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Vivian Reddy | South African billionaire | Edison Power | Global Indian
Global Indianstory‘Power’ hungry: Vivian Reddy, the Indian mogul who brought electricity to post-apartheid South Africa
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‘Power’ hungry: Vivian Reddy, the Indian mogul who brought electricity to post-apartheid South Africa

Compiled by: Darshana Ramdev

(October 9, 2024) Vivian Reddy’s first memories are of the narrow, dusty streets of Greenwood Park, Durban. Born in 1953 into a family of nine children, his father, a schoolteacher, earned a meager R3 a month, barely enough to sustain them. Young Reddy saw the constant financial struggle up close, but it was his father’s unwavering dedication to integrity and service that left a mark on him. “Service to humanity is the best work of life,” his father would say—a mantra that guided Vivian Reddy through his life and business.

Hailing from KwaZulu-Natal, Vivian Reddy wears many hats as the founder and chairman of Edison Power Group, a heavyweight in the electrical industry. His business interests include casinos, healthcare, finance, and property development. From being raised in poverty to accumulating an estimated net worth of R1.9 billion, Reddy has come a long way, and been instrumental in shaping the post-apartheid Durban story, as well as the legacy of the Indian diaspora in South Africa.

At 71, Reddy is deeply committed to philanthropy in South Africa, supporting initiatives like the Orphans of AIDS Trust Fund and contributing to projects like the Wingen Heights Secondary School and a clinic in eThekwini Metropolitan Municipality.

Vivian Reddy | South African billionaire | Global Indian

Vivian Reddy

Humble beginnings

Growing up in apartheid South Africa meant that Reddy, as an Indian, was subject to the institutionalized racial segregation that defined the country from 1948 to 1994. Apartheid confined non-white citizens to specific areas, dictated their education, and barred them from numerous career opportunities. Indians in South Africa, initially brought to the country as indentured laborers by the British in the 19th century, were politically and socially marginalized, despite being very wealthy and contributing significantly to the economy as traders, professionals, and workers.

Vivian Reddy’s parents were committed to education as a way out of poverty. His father’s modest salary from his job as a schoolteacher barely provided for their large family, yet he instilled in Reddy a deep sense of responsibility and service. His mother, a homemaker, managed their household and nurtured her children with strength and patience. “We didn’t have much, but my parents made sure we had the right values,” Reddy recalls. These early values of integrity and service would shape Reddy’s path.

His first job, and confronting apartheid

Reddy’s first job as an electrician came after completing his education at Sastri Park Secondary School. Working at an electrical company in Pietermaritzburg, he quickly rose to branch manager. But apartheid’s discrimination soon reared its head. At a company Christmas party, the management arranged two separate celebrations—one for white workers and one for non-white workers. Outraged by the segregation, Reddy led the non-white workers into the whites-only celebration.

“I couldn’t just sit back and allow this injustice to continue,” Reddy says. His defiance, however, came at a cost. He was fired the following Monday. “Getting fired was painful, but it made me realize that if I wanted to succeed, I couldn’t rely on others to give me opportunities. I had to create my own.” That realization propelled Reddy into entrepreneurship.

Cutting the ribbon, Vivian Reddy with His Majesty, King Goodwill Zwetithini kaBhekuzulu, Premier of KZN, at the re-opening of the Lakehaven Child and Youth Centre in Durban. Photo: The Bugle

Building Edison Power: The Challenges of Being a Non-White Entrepreneur

In 1973, with just R500 and a borrowed bakkie (small truck), the Global Indian started his own electrical company, Reddy’s Electrical. The challenges were immense. Apartheid policies meant that government contracts were out of reach for non-white businesses, and private companies often preferred to work with white-owned firms.

Despite these barriers, Reddy was determined. He realized that his company’s name could be a hindrance in securing work, so he made a strategic decision: he rebranded the company as Edison Power. The name change gave him the credibility he needed to secure contracts with clients who might otherwise have been prejudiced against working with an Indian-owned business.

“People would ask for Mr. Edison,” Reddy recalls. “I would tell them he wasn’t available, but I could assist.” This clever rebranding opened doors, and Edison Power slowly started gaining traction in the industry.

The Big Break: Electrifying South Africa’s Townships

Reddy’s breakthrough came in the early 1990s when South Africa’s township electrification program was underway. Many white-owned companies refused to take on these projects due to safety concerns and political volatility. But Reddy saw it differently.

Edison Power was one of the first companies willing to take on the massive task of electrifying South Africa’s townships. “We were the only company willing to go into these dangerous areas,” Reddy says. “It was risky, but I knew it was our chance to prove ourselves.” Edison Power’s commitment to these underserved communities not only transformed the lives of millions but also positioned the company as a leading force in South Africa’s electrical industry. This bold move firmly established Reddy as a visionary businessman willing to take calculated risks for the greater good.

Diversifying His Empire

Vivian Reddy | Oceans Mall | Global Indian

Oceans Umhlanga in Durban, owned by Vivian Reddy, known as ‘Dubai in Durban’, created over 1000 local jobs.

As Edison Power grew, so did Reddy’s ambitions. By the late 1990s, Reddy had expanded beyond electrical engineering and ventured into property development, real estate, and casinos. One of his most significant undertakings was the Sibaya Casino, a premier destination that became a cornerstone of his business portfolio.

The casino, situated near Durban, attracted major investment and created hundreds of jobs for local residents. Reddy’s ventures in casinos were not just about profits—they were about transforming the economic landscape of the region. The success of Sibaya Casino marked the beginning of his diversification into other high-value sectors.

Reddy’s most ambitious project to date is the R4 billion Oceans Umhlanga development, a luxury mixed-use property development that includes residential apartments, a hotel, and a shopping mall. This development has not only transformed Durban’s skyline but has also created thousands of jobs and brought international attention to the city. “I wanted to create something that would leave a lasting legacy,” Reddy says.

Mentorship from Nelson Mandela

One of the defining relationships in Reddy’s life was his mentorship under Nelson Mandela, South Africa’s first democratically elected president. Mandela’s guidance shaped Reddy’s approach to leadership and community impact. “Mandela taught me that success is meaningless unless you use it to help others,” Reddy reflects.

Vivian Reddy met Nelson Mandela during the post-apartheid era, when South Africa was undergoing massive social and political transformation. Mandela, who became the first democratically elected president of South Africa in 1994, sought to engage with and mentor influential business leaders across the racial spectrum to help rebuild the country after years of racial segregation and economic inequality.

Reddy, who had already begun making a name for himself as a successful businessman through Edison Power, caught Mandela’s attention through his bold efforts to electrify townships during the apartheid regime—a risky move that not only demonstrated Reddy’s business acumen but also his commitment to social upliftment. Their paths crossed as Mandela began to form relationships with key business figures who could contribute to the rebuilding of South Africa’s economy and infrastructure.

Mandela admired Reddy’s determination to succeed despite the restrictions of apartheid and recognized the impact Reddy’s work had on marginalized communities. Through their shared values of integrity and a commitment to improving the lives of others, the two developed a close relationship. Mandela would go on to mentor Reddy, shaping his views on leadership, philanthropy, and the importance of using success to uplift those around him. Mandela’s mentorship reinforced Reddy’s belief that businesses should be a force for good, and that personal success comes with a responsibility to uplift the less fortunate. This relationship would serve as the guiding principle for Reddy’s expansive philanthropic efforts.

We didn’t have much, but my parents made sure we had the right values. – Vivian Reddy

Philanthropy: A Commitment to Uplifting Communities

Reddy’s philanthropic work is as impressive as his business empire. He has donated more than R250 million to various causes, focusing on education, healthcare, and skills development. One of his most significant contributions is the establishment of Wingen Heights Secondary School, a state-of-the-art educational institution aimed at providing high-quality education to children in underserved communities.

Reddy has also heavily invested in healthcare initiatives, particularly in the eThekwini Metropolitan Municipality, where he funded clinics and medical centers to provide essential services to marginalized communities. “I believe that true success is about giving back to the community that helped you succeed,” Reddy explains.

In addition to education and healthcare, Reddy has sponsored multiple skills development programs, helping thousands of young South Africans gain the training and qualifications needed to improve their economic prospects.

Vivian Reddy | South African billionaire | Global Indian

Vivian Reddy with his wife

Legacy

Today, Vivian Reddy’s empire spans multiple industries, employing thousands of people across South Africa. .His son, Shantan Reddy, now plays a critical role in running Edison Power, ensuring the continuity of the family legacy. From Edison Power to Oceans Umhlanga, Reddy’s impact on South Africa’s economy is profound. But perhaps more importantly, his legacy of philanthropy and service continues to uplift communities across the country.

Reddy’s journey from a young boy growing up in apartheid-era Durban to one of South Africa’s most influential businessmen is a testament to vision, determination, and a commitment to service. “It’s not about how much you have; it’s about how much you give back,” Reddy says, a reflection of a life dedicated to leaving the world better than he found it.

 

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  • Global Indian
  • Indian Diaspora
  • Indians in South Africa
  • South African businessmen
  • Vivian Reddy
  • Vivian Reddy South African billionaire

Published on 09, Oct 2024

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Artiste Rekha Tandon: Bridging yoga with Indian classical dance

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A post shared by Rekha Tandon (@danceroutes_skandavan)

An author of the book of Dance as Yoga: The Spirit and Technique Odissi, Rekha explains that yoga has been the fundamental building block of Indian art for centuries. "In essence, yoga is the union of matter and spirit. The process of refining any body movement skills and aspiring for excellence, is by itself very naturally ‘yogic’," shares the artiste during a conversation with Global Indian, adding, "Yoga has made such a strong impact on global consciousness, and all Indian classical dance forms embody yoga. This integral connection will acquire more widespread acknowledgment and as it does, I am sure more people will gravitate towards them."

Born to dance

Born in Karachi, Pakistan, well-known Odissi dancer Rekha Tandon is shaping Indian classical dance - Odissi - for a contemporary world. As her father was working with the Indian Foreign Services, Rekha lived in various countries, including Germany, Belgium, and Egypt. Moving from one country to the other, if there was one thing that stuck with Rekha, it was dancing. "I loved to dance even as a child," shares the artiste, adding, "I was introduced to various Indian classical dances, such as Bharatnatyam, Kathak, and Khathakali in school. In fact, when I lived in Cairo, I even learned western ballet."

[caption id="attachment_24386" align="aligncenter" width="550"]Artiste | Rekha Tandon | Global Indian Rekha with Padmashree Madhavi Mudgal, in 1985[/caption]

However, the family was struck with tragedy when the artiste's father passed away in a glider crash, in 1981. The dancer's mother, who had been a housewife until then, started working India Tourism Development Corporation and later also worked for the former Prime Minister of India, Rajiv Gandhi. The family moved to Delhi, and it was in this city that Rekha fell in love with Odissi.

"I was about 15 years old, and during an event, I saw eminent dancer Kiran Segal perform. Although I had been dancing for about six to seven years by then, I was transfixed by the lyrical quality of her performance, It seemed to combine contrasts effortlessly — strong, defined lower body footwork with a very fluid, curvilinear upper body that was perfectly amalgamated," shares the artiste, who soon started learning Odissi, under Guru Surendra Nath Jena - whose dance style incorporated the various aspects of Indian culture, such as temple sculpture, ancient dance, Sanskrit and vernacular literature, yoga, traditional painting, manuscripts, and philosophy.

[caption id="attachment_24387" align="aligncenter" width="551"]Artiste | Rekha Tandon | Global Indian Rekha Tandon with other Odissi artistes[/caption]

"Initially it was more like something I did in the afternoons, after school. But slowly my focus changed and dancing became much more than just a hobby for me," shares the artiste, who pursued a bachelor's degree in planning and architecture.

A dance academician

After six years of practice under Guru Surendra Nath Jena, a 23-year-old Rekha started rehearsing at the Gandharva Mahavidyalaya, under Padma Shri Madhavi Mudgal. "Though my mother was very supportive, I still had a lot of pressure to look for a job. So, in 1985 after my graduation, I apprenticed under an architect, who was working with noted designer Rajeev Sethi. We worked on the event Festivals of India. However, I think dancing was where my soul was," laughs the artiste, who later did a master's in history of art, from the National Museum Institute of History of Art, Conservation and Museology between 1990 and 1994.

[caption id="attachment_24388" align="aligncenter" width="551"]Artiste | Rekha Tandon | Global Indian Rekha at Skandavan with her students[/caption]

While Rekha had been practicing Odissi and presenting solo performances at many festivals in different parts of the world since 1985, she wanted to learn more about the history of Indian dances and understand the culture better. So, in 1995 the dancer started pursuing a PhD in Dance Studies from the Trinity Laban - United Kingdom's only conservatoire of music and contemporary dance. It was here that the dancer met her now-husband, Michael Weston, who is a musician.

As the artiste studied and researched at the centre about how the Indian dances were connected to the temples, yoga, and philosophy, Rekha was also working with the kids trained in Gotipua dance in Bhubaneswar, Odisha. In 1997, the dancer co-founded Dance Routes with her husband, to help these kids slow down their acrobatics and learn new choreography.

 

View this post on Instagram

 

A post shared by Rekha Tandon (@danceroutes_skandavan)

Explaining her work with the Gotipua dancers, Rekha shares, "Gotipua is basically a traditional dance form, which is the precursor of Odissi. These kids have been performing in the courtyards of the Hindu temples since 16th century. It has been performed in Orissa for centuries by young boys, who dress as women to praise Jagannath and Krishna. Once they become fully mature at the age of 14 or 15, they stop dancing. So much skill was invested in 10 years of their life. However, they eventually were jettisoned from this tradition and had to find alternative sources of income. Our work involved developing their skills further and creating productions that could be staged in cities.”

Living in the lap of nature

The artiste first visited the beautiful Auroville - which she now calls home - for a workshop, along with her husband. "It was during our third visit to Auroville that we decided to make it our base. We have beautiful rooms for foreign visitors, who come for the residencies. I also have a few students from Auroville, and Puducherry, whom I teach Odissi."

Over the last few years, Rekha and her husband have documented, researched, and produced DVDs in connection with the art form. Shares the artiste, “We have this interesting history folk tradition being revised as classical tradition. And, it would be tragic to just tap into the final product of Odissi and not look back at the elements that went into it. The focus of the hour is while learning Odissi, being aware of the resources that went into building it right from the beginning.”

https://www.youtube.com/watch?v=Vp5P__5Pvgs

Giving an insight into her world, the artiste shares, "I live and work mostly from a studio residence in Skandavan which is a beautiful two-acre garden near Auroville, with my husband, Michael, two dogs, a cat, several chickens, and two big fishponds. We inevitably always have guests or students living on the premises as well. So, every day is always busy from very early morning onwards. When I can, I enjoy watching movies, reading, or just being with the animals."

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[caption id="attachment_43918" align="aligncenter" width="539"]Indian Artists | Rupam Varma | Global Indian Rupam Varma[/caption]

Initially Madhubani art was used to commemorate births, weddings, and religious rituals. But it is now evolving with varied storylines. Contemporary artists like Rupam are making every use of the opportunity.   

The Charlotte based educator is the founder of The Art Pallete - an art school and studio where she teaches and caters to custom orders as an artist. Rupam also serves as a visual art lead and curator at India Association of Charlotte and is associated with various other organisations promoting art in the region.  

From Mithila to the US  

From her birthplace at Darbhanga, in Mithila region of Bihar to Varanasi, the city where she grew up, to the US, where she lives now, Rupam Varma’s creative impulses have travelled with her.    

With a career spanning 25 years, Rupam Varma has gracefully embodied the roles of both a dedicated artist and an inspiring art educator. Her guidance has touched the lives of students hailing from different nationalities, spanning an impressive age range from five to 80. “The feeling of having enabled someone to experience art is uplifting and appeals to my primal emotion,” Rupam tells.  

Apart from her specialisation in Madhubani art, Rupam teaches a variety of other art forms starting with sketches, watercolour, acrylic, oil painting, portraits, fabric painting, glass painting, and Zentangle art as a certified educator. 

[caption id="attachment_43925" align="aligncenter" width="555"]Indian Artists | Rupam Varma | Global Indian Rupam Varma prepares the Easter Egg for a parade at Charlotte[/caption]

Journey of explorations 

Art and creativity have been Rupam’s sources of inspiration for as long as she can recall. "My affection for Madhubani art resonates within my creations. I initially delved into it through self-guided exploration, drawing inspiration from revered artists. This foundation was further fortified during my training at the National Institute of Mithila Arts (NIMA)," she explains.  

Around two decades ago, when Rupam relocated to the United States, first to Texas and later to Charlotte following her marriage, she adeptly transformed her immigration into an avenue for engagement with the local artistic community. This transition also allowed her to discover new contexts for her artistic expressions.  

Immersing herself in the diverse milieu surrounding her and drawing from the multifaceted palette of her day-to-day experiences abroad, she skilfully captured the voices of the individuals she interacted with, enriching her canvases with their stories.  

Drawing from the traditional principles of Madhubani painting, she crafted fresh narratives inspired by her foreign environs, resulting in a collection of distinctive pieces.  

“The desire is to weave my journey of exposure across cultures and various art forms into a positive message of striving to reach a high amidst all the churn that lies beneath,” she says.

 

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A post shared by Rupam Varma (@rupam_varma)

Teaching art in the US  

“It’s a process of learning for me as well. Teaching folk art of India to people of different nationalities is not easy. It takes time, patience and motivation to share the culture with a diverse community,” she remarks “But going out of the comfort zone and sharing the knowledge with folks of a new community is something that I have enjoyed.”  

Rupam is truly invigorated by the curiosity and eagerness to learn that she observes in those who enrol in her classes. The enthusiasm exhibited by her students, ranging from young five-year-olds to spirited individuals in their eighties, serves as a constant source of energy for her.  

 "Their passion propels me to surpass my own boundaries to provide them the most effective introduction to the subject and its techniques,” she shares. “I have had an extremely supportive and accepting community around me that is curious to know more about what I have in store for them as an educator.”    

[caption id="attachment_43931" align="aligncenter" width="610"]Indian Artists | Rupam Varma | Global Indian Rupam Varma, her art pieces and a teaching session[/caption]

The joy of art   

In addition to her engagement with Art Palette and the India Association of Charlotte, Rupam is a founding member of Namaste Artist Charlotte, an artistic group established in 2014. She also took on the role of secretary at the Waxhaw Art Council during the previous year.  

She excels in creating Mithila art on diverse mediums such as fabrics, silk purses, silk scarves, wooden coasters, and other decorative items. Her connections with fellow artists in the United States play a pivotal role in her ongoing journey of artistic advancement and education.   

Rupam plays an active role in all local artist communities, including Mint Hill Arts, Mathews Artist Guild, and Plano Art Association. Her collections are frequently showcased in art exhibitions, a testament to her expertise and dedication. 

 "My aspiration is to continually contribute to the vibrant artistic presence within my community and raise awareness about Madhubani art in the United States," she signs off. 

 

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A post shared by Rupam Varma (@rupam_varma)

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Lord of the Drinks: Rakshay Dhariwal’s Maya Pistola offers the first aged Indian agave spirit

July 28, 2024) With phrases like ‘Make in India’ and ‘Vocal for Local’ gaining momentum over the past decade, some locally made products make you sit up and take notice of the unusual ideas Indian entrepreneurs are working on. Successfully distilling a spirit made out of the agave plant, hitherto associated with tequila made in Mexico, is, Rakshay Dhariwal through his company, Maya Pistola Agavepura, India’s first 100 percent aged agave spirit. Rakshay spent his childhood in several countries including Australia, Hungary, the Philippines and Singapore due to his father’s job with a cola conglomerate. Though Rakshay studied marketing and telecommunications at the University of Indiana in the US, his heart lay elsewhere. The fact that he had a reputation for throwing the best parties on campus hinted at his future calling. [caption id="attachment_53666" align="aligncenter" width="463"] Rakshay Dhariwal is making the full aged, first Indian agave spirit[/caption] Lord of the Drinks In an exclusive with Global Indian, Rakshay Dhariwal reveals, “I returned to India after my senior year in 2006, wanting to start a cruise line. But the economy tanked soon after and I decided to launch Ayurvedic wellness centres across Delhi instead. Then in 2012, I realised we didn’t have

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an.com//" target="_blank" rel="noopener">Global Indian, Rakshay Dhariwal reveals, “I returned to India after my senior year in 2006, wanting to start a cruise line. But the economy tanked soon after and I decided to launch Ayurvedic wellness centres across Delhi instead. Then in 2012, I realised we didn’t have any decent cocktail bars anywhere in India. I enjoy partying, and going out with friends and I’d noticed this trend in London. I decided to launch PCO – Pass Code Only – a cocktail bar fashioned like a PCO phone booth where you had to type a passcode to enter. PCO is in Delhi and Mumbai.”

Several hospitality-based ventures followed. Under the aegis of his holding company Pass Code Hospitality, Rakshay launched restaurants and bars like SAZ, Jamun, Mr Merchant’s, and Ping's, across India. He owns and operates ATM, a private, members-only club and is also the Co-Founder of India Cocktail Week – India's biggest cocktail festival. His latest role is that of Founder and Managing Director of Maya Pistola Agavepura (Pistola).

Rakshay Dhariwal observed that the wild Agave Americana grew profusely in the Deccan Plateau of India and is part of the family of plants from which tequila and mezcal are made. What began as a passion project blossomed into a leading agave brand redefining the alco-bev industry. Rakshay also did a course in alcohol distillation during Covid and launched variants of agave spirits.

Pistola | Global Indian

By definition, however, agavepura is not a tequila. This common misconception stems from the widespread recognition of the term ‘tequila’, as opposed to an understanding of the larger agave category. Tequila is native to Mexico and its production is highly controlled and regulated by the CRT (Consejo Regulador del Tequila), the official body governing the production and distribution of the spirit.

Tequila can only be made and aged in five designated regions or appellations in Mexico, which means that you cannot label your product a tequila if it is not made in those designated regions in Mexico.

Indian Agave Variants

By regulation, tequila can only be produced from a specific subspecies of agave called the Blue Weber (also known as Agave Tequilana). Like Blue Weber, there are 150+ species of agave plants worldwide – and spirits produced from any of these species need to be called 'Agave Spirits' instead of the loosely used word tequila. At Pistola, the Agave Americana found in the Deccan Plateau is used to produce a pure aged 100 percent agave.

There are several variants of Pistola – Joven, Reposado, Rosa, Añejo, and Extra Añejo, connecting the globally popular spirit to its Indian avatar. When asked about the Spanish names of the variants, he says, “The Mexican tequila regulatory council lays down certain guidelines and classifications which we follow. An unaged liquid is called blanco, a mix of unaged and aged is Joven, a spirit aged between two months to one year is reposado. That aged for one to three years is Añejo and one aged for more than three years is called Extra Añejo. They also stipulate the kind of barrels in which the spirit has to be aged and we follow the same guidelines with our products.”

Pistola | Global Indian

The spirit is distilled and packaged in Goa. Made from carefully selected wild Agave Americana plants aged 11 to 13 years, Pistola undergoes a meticulous production process that ensures authenticity and exceptional quality. After harvesting, the Piña – the heart of the Agave – is cooked using steam and high pressure to extract natural sugars. The resulting liquid is fermented in wooden vats with yeast, double distilled in a part-copper pot, and then aged in virgin American white oak, ex-bourbon, or ex-red wine casks. The spirit matures for different durations, depending on the variant and is constantly tasted to check if it has matured just enough. All the flavour comes naturally from the wood and char of the barrels. Finally, aged spirits from various casks are blended, non-chill filtered, and bottled without any artificial additives or colouring agents. The natural salinity in the air in Goa lends a rounded flavour to the spirit.

Just like it is with some of the finest whiskies and gins now being made in India, under Rakshay’s leadership, the spirit has garnered global acclaim, winning 32 awards. Currently sold in six Indian states and three international markets (United States, Thailand, and Singapore), he will soon expand his markets to include other states nationally and three more countries.

A Healthy Party Drink

A fact one would not associate with alcohol would be health benefits. Recent studies have shown that if one must drink, agave spirit, or its derivatives are the healthiest. Rakshay Dhariwal elaborates on why this is so. “We use the hearts of the plant during our distillation process, not the head or the tail. This spirit contains acetaldehyde, which is known to contain compounds that slow down your metabolism so you don’t get a hangover. It also contains probiotic properties which promote healthy gut bacteria, and has natural sugars with dietary fibre that help metabolism, lower blood glucose levels. It has fewer calories compared to other spirits and is carbohydrate-free. Which means it is safe for diabetics to consume as well.”

Having said that, how best is Pistola consumed? Does one have it like a tequila shot as shown in the movies – a lick of salt, a bite of a piece of lime and a swig of the drink? He clarifies, “The feedback we have received is that our spirit tastes way better than tequila and mezcal. It is best had with ice and water. You can drink copious amounts of it and still feel fresh. If you must add a bit of anything, I recommend the agave syrup. All my variants are used in signature cocktails across restaurants and bars. As for the traditional method, I recommend sprinkling a dash of cinnamon powder on a slice of orange and placing it on the rim of the shot glass. You take a sip and then a bite of the orange.”

Rakshay Dhariwal | Pistola | Global Indian

Pistola spirits can be had with all cuisines though Rakshay asserts that they are known to complement spicy food the most. And since he has been immersed in cocktails for over a decade, is there a cocktail cookbook on the anvil? He concludes saying he has thought about creating a coffee table book on cocktails often, but time is of the essence and something of a luxury right now.

Top Five Cocktail Bars according to Rakshay:
  • Bee's Knees (Kyoto) - Hoji Tea Negroni
  • Locale Firenze (Florence) - Mezcal Negroni
  • Bar Termini (London) - Marsala Martini
  • Native (Singapore) - Pistola Margarita
  • PCO (Bombay) - Paithani
Story
Birubala Rabha: The feminist crusader who took on witch-hunting in Assam

(October 1, 2024) Dharmeswar was burning with fever, his skin hot to the touch. His stomach cramped violently, and waves of nausea left him unable to eat. His mother, Birubala Rabha, was beside herself with worry. Their family was poor, and access to medical help was nearly impossible in the remote, Assamese village of Thakur Billa, where the family lived. As was the norm, the parents carried their son, Dharmeswar, who was also mentally ill, to the local traditional healer. They were told that their son had been "possessed by and had married a fairy, who was also pregnant with his child. When the child was born, the quack said, Dharmeswar would die. He was given three days to live. His heartbroken mother, Birubala Rabha, was left to prepare for her profound loss. Fortunately, Dharmeswar long outlived his three-day deadline. However, his mother Birubala did not want to let the suffering heaped upon her go in vain. With a tiny frame, a girlish laugh and a heart of fire, Birubala Rabha became a one-woman army for the voiceless tribal women in Assam. Her fight was a tough one - she took on the local quacks who held sway over communities

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way over communities through fear and superstition and a society that did not want to accept the truth. But most importantly, she took on the women themselves, once remarking that women can be their their own worst enemies. During her lifetime, she has rescued around 60 women from witch-hunts across Assam, and travelled the state to spread awareness, becoming instrumental in 2015 legislation which criminalised witch-hunting. The Global Indian was nominated for the Nobel Peace Prize (although this didn’t affect her much), and in 2021, received the Padma Shri from the government of India.

[caption id="attachment_57169" align="aligncenter" width="485"]Birubala Rabha | Witchcraft in Assam | Global Indian Birubala Rabha[/caption]

Victim to fighter

After seeing her son and her brother become victims of these quacks, Birubala Rabha realised they were nonsensical at best, and dangerous at worst. But what could Birubala Rabha do? She had known nothing but poverty and deprivation, all her life. Born in 1954 in Thakur Billa, her father died when she was six years old, and the young girl had to drop out of school to help her mother run the house. At the age of 15, she was married off to a farmer, with whom she had three children. After her marriage, she stayed at home, weaving and looking after the kids.

Moreover, there was a time when even Birubala believed there was truth in these witch hunting claims. However, when she heard that a number of women had been branded witches in a neighbouring village, she couldn't sit in silence any longer. "That is when I woke up. I went to the village and found that the women had been abused and were on the verge of being thrown out," Birubala told the BBC. "I met the local leaders and related the story of my son. I told them there were no witches in this world, and the women should not be harassed."

Fighting the witch-hunters

When she began her activism, nobody wanted to take her seriously, but Birubala Rabha was a woman with a mission. Moreover, it was her own gender that suffered the most due these oppressive beliefs (ironically, the Rabhas have a matriarchal society).

Birubala's views made her the object of ridicule. Even her family faced the consequences, and found themselves isolated by their community at home but they stood fiercely by her, joining forces with Mission Birubala to spread awareness. The hill tribes of Assam, the Rabha being one of them, continue to hold a strong belief in magic, witchcraft and animistic rituals. Mysterious or sudden illnesses, especially among children or livestock, are blamed on witches. So are natural disasters, epidemics, and even family disputes. Older women, widows and even women who live alone are usually the targets of witch-hunts, especially if they are seen as socially isolated or 'strange'. And it's the traditional healers or quacks, who dole out advice on everything from illnesses to family disputes, are responsible for perpetuating this system of magical thinking.

A woman on a mission

Birubala abandoned her post at the homestead and began her travels as a crusader. She formed the out Thakurvila Mahila Samity, a woman's association to raise awareness of various social hills, witch-hunting included.  She spoke at meetings, she held awareness camps and went to schools to teach children about the dangers of superstition and the fallacies of witchcraft. She even stormed police stations, demanding that they protect women from this endless witch-hunting. "Women have to fight against superstitions, women have to be vigilant. When you become sick, go to a doctor, not a quack," she has proclaimed. "Don't have blind belief in rituals and worships... Women can sometimes be their own worst enemy."

In 2006, Birubala became involved with the Assam Mahila Samata Society. Five years later, she founded Mission Birubala, a non-profit that comprised social activists, survivors and lawyers. Like the Thakur Billa Mahila Samiti, the aim of the non-profit was to educate and spread awareness against witch hunting, and also to support and protect both survivors and potential victims of witch hunts. Birubala soon observed that witch-hunts mostly target poor women, and superstition was merely a weapon to get rid of people in order to grab their land and properties. Jealousy of someone else's success, property disputes and even resentment of women who did not appear to conform were all triggers.

In 2013, Birubala arrived in Majuli, the world's largest river island, where 35 women had been branded as witches. They had paid huge sums of money to the local quack, who had prmised to "get rid of the devil' - it was either that, or leave the village entirely. "We went to the police, invoked the law, and saved the women. Then we found that this was a money-making racket run by the local quack," Birubala said later. According to the BBC, one victim, Podumi Rabha, had been branded a witch because her husband's pharmacy was threatening the quack's business. "They will always find new reasons to brand owmen as witches," Birubala said. "But don't be scared. Challenge the offenders and report them to the police. This battle is not going to end anytime soon."

Victories, big and small

After years of hard work, much of which brought her ridicule within her community, Birubala's efforts paid off - she has rescued dozens of women from witch-hunts. At the time of her death in 2024, that number stood at 55.

Her biggest victory, however, is the enactment of the Assam Witch Hunting Act of 2015. Now, every offence related to witch-hunting is cognizable, non-bailable and non-compoundable, and comes with a maximum imprisonment of seven years. Birubala Rabha was nominated for the Nobel Peace Prize in 2005, and received an Honorary Doctorate from Guwahati University. In 2021, she was conferred with the Padma Shri.

[caption id="attachment_57170" align="aligncenter" width="422"]Birubala Rabha | Witchcraft in Assam | Padma Shri Global Indian Birubala Rabha receives the Padma Shri from former President Ram Nath Kovind[/caption]

Birubala Rabha passed away in May 2024, after a three-year long battle with cancer of the oesophagus. She was 70 years old. Her passing was mourned widely, and Assam CM Himanta Biswa Sarma expressed his condolences on social media. "Through her untiring efforts to end social evils, she illuminated the paths of scores of women with hope and confidence,' he wrote.

She is survived by her son and brother, both of whom are victims of witch-hunting also. However, they continue to fearlessly lead Mission Birubala, and although they still face extreme hostility, they are determined to keep fighting. They know that's what Birubala Rabha would have done.

 

Story
Gender activist Dr. Geeta Rao Gupta is empowering women and promoting equality

(June 8, 2023) In a world where boundaries are being shattered and progress is accelerating, the fight for gender equality remains an urgent and ever-relevant battle. Global women's issues have transcended geographic, cultural, and socioeconomic barriers, demanding our unwavering attention and concerted efforts. Fighting tirelessly against these issues is an Indian-American Dr. Geeta Rao Gupta, who was recently confirmed by the U.S. Senate as United States Ambassador-at-Large for Global Women's Issues. Nominated by the President of the USA, Joe Biden, himself, the gender activist is the former Executive Director of the 3D Program for Girls and Women at the UN Foundation. "I believe that you can trigger a social and cultural change in women's status by giving women increased economic opportunities," the gender activist shared in an interview, adding, "It can help women achieve the social status that can bring about those cultural changes that might otherwise take a long time. If they can have control over that income, that's a significant piece of it: not just being able to earn the income but control over how they spend it. They can bear a lot of the costs of the social changes that they might then want to bring about."

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e a long time. If they can have control over that income, that's a significant piece of it: not just being able to earn the income but control over how they spend it. They can bear a lot of the costs of the social changes that they might then want to bring about."

Recognising the Global Indian's unwavering commitment to empowering women and fostering economic empowerment, Dr. Rao Gupta served as the former president of the International Center for Research on Women (ICRW). The gender activist was also appointed by the United Nations Secretary-General Ban Ki-moon as the deputy executive director for UNICEF and the vice chair of the board for the GAVI Alliance, where she served from 2011 to 2016.

Building bridges

Born in Mumbai in 1956, Dr. Rao Gupta was raised in Delhi where she was first introduced to the various gender differences prevalent in society. While she was always vocal about these issues, the gender activist started participating in various gender issues during her time at the University of Delhi, where she pursued her Masters in psychology and M.Phil. A brilliant student, Dr. Rao Gupta went on to earn a Ph.D. in Social Psychology from Bangalore University.

https://www.youtube.com/watch?v=Nbv3B4AI4Ts

During her studies in social psychology, Dr. Rao Gupta took on various roles to make a positive impact. She worked as a counselor at a drop-in center in New Delhi, providing support to people in need. The gender activist shared her knowledge by giving lectures in psychology departments at different universities. Notably, at the Tata Institute of Social Sciences, she collaborated with a team to create the first-ever women's studies curriculum for graduate students in India.

Interestingly, this curriculum aimed to enhance understanding and knowledge about women's issues and experiences. Through her work, the gender activist demonstrated her dedication to helping others and promoting gender equality in education. Speaking about how her mother's journey inspired her own, the activist shared, "Years ago, my mother received a Ford Foundation fellowship in public health that brought her to Berkley University at the age of 40. She was an MD but through this 13-month program received a public health degree and gained policy experience at the Department of Health and Human Services during the summer. The training and the confidence she built through that year, transformed her – personally and professionally. Thanks to her, each of us, her children, is now working in some way in this field."

https://soundcloud.com/csis-57169780/geeta-rao-gupta-on-gender?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

While she was passionate about gender equality and related issues, it was an incident during her pregnancy that changed her outlook on the whole problem. "When I delivered my baby in India, in a hospital in an urban site, the nurse would not tell me whether the child was a girl or a boy, because I had delivered a girl child, and she was nervous that I would be so upset with the news that I would hemorrhage and my health would be at risk," she shared, adding, "So they held the news from me till a few hours later, and told me that I had a girl child with great nervousness that I would be upset. When they saw how overjoyed I was and how pleased my parents and my parents-in-law were, the nurse came to me and said, "You belong to a very strange family. Were you raised in India?"

This incident led the activist to double her efforts and create more awareness about girl birth rates in the country.

The land of opportunities

The gender activist moved to the United States of America in the mid-1980s, where she began working at the International Center for Research on Women (ICRW). Passionate about making a difference in people's lives, the activist held various roles at ICRW, such as being a consultant, researcher, and vice president. During the 1990s, she led an important research program that looked into why women were more vulnerable to getting HIV. This program was ground breaking and spanned 15 countries, aiming to understand the social and economic factors behind this vulnerability. In 1996, Dr. Rao Gupta was appointed as the president of ICRW, furthering her commitment to addressing women's issues and making a positive impact - a position she held for 15 years.

[caption id="attachment_39735" align="aligncenter" width="640"]Gender activist | Geeta Rao Gupta | Global Indian Dr. Rao Gupta with Michelle Milford Morse, Vice President of the UN’s Girls and Women Strategy[/caption]

After her tenure as the deputy executive director for UNICEF, from 2011 to 2016, Dr. Rao Gupta was appointed as a member of the Independent Oversight and Advisory Committee for the WHO Health Emergencies Programme. Working on various programmes, including population control, the gender activist faced several challenges. "Population control is an old-fashioned term that was used by demographers when they had certain target fertility rates and population numbers in mind that they wanted to reach. But it's a term that puts women at risk, of course. It takes the control of fertility out of women's hands and puts it in the hands of the public policymaker, the demographer, and the doctor. Whereas in fact, fertility control should be in the hands of women," she explained.

Climbing the ladder

Dr. Rao Gupta co-chaired the World Bank's Global Gender-Based Violence (GGBV) Task Force for about a year until 2017. Sought after by the development community and media, the gender activist's expertise in the area earned her a nomination from President Joe Biden to be the United States Ambassador-at-Large for Global Women's Issues, which was confirmed by the US Senate in May 2023.

https://www.youtube.com/watch?v=WD3PZx0hZws

Speaking about Dr. Rao Gupta's confirmation, Michelle Milford Morse, Vice President of the UN Foundation’s Girls and Women Strategy recently said, "Dr. Gupta is a deeply admired leader with extensive experience in the priority areas of the Office of Global Women’s issues. This is a critical role for U.S. global leadership, and Dr. Gupta will fulfill it with great distinction.” The gender activist is set to start her tenure as the ambassador in September 2023.

  • Follow Dr. Geeta Rao Gupta on LinkedIn and Twitter

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About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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