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Global IndianstoryEric Garcetti: The US Ambassador’s Passage to India
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Eric Garcetti: The US Ambassador’s Passage to India

Written by: Darshana Ramdev

(May 23, 2023) Eric Garcetti’s Indian love story began when he was a teenager. He recalls that trip vividly, down to the name of the tea stall in Old Delhi, ‘Aap ki Pasand’, which he visited twice. And most of all, he remembers the warmth he received from the Indian people. “I came to India for the first time when I was a teenager. And even though the place has changed so much, the warmth and friendliness of everybody remains the same,’ he said, speaking at event shortly after he took charge as the US Ambassador. As it happens, the ties run even deeper than that – remarkably enough, Garcetti came back when he was 19, to stay with the then-US Ambassador, because his son was his college roommate. “The universe works in mysterious ways,” Garcetti remarked. In fact, back in 2013, Garcetti, who was a mayoral contender then, attended a breakfast meeting of entrepreneurs and addressed a Sikh businessman in Hindi.

Even so, maybe there was a fault in the stars, but Garcetti’s passage to India as the Ambassador was not an easy one. He was nominated back in 2021 by US President Joe Biden, as he served the last few years of his tenure as Los Angeles mayor. That final leg was steeped in controversy – the Senate stalled his appointment. The key post been left vacant for well over two years, after Kenneth Juster’s term ended on January 20, 2020. It was the longest time without a US envoy to India. Finally, in 2023, Garcetti was sworn in by US Vice President Kamala Harris.

US Ambassador Eric Garcetti with Reliance Industries Chairman, Mukesh Ambani

Garcetti is here at a crucial time, as India and the US recently launched the Critical and Emerging Technology initiative to focus on the development and production of military hardware equipment and expanded cooperation in the Indo-Pacific region. And despite differences over the response to Russia’s invasion of Ukraine, the Joe Biden cabinet hopes India will balance the rise of China. He has been well-received, spotted posing with the likes of Shah Rukh Khan and Reliance Chairman Mukesh Ambani, trying his hand at a game of cricket and eating vada pav.

Garcetti’s legacy as mayor

They have found the right man for the job. Garcetti is no stranger to challenges – he entered the mayor’s office as the youngest mayor in LA for over a century. He came prepared for the unexpected and his expectations were surpassed. “I have told my successors and other contendors, there are two jobs to being mayor. One, there are the things, you want to see, your proactive agenda. Second are the things you hope will never happen but you know will, like an earthquake, civil unrest, or in my case, a pandemic,” he said in an interview, looking back at his thorny decade as mayor.

The homelessness crisis skyrocketed, going up by over 30 percent during his tenure, which he described as the ‘result of four decades of failure’. He also guided the city through the pandemic, soothed civil unrest during the ‘defund the police’ campaign, and oversaw the passage of ‘Measure M’ to make public transport more affordable. He also brought about the Twenty-eight by 28 initiative, an effort to complete 28 transport infrastructure projects before the 2028 Summer Olympics to be held in L.A.

Early life

Eric Garcetti was born on February 4, 1971 in Los Angeles. He grew up in Encino in the San Fernando Valley, the son of Sukey and Gil Garcetti, who is the former LA County DA. His paternal grandfather was born in Chihuahua, the son of an Italian immigrant who married a Mexican woman. He was hanged during the Mexican Revolution and his son, Salvador came to the United States. His maternal grandparents were Russian-Jewish immigrants – both sides of the family put down roots in Boyle Heights, where Garcetti grew up.

“I have an Italian last name, and I’m half Mexican and half Jewish,” Garcetti remarked during his first run for the Mayor’s office in 2013, after having served as Councilman for nearly a decade. He donned a yarmulke and sang Hanukkah songs with rabbis, and stood on the steps of City Hall wearing a Peruvian headpiece and speaking Spanish to show his support for the stretch of Hollywood’s Vine Street that was renamed Peru Village’. It went a long way with LA’s multicultural fabric. He became the city’s first Jewish mayor and the second Mexican American.

The young Garcetti was an excellent student and politically savvy, too. In high school, he was a member of the Junior State of America, which promoted civic engagement and political debate among students. He majored in political science and urban planning from Columbia University, which he attended as John Jay Scholar. Even there, he was on the student council,  president of the St Anthony Hall fraternity and founded the Columbia Urban Experience.

After graduating, Garcetti was selected as a Rhodes Scholar and studied at Oxford and the London School of Economics. He did his research and human rights missions in East Africa and was a visiting instructor of International Affairs at the University of Southern California, and an assistant professor of Diplomacy and World Affairs at Occidental College. He served as a lieutenant in the United States Navy Reserve Information Dominance Corps from 2005 to 2013.

Garcetti served as a Lieutenant in the US Navy Reserve for eight years. Photo: LA Times

Public life

In 2001, Garcetti was elected to City Council District 13. In 2006, he was elected as Council President and remained in the post for six years. He implemented the Constituent Bill of Rights, ensuring that phone calls from constituents were returned in a day, and also held “office hours”, meeting with them face to face. In 2004, Garcetti composed Proposition O to clean the city’s waterways and helped the city cut its water use to deal with drought.

Garcetti declared his mayoral candidacy in 2011 and was elected two years later. In 2017, he won by a landslide, serving for five years and six months, much longer than the standard term of four years. He worked towards LA leaving behind its personal car culture in favour of walkability and public transport, a big step in the city’s urban plan.

In the arts

He’s an accomplished pianist, given to “soul, jazz and Keith Jarrett-esque improvisations,” as he puts it. In college, he performed in the student-written musical tradition the Varsity Show, for three years. “My great grandparents played the piano, my grandparents met at music school and my mom played as well,” he said. “I was continuing the family tradition.” He even kept a piano in the mayor’s office, playing for a few minutes between meetings or whenever he got the chance, to “clear his head.”

Garcetti married his longtime girlfriend Amy Elaine Wakeland, a fellow Rhodes scholar, whom he met a Oxford. They adopted their daughter, Maya Juanita, and have also fostered seven children.

Follow Eric Garcetti on Instagram and Twitter.

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  • City Council
  • City Council District 13
  • Columbia University
  • Constituent Bill of Rights
  • Council President
  • Eric Garcetti
  • Global Indian
  • Indo-Pacific region
  • Joe Biden
  • Kenneth Juster
  • London School of Economics
  • Los Angeles
  • Los Angeles Mayor
  • New Delhi
  • Occidental College
  • Oxford
  • Proposition O
  • Rhodes Scholar
  • University of Southern California
  • US Ambassador

Published on 23, May 2023

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Michelle Obama to Jennifer Lopez: Meet Bibhu Mohapatra, the designer for global icons

(June 26, 2024) It's a juxtaposition of opposites - modern and traditional, tailored and draped, masculine and feminine, earthy neutrals and vibrant palettes - that makes Bibhu Mohapatra's designs stand out. His impeccable and intricate craft which is a beautiful blend of Indian designs and modernity has made him a global name in the international fashion circle. His love for his roots and the textiles of Odisha have helped him carve a niche for himself in a crowd of international designers. His designs are an eclectic mix of contemporary and tradition that have caught the fancy of the likes of Michelle Obama, Gwyneth Paltrow and Jennifer Lopez, making the New York-based Indian designer a torchbearer of Indian fashion. It began with him crafting dresses for his sister, and years later, this Global Indian is making India proud on the international circuit. Inspired by a needle and thread Born in a humble family of four in Rourkela, Odisha, Bibhu had a typical small-town upbringing. Most of his childhood went into climbing trees and playing gilli-danda with his friends. With no access to television in his early days, it was his mom's love for sewing that caught his fancy. At 12, his

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needle and thread

Born in a humble family of four in Rourkela, Odisha, Bibhu had a typical small-town upbringing. Most of his childhood went into climbing trees and playing gilli-danda with his friends. With no access to television in his early days, it was his mom's love for sewing that caught his fancy. At 12, his love affair with the needle and thread began in earnest when he spent hours cutting and sewing up old saris and tablecloths to make dresses for his sister. "She never discouraged me, but would kindly ask, 'Is it okay if I wear these at home?' When I finally made a proper dress for her, she wore it to some function and got a lot of compliments. That kind of solidified something within me, it made me believe that I could perhaps, do this," he said in an interview.

Though Bibhu was good at his craft, he was looked down up in his hometown for picking up sewing as a boy. But his progressive parents let him follow his heart. After completing his studies at the Municipal College in Rourkela, he set his sights on fashion. Unfortunately, in the early 90s, India had no fashion design schools besides NIFT Delhi, thwarting his dream. Meanwhile, his brother, who was studying graphic design in the US, encouraged Bibhu to apply for a Master’s program at Utah State University. After securing a partial scholarship, he moved to the US in 1996.

 

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The American dream

It was here that one of his professors chanced upon his sketchbook and was so impressed by his work that she requested friends in the art department to let Bibhu attend live drawing classes. This enhanced his portfolio, and by the end of his Masters in Economics, he was certain that fashion designing was his calling. His father's advice ultimately sealed the deal for him. "He told me to close my eyes and picture myself 10 years down the line and see if I was happy with whatever I was doing at that time. That sealed the decision for me," he said.

He moved to the Big Apple and enrolled himself at Fashion Institute of Technology. But the expensive city was a different ball game for this aspiring designer - he had to act fast to get some work before running broke. Armed with a few printed copies of his resume, he walked to 7th Avenue and dropped them at top design houses like Tommy Hilfiger and DKNY. Luck was on his side as received an internship call from the house of Halston - a leading fashion house that boasts of clients like Jackie Kennedy. Mohapatra dived deep into his work and learnt every trick of the trade from making embroidery layouts to going to fittings. The exposure helped him pick a full-time job with J Mendel where he worked as the Design Director for a decade. During the tenure, he expanded his team to 20 people and established connections with some of the most prominent women in America.

 

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Beginning of a brand - Bibhu Mohapatra

In 2009, Bibhu decided to branch out and start his eponymous label. But before the big move, he took a few months off to travel to Europe, seeking inspiration which came in the form of British-Irish artist and producer Daphne Guinness. She became the muse for his first-ever individual collection. Under the Bibhu Mohapatra label, the designer crafted some of the most beautiful couture gowns and cocktail dresses for high-profile clients across Europe, US and India.

For many years, Bibhu kept drawing inspiration from women with incredible personalities for his creations. "They don't have to be fashionistas, or anyone famous. They can be flawed, everyone is flawed. But their journey, what they stand for as people, their work – that's what is important to me," he added.

Mohapatra's designs have found their way to the big stores like Bergdorf Goodman, Neiman Marcus and Lane Crawford. It's a perfect blend of craft and modernity that has made Mohapatra a favourite with Hollywood and Bollywood stars. His client boasts of creme de la creme like Gwyneth Paltrow, Glenn Close, Jennifer Lopez, Rita Ora, Priyanka Chopra, Sonam Kapoor and Lupita Nyong'o.

 

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A post shared by B I B H U M O H A P A T R A (@bibhumohapatra)

But it was Michelle Obama's endorsement that catapulted Mohapatra's designs to the spotlight. It began in 2013 when Obama graced The Tonight Show with Jay Leno in a yellow printed dress from Mohapatra's resort collection, sparking a surge in popularity for the designer who has mastered the fine balance between sophistication and femme fatale. The clean lines, impeccable construction and a celebration of femininity is what makes his designs stand out. So when Michelle Obama exited Delta One on her maiden visit to India in a blue floral crepe dress by Mohapatra, no one could stop talking about the dress and in an instant this designer from Rourkela became a hit across the globe.

Coming back to roots

Bibhu has become a global name in the fashion circles, thanks to the heavy influence of Odisha's craft during the formative years of his life. "As a child, I was enamoured of colours. My mother’s jewellery, her saris, the pipli and ikat work from the region — all this stayed with me. I feel that my heritage gives me that edge in making my clothes more modern," he added. Over the years, he has used some of the textile traditions of his home state, particularly ikat, to create interesting juxtapositions and introduce the rich textiles of Odisha to the audience in the West. Back home, he collaborates with local weavers for various projects. One such was Make In Odisha Conclave in which he teamed up with state government to create a special collection as part of the Handloom Revival Project.

 

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"I challenged the artisans to create new shapes, new prints and then mix them with modern elements and interesting colour combinations. We blended textiles such as silk and cotton. The idea was to see how creative economies can help foster pride in our heritage and bring economic prosperity to the artisans," he said. The 52-year-old also plans to launch a new project where the narrative of the artisans will reach the customers. "They need to know the people who weave these beautiful textiles. I plan to offer two designs to each weaver household and their job is to work with them in interesting ways. On a sari’s pallu or the corner of the pieces of home furnishing, they will ikat weave their names so that they do not remain nameless, faceless artisans," he added.

Mohapatra, who started his journey by sewing clothes for his sister to starting his own brand to styling Michelle Obama, has come a long way in this sartorial journey. He is one of those rare Indian designers who has put Indian designs and textiles on the global stage with every new collection.

  • Follow Bhibu Mohapatra on Instagram
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The Right Click: Photographer Clare Arni has documented the India story over three decades

(December 19, 2023) In 1993 , Clare Arni hopped into a Maruti 800 with her sister and her son, to begin an 800-km journey along the River Kaveri, starting at the source, Thalakaveri, in Coorg, and ending where it empties itself into the Bay of Bengal, reaching the sea in Poompuhar. Their goal: To document the lives that have flourished around this ancient water body, as it twists and turns its way through the Deccan, morphing into the giver of life at the Kings bathing Ghat, and the keeper of the dead in Srirangapatna, where thousands perform the final rites of their loved ones. In 'Disappearing professions in Urban India', a collaboration with her sister, Oriole Henry, the siblings wandered through six of India's old cities, finding professions that were on the verge of being relegated to annals of history, from mattress fluffers to billboard painters. Straddling varied themes that include architecture, travel, social documentary, and cultural heritage, Clare Arni has spent the last three decades documenting the India Story, in all its varied richness. From working with celebrated Indian architects like B.V. Doshi, Charles Correa, Geoffrey Bawa and Sanjay Mohe, to documenting remote tribes deep in the Sundarbans, Clare

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he Sundarbans, Clare Arni has done it all. Her internationally acclaimed work can be found in prominent galleries abroad and has been featured in publications like The Wall Street Journal, Harvard Design Magazine, Tatler Conde Nast (UK), and Abitare (Italy). Her expansive career includes book publications with top British publishers like Phaidon, Thames and Hudson, and Dorling Kindersley. Clare's long-term projects document the rich tapestry of life in various Indian locales such as Hampi, Banaras, Northern Karnataka, Rajasthan, Sundarbans, and Orissa.

[caption id="attachment_47639" align="aligncenter" width="394"] Clare Arni[/caption]

Early days

Born in Scotland in 1962, Arni arrived in India when her father was transferred here for work. He established the Vikaasa school in Madurai, where Arni also studied until the age of 13, when, she tells Global Indian, she was “rudely uprooted from a place that I considered home and sent to a mediocre boarding school in England.” She followed this up with a degree in art history and film and media in Scotland, but she says, “I returned to India as soon as I possibly could. When I think of the nostalgia of home, I still recollect the bird song and hot winds of Madurai,” she smiles.

Arni returned to India at the age of 22, soon after college, to earn a living as a photographer. Self-taught, she learned on the job, attempting to create as diverse a portfolio as she could manage. “I started with fashion photography and did campaigns for Weekender and Wearhouse,” Arni recalls. “I did any work that came my way, photographing everything from racehorses to chickens, and then making black-and white-prints in my darkroom.”

Architecture calling

Her calling, however, lay in architectural photography. Clare was soon shooting directly for architects, documenting their projects publications and competition entries as well as for architectural and interior magazines. “I worked for many Bangalore architects but also for several projects for Charles Correa, BV Doshi, Geoffrey Bawa and Sanjay Mohe. For Charles Correa I documented the town Of Bagalkot before it was submerged by the dam and the house that he built for himself in Bangalore,” she explains. Apart from many design magazines in India, her images have been published in renowned international magazines like Abitare (Italy) Tatler, Conde Nast (UK) Wallpaper, The Wall Street journal and Harvard Design magazine. Her work is also part of Phaidon, Thames and Hudson and Dorling Kindersley, all of whom are leading British book publishers.

[caption id="attachment_47643" align="aligncenter" width="507"] PhotoL Clare Arni[/caption]

Documenting Stories

She also started shooting longer book projects for writers like George Mitchell. These were rewarding as they allowed her to travel extensively around India documenting places like Hampi, Banaras and Northern Karnataka. “I also worked for NGOs like Welt Hunger Hilfe where I travelled to remote communities in Rajasthan, Sundarbans, and Orissa documenting the work that they had done with self-help groups, women’s empowerment and updating agricultural practices,” says Arni. Her travels have been continuous even after she had her son.

Her Kaveri River project took a full four months, which she spent on the road with her son and sister, documenting the civilisation that had grown and flourished on its banks. “The river became part of our everyday lives walking its banks and swimming in its waters, taking coracles to the bottom of waterfalls, and flying an ultralight to capture it from the air,” Arni recalls. “I have been very lucky as my work and passion was the same and I was able to see and document so much of India.”

Going solo

After all of this she started to have solo photographic exhibitions and it was what she admits was liberating as she could work without clients and create works with total freedom. This is when she began to look at living cultural heritage instead of just built architecture. One of her biggest shows was ‘Disappearing professions in Urban India’, done in collaboration with her sister, Oriole Henry, where they examined historical professions associated with six cities and how they were surviving and adapting to the present day. “It was a wonderful way to get to know these cities,” Arni says. “We wandered through the streets searching for these professions and often found that they had either gone or that only a handful remained to carry them forward. We found mattress fluffers, tinners, hand painted billboard painters and calligraphers. We documented the changing face of single screen cinemas and stand-alone coffee shops that were making way for multiplexes and international chains,” she explains. This exhibition was shown around India and in America.

[caption id="attachment_47645" align="alignnone" width="1024"] Photo: Clare Arni[/caption]

A full life

Arni likes to work on long term projects where she gets immersed in the subject over several years. Some of these are ongoing. Some of the new books that she has done are directly with clients where she conceptualises, shoots, and helps with design inputs. She has enjoyed working collaboratively with talented photographers like Selvaprakash Lakshmanan on many of these books. “I have had a rewarding and challenging new direction at this point of my life. I am head of arts programming at a charitable trust school, RBANMS in Bangalore. I am extremely fulfilled working and interacting with these children and am excited by the programs that we are working on together with a host of visiting artists that share their time and skills with the school,” she says. Her advice to newbie photographers is that patience is important and spending time with your subject whatever it may be is key. “Even if you think you have got the shot, stop for a moment and think how else I could do this, experiment and you will get a better shot,” she advises. Looking ahead, she is working on finishing a couple of books, and spending time in the school.

Follow her on Instagram, Facebook

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Six times President awardee Sushant Pattnaik is making a difference with groundbreaking innovations

(June 11, 2022) For his game changing innovations, Sushant Pattnaik from Bhubaneswar, has received President’s awards not once or twice but six times in a row from 2008 to 2013. In a conversation with Global Indian, the young innovator tells, "I got the opportunity to receive awards four times from Dr APJ Abdul Kalam, once from Smt Pratibha Patil and once from Dr Pranab Mukherjee.” His efforts have been recognised at various award functions, by National Innovation Foundation, Government of India at Rashtrapati Bhawan (twice), IIM-Ahmedabad (three times) and National Children’s Science Congress, Shillong (once).  [caption id="attachment_25641" align="aligncenter" width="907"] Sushant Pattnaik receiving award from former President of India, late Dr APJ Abdul Kalam[/caption] Sushant's innovations have not just brought him national recognition but has also earned him international accolades. Having been recognised as a prominent innovator by NASA in 2010 at Huntsville, Alabama, USA, he was also featured in MIT Tech Review international magazine as top 10 innovators of the world under 35 years of age.   A serial innovator, entrepreneur and motivational speaker, this Golden Book of World Record Holder has made a huge impact in the society through his inventions. At 29, the TEDx speaker has already delivered close to 300

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x_normaltextrun">Sushant's innovations have not just brought him national recognition but has also earned him international accolades. Having been recognised as a prominent innovator by NASA in 2010 at Huntsville, Alabama, USA, he was also featured in MIT Tech Review international magazine as top 10 innovators of the world under 35 years of age.  

A serial innovator, entrepreneur and motivational speaker, this Golden Book of World Record Holder has made a huge impact in the society through his inventions. At 29, the TEDx speaker has already delivered close to 300 lectures. 

It all started in childhood… 

A passionate explorer, he was very curious since childhood. “When I used to get gifts like remote control cars from my parents, instead of playing with them like other kids, I used to dismantle them to understand how it works without any wire connections,” he says. This interest in wireless toy cars triggered in him a love for science and technology. 

As early as junior school, he began researching on technologies. He would often hack into and break electronic gadgets like cell phones, iPods and redesign them in innovative ways, in a bid to understand the scientific principles and mechanisms behind their functioning. He loved giving a makeover to products running on modern technologies. 

[caption id="attachment_25642" align="alignnone" width="960"]Innovator | Sushant Pattnaik | Global Indian Sushant Pattnaik receiving award from former President of India, late Dr Pranab Mukherjee[/caption]

It was not that he was always successful. Once as a school boy, in the quest to see what the internal components of a television set looks like, he dismantled it and then fixed it back. When his mother switched on the power, it boomed! “I was an inquisitive child and I learnt technology from practical experiments,” he smiles.  

The inquisitiveness paid off as he represented India twice in USA – at NASA at age 18 and then at MIT in Boston. Sushant has also represented the country in FabLab technology events at UAE and Spain.  

The innovations  

The serial innovator has been granted patent for five of his innovations, and the products are already in the market.  One of the innovations is road safety accident proof sensor for four wheelers to avoid forward collision, another is a wheelchair with sensor that will help people with disability navigate just by breathing and call for help, a smart watch to prevent rape, an inverter bulb and fan for low-cost electricity back up system in case of power cuts, hybrid batteries that can be charged in few minutes, and solar power bank – the super saving technology to operate keyboard and mouse from hand gesture. 

Interspersing knowledge with business  

Sushant diversified into entrepreneurship after he launched his startup InThinks in 2017. Three years later, he started his second company Capattery, a battery research and development firm. 

“I witnessed steady growth in pandemic in my battery R&D firm because of the hybrid mode. We collaborated with good professionals from all over India." - Sushant Pattnaik

[caption id="attachment_25643" align="aligncenter" width="720"]Innovator | Sushant Pattnaik | Global Indian Sushant Pattnaik displaying his innovation to former President of India, Smt Pratibha Patil[/caption]

With the vision to give a new dimension to innovations, Sushant is helping unsupported inventors by taking their creations to the next level through his third firm, InGenious which is an investment business venture. “We invest in startups at pre-revenue stage so that they get good investments in each round of seed funding thereafter,” says he.  

Enhancing lives...

The innovator-entrepreneur has been inspiring budding talents as keynote speaker in many events of corporates, NGOs, IITs, IIMs and renowned engineering colleges. 

The Bhubaneshwar lad, who pursued bachelors in technology from Oriental College of Technology, Bhopal in electronics and telecommunication, has also earned BSc degree from Indian Institute of Science, Education and Research (IISER), Bhopal.  

[caption id="attachment_25644" align="aligncenter" width="580"]Innovator | Sushant Pattnaik | Global Indian Sushant Pattnaik near NASA's space rocket shuttle in USA[/caption]

Sushant finds inspiration in his late mother, Rajashree Pattnaik, and father, Narasingh Pattnaik who is a retired veterinary officer and a good support to him. Badminton, football, cricket, meditation and living a disciplined life is what the award-winning innovator is passionate about. “I take keen interest in journeys of successful people from different walks of life. I try to imbibe their good qualities and learn from their mistakes, ensuring that I do not end-up committing the same mistakes,” says the innovator, who not just loves new technology but interacting with new people as well. 

  • Follow Sushant Pattnaik on LinkedIn, Facebook, Twitter, Instagram and YouTube 

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Master commander Suneha Gadpande, first to captain an all women officers’ ship

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vescent Suneha Gadpande in an interview with Global Indian. Among the first girl nautical cadets, she also went on to captain at Danish shipping company, the 132-year-old Torm as its first Lady Captain from India.

[caption id="attachment_22061" align="aligncenter" width="438"]Master commander | Capt Suneha Gadpande Capt Suneha Gadpande[/caption]

Behind these achievements is a straight talking no-nonsense mind. As warm and sparkly-eyed she is, there lies a staunch, stern and resolute commander inside. “I am not this friendly on a ship, I have to be aloof,” chuckles Suneha. Among India’s 100 women achievers honoured by late President, Pranab Mukherji (2016), the years of toil and tears saw this Bhopal girl prove her mettle every step of the way. Today, proud, her spiffy crisp Navy whites shine as does her conviction, work ethic and extraordinary attitude.

Steely determination saw this outspoken, tad rebellious girl create maritime history – she is also the first Indian captain to command an all-women officers' tanker, MT Swarna Krishna, for Shipping Corporation of India.

Courage of conviction

The Maharashtrian Bhopal-born tomboy had her sights set on the Navy. “In my eighth, I realised that in the Indian Navy, girls cannot join after 12th like the NDA - you had to graduate to undergo training,” she says. Her mother worked in admin at the Bhopal police HQ, and her father retired as a manager from RBI, thus a sincere work ethic was inculcated early on. Her father was shell-shocked at her joining the merchant navy, “Kya tum pagal ho gayi ho? (Are you mad?),” he asked. The rebellious Suneha stood unabashed. And the rest, as they say, is maritime history!

Master Commander | Suneha Gadpande

Sheepishly, she admits that her brother and sister were “ideal” children, she an upstart, who left Bhopal to live in Mumbai. Even today, her father keeps her rooted amid the honours pouring in. “He is unable to comprehend what the big deal is,” she adds. The brilliant mind would often have her parents on edge – wondering, ‘what will Suneha do next?’

Studying mechanical engineering from NIT Bhopal, with Navy on her mind, her IIT ranking saw SCI call her for an interview. Among the first batch of girls to join SCI (2003), her graduation forgotten, time was of the essence. Soon, she became batch commander, best cadet, and after four months pre-sea training at Maritime Training Institute, Powai, Suneha was ready to sail on the high seas.

Working in a man’s world

Eyeing a foreign post, she was shocked that no Indian girl had ventured so far. Nationally too, women were not preferred.  “I was asked, ‘Is it for your brother or husband?’ – and then, ‘We don't recruit women.’”

Master Commander | Capt Suneha Ganpade

By 2011, maxing exams, working tirelessly, she was set to take up command at SCI. A job offer from NYK, a Japanese company saw her shift overseas. “I left SCI just when I was to get command. I was the only Indian woman with the highest certification of a master then,” says the lass, who delayed her own command for better pay, career prospects. Is she chuffed? Brutally honest, she says, “I haven't done anything different. Yes, it was not expected a woman could do it. The opportunity helped me clear the path for others.” The twinkly-eyed commander has also been mentoring women to break the shackles of societal expectation. The would-be captain was thrilled when SCI came knocking on her doors again, to command an all-women ship. The idea stalled, but in March 2021, it was all systems go. “No better way to give it back to your parent company. Taking up command made me feel empowered. But to feel it, society has to give you powers,” she avers. She had 14 women officers, and helmed the Indian Oil Corporation time charter.

“Imagine carrying cargo valued at millions of dollars. One mistake, and it’s a live bomb. You have to be mentally present, and cannot afford a single mistake, and work as a team,” says Suneha. The warm and bubbly Suneha soon transformed into a master-commander with aplomb. “Taking up command meant – you are given full ownership. However, the merchant navy is not glamourous. There is only one captain responsible for the safety of cargo and crew. In a rude way, we are like truck drivers,” rues this changemaker who has battled harassment and fought against decades-old stigma.

Master commander | Suneha Gadpande

 

She loves her international stints but the stigma in India is unrelenting, and unsurprisingly less work related, more people specific. “Once you become a captain, there is no growth. Once a captain, always a captain,” she says. Signing up with Danish company Torm saw her get the moniker of the first Indian woman to captain an international merchant navy ship. Now, in between projects, she will take up a shore opportunity in Singapore as a permanent marine superintendent in Danish company, Hafnia tankers (BW Group).

Oh captain, my captain

Yes, she will miss sailing immensely. Unlike Navy, with over 150-odd crew, merchant navy has 20-25, and a strenuous 24-hour work day. “We have to be ‘jack of all trades,’ - plumber, carpenter, mechanic, or cook.” The ‘jill’ of all trades has been lauded for her work, and over the years, she has learnt to put her game face on, use subtle firmness to be respected among men. “As a captain, if you say juniors are misbehaving, it will be seen as the lady or captain is unable to command,” she adds. Privy to dangerous situations, she manoeuvres it all, “While docking, a ship’s speed is lesser as it does not have a break - the effect of the water is greater. It is not difficult but one needs immense skills. You navigate - through storms, tricky situations, and know how to get out. You are taught to be in command.”

Master Commander | Suneha Gadpande

The dream of being a single mom

Commanding a ship takes years, and for this reason, Suneha put her personal life on hold. The 37-year-old decided to freeze her eggs so she could concentrate on her career. “I am planning to be a single mom. I knew my command was taking time, and I couldn't afford a minute’s break. If you take a break from sailing, it's tough to get back,” reveals the master-commander.

Her remarkable ability to spring back, after wiping away tears shows great fortitude. Was training difficult? “That’s a tricky word. It's relative. If you see a situation as difficult, it becomes difficult. Once you begin doing it, it is a piece of cake,” she smiles.

 

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A lone woman standing against the tide through brickbats, she advices, “You have to train the mind, aap ko ek box bana lena padta hai mind mien (you have to make a box in your mind), the ignore box. If I like something, I’ll listen, smile. If I don’t, I’ll smile but it goes straight into the ignore box,” smiles the unrepentant captain, who adds, “Learn to say no,” she chides, “as men are unused to hearing it.”

After 18 years of her goals, she now strategises, chooses her battles, and is an amateur psychologist to understand her crew. Her next 18 will be of consolidation. The naturopath does yoga, occasionally signs up at Jindal Bangalore for detox.

To sail, or swim, that is the question

The master commander is, admittedly, wait for it, “shit scared of water.” Surely a prerequisite to life at sea? “Yes, I have done 12 weeks swimming training, and can jump 60-50 feet with a life jacket,” cheekily adding, “I don’t know swimming.”

Master Commander | Suneha Gadpande

She takes great pride in her navy whites though work is in boiler room overalls, with grease and muck. The roadie loves her X3 BMW, giggling, “I love driving – I drove from Mumbai to Bangkok,” she laughs modestly.

A Buddhism follower, Suneha does Vipassana, mediates, and advises, “empty the mind, and be in the moment.” And marriage? “Since I was a child, I wanted to run away and get married. I have my Sabyasachi lehenga and jewellery ready. Just waiting for a boy that is worth it.” Aye, aye captain.

  • Follow Capt Suneha Gadpande on Linkedin, Instagram and Twitter

Reading Time: 8 min

Story
Filmmaker Shaunak Sen’s ‘All That Breathes’ takes over Cannes 2022

(May 21, 2022) Damp and derelict, the glint of out-of-use metal cutting machines cluttering its dark corners, the basement had a distinctly industrial air, when filmmaker Shaunak Sen first visited the place back in early 2019. Creating an unexpected scene of tenderness in this otherwise cold, decrepit space, Mohammad Saud and Nadeem Shehzad sat huddled in an inside room, tending to an injured bird. The brothers were whom Shaunak had come to see, having heard of their remarkable work saving scores of black kites in Delhi every day. Upstairs, the terrace held an even more surreal scene. In a giant enclosure overlooking a sea of blackened rooftops, hundreds of black kites waited to be set free when their wounds healed. Shaunak Sen’s All That Breathes is the story of these two brothers and their remarkable acts of kindness in an otherwise unforgiving city, where rats, cows, crows, dogs and people all jostle for space and survival. Scheduled to be screened at the 2022, Cannes Film Festival, the first Indian documentary to do so, All That Breathes will be part of the Special Screening Segment this week. It is also the first film to win the Grand Jury Award at the

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s also the first film to win the Grand Jury Award at the Sundance Film Festival earlier this year. On May 20, HBO announced that it will acquire worldwide television rights for the film.

Shaunak is among a slowly growing but still small coterie of documentary filmmakers putting India on the world map. A steady rise is evident, with films like Writing With Fire and House of Secrets: The Burari Deaths capturing mainstream audiences from around the world. "I say this with guarded optimism but I think the Indian non-fiction circuit has fared better over the last few years than the fiction films,” Shaunak says, in an exclusive interview with Global Indian. Shaunak's 2015 debut documentary, Cities of Sleep, was shown at over 25 international festivals and won six awards.

The world of narratives and storytelling 

"For as long as I can remember, I cannot recall a time when I wasn't interested in making films." As kids, when he and his classmates were asked to write essays about what they want to be, Shaunak would talk of theatre and film. "Even in school, there was an inherent obsession with reading," Shaunak says, which translated into a general love for narratives and storytelling.

Bluebells, the school Shaunak went to in Delhi, encouraged students to participate in extra-curricular activities, giving them a rich selection of choices. Shaunak was drawn to theatre, debates and quizzes, "the whole gamut of what makes up ECA in Delhi. I was interested in all of it." Graduating with English honours from Delhi University, Shaunak threw himself full-time into the "world of narratives" as he puts it. Kirori Mal College's theatre society was well known, "an old and hallowed group," he says. Being part of the society was a formative experience, "Rigour and precision were expected of all of us in the group.” He did his masters in filmmaking at Jamia Millia Islamia and a PhD from JNU.

[caption id="attachment_24754" align="aligncenter" width="604"]Filmmaker Shaunak Sen's 'All That Breathes' takes over Cannes 2022 Shaunak Sen[/caption]

Delhi’s ‘renegade sleepers’ 

Shaunak has always had trouble sleeping. "I have had intense patches of insomnia," he says and from there grew an organic intrigue with the subject of sleep. "I chanced upon a text, Jacques Ranciere's Nights of Labour, which looks at sleep through a different socio-political lens," he says. From there began a series of visits to night shelters in Delhi, as Shaunak explored the idea of an urban space through the lens of its "renegade sleepers." From this emerged Cities of Sleep, Shaunak's debut documentary film, a portrait of Delhi through the eyes of people who sleep on its streets.

Delhi is home to some two million homeless people, according to the official figures. Many believe the real number is almost double. "The night shelters can only house an infinitesimal fraction of the total number of homeless people," Shaunak says. But everybody needs to sleep and hundreds of informal, slapdash businesses have sprung up to cater to the swathes of homeless people. "Sleep infrastructure," including bedsheets, blankets and maybe even a bed, are provided at nominal rates - and business is thriving. They have been somewhat unthinkingly dubbed 'the sleep mafia' by the media, a term that Shaunak confesses makes him "a bit uneasy."

Made by a young team and shot on a proverbial shoestring budget, Cities of Sleep was a critical success, making its international debut at DOK Leipzig in Germany. It was also named the Best Documentary at the Seattle South Asian Film Festival.

Filmmaker Shaunak Sen's 'All That Breathes' takes over Cannes 2022

All That Breathes 

In All That Breathes, Shaunak paints what he calls "a dystopian picture postcard of Delhi in the 1990s." "My first sense of tone was the sense we always have in Delhi, of gray, hazy skies and air purifiers humming everywhere. And in this all-encompassing grey, monotony, you can see birds flying around." Mohammad and Nadeem presented a compelling story, driving what is otherwise a silent lament for a city in tatters.

The idea had begun a few months prior, around the end of 2018, when Shaunak was in the midst of a short-term Charles Wallace Fellowship at Cambridge University. There, housed in the department of Geography, he was surrounded by people working on different kinds of human-animal relationships. Working with his interlocutor, Dr Mann Baruah, the concept first entered his "philosophical ambit" at the end of 2018.

Such a long journey 

The film involved nearly three years of shooting. "These films take long to make anyway. The idea is for the characters to get comfortable enough for the director to capture a sense of tone. You want the viewers to understand the passage of time, the quality of everyday life, to pick up on the emotions the filmmaker is putting out," says Shaunak.

[caption id="attachment_24755" align="aligncenter" width="689"]Filmmaker Shaunak Sen's 'All That Breathes' takes over Cannes 2022 A still from 'All That Breathes'[/caption]

He headed to Copenhagen for the final cut, where he sought out editor Charlotte Munch Bengsten. In Denmark with his co-editor Vedant Joshi, Shaunak received the news that the film had got through at the Sundance Festival, the world's largest platform of its kind, for 2022. "We worked feverishly to make it all happen," he says. Their efforts paid off: Shaunak Sen's All That Breathes became the first Indian film to win the Grand Jury Award.

All That Breathes is what is often called a "sleeper hit," with its renown mainly through word of mouth.

The creative process 

As a filmmaker, Shaunak's process begins with being drawn to a broader conceptual idea, whether it's sleep or the human-animal relationship. "Then, I start looking for people whose lives embody that idea," Shaunak explains. "The specificity of their lives takes on the impact of blunt force - these are the tools I use. My style is observational, controlled and aesthetised, especially in comparison with the handheld, gritty feel of Cities of Sleep." His work is a juxtaposition of fictional storytelling in service of the documentary world. "It's what I want to do in the future as well - marry these two styles. Even a documentary should have that lyrical, poetic flow."

The film comes with an important social message but Shaunak shies away from taking what could be conceived as an overly preaching tone. "If you look at anything long enough, whether it's the homeless people or two brothers rescuing birds, it starts registering itself on every level - social, emotional and political," he says, adding, "I don't take an overt social approach, it sort of seeps in on its own."

Filmmaker Shaunak Sen's 'All That Breathes' takes over Cannes 2022

Optimistic future 

He's already on the hunt for his next project, "reading a lot and examining vague themes at the moment." And there's room for exploration. India is a good place to be for a documentary filmmaker, gone are the days of scrambling for funds and catering to niche audiences. "The toolkit of cinematic language was greatly limited," Shaunak remarks. A steady rise is evident, though, with Deepti Kakkar and Fahad Mustafa’s Katiyabaaz (Powerless), Vinod Shukla’s An Insignificant Man, the 2021 documentary A Night of Knowing Nothing directed by Payal Kapadia and Shaunak's own work, all winning prizes on international platforms.

  • Follow Shaunak on Instagram

Reading Time: 7 min

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About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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