons.

https://www.youtube.com/watch?v=Av4R1CVrknQ

A couple of years later the artist shifted base to the United Kingdom, and 2015’s Italia Docet | Laboratorium marked Revati's first appearance at the Venice Biennale, with two multimedia installations drawing on the work of renowned Indian philosophers Rabindranath Tagore, Sri Ramakrishna and Swami Vivekananda. While her art is brilliant, one of the most interesting things about Revati is that she makes her own colours. "I use natural pigments and glues to make my colours. Stunning lapis lazuli and beautiful malachite, earthy raw sienna, and brilliant yellow - it’s the essence of my being."

In 2019, Revati exhibited her sculptural works, Grains of Antiquity with Art and Soul, casting grains in varied materials and stitched together to form maps of countries, cutouts, and drawings are placed over each other using rice paper forming various planes of visual decoupages. Currently, working on several pieces for various international festivals, the artist wishes to use her art for the common good of humanity.

Artist | Revati Sharma Singh | Global Indian

"I have a strong desire to be ethical in the implementation of my work, to not succumb to what is expected but to be courageous and have the integrity to do what I believe in," she expressed, adding, "I found my path in the language of grains, the language of food, the language of hunger and that of abundance, it’s the language we all speak despite our differences in race, colour, class or religion. It is these differences that make life colourful."

  • Follow Revati Sharma Singh on Instagram, LinkedIn, Facebook, and her website

Reading Time: 6 mins

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Frogman of India: Prof SD Biju is all set to make frogs popular at Harvard

(May 19, 2023) For those intrigued by the amphibian world, Professor SD Biju is a name to note. A pioneering herpetologist, he has unearthed 116 unique amphibian species across India, Indonesia, and Sri Lanka and is now preparing to bring his expertise to Harvard University as a Radcliffe Fellow. “Delighted to announce that I will be joining the Harvard University’s Radcliffe Institute as a Radcliffe Fellow,” tweeted the Delhi University professor Sathyabhama Das Biju. Popularly known as the ‘Frogman of India’, Prof SD Biju has been selected for the prestigious Harvard Radcliffe fellowship for 2023-24. The senior professor of environmental studies at DU is the 60th fellow representing biological sciences in 23 years of the Radcliffe programme at Harvard, and only the second fellow in this discipline from India. The Radcliffe Institute for Advanced Study at Harvard University is one of the world’s leading centres for interdisciplinary exploration and research.   [caption id="attachment_38842" align="aligncenter" width="846"] Dr S.D. Biju[/caption] The Radcliffe Fellowship  One of the most prestigious academic programmes in the world, the Radcliffe Fellowship is awarded every year to scholars, artists, and practitioners engaged in innovative work seeking to engage audiences beyond academia, confronting pressing social and policy issues along the

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ramme at Harvard, and only the second fellow in this discipline from India. The Radcliffe Institute for Advanced Study at Harvard University is one of the world’s leading centres for interdisciplinary exploration and research.  

[caption id="attachment_38842" align="aligncenter" width="846"]Indian Professor | SD Biju | Global Indian Dr S.D. Biju[/caption]

The Radcliffe Fellowship 

One of the most prestigious academic programmes in the world, the Radcliffe Fellowship is awarded every year to scholars, artists, and practitioners engaged in innovative work seeking to engage audiences beyond academia, confronting pressing social and policy issues along the way. This is not the herpetologist’s first association with Harvard University, where he serves as an associate of the department of organismic and evolutionary biology. However, the Radcliffe fellowship gives him the chance to work there full-time.  

During his fellowship, Prof Biju plans to accelerate his scientific efforts through on-site collaboration with Harvard faculty members, postdocs, and graduate students, making use of the rich specimen collections of the Museum of Comparative Zoology. He would work to expedite efforts to outpace nameless extinctions in India’s amphibian hot spots through the discovery and documentation of species and identification of key biodiversity areas for their conservation. 

“The biologist attracted global attention to amphibians in South Asia when his three decades of work discovered over a hundred new species, created an upsurge in scientific knowledge,” stated the release from Harvard.  

https://www.youtube.com/watch?v=HLEA8zyE1uI

Tryst with frogs – how it all began 

The research scientist earned his first PhD in Botany from University of Calicut, India, and contributed to knowledge on plants through several scientific publications and books. He went on to obtain his second PhD in animal science from Vrije Universiteit Brussel, Belgium and shifted his focus to amphibians. 

In his acceptance speech of IUCN/ ASG Sabin Awards few years ago, Professor Biju shared “I was introduced to the wonderful world of amphibians by amphibians themselves. I was a plant taxonomist. Wherever I went searching for plants, frogs were there. I became fascinated by their colours, shapes and behaviours,” he said. Slowly his interest leaned from plants to frogs. “One day I realised that my mind is full of plans for frog study, and not for plants study. From that moment frogs took charge of my life.”  

Prof Biju works in India’s forests and out of his laboratory at Delhi University. During his field studies, he has spent long days in forests, even going without food several times. “No stranger to starvation as a child, I can easily go without a meal or manage in any adverse circumstance during tough field trips. This has all now become part of my life,” he shared in an interview.

[caption id="attachment_38843" align="aligncenter" width="1163"]Indian Professor | SD Biju | Global Indian Photo Credit: Prof SD Biju[/caption]

Early life

Born in Kadakkal, a remote village close to a forest in Kerala, as a little boy he used to walk to school with a broken slate in hand, after selling milk in the morning and handing over the money to his mother to run the household. The family moved to Madathura after his birth and during the several years they spent living there, they would see wild elephants in their backyard almost everyday.  

 “I helped my parents from a young age in earning our livelihood. We had a small plot of land that we tilled. I bathed the cows, fed the chickens, walked every morning for five kilometres to sell the milk to a shop. It’s a life I cherished. That’s my strength,” he shared in an interview with Forbes. 

Back then, the only language he knew was Malayalam and he struggled in college as ‘science was taught in English’. His sheer dedication towards the subject that helped him sail across all hurdles. 

Today, ‘his discoveries alone represent 25 percent of India’s amphibian diversity,’ highlights a research report. Interestingly, out of 100 amphibian species discovered by Prof Biju, 40 are named after people who have played a significant role in his journey of rising from humble beginnings to becoming a world-renowned herpetologist. 

To acknowledge his contribution to the world of amphibians, a research team led by other herpetologists have named two frogs after Biju - Beddomixalus bijui, which was discovered in Kerala by researcher Dr. Anil Zachariah and team in 2011, and Bijurana nicobarensis, discovered in 2020 from Nicobar Islands by a joint team of Indian and Indonesian herpetologists.

Indian Professor | SD Biju | Global Indian

Why are frogs significant at all 

Calling himself a ‘crazy frog scientist going about his usual business.’ Professor Biju said in an interview with Mathrubhumi, “Frogs are a small, yet significant, part of the wide spectrum of an ecosystem. Our survival is dependent on such billions of life forms.” He believes that if frog population in a habitat is healthy, the good health of other species in the habitat can be maintained.  

“Frogs are living fossils. With 230 million years of evolutionary history, frogs are the first land animals with a backbone that moved on earth. They are among the few living beings with us who have witnessed all the five mass extinctions,” he shared with Forbes.

Strongly advocating to build a mindset of conservation of all species in entirety instead of focusing on few, Prof Biju pointed out:

In the food chain, frogs form an important part of the diet of many other animals such as birds and snakes. If their populations decline, the entire ecological pyramid will collapse. That is why they are called the 'conveyor belts of life'.

“The highly permeable skin in frogs is sensitive to even the slightest of change in the environment. If the number of frogs decrease (in a habitat), so would other species co-inhabiting in those water bodies and wetlands,” he remarked, calling them ‘the herald of ecological balance’ and ‘environmental barometers,’ and emphasizing on why if all species need to survive, they must survive together. 

[caption id="attachment_38847" align="aligncenter" width="1108"]Indian Professor | SD Biju | Global Indian Photo Credit: Prof SD Biju[/caption]

The ardent researcher  

Prof SD Biju has published over 100 research articles in top scientific journals. His findings have appeared in popular international press like National Geographic, BBC, CNN, New York Times, Forbes, The Economist, Associated Press, and The Guardian. 

“I am at the threshold of 60. I work for 16 hours every day. Frog study may seem absurd to some, but this is a realm of research which is highly vibrant,” the scientist remarked in an interview with Mathrubhumi. 

 The Global Indian has guided many PhD students and is happy with the quality of research he produced during the process. All his students are well-placed as professors or scientists in top universities and institutions in India and abroad. 

With the support of Conservation International, USA, International Union for Conservation of Nature (IUCN), and Critical Ecosystem Partnership Fund (CEPF) the herpetologist runs The LOST! Amphibians of India (LAI) which is a nation-wide citizen science and conservation initiative started in 2010 for rediscovering India's lost species of amphibians.  

[caption id="attachment_38849" align="aligncenter" width="1115"]Herpetologist, professor SD Biju has unearthed 116 unique amphibian species and is now heading Harvard University as a Radcliffe Fellow. Prof Biju and his team on field study[/caption]

The Frog Prince 

Under his leadership, some of the lost species of frogs like the Chalazodes Bubble-Nest Frog, were rediscovered in the Westerern Ghats after 136 years. 

The frog researcher who founded Systematics Lab at the University of Delhi in 2006 has been making contributions towards conservation of amphibians through discovery and documentation of their species with his students. The Kerala-born has been recently conferred the first 'Kerala Sree' Award by the governor of the state in the presence of the chief minister. Prof Biju is often found capturing the images of the amphibians on camera with finesse of a skilled photographer. Such is his love for frogs that he even has an impressive collection of frog replicas in different shapes and sizes adorning his home. 

[caption id="attachment_38888" align="aligncenter" width="1068"]Indian Professor | SD Biju | Global Indian A rare species - Indian Purple Frog ((Nasikabatrachus Sahyadrensis) that is usually found 18 feet under the soil discovered by Prof SD Biju | Photo Credit: Prof SD Biju[/caption]

  • Follow Professor SD Biju on Twitter and Facebook

 

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About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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