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Indian Chef | Vishwesh Bhatt | Global Indian
Global IndianstoryMississippi Masala: Chef Vishwesh Bhatt is serving global food with an Indian touch in America’s South
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Mississippi Masala: Chef Vishwesh Bhatt is serving global food with an Indian touch in America’s South

Written by: Minal Nirmala Khona

(December 24, 2023) Moving to the US as a teenager, gradually finding his ikigai and making a success of it are all part of incredible culinary journey of Chef Vishwesh Bhatt.

He believes fusion is a dirty word in the world of cuisine, yet masterfully creates dishes that are the epitome of global influences. He considers himself as a Southerner from India and is the Executive Chef at Snackbar, the restaurant he has set up from scratch with his mentor John Currence. Chef Vishwesh Bhatt, originally from Gujarat in India, has reinvented dishes with local ingredients, serves some traditional ones with a twist and has incorporated some of the typical foods of the South into his menu, to great success.

Indian Chef | Vishwesh Bhatt | Global Indian

Chef Vishwesh Bhatt

Making Mississippi Home

Living in Oxford, Mississippi, where he came to study for his Master’s, where his father was teaching physics, Vishwesh, or Vish as he is popularly known, made this southern university town his home. In his cookbook, I am from here, Stories and Recipes from a Southern Chef, which won the James Beard award for best cookbook in 2022, he candidly reveals that he did not struggle like other immigrants. In an exclusive with Global Indian, Vish says, “At grad school I realised this is not what I wanted for a career. My mother used to cook a Gujarati thali meal once a week at Harvest Café, a progressive local restaurant in Oxford. She was going to India for the summer and I offered to step in. I found that I enjoyed cooking during those two months. Though I couldn’t roll out chapatis, I knew a couple of things.”

Eventually, the vegetarian Vish overcame his hesitation about meat. He admits, “My parents were okay with it, though it took me a while to summon the courage to try some. This way, I had a lot more choices in food. To date, I like some meats and I don’t eat everything.”

While in Oxford, Vish used to work at a local restaurant called City Grocery, owned by Chef John Currence. Wanting formal training in western basics of cooking, Vish enrolled at a culinary school in Miami, Florida. Following which he took up a job in Denver, Colorado, but always kept a lookout for opportunities in Oxford. He even met his wife Teresa, a nurse, during this time.

Sure enough, in 2002, they got a chance to move back – and he joined City Grocery once again. Vish has been with the City Grocery Restaurant Group ever since. He refers to John Currence, the owner, as “a great boss, a better mentor, and an even better friend.” Currence for his part, in the foreword, shares details about their many travels together over the last 20 years and the deep and abiding bond they share.

Indian Chef | Vishwesh Bhatt | Global Indian

Chef Vishwesh Bhatt with his Snackbar team

Fusion or Confusion

Vish became the Executive Chef at Snackbar, launched by Currence in 2009. He says, “It was a neighbourhood bistro-style café. I wrote the menu and it has been my baby from the start.” From typical Creole, French style food, he gradually morphed it by adding more Indian flavours. He says, “The dishes have worked really well over the last 15 years.”

Surprisingly, though Chef Vishwesh Bhatt has served an Okra Chaat with chaat masala and has made upma from grits [ground corn with the texture of idli rawa, very popular in the South], he considers fusion to be a dirty word. He candidly says, “Fusion is a dirty word; because if you observe the evolution of food, some flavours that came together make sense – for example cooking jeera with alu – cumin and potatoes go well. I find that mashing up different ideas just because you are good it without any knowledge of the food doesn’t work. It is more confusion than fusion. Randomly putting cheese on bhelpuri just because you can, doesn’t mean you should.”

The Southerner from India

So how would he describe his cooking style? “Southerners use a lot of greens; and they have a serving of three vegetables with meat. Instead of spinach for example, I make saag with collard greens that are used here. And while they use pork fat, I do a jhonk or tadka with dill and asafoetida in ghee. The same greens then taste different and my customers love it. While making fried chicken, instead of barbecue sauce, I use chhundo [a Gujarati pickle made with grated raw mango] instead. They have similar flavour profiles.” Having said that, Vish does serve dhoklas and khichdi too, and khandvi – described as gram flour noodles – though he draws the line at undhiyo due to the lack of authentic Surti papdi – one of the beans used in making this dish.

His food makes a statement, and the international footprints blending synergistically also won Vish the James Beard Best Chef of the Year [South] in 2019. His mind is always questioning things most of us take for granted. He says, “I wrote the book because I wanted to talk about why these dishes matter to me. I like to dive into history, like how did okra get to America for example.”

And the ingredients he loves to work with? “I enjoy working with okra, eggplant. And I love anything to do with rice. There are so many varieties and ways of cooking it. Across cultures, it is a simple grain with such a complex story.” He uses spices from all over the world too in copious amounts. “I love using cumin and pepper; even as a combination they work well. If you consider the North African spice blends, they are similar to ours, except that the ratios are different. Tunisia, Egypt, Morocco – I like working with their flavours.”

Indian Chef | Vishwesh Bhatt | Global Indian

Chef Vishwesh Bhatt with his book

I Am From Here

In the book, Chef Vishwesh Bhatt has talked about growing up in Ahmedabad, Gujarat, in a large family, helping his mother in the kitchen and shopping for fresh vegetables with his father. He has fashioned the book somewhat differently from other cookbooks. Individual chapters are dedicated to rice, catfish [a very popular Southern staple], pork and meat, chicken, prawns and seafood, beans and pulses, potatoes and sweet potatoes, corn and one especially for okra, or bhendi as we know it. There are chapters dedicated to peanuts and greens – more so collard greens – again a southern mainstay.

The recipes are underlined with global influences. From Morocco to Mumbai, Ahmedabad to Afghanistan, Turkey to Trinidad and Italy to Spain – they are all reflected in a glorious coming together of seemingly disparate ingredients, in a medley of tasty and hearty food. The Indian influences are strong though; from recipes for chaat and garam masalas to baingan ka bharta – they co-exist with other international dishes.

Food for Thought

Chef Vishwesh Bhatt is a generous man. In the book, besides sharing his much loved and evergreen recipes like the evergreen hit, Okra Chaat [which stays on his menu all through okra season], he has shared recipes for spice mixes, techniques, and tips about ingredients like coriander seeds, ajwain and asafoetida, explaining how to use them and the best way to do so. Perhaps aimed at the Western reader interested in cooking but unfamiliar with these condiments. There is even a helpful recipe finder segment where he suggests what dish you could make for a picnic lunch to a brunch, a cocktail party, one-pot dinners and weeknight meals.

Indian Chef | Snackbar | Global Indian

A Snackbar preparation

In the acknowledgements, he gives credit to all the family members, chefs and other people who have influenced his journey. He mentions using his fellow Southern Chef and friend Meherwan Irani’s spice brand – Spicewalla. For further reading too, he has helpfully shared names of recipe books authored by other chefs. A less secure person would consider that competition!

Global trends in food Vish believes are moving towards Indian food getting appreciated in the way it should be. “Finally, people are realising how good the cuisines of India are. And that they are not a monolith as one. People are becoming more aware of how ingredients have moved and they are also experimenting with spices and condiments like fenugreek, mustard seeds and turmeric.” What’s next? “Working on a second book project,” he concludes, succinctly.

Chef Vishwesh likes to eat:

  • Ponk under the bridge in Surat
  • Thali: At Gopi Dining Hall and Ashrafi Kulfi in Ahmedabad
  • O Pedro: almost all of the menu
  • Bombay Canteen: Thepla tacos
  • Ashok Vada Pav: Vada Pav [both in Mumbai]
  • Any of the Unapologetic Restaurants Group’s restaurants in NYC
  • South Indian at Semma
  • Bheja Fry at Dhamaka
  • Compere Lapin: Any pasta dish and the Goat Curry
  • Gautreau’s: The fresh fish of the day or Crab Remoulade
  • Mr Mao in New Orleans: Snacks
  • Botiwalla in Atlanta: Kathi Roll, Dahi Sev Purii

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Published on 24, Dec 2023

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Boxing sans burqa, these zealous Kolkata girl boxers pack a knockout punch

(December 31, 2021) At the crack of dawn, a group of 20 teenage girls are all fired up and ready to go. Clad in shorts and t-shirts, the determined youngsters jog through the densely populated Kalighat locality in South Kolkata into a ground in the Regent Park area. The sudden early morning drizzle hardly bothers them as they line up in front of their “hero” and boxing coach Razia Shabnam. Rigorous warm up and strength training sessions later, they put on their boxing gloves, look straight into their opponent’s eyes, and get down to bouts of sparring. From straight punches to jabs, hooks and even uppercuts — they deliver power-packed punches in each bout — their aggressive side on full display. Not far away from this place, about 35 girls sweat it out in the makeshift boxing ring at the Kidderpore school of physical culture at Ekbalpore, where their coach Mehrajuddin Ahmed aka Cheena Bhai, is busy evaluating their boxing prowess and fine tuning it. “Duck! Avoid the opponent’s punches!” he advises as he keenly watches the sparring which goes on for hours. [caption id="attachment_18377" align="aligncenter" width="1200"] Shakeela and Shanno practise at the boxing yard; Photo Courtesy: Arindam Mukherjee[/caption] The

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/wp-content/uploads/2021/12/shakeela-shanno.jpg" alt="Global Indian burqa boxers" width="1200" height="797" /> Shakeela and Shanno practise at the boxing yard; Photo Courtesy: Arindam Mukherjee[/caption]

The women, they are ready for the ring

Women’s boxing arrived a tad late in West Bengal when compared to other states. Finally in 1998, a handful of burqa-clad girls from poor families dared to step out of their homes to learn boxing. Some put on gloves for self-defense, others to boost confidence and self-esteem while the rest were driven by their sheer passion for the sport, and dreams of making it big one day.

There was a time when the “burqa boxers” as they came to be known, braved societal pressures and gender discrimination to pursue the sport. But not anymore. Now, these girls don’t think twice before donning a t-shirt and shorts and sweating it out to deliver the perfect knockout punch!

“Boxing gives the girls self-respect and confidence to break barriers. When I took up boxing, I faced gender discrimination and people in the community treated me like I was doing something wrong and dirty. They expressed apprehensions about my marriage. But the situation is different now. People have become more broadminded and the girls are clear about what they want to achieve,” says a beaming Razia Shabnam, in an exclusive chat with Global Indian.

[caption id="attachment_18375" align="aligncenter" width="400"]Global Indian Razia Shabnam Razia Shabnam exercises at her rooftop; Photo Courtesy: Arindam Mukherjee[/caption]

Mention burqa boxing and Shabnam interjects that it is gender discrimination rather than religious discrimination that is an obstacle. “Now, there are hardly any girls who come in burqa and change into boxing gear. Those days are gone,” she informs.

Shabnam took to boxing in 1998 when the sport had just opened up for women in Kolkata. A first-year Arts student at Calcutta University, she decided to give boxing a shot, and was lucky to have participated in the national level boxing championship. She went on to become one of the first women boxing coaches in the country in 2001. Shabnam is also the first Indian woman to become an international boxing referee and judge, and has been officiating at international boxing tournaments across the globe. “I was clear that I wanted to become a coach who could train both men and women to fetch gold medals for India,” says Shabnam.

While her journey into the world of boxing came with obstacles, it was her father Rahat Ali Khan, a wrestler, who supported and encouraged his daughter. Having grown up in Kidderpore in a traditional Muslim family, where girls stay home or are groomed for marriage, Shabnam faced discrimination even when she started to go to college. Now, a doting mother, she coaches girls aged 12 to 18, a majority of them rescued from the red-light area in Kolkata. Through her NGO, New Light, she even provides them shelter.

[caption id="attachment_18378" align="aligncenter" width="1003"]Global Indian burqa boxers Photo Courtesy: Arindam Mukherjee[/caption]

Girls who just want to throw punches

“I want to play at the national and international boxing championships and I am preparing for it,” informs Salma Molla, a 15-year-old, who started boxing at age 10. She trains with Shabnam, and wants to follow in the footsteps of boxing great Mary Kom. “My family knows I am passionate about boxing, and are happy. Like Mary Kom, I will compete for India one day,” smiles Salma, who ensures she never misses training.

In 1998, women’s boxing kickstarted in West Bengal. The then-President of the WB Boxing Federation Asit Banerjee along with coaches Mehrajuddin Ahmed, Sujoy Ghosh and Jamil Alam began training girls. What initially started with a handful of “burqa boxers” soon saw the participation of more girls. In the past two decades, hundreds of girls from Kolkata have learnt boxing.

“Back then, a few burqa-clad girls would come to the Kidderpore school to learn boxing. They were obviously worried about what the community would say. But now, I don’t see the girls scared or bothered. They learn boxing without a worry,” says Mehrajuddin Ahmed.

[caption id="attachment_18379" align="aligncenter" width="1147"]Global Indian burqa boxers Ajmira Khatun during a practise session; Photo Courtesy: Alka Raghuram[/caption]

Ahmed, who runs the Kidderpore school, recalls how women’s boxing had arrived in Delhi, Punjab, Manipur and Mizoram early. “The boxing federation president, other coaches and I collectively decided that girls have to learn boxing and started coaching them,” he informs.

He recalls instances when convincing parents was an uphill task. “The girls came from very poor families. Their parents were against boxing. Some felt it was a male bastion, and girls should stay away, others felt it will hinder their marriage prospects. The community elders and neighbours did their bit in discouraging the girls. But I spoke to many families and convinced them otherwise. Many agreed but were sceptical. That is no longer the case. Today, there is nothing stopping them,” he says. Shabnam too has similar stories.

All their efforts have yielded results. There are quite a few girls from Kolkata who have made it big in boxing. Among the notable boxers is Ajmera Khatun, who started in 2009, and went on to win five golds at the state and national level. She is not boxing anymore. Similarly, Sarita Khatun first won a gold medal at a state level championship and subsequently won nine medals including a bronze at the national level in 2012. The same year, Simi Parveen, a soft-spoken Arts student from Kolkata’s Ekbalpore area represented West Bengal and won a bronze medal at the women’s boxing national held in Patna. Thereafter, when the Indian Boxing Federation was suspended by the International Boxing Association, her career came to a stop. She trained at the Kidderpore school. Sabina Yasmeen, another boxer won three golds at district, state and national levels. A majority of the boxers have been trained by Mehrajuddin or Razia Shabnam.

Coaching for glory

[caption id="attachment_18380" align="aligncenter" width="1138"]Global Indian burqa boxers Taslima during a practise session; Photo Courtesy: Alka Raghuram[/caption]

Presently, Razia Shabnam coaches about 20 girls for three hours on weekdays, and six on weekends. Similarly, at the Kidderpore school, there are 185 youngsters training, of which 35 are girls. The pandemic did play spoilsport in Kolkata’s boxing legacy but the coaches hope for better days.

While the women’s boxing scene in Kolkata appears promising, many at the national level have quit due to marriage or job prospects. Razia Shabnam’s protegee Parveen Sajda gave up the sport after marriage. “Ajmira Khatun (who won the gold at the state and national level) shifted to Haryana. Once they cross a certain age, they give up due to self-sufficiency and work. Yet, going by the enthusiasm and determination of a few girls, I am confident they will make it big in boxing. The situation is changing,” says a hopeful Razia. Besides marriage and jobs, another reason for opting out is the expense. Nonetheless, the number of girls taking to boxing has been increasing steadily.

Interestingly, a documentary titled Burqa Boxers directed by Alka Raghuram, a filmmaker and a multidisciplinary artiste who tries to make sense of the world through her insightful films, gives you a ring side perspective on the lives of the girls. The film weaved the stories of Razia Shabnam, Ajmira Khatun, Taslima Khatun and Parveen Sajda as they negotiate poverty and traditions, and learn to face the biggest obstacle — fear. The film was awarded the top prize Grant Open Doors at the Locarno Film Festival co-production market in 2011.

For boxer Rimpi Khatoon, Razia Shabnam inspires them to take up boxing. “Razia madam is my hero. I took up boxing to boost my confidence and for self-defense. My knockout punches are good, I can give anyone a tough fight,” laughs the 14-year-old, who has been training with Razia since she was 10. Even 16-year-old Pooja Singh is passionate about boxing. “I have been boxing since 2014 and I look forward to participating in the national boxing championship,” says Pooja.

Reading Time: 10 mins

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Sabu Dastagir: The elephant boy who made it to Hollywood’s Walk of Fame

(July 21, 2023) The West was an elusive concept for many Indians in the early 1900s. Not many had dared to step into the world that was unlike anything back home, especially films. But Sabu Dastagir was one of those rare exceptions who took off to Hollywood when very little was known of it in India. This teenager from a small village in Mysore was one of India’s earliest talent to make it to the international film circuit. He wasn’t just India’s first-ever star to make it to Hollywood but also the the first one to make his debut on Hollywood’s Walk of Fame. Here’s the story of this elephant boy who went across the ocean with stars in his eyes. [caption id="attachment_41982" align="aligncenter" width="400"] Sabu Dastagir[/caption] Real to reel – Elephant Boy Born in 1924 in Mysore to a mahout (elephant rider) who served the Maharaja of Mysore, Sabu at the age of six started serving in the elephant stables after his father's early demise. Like any average poor Indian kid of those times, he was determined to follow in the footsteps of his father and became a mahout. But destiny had a special plan for him. And that

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he elephant stables after his father's early demise. Like any average poor Indian kid of those times, he was determined to follow in the footsteps of his father and became a mahout. But destiny had a special plan for him. And that proposition came knocking on his door in the form of American documentary filmmaker Robert J Flaherty.

Flaherty was in Mysore to scout for location for his upcoming film Elephant Boy, when he chanced upon Sabu, who was mounted on an elephant. Seeing Sabu in his natural poise, the filmmaker knew he had found his lead star.

The film, based on a story Toomai of the Elephants from The Jungle Book by Ruyard Kipling, soon went into production. A real elephant boy was now on reel. After shooting for a few sequences in Mysore, Sabu was flown to England by producer and co-director Alexandra Korda along with his brother to shoot certain parts. And just like that a mahout from Mysore was ready for his debut in an English film.

https://www.youtube.com/watch?v=fM14Gfpfdrc

In the cold winter of 1937, Elephant Boy opened to a spectacular reception in England, making Sabu an overnight star whose performance was widely appreciated by critics who called him a "complete natural." Such was the success of the film that Flaherty and Korda shared the Best Director award at the Venice Film Festival that year. The epic win at the international film festival made Korda realise early that Dastagir had the potential to pull crowds, and soon signed him up for more films.

The Global Indian journey

This was the beginning of Sabu's innings in English films. The next year brought with it the first technicolor film The Drum, and Sabu was roped in to play a prince. Based on the AEW Mason's novel, the film revolved around a prince who is threatened by his uncle and becomes friends with a drummer. The film did well in Britain, however, back home in India, The Drum received backlash for being British propaganda material.

[caption id="attachment_6918" align="aligncenter" width="790"]SabuDastagir Sabu Dastagir in a still from Elephant Boy[/caption]

Regardless, Sabu had become a star in his own right, and was busy signing films with British directors. One such collaboration led him to the 1940 fantasy adventure Thief of Bagdad. Known as producer Korda’s most expensive production ever, Thief of Bagdad saw Sabu give his finest performance. The film was a huge success and went on to win an Oscar for Best Cinematography, Best Visual Effects, Best Production Design and Best Original Score categories. Sabu found a fan in director Michael Powell, who was in awe of the actor’s “wonderful grace”.

In 1942, the actor shifted gears when Hollywood came calling and played Mowgli in Zoltan Korda's The Jungle Book. Though the film steered away from Kipling's original, it secured an Academy Award nomination for music and special effects.

https://www.youtube.com/watch?v=gKNbl6rO5FY

That same year, he signed a contract with Universal Pictures. Arabian Nights was Universal Pictures' spin on The Book of One Thousand and One Nights, and this adventure film marked his first appearance with actors Jon Hall and Maria Monez. He later went on to be a part of many such exotic-themed films like White Savage (1942) and Cobra Woman (1944).

The real-life hero

Well acquainted with America by now, he got his American citizenship in 1944 and the actor was also enlisted in the US Air Force. He wasn't just a hero on screen, but in real life too — a distinguished war hero. He served as a tail gunner and ball turret gunner on B-24 aircraft during the World War II. His service earned him the Distinguished Flying Cross award.

At a time when everyone was reeling from the after-effects of the World War II, Sabu, too, started to see a downturn in his career. He struggled to get roles in Hollywood; for the next few years, he made appearances in a handful of films like Black Narcissus (1947) and Harringay Circus (1952). While his professional life was going slow, he found love in real life on the sets of his 1948 film The Song of India, where he met Marilyn Cooper and the two got married.

Sabu Dastagir | Global Indian

An almost Bollywood film

Though Sabu had a number of Hollywood and British films to his credit, his only chance of working with Bollywood was taken from him when he was denied a work permit in India. Had things worked in his favour, he would have been a part of one of the biggest Hindi films of all time — Mother India. Mehboob Khan considered him for the role of Birju, which was ultimately played by Sunil Dutt.

Though working in a Bollywood film remained an elusive dream, Sabu did find himself on Hollywood’s Walk of Fame in 1960, the first from India to do so. Shortly after, he died of a heart attack in Los Angeles at age 39.

[caption id="attachment_6923" align="aligncenter" width="580"]The poster of Sabu and the Magic Ring The poster of Sabu and the Magic Ring[/caption]

His career in Hollywood and European films made him the first-ever Indian actor to gain fame and popularity in the West. From being an elephant boy to making his name in Hollywood, the Global Indian can be truly called India's original hero who paved the way for Indian talent abroad.

 

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From Vimeo to Tubi: Anjali Sud’s journey as a visionary business executive

(July 20, 2023) In an age that witnessed the rise of several online video platforms, Vimeo often took a back seat to its more prominent competitor, YouTube. In fact, many people may not even be familiar with Vimeo's existence. While the company has faced significant challenges over the years, struggling to keep pace with YouTube, Netflix, and other industry giants - one remarkable woman has spearheaded a transformation that has propelled Vimeo's performance to new heights. Business executive Anjali Sud's leadership not only rescued the platform from the brink of disaster but also propelled it to a monumental milestone - Vimeo's debut on the NASDAQ exchange. However, after a successful run at the online video platform, the business executive is taking over as CEO of Tubi, Fox Corp.’s free, ad-supported streaming TV service. Talking about this new opportunity, the Global Indian said at a recent conference, "We are witnessing a seismic shift in where and how content will be consumed, and I believe that Tubi can become the destination for the next generation of audiences. The future of streaming TV is free, and I am excited to join the Tubi team to help shape the next wave of entertainment, by

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em> said at a recent conference, "We are witnessing a seismic shift in where and how content will be consumed, and I believe that Tubi can become the destination for the next generation of audiences. The future of streaming TV is free, and I am excited to join the Tubi team to help shape the next wave of entertainment, by giving all people access to all the world’s stories. Tubi is doing things differently in a space that is being imminently disrupted, and that is my kind of opportunity.”

The business executive, who has also worked in various MNCs, including Amazon and Time Warner, is also a designated Young Global Leader of the World Economic Forum and serves on the board of directors of Dolby Laboratories and Change.org, and was recently named a Henry Crown Fellow at The Aspen Institute.

Inspired by her father

Born to Punjabi-Hindu immigrants from India, the business executive grew up in Flint, Michigan. Her father operated a plastics recycling plant in the town. An ambitious child, Anjali would take part in various projects and also represented her school in many competitions. With aspirations of becoming a playwright, Anjali would cast her brother and sister in plays that were brought to life for an exclusive audience of two: their adoring parents. "I was really shy as a kid. Acting, dancing, and singing were a really nice outlet for me," she recalled during an interview.

The first turning point

However, a turning point in her life came, while she was at the Barnes & Noble store with her father, where they found a book called The Best High Schools in America. "I didn't know there was a thing called prep schools; I didn't know that was a thing that existed," Anjali recalled. While initially didn't wasn't sure about applying to these schools, it was advice that her father, which changed her mind. "My dad's given me great advice. Probably one piece of advice that I give to others that he's given to me is to live outside of your comfort zone. It speaks somewhat to the philosophy of 'put yourself in positions where you might not have a ton of experience," the business executive said.

https://www.youtube.com/watch?v=UGdLvGbpehQ

And his words worked like magic. Anjali started applying to prep schools as an experiment. She courageously ventured beyond her comfort zone and used it as a launching pad for her future accomplishments. The business executive shared, "We didn't know what we were doing. My dad bought me the book. The next day, I started applying. I applied to maybe 30 schools, ranging from a military academy to a Catholic school. I didn't know anything."

The youngster's efforts earned her a place at the prestigious Phillips Academy, a private school in Andover, Massachusetts, where she finished her schooling. The business executive then attended the Wharton School of the University of Pennsylvania from 2001 to 2005 and graduated with a B.Sc. in Finance and Management.

Climbing the corporate ladders

Soon after graduating from college, Anjali worked as an investment banker even though she knew that the banking life was not included in her long-term goals. "I did it for really one reason, which is I wanted to be well-versed in finance, and I wanted to see how value was created and destroyed," she shared. And between 2005 and 2014, the business executive worked in various companies, holding positions in finance, media, and e-commerce.

Business executive | Anjali Sud | Global Indian

However, her shining moment came, when she joined Vimeo, as Head of Global Marketing in 2014. It was again the advice of her father that made her leave a tried and tested path, and join a company that wasn't faring wasn't faring quite well. "It's something I feel like I've done my whole life," the business executive shared in an interview, while talking about pushing her boundaries, "Leaving home at 14, going to Andover, where I didn't know anything, I was definitely outside my comfort zone then. In many of the roles I've had at Amazon and certainly at Vimeo, I've been in situations where it wasn't like I had the playbook and I knew exactly what to do."

The rise to CEO

Just about three years into her time at Vimeo, the business executive became the CEO of the company and within her first 90 days as CEO, the company acquired Livestream. At 34, Anjali was the youngest chief executive of any IAC (IAC) brand and made it to The Hollywood Reporter’s 2017 Next Gen list, which spotlights 35 executives under 35, who 'will soon run Hollywood'. “I had always hoped to one day be in a position like this. I couldn’t have imagined 10 years ago that I would be where I am today," she said, " It’s been a series of strategic choices and fortuitous events and a lot of hard work and support from my team.”

Business executive | Anjali Sud | Global Indian

Speaking about her strategies, she shared, "I saw an opportunity to champion the creator side of the platform. So, I just started doing it. That opened up a path for me to do that formally. It was a major catalyst for why I’m sitting where I am today. You just have to permit yourself and not wait for formal permission to do it."

Empowering women

Now a mother of two, Anjali is a huge supporter of more women as business leaders. However, she points out, that it is necessary to be authentic to lead people. "Early on, I felt like I had to change the way I talked and acted to embody the more traditional make leader from the way I cut my hair to not wearing jewellery and so on. The reality is that you will be great when you are yourself. Being yourself is really hard because you have to find the version of yourself that is most authentic,” the business executive said.

https://www.youtube.com/watch?v=fZD74KHH1pg

While she is quite busy with her career and her ambitions may have changed from the days she dreamed of writing a Broadway show, the business executive is dedicated to building businesses for the creative minds.

  • Follow Anjali Sud on LinkedIn, Instagram, and Twitter

Reading Time: 6 mins

Story
Meet Meghana Reddy: The 3D artist who is bringing stories to life with design, art, and creativity

(August 5, 2022) Growing up, Meghana was the kid who doodled in her notebooks while the classes would be going on. Creativity and art were what interested her the most. The only creative outlet she had at the time was the art class she had joined after school hours. Eventually, it paved the way for all that she does today. "I love storytelling, and to pair that with a creation of exaggerated characters who could bring that story to life was something I always found exciting," smiles Meghana Reddy, visual development and 3D artist based in the US, as she connects with Global Indian. The artist's work in two 3D animated films, which were later bought by Netflix, has had her riding high on success. [caption id="attachment_27810" align="aligncenter" width="640"] Artist Meghana Reddy[/caption] She was responsible for the 3D modelling of some environments, textures, lighting, rendering, and illustrating in the two very popular films — Elf Pets: Santa's Reindeer Rescue and Elf Pets: Fox Cubs Christmas Tale. “When we started production on these two films, I got to wear many different hats and learnt quite a lot. One of my biggest takeaways was the dream team I had the pleasure of

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illustrating in the two very popular films — Elf Pets: Santa's Reindeer Rescue and Elf Pets: Fox Cubs Christmas Tale.

“When we started production on these two films, I got to wear many different hats and learnt quite a lot. One of my biggest takeaways was the dream team I had the pleasure of working alongside. This was my first 3D film," informs the creative bee. She was part of a 25-member team for the Elf movies, which are based on the worldwide popular characters 'Elf on the Shelf'.

[caption id="attachment_27813" align="aligncenter" width="548"]Artist | Meghana Reddy | Global Indian Poster of the animated Netflix film, Elf Pets: Fox Cubs Christmas Tale[/caption]

Typically, when starting a 3D film, there is a 2D team that does the initial pre-production part that includes character design, background design, prop and asset design, colour tones, storyboards, and animatics. “In this case, our client had provided the whole 2D handbook for us to kickstart the 3D production process. Our team was split into groups of modeling artists, texturing artists, lighting artists, rendering artists, riggers, animators, layout, and camera artists, pre-visualisation artists, and finally the compositors,” informs Meghana, who was the sole illustrator on the team and was responsible for over 150 shots. "It is every artist’s dream to have their names credited as being a part of a successful Netflix film."

Artistically oriented

Born in Chennai, Meghana did her first internship as a visual designer and illustrator with Leo Burnett, an advertising agency based in Chennai, in 2011. Shortly after, she briefly worked at another advertising agency, Hakuhodo Percept. “I started to get hands-on experience working with clients and creating designs from UX, UI to visual design and illustrations,” informs the 29-year-old artist, who graduated in visual communication from M.O.P Vaishnav College for Women, Chennai.

As part of the course, she specialised in animation and photography. She learnt everything, right from the history of animation, fine arts, design, packaging, printing, and filmmaking, to learning how to create stunning visuals using various design software such as Photoshop, Illustrator, and 3D Studio Max.

Artish | Meghana Reddy | Global Indian

"My father too played a tiny role in contributing to my passion. He had the most insatiable curiosity for art, especially when it came to filmmaking and special effects. He would always watch a film from an artist’s perspective and would get inquisitive about the making. He was all about the ‘detail’ which fuelled my pursuit of art and design,' recalls the artist, who along with her father Premkumar Reddy and sister Sanjana watched almost every animated film.

"I always looked at art as a hobby, but the moment I decided that I wanted to pursue my career in art and the creative industry was when I first laid my eyes on Peter Jackson's The Lord of the Rings trilogy. For me, that was filmmaking at its best," says Meghana, whose older brother Abhishek is a writer at an advertising agency.

When art meets tech

Meghana’s first full-time job was at a design agency called Pink Papaya in 2013. “I was their lead designer, and I was responsible for handling all their creatives, collateral, and campaigns.” She later joined Rubecon Communications as the Lead Illustrator and Visual Designer, where she got to work with some of the biggest brands in India including Go Color’s, Taj, SPI Cinemas, Landmark among others.

“It took me a while to figure out these applications. But once I tapped into this world of digital art and design, it turned into an endless creative journey. Suddenly, I had access to an infinite blank canvas in my head which I could color with my imagination and bring new worlds to life,” says the Atlanta-based artist.

[caption id="attachment_27811" align="aligncenter" width="728"]Artist | Meghana Reddy | Global Indian A still from the animated movie, Elf Pets: Santa's Reindeer Rescue[/caption]

Come 2016, she enrolled in the Savannah College of Art and Design to do her master's in Animation. SCAD, as they call it, is one of the top design schools in the United States. After graduating from SCAD two years later, Meghana started working with the award-winning animation studio Primal Screen in Atlanta, Georgia. She started as a 2D artist, where she worked on character and background illustrations for many kids’ television programs that were aired on popular American channels such as PBS Kids and Nickelodeon (Nick is a German free-to-air television channel, part of the international Nickelodeon brand).

“I worked on the seasonal intro animations that would usually appear with the Nickelodeon logo before the start of every show. I was also the illustrator on a project based on the famous Sesame Street," says the artist, who was involved in a ton of interesting projects from kids’ television programs, game applications, animated TV commercials, and illustrations for educational purposes. ,” says Meghana. She worked at Primal Screen for close to two years.

[caption id="attachment_27814" align="aligncenter" width="706"]Artist | Meghana Reddy | Global Indian An illustration by Meghana[/caption]

“What I loved the most about working for the company was that my directors would always tend to give me the entire control. So, I got to sketch out and create illustrations and concept designs in my style as well as explore many other different styles, depending on the type of project," she explains.

Finding the right balance

During her experience as an artist, she realised that every artist has a unique sense of style. “When I found mine, I wanted to challenge myself more to sort of adapt to any style that was given to me. I strive to create work that is unconventional, unique, and fresh.”

So what kind of odds did Meghana face during her journey? “When you have a big idea or a goal that you want to work towards, it is going to be a bumpy ride. In my case, the big challenge came in the form of work-life balance," shares the artist, who used to dedicate all her time to work and very little to herself.

Artist | Meghana Reddy | Global Indian

"I spent a lot of time working late into the night to produce the most pixel-perfect, aesthetically appealing graphics and concept illustrations, barely giving myself any time to unwind," informs Meghana. It is only in the last couple of months that she can balance her work life and personal life. “It has helped me make better choices and completely transformed the way I function in the workplace. I have found myself to be way more productive.”

Meghana is currently working as a Lead Concept Artist at a company called Amplify Education, where she collaborates with authors and creates and art directs illustrations for children’s books. “We create these books for schools across North and South America. "Being in this field for over five years has always made me challenge myself to learn new things and branch out," says the artist, who feels there is a huge buzz and increase in technology that is ascending with an infinite number of possibilities.

[caption id="attachment_27816" align="aligncenter" width="726"]Artist | Meghana Reddy | Global Indian Another animated work by Meghana, called Bless the Harts[/caption]

The artist aims to navigate her career by combining my skills as a 2D/3D Artist with User Interface and User Experience Design and taking up meaningful projects that positively impact the day-to-day lives of people.

Meghana feels India is rapidly increasing in the animation and creative industries. "There are many startups and businesses that are pushing their limits to produce stunning and innovative projects. The animation business in India is expanding quickly and with a spike in the volume of animated shows and films created there, it has drawn viewers from around the world," she adds.

  • Follow Meghana Reddy on LinkedIn, Foundation and her website

Reading Time: 7 mins

Story
Take a bow: Victory loves preparation, says ace Indian archer Abhishek Verma

(May 18, 2023) From a humble classroom in New Delhi to the prestigious podiums of international archery, Abhishek Verma's journey is an inspiring saga of relentless dedication and stellar achievements. A towering figure in Indian compound archery, the Arjuna awardee’s legacy includes over 150 national and international medals, including multiple World Cup golds. Get a glimpse into the determined, driven life of the ace Indian archer, who ranks 10th in the world and 1 in Asia and India.   Abhishek Verma's day begins at the crack of dawn. Even after two decades of being a professional archer, Abhishek lives by one rule: Victory loves preparation. "Practice is the key in any tournament, I practice eight to ten hours every day without fail," the ace archer says, speaking exclusively to Global Indian. "I do some physical activity between 6 am and 7 am and then have a practice session till 11 am," he explains. At 3 pm, he begins his second session - that continues till 7 pm, after which he usually heads to the gym.These intense practice sessions have always been a way of life. "I followed the same routine in my early days and stick to it even now, even

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essions have always been a way of life. "I followed the same routine in my early days and stick to it even now, even after becoming the father of two children," smiles the compound archer.

[caption id="attachment_38810" align="aligncenter" width="573"] Indian archer Abhishek Verma[/caption]

Victory loves preparation

That dedication has always stood him in good stead. At the 2014 Asian Games held in South Korea, just as Abhishek was all set to aim and shoot, strong winds began to play a spoilsport. He stayed calm maintained his focus and leaned into his training, recalling everything that he had learned about encountering harsh weather conditions. Abhishek brought home the gold in the men’s compound archery team and silver in the men’s individual compound event.

“All professional archers encounter strong winds and rainfall during tournaments. Don’t bother about winning a medal, just go out there and perform well. The medals will follow,”Abhishek smiles. Also in 2014, Later that year, he won the Arjuna Award, becoming the first archer in the compound category to receive the top sporting honour. "Arjuna is a dream for any sportsman. It was a huge moment in my career," he says.

At the time of this interview, the World Cup gold medallist had just returned from Tashkent, where he led a 16-member contingent of archers for the Asia Cup 2023. The team returned home in triumph, with a total of 14 medals in the compound and recurve events. His current world ranking is No. 10 while his Asia rank and India rank stand at No 1. “Archery demands focus and consistency, which comes with a lot of dedication.

Transformed by his game

Archery, Abhishek believes, changes one’s personality for the better. “It makes you calm and focussed,” he says. For him, he is his own competition. “I don’t see other people as my competitors. I am my own competitor,” remarks Abhishek, who is also an Income Tax officer in Delhi. Hundreds come to play a tournament but only three win medals,” says the archer, who is presently training for the Asian Games to be held in China in October this year.

In August 2015, he won a gold medal in the compound men's individual section at the Archery World Cup Stage 3 in Wroclaw, Poland. In October the same year, he won the silver medal in the compound men's individual section at the Archery World Cup Final in Mexico City.

Last year, Abhishek teamed with fellow archer Jyothi Surekha Vennam and won gold medal in compound mixed team event in Archery World Cup held at Paris, France. Similarly, in November 2021, he won the bronze medal in the men's compound archery team at the 22nd Asian Archery Championship in Dhaka, Bangladesh.

Early life

Born in New Delhi in June 1989, Abhishek was in class eight, a student of Government School in Model Town, when he decided to take up some sporting activity. So, one morning, he walked up to his PT teacher and sought his advice on which sport he should take up. “Join archery,” his teacher casually told Abhishek.

Some days later, when he held a simple wooden bow and shot an arrow for the first time in his life, Abhishek felt an instant connection with the sport. So much so that he gave his 100 per cent to archery and it gave him everything one can aspire for in life.

In those initial years, Abhishek would practice at the Delhi university ground, from where he started playing sub-juniors and nationals. By 2005, he became a national champion. “I was an average student academically, so my parents were happy that I was doing so well in archery,” he recalls.

Going pro and paying it forward

By 2006, he started practicing at the Sports Authority of India (SAI) stadium and went on to play several national tournaments. “My real journey started from the year 2011 as I began participating in world championships. I worked very hard for the compound model, which was new in India. I took the help of some of my coaches and the internet to get it right. I pushed myself harder,” says Abhishek, who represented India in five Asian championships held across the globe and won 12 medals.

Presently, he practices at National Centre of Excellence (NCOE), Sonepat or at Yamuna Sports Complex, Delhi. Archery is an expensive and technical game, he says. “To participate in the international events, we need imported bows which cost 3 lakh upwards, which not everyone can afford,” he says, adding that the government, the Sports Authority of India (SAI) in particular, is doing its bit to help out the talented sportspersons.

Abhishek also plans to do his bit for archery. “I want to open an academy and train young players to become successful archers. I have the capability and knowledge about the sport which I want to pass on to my juniors and help them in every possible way,” says Abhishek, who has travelled the world for his tournaments.

Leisure time

Ten hours of archery practice daily and taking care of his family don’t leave Abhishek with much time to pursue a hobby. “Whatever time I get after or in between my practice, I make it a point to spend it with family. This leaves me no time for anything else,” says the  ace Indian archer. 

He however likes to watch OTT and indulges in it in between long flights. “There is so much of travelling to do for world tournaments and that gives me some time for myself,” he smiles.

  • Follow Abhishek Verma on Instagram.

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About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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