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Indian Actor | Meera Syal | Global Indian
Global IndianstoryMeera Syal: Britain’s path-breaking comedy queen wins BAFTA 2023
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Meera Syal: Britain’s path-breaking comedy queen wins BAFTA 2023

Compiled by: Amrita Priya

(May 28, 2023) As Meera Syal was being presented BAFTA lifetime achievement award in a glittering ceremony in London this month, she placed a bindi on it and said, ‘it represents change’. The England-born actress was also presented a BAFTA Fellowship in recognition of her ‘outstanding achievement’ in the world of television.  

Known for her diverse and accomplished career as a British-Indian comedian, actress, writer, and singer, the sixty-one-year-old has made significant contributions to the entertainment industry. In the UK of the ’90s, she rose to prominence as one of the leading comedy performers. As a core member of the ground-breaking comedy series Goodness Gracious Me (1998-2001), Syal explored the British-Asian culture, challenging stereotypes and racism through humour. The sitcom which was the first in this genre became highly successful and garnered critical acclaim, while Syal became a household name. 

Indian Actor | Meera Syal | Global Indian

Meera Syal receiving CBE from King Charles

Over the years the actor’s versatility, and commitment to social commentary have made her a respected and prominent figure in the British television industry. A recipient of an MBE in 1997 and a CBE in 2015, Syal features on school and university syllabuses, and was said to be among the late Queen’s favourite artists. Her parents had moved to UK from India before her birth.  

The versatile performer 

It’s not just comedy. Syal has explored many genres, and been part of numerous television shows, films, and stage productions. Some of her notable appearances include her role as Auntie Shaila in the film Anita and Me and her portrayal of Ummi in the television show The Kumars at No. 42 (2001-2006) which won an International Emmy in 2002 and 2003, and a Peabody Award in 2004. Later, she married her co-star from the series, Sanjeev Bhaskar. 

 Throughout her career, Meera Syal has used her platform to address social issues and advocate for diversity and representation. She has always shed light on the cultural nuances, stereotypes, and prejudices faced by British Asians. 

An accomplished writer, Syal is well known for her novels, scripts, and plays. Her debut novel, Anita and Me, which she wrote in 1996, was highly acclaimed. She also acted in the novel’s feature film adaptation in 2002. She created magic writing screenplays for acclaimed films like Bhaji on the Beach, and Bombay Dreams, the play Shirley Valentine, and three novels including Life Isn’t All Haa Haa Hee Hee (which was later made into a major television series). 

Indian Actor | Meera Syal | Global Indian

Meera Syal with one of her books

No matter how much work she has done over the years, the actress is best known as one of the writers and star of Goodness Gracious Me (1998-2001). Even after so many years if she sits down for an interview, a question around it is always posed at her. In a recent interview, she mentioned, “The great thing is we were really brave with it because we had nothing to lose. None of us were known. If it didn’t work we’d go back to obscurity.” 

Love for the diaspora 

Syal has played a crucial role in representing the experiences and challenges faced by the Indian diaspora in the United Kingdom. Her work has helped raise awareness and promote understanding of the Indian diaspora’s unique identity and struggles. She has been actively involved in advocacy for representation and cultural diversity. “As a chubby brown kid, I got othered a lot,” the actress told during her BAFTA acceptance speech.  

Later in life, she made her work a medium to confront stereotypes associated with South Asian communities, and humorously provided a fresh perspective, debunking misconceptions. By doing so, she helped reshape public perceptions and promote a more accurate and nuanced understanding of the diaspora. If roles didn’t exist for a British-Asian actor, she wrote them. 

Talking about the power of art, the Global Indian said, “the arts are important because the arts are about empathy, sharing stories and reminding people what we share, not what makes us different”. 

Indian Actor | Meera Syal | Global Indian

Syal has been a vocal advocate for diversity and representation in the entertainment industry. She has spoken out against the lack of opportunities and stereotyping faced by ethnic minorities, including the Indian diaspora. Through her activism, she has helped create a more inclusive space for diverse voices and stories, both on and off-screen. 

Diaspora’s inspiration

Born in Wolverhampton into a Punjabi family, the actress was raised in Essington, a mining village where the Syals were the only non-white family. She went on to study English and drama at the University of Manchester, where she co-wrote and performed a play about a British-Indian girl who runs off to be an actress. The play won prizes at the National Student Drama Festival and the Edinburgh Fringe. These wins proved to be a catalyst of how she intermingled art with diaspora’s representation in future. 

Meera Syal’s success and visibility as an accomplished British-Asian artist has served as an inspiration to many. Her achievements have shown that talent, hard work, and perseverance can break barriers and pave the way for greater representation and recognition. She is a role model for aspiring artists from diverse backgrounds.  

 As part of the BAFTA Fellowship, Syal would be working directly with the arts charity for a year to inspire and nurture aspiring creative minds through the institution’s year-round learning, inclusion and talent programmes.  

 

Syal’s recent television shows and thearetical releases:  

  • The Split (2018 – 2002) – Television Show   
  • Back To Life (2021) – Television Show   
  • The Devil’s Hour (2021) – Television Show    
  • Roar (2022) – Television Show   
  • The Sandman (2022) – Television Show   
  • The Almond and the Seahorse (2023) - Thearetical Release  
  • The Wheel of Time (2023) – Thearetical Release  
  • Mrs Siddhu Investigates (2023) – Thearetical Release  

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Published on 28, May 2023

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Nalini Malani: Experimental artist, feminist icon

(May 3, 2023) It was year 1966. Still a student at the JJ School of Art, Nalini Malani had her first solo exhibition at Mumbai's Pundole Art Gallery, sharing studio space with big names like VS Gaitonde, Tyeb Mehta and MF Husain. In the subsequent years, she immersed herself in the art that soon became her form of expression. At a time when Indian painters were still painting the traditional way, Nalini Malani was busy experimenting with mixed media. Her art isn't just visual but an orchestra for all the five senses. Her work in the last few decades has been a comment on feminism and gender, a subject close to her heart. And her latest exhibition at London's National Gallery is proof of it, where she is smashing the patriarchy through her work. "My endeavour has always been to make art that addresses not just those who visit art galleries but the larger public, and moving images have a wider appeal," she said. For someone who can be easily called the pioneer of Multimedia Art in India, her work has been giving voice to the women who have been silenced over generations, and this has earned her the Arts

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earned her the Arts & Culture Fukuoka Prize, making her the first Asian woman to achieve the feat. The 77-year-old artist, who studied in the Paris, has carved a niche for herself in the art world.

[caption id="attachment_38042" align="aligncenter" width="780"]Nalini Malani | Artist | Global Indian Nalini Malani[/caption]

The beginning - Mumbai to Paris

Nalini's journey began a year before India attained independence, and her family sought refuge in Kolkata during the Partition before relocating to Mumbai in 1958. During her formative years, the conflict of displacement and refuge played a crucial role in her life, and soon she began expressing herself through art. Her idea of creative liberation took her to the JJ School of Art where she obtained a diploma in Fine Arts. During her art school days, she had a studio at the Bhulabhai Memorial Institute, which was a multidisciplinary centre inviting artists, musicians and theater actors to work individually and as a community. This experience gave the young Nalini the perfect exposure and became a stepping stone for her participation in the Vision Exchange Workshop (VIEW), an initiative by veteran artist Akbar Padamsee. With art being a male-dominated craft, she was the only female member at the workshop. It was here that she developed a penchant for photography and film, and explored the themes of the turbulent political and social scenario of India during those times.

In 1970, Malani moved to Paris on a scholarship awarded by the French government to study fine arts. In Paris, Malani found the freedom to design her own education since the Ecole des Beaux-Arts was yet to reconfigure its new syllabus. Those two years in the capital of France, Malani practiced printmaking at Atelier Friedlander and immersed herself in Marxist politics while attending lectures by Naom Chomsky, Simone de Beauvoir and attending film screenings at the Cinematheque Francaise where she met Jean-Luc Godard and Chris Marker. Paris gave her the foundation she needed as an artist before returning to India in 1973.

Nalini Malani | Global Indian | Artist

The feminist artist

Upon her return, she settled in the bustling market of Lohar Chawl in Mumbai where her work reflected the lives of middle-class Indian families. She began working with paintings - acrylic on canvas and watercolour on paper, and produced art that portrayed contemporary India. Though Paris gave her the freedom to explore art, she was disappointed with the lack of acknowledgement that women artists had to face back home in the 70s. She resolved to bring them together for a group show after a meeting with visual artist Nancy Spero and American feminist artist May Stevens at the AIR Gallery in New York in 1979. Seeing the gallery's fierce determination to create a space for the work of female artists, Nalini returned to India with idea of extending the formula. After years of negotiation with public and private institutions, she curated the first exhibition of Indian female artists, titled Through The Looking Glass. It toured for three years, between 1986 and 1989, to non-commercial venues as Nalini was keen to take art beyond the elitist atmosphere of the art gallery.

Nalini has been an advocate for feminism and has made every attempt to make women visible outside the narratives of femininity through her work. She often gave voice to women who have been silenced by works of literature like Sita from Ramayana and Cassandra and Medea from Greek mythology. "Understanding the world from a feminist perspective is an essential device for a more hopeful future, if we want to achieve something like human progress, she said at Centre Pompiduo in 2018.

 

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Pioneer in Multimedia Art

Over the next few years, her art was exhibited in India and abroad. She has been one of the earliest artists to experiment with mixed media and move away from traditional media. "A major turning point in my relationship to written sources in my work came in 1979 when I met the artist RB Kitaj at one of his exhibitions in New York. There I saw an artwork titled If Not, Not, taken from TS Eliot’s The Wasteland. Kitaj said to me: 'Some texts have artworks in them.' Since then, the inclusion of literary or philosophical excerpts has remained a constant in my practice," she told Studio International in an interview.

It was in the 90s that her work began to drastically incorporate medium other than the canvas after the Babri Masjid demolition as it triggered a shift in her art. The renewed religious conflicts that brought back the memories of the Partition for her pushed her artistic endeavours past the boundaries of the surface and into the space. Her foray into the performing art and keen interest in literature brought new dimensions to her art. This even led her to create a new form of art, the video-play that would allow her theatre plays to travel.

 

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A post shared by Nalini Malani (@nalinimalani)

Known as one of the pioneers of Multimedia Art, she found her work exhibited across the globe from New Zealand to Switzerland to Mauritius to USA. In 2013, she added another feather to her cap when she became the first Asian woman to receive the Arts & Culture Fukuoka Prize for her consistent focus on contemporary themes like war, oppression of women and environmental destruction.

Malani, who began her journey in the art scene in the 60s, has come a long way and has become a name to reckon with in the international art circle.

Key takeaways:

- Embrace experimentation: A pioneer in multimedia art, Nalini moved away from traditional media at a time when it wasn't heard of.  Experiment with different forms of art and media to create a unique style and reach a wider audience.

- Speak your truth: Malani used her art to express her beliefs and address pressing social, political, and cultural issues. Art can be used to voice opinions and make comments on important issues.

- Promote inclusivity and accessibility: As Malani did, curating non-commercial exhibitions and collaborations with public institutions can go a long way in bringing inclusivity and accessibility to the art world.

- Build a supportive community: Malani engaged with other artists, mentors, and peers to learn from their experiences, collaborate, and create a supportive network. A supportive community can bring invaluable resources and opportunities for growth.

  • Follow Nalini Malani on Instagram and Twitter

 

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From Oslo to Everywhere: Bindu Subramaniam and the business of music

(October 5, 2023) Bindu Subramaniam, CEO & Co founder, Subramaniam Academy of Performing Arts (SaPa) is continuing her family legacy of music by adding her own distinct touch. As an entrepreneur, singer, songwriter, and educator, Bindu Subramaniam is co-founder and CEO of SaPa and the lead vocalist of SubraMania. If that packs a punch read on to know more about this versatile artist. Early life  Growing up in the USA, Bindu Subramaniam thought she would be a lawyer, doing corporate law like a character from a John Grisham novel. "I think I was halfway through law school when I realised that wasn't what I wanted, and that music was a very important part of not just my personal life, but my career as well," Bindu says, in an interview with Global Indian. She comes with a storied musical pedigree = as the daughter of violin maestro L. Subramaniam, music was all around her, always. [caption id="attachment_45712" align="aligncenter" width="559"] Bindu Subramaniam, CEO & Co founder, Subramaniam Academy of Performing Arts (SaPa).[/caption] And while there was never any pressure on her to be a musician, Bindu and her brother Ambi were expected to work hard at whatever they chose to do. "And yes,

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around her, always.

[caption id="attachment_45712" align="aligncenter" width="559"] Bindu Subramaniam, CEO & Co founder, Subramaniam Academy of Performing Arts (SaPa).[/caption]

And while there was never any pressure on her to be a musician, Bindu and her brother Ambi were expected to work hard at whatever they chose to do. "And yes, music was an important part of life, so I learned Indian and Western classical vocals, I learned violin, I learned piano. That was very central to my early life." In fact, Bindu first went on stage at the age of 12, to perform a composition by her father, ‘Astral Symphony’, with the Oslo Philharmonic Orchestra and global soloists. So finding music again in her early twenties was, in a way, a homecoming. Since then, she has performed around the world, for audiences as large as 5,00,000, with her family, her bands and with orchestras.

While music came naturally to her, initially she saw it as something that brought her joy, as learning music, performing music, collaborating was always something that was exciting and just a regular part of her existence. “In fact, I always thought I'd be a lawyer, and I'd grow up and do corporate law and be like a character from a John Grisham novel. Halfway through law school, I realized that music was a very important part of not just my personal life, but my career as well. However, the people that I've been surrounded by, whether it's my family or well-wishers or friends, have never made me feel any direct pressure to be a musician, but I've received a lot of love and support when that was the path I was choosing,” she says.

Making Music

What was it like being the daughter of Dr L. Subramaniam? “Normal,” Bindu smiles, “Because to a child, every experience is normal. Having this atmosphere of music was also very normal. There was this constant motivation to do your best and to work harder and give it your all,” Bindu says. “I was fortunate to perform with a Norwegian orchestra when I was 12 years old as a soloist, and to be on stage with 50 to 60 orchestra musicians and then a handful of other soloists from around the world was such a huge learning experience for me,” she recollects. And from then she has had the opportunity to perform with several other orchestras from different parts of the world, whether it was her father's compositions or other compositions. “Every time you work with an orchestra, it's so powerful to see how 50, 60, 70, or even 100 different people work together to create one unified sound,” she adds.

Sibling Revelry

She also works with her brother Ambi Subramaniam, through SubraMania, and also with Varun Murali, the guitarist and producer from Swarathma. Collaborating with Ambi is one of the most fun things according to her, as she works with him in many different capacities, whether it's at SaPa or through the Thayir Sadam project or SubraMania. “I think we complement each other well because we have our own strengths and weaknesses. He is very organized; I am a little more impulsive. I write lyrics; he really shouldn't, but jokes aside, I think we kind of understand each other because we have grown to a point where we are friends as adults, not just like siblings as kids,” Bindu says.

Their collaboration is about respecting each other’s space, and finding room to experiment with music that they enjoy across genres. “So we think of SubraMania as contemporary world music; it is sometimes Indian classical, sometimes it’s Western pop, sometimes it’s African, sometimes it has Latin-American influences,” Bindu explains. Electronica meets Carnatic and pop elements in the Thayir Sadam Project, another sibling collab with Mahesh Raghavan and Akshay Anantapadmanabhan. “I think I grew into my own as a singer-songwriter really by experimenting a lot and trying out different things,” Bindu remarks. Studying songwriting at Berkeley was a “revelatory experience” for the versatile musician, because she “got to see how some of the greatest songwriters work, how they break things down, structure them and how they understand the tolls that they have. That is really, I think, one thing that helped me transform my writing,” she explains.

Education Cues

Her family started SaPa with the intent to create a home for great music and great musicians, and to create the next generation of talent. “Since 2007, we have really tried to create an environment where everyone can find their own artistic voice and grow. When I had my own daughter, I really started looking more and more at making classical music, particularly, more accessible for babies. So, we started the SaPa Baby program in 2013, where we have been teaching classical music to children as young as three,” she says.

The idea has been that music has always been great, but it is the methodology that needs innovations. Hence, they have worked on trying to create a methodology that would make classical music very exciting for young children who had no family background in music whatsoever. From there, they began the SaPa in Schools program in 2014, to make music a meaningful part of every child’s life. “Whether you want to be a musician or not, music is something that can bring you joy, help you understand yourself better, help make you a global citizen, give you critical thinking, communication, team-building skills – all these things which I think are necessary for holistic development,” Bindu adds.

SaPa outreach is all about making high-quality music education accessible to everybody and to make sure that music can reach as many people as possible, irrespective of their background or their circumstances. Interestingly, this concept of music for everybody, now resonates with the new national education policy and all the frameworks that apply built around it. They have now developed the SiS Program curriculum to include Indian and global music.

Outreach

When the team first started working with government schools, the main challenge was to get the necessary permissions. After that, it came down to making their work relevant to their young audience. “Our music curriculum still created the same impact, but the textbooks needed to be translated,” Bindu says. That wasn’t all. They found themselves convincing parents who felt music was a distraction from math or science. “In these cases, we have been fortunate to have the schools’ support; the principal would counsel the parents and tell them why music is an important subject. And after a few counselling sessions, the parents see the benefits of what we are doing as well,” Bindu adds.

Future Fix

Bindu Subramaniam is a steering committee member of the Australia India Youth Dialogue, chairperson for the All-India Management Association's Young Leaders Council, and President for the Stanford Seed Transformation Network South Asia that ensures she gets to meet exciting people and learn. She advises young people, whether they are musicians or anything else, to find what they are good at and find what gives them joy and keep working hard at it every day. “There is no set blueprint, there's no right way to do it, and if you can create something that's uniquely yourself, that's the most powerful thing,” she says. Her future plans involve more new courses at SaPa as they are working on bringing out the sampler course and introducing thousands of children to different styles of music.

  • Follow Bindu Subramaniam Instagram, Facebook, X, LinkedIn
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Dreams in (stop) motion: Meet Neeraja Raj, the animation filmmaker making waves around the world

(August 3, 2024) Growing up, Neeraja Raj would draw, write, play musical instruments and sing - her imagination simply knew no bounds and needed as many outlets as it could get. The richness of her fantasy life more than shows up in her work - there's the little girl from Madagascar who attempts to fly in a homemade rocket, and the adventures of the cat and an enthusiastic puppy who travel through space to search for the meaning of life. "I always knew I wanted to be in the arts and I wanted to be creative, I read a lot and wanted to be a published author," she tells Global Indian. With a mass of curls and a ready smile, she lights up when she discusses her work. Neeraja Raj, who is now based mainly in the UK, is an animation filmmaker - one of a handful in the country and in the world, too, she tells me. Last year, she won the Arnab Chaudhuri Director's Award at the Animation Express Award and was named in the Forbes 30 Under 30 Europe list of 2023. Her short film, Meow Or Never fetched her a nomination at the 2022 British Animation

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urope list of 2023. Her short film, Meow Or Never fetched her a nomination at the 2022 British Animation Awards, for Best Short Film and put her on the shortlist for the prestigious Young Director Award by Nexus Studios.

Neeraja's story stems from those crucial childhood pastimes, spent with storybook, ukulele, pen or paintbrush in hand. She had plenty to inspire her too - her parents, originally from Kerala, moved to Jakarta, Indonesia in their twenties, where Neeraja lived till the age of 13. "It was a good mix of technology and nature," she agrees.

[caption id="attachment_47288" align="aligncenter" width="574"] Neeraja Raj. Photo: Instagram[/caption]

National Institute of Design – and Disney

By the time she turned 18, Neeraja was sure she wanted to study film and got into the National Institute of Design, one of the biggest design schools in the world. "It's really hard to get in but I managed it." In her last week at university, during placement week, she interviewed with Disney for an apprenticeship programme, and got in too. "I had to create storyboards and an animatic, which is a blueprint of the animation itself, along with sound design - it's what the film looks like before it is actually made," Neeraja explains. She worked on it at Disney and submitted it as her graduation project. "That's when I knew I wanted to be a director too," she says.

Instead of settling for the sure-shot career opportunity that Disney provided, Neeraja had dreams of her own and was determined to follow them. One was to create stop motion animation, which led her to Goa. She knew she wanted a master's too, and boldly applied at only one university - the National Film and Television School in the UK, which is reputed for its stop motion animation films. "I have tunnel vision for a lot of things I do in life," she smiles. "Sometimes it can be to my detriment but I do tend to keep going at things until I get them." She made it through a rigorous selection round, then flew to London for a workshop and a round of interviews.

Finding success

At NFTS, she worked on a project that would become one of the cornerstones of her career. "I have a lot of existential angst," she remarks. "I'm constantly thinking about why we are here and what our purpose could be. But I also love cats and dogs and musicals," says, adding with a laugh, "I wanted to make a light-hearted tale, and keep it fun and playful, not a sad, depressing film that most people do in university!"

The end result fetched her a slew of nominations, invitations to film festivals and job offers. Meow or Never is a richly-imagined, endearing stop motion comedy inspired by Felicitte, the French cat who went to space back in 1963. "It's about a cat in space," she explains. "The castronaut is looking for the meaning of life and she finds a planet that has a space pup living on it... and chaos ensues after that!" For Neeraja, the driving force was to "Make a film that I would love to watch," she says. "What amazed me most was that people around the world loved it."

Meow or Never on the international circuit

The trouble with making short films, Neeraja explains, no matter how good it might be, is that few people will actually go out to watch one. "The market is very limited in that sense," she says. But there are big festivals to be at, like Sundance, and also the Annecy International film Festival and Market. The 60 year old festival is the world's largest event dedicated to animation. "There are lots of festivals showcasing short films and they're really competitive to get into."

Her film sailed through, opening the doors to myriad opportunities for the young filmmaker. "A lot of people saw it, from the industry as well." Success came like a whirlwind, much faster than she had expected then, as a fresh graduate. "Because of that film's reach, I find myself in rooms that I would never have expected to be in so soon," Neeraja remarks. "I was meeting people I had looked up to for years, and meeting them as equals."

Recognition calling

One of these people was Peter Lord, the Academy Award-winning English animator, director and producer, known for films like the Chicken Run series (made at the Aardman Animations Studio, of which Lord is co-founder). She also met director Gurinder Chadha (Bend it Like Beckham, Bride and Prejudice), with whom Neeraja went on to collaborate. "She was working on an unannounced feature film at Aardman," Neeraja says. Being a director is the prize destination at the end of a long road - "You start out making short films and work your way up," she explains. "Then you jump from shorts to features. When I was under Gurinder, I was observing how she navigates directing a feature film, a 1.5 hour journey as opposed to making five or 10 minute films like me."

From there, she made her way to Nexus Studios in 2020, which also found her through Meow or Never and reached out. "They wanted to option Meow or Never and work on it with us, which is what we are doing at the moment," says Neeraja, who is currently working as a Director with Nexus Studios.

The Girl Who Built a Rocket

 

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Fara lives in Madagascar, where nearly half the population, her own family included, don't have access to clean water. The little girl wants to change this - but how? When the news breaks that water has been found on Mars, Fara sees a way - aboard her homemade rocket...

In February 2021, three Mars missions were conducted to look for water on the Red Planet and expand the realms of human explorations. "But many families like Fara's still dream of finding water right here on our own blue planet," writes Water Aid. The NGO, which has its footprint in 34 countries around the world, wanted to make a film as part of a campaign to spread awareness about the lack of drinking water. That's how Neeraja came on board to direct The Girl Who Built a Rocket. "The film did very well," she says. "Their engagement benchmark rose by 18 percent. It was super successful and they got a lot of donations."

This was a particularly meaningful project. Neeraja had found success in the film festival circuit, and worked with the big names, but for the first time, she realised that her work could "bring about actual change in the world, and in people’s lives. We all know the power of the media and what a good story can do," she says.

Staying on track

[caption id="attachment_47289" align="aligncenter" width="588"] Photo: Neeraja Raj on Instagram[/caption]

Even so, her path is not without its challenges, especially with having to work on a project basis and cope with the uncertainty that can bring. "There is a big sense of imposter syndrome," she admits. "Am I truly ready to be here? Do I deserve enough to be in this room? These are nonsensical thoughts, because I know I have worked hard. I ask experts and industry leaders and they tell me that feeling never goes away. No matter how successful you are, there is always another rung to climb." It needs hard skills and soft skills alike, success does hinge on one's ability to communicate, manage conflict and personal branding.

"My parents motivate me," she says. Unlike most Indian parents, they encouraged their daughter to take the path less trodden, and to keep on going. There is the occasional naysaying relative, to be sure, but for the most part, Neeraja feels supported. "My parents have pushed me towards my passion and I would like to make them proud." She needs to do it for herself, too. "I want to tell stories, I'm imaginative and creative. I feel the need to keep on creating," she says. "Otherwise, what's the point?"

  • Follow Neeraja Raj on Instagram 
Story
Vienna University Philharmonic conductor Vijay Upadhyaya embodies global harmony through music

(September 19, 2024) When Prime Minister Narendra Modi visited Vienna recently, one aspect of his visit went viral. His being welcomed by an orchestra and choir that performed Vande Mataram captured eyeballs across the world. The man behind the rendition was Lucknow-born conductor Vijay Upadhyaya, who leads the Vienna University Philharmonic and put together the act in three weeks! In an exclusive interview, he tells Global Indian, “We really had no time as we needed to get everything together on short notice, and given that it was summer, a lot of our regular musicians were unavailable. Putting together an orchestra and choir of 50 musicians, practicing, and getting our act together was challenging, but I was glad we could pull it off.” Pulling off the impossible is second nature to Vijay. His storied career tells it all. Since 1994, he has been the director of the Vienna University Philharmonic, and since 2009, he is the conductor and composer for the China National Symphony Orchestra and Chorus. In 2010, he founded the India National Youth Orchestra and Chorus to help young musicians and singers gather orchestral and choral experience. [caption id="attachment_56210" align="aligncenter" width="498"] Conductor Vijay Upadhyaya[/caption] With passion, perseverance, and an

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ngers gather orchestral and choral experience.

[caption id="attachment_56210" align="aligncenter" width="498"]Vijay Upadhyaya | Vienna University Philharmonic | Global Indian Conductor Vijay Upadhyaya[/caption]

With passion, perseverance, and an innate knack to harmoniously blend cultures, the musician has always used the transformative power of music to bring people together.

Musical roots

Vijay learned the piano at an early age from his mother, Usha Chatterjee. Music runs in the family, and he also learned to play the tabla and Kathak, cementing his intrinsic relationship with the classical arts. It was at his school (La martinière) that a serendipitous set of circumstances led him on to the path of music.

He recalls, “In school, there was a shortage of music teachers. The principal suggested that I take up teaching the school choir, as he knew I was trained in it. When I was 14, I started conducting the school choir.”

After school, he completed studies in English literature, economics, and history at Lucknow University. Thereafter, following the premature demise of his parents, he moved to Austria and studied at the University of Music and Performing Arts in Graz. Having studied conducting and composition, he gained a holistic outlook on western music.

Championing cross-cultural influences

While the initial move to Europe in 1987 was difficult (from the food and weather to the darkness), the musician found great support from the university, and after he learned German, things became a little easier.

Vijay Upadhyaya | Vienna University Philharmonic | Global Indian

Over the years, one aspect that really stood out in Vijay’s oeuvre of work was his ability to bring different genres of music together. Be it Chinese, Indian, or European, his music is uniquely representative of innovative interpretations. His talent and unique background allowed him to infuse performances with a distinctive flair, bridging Eastern and Western musical traditions.

His interest remains in undiscovered musical traditions. He points out the wealth of folk music in India and says, “Folk music is dying out in so many parts of Asia. It is a treasure trove of cultural wealth, but since most of it is orally transmitted from one generation to the next, it is in great danger of dying out. I have tried to find out the anthology of folk music and showcase it to a wider audience.”

Another unique aspect of his work is his ability to conduct different strands of music, be it in Telugu, Tamil, or other south Indian traditions, in orchestral arrangements. His deep respect for diverse lineages has ensured that his work highlights the universal nature of music.

A legacy of harmony

Over the years, the 57-year-old conductor  has had a series of triumphs. His first symphony, “Prayer Flags,” premiered in 2014 in Vienna and is based on Indian literature and melodies. His second Symphony, “Chang’An Men: Gate to long lasting Peace,” was commissioned by the China National Symphony Orchestra and premiered in 2017 in Beijing and Vienna. He was awarded the Golden Award of Honor of the Republic of Austria for his cultural achievements.

Classical forms, be they in the East or West, require long vigor and years of training. Is the current generation up for it? “We really can’t say, as art needs a lot of practice and the stresses of today’s life don’t usually allow a person time. There is not much support from the government, and it is a difficult field. But having said that, there are always people who find a way to make it,” he states.

As for the future of classical forms, he shares, “We are on the brink of a new era. Let alone the next century, the next ten years will be vastly different as AI is poised to take over. Beethoven has written nine symphonies, and for all we know, AI might write the tenth! We need to see how technology shapes the landscape of tomorrow.”

A global Indophile

Apart from being a renowned conductor, Vijay Upadhyaya is also an avid photographer (especially in the Himalayas), can also read Sanskrit and loves reading the Upanishads, along with hiking, swimming, and growing his own vegetables.

For someone who has been away from the country for so long, how does he keep the Indian in him alive? “My sister Sonia lives in Delhi, and I visit her regularly. Also, our temples, our festivals, and our culture keep us grounded. I get a great sense of pride that I come from an ancient culture that is a blend of art, language, and history,” he explains.

Vijay Upadhyaya | Vienna University Philharmonic | Global Indian

In fact, it was the conductor's shuddh Hindi that got the Prime Minister’s notice when he conversed with him recently!

Vijay Upadhyaya’s journey is far from over, but his legacy is already well-established. He continues to inspire with his performances, compositions, and musical initiatives. His life’s work exemplifies the profound impact of music on bringing people together, transcending geographical and cultural boundaries.

In a world often divided by differences, his music serves as a reminder of our shared humanity. Through his art, he builds bridges, creating a symphony of cultures that resonates with harmony and understanding. He is a maestro of melodies who sees the world through the unifying lens of music.

  • Follow conductor Vijay Upadhyaya on his website and YouTube
Story
Dr Cool: Dr AV Gurava Reddy is making India stand on its feet

(May 5, 2024) Decades ago, when Dr AV Gurava Reddy got an opportunity to go to England to study Orthopaedics, his joy knew no bounds. The very thought of getting into a flight for the first time in his life had the young doctor all excited. But there was a hitch. He needed money to buy his ticket. Contemplating his options, an idea struck him and he wasted no time implementing it. He sold off his scooter and refrigerator. The next 10 years he spent in England, changed his life forever. "I never dreamt I would go to England one day. At best, I thought I would be practising in my native place Guntur (in Andhra Pradesh) or somewhere nearby. Going to England was the biggest turning point of my life," smiles Dr AV Gurava Reddy, the renowned Orthopaedic surgeon and Joint replacement expert, in an exclusive with Global Indian. [caption id="attachment_51315" align="aligncenter" width="575"] Dr Gurava Reddy[/caption] Dr Reddy, who is the Managing Director of KIMS-Sunshine hospitals in Hyderabad, has a rare distinction of performing about 4,000 plus joint replacements per year, one of the largest in Asia. Patient-first "Whatever little success I have had is primarily because of my

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th="575" height="1024" /> Dr Gurava Reddy[/caption]

Dr Reddy, who is the Managing Director of KIMS-Sunshine hospitals in Hyderabad, has a rare distinction of performing about 4,000 plus joint replacements per year, one of the largest in Asia.

Patient-first

"Whatever little success I have had is primarily because of my patient-first attitude. I develop a deep bonding with them in the very first meeting and become their family member in no time," says Dr Reddy, who has been recognised as "the leading physician of the world and top adult reconstructive orthopaedic surgeon in India" by the International Association of Orthopaedic surgeons, which is a rare honour.

Unlike many in his profession, Dr Reddy does not hesitate a bit when it comes to performing the most complicated and risky surgeries. "I take it up with complete and blind faith in god. When you want to do something passionately, the whole world conspires to help you," says the 65-year old, widely regarded as a visionary in the field of orthopaedics and embracing the human side of health care.

One such surgery was of a young girl whose four joints had been damaged because of arthritis. "I replaced all four joints in 10 days. This was one of the most daring decisions I've ever taken," informs Dr Reddy. This patient regularly sends greeting cards to Dr Reddy, who is well known to have taken several such bold decisions, which would often stump his team. "It's all about having a positive attitude and the willingness to help the patient," he says about his decision-making abilities.

 

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While each surgery takes about two hours, Dr Gurava Reddy completes the critical part in about 30 minutes. The rest is taken care of by his team.

Dr Cool

Dr Reddy, who describes himself as "pathologically optimistic," says he doesn't get bogged down by anything. "God has given me a very positive attitude that I never worry about any situation, including the complex surgeries. The only time I got depressed was when my daughter was not well, years ago. Otherwise, every day is a celebration for me,” says the first orthopaedic surgeon in Telangana and Andhra Pradesh to use computer navigation system for total knee arthroplasty.

Dr Reddy, who has been felicitated with the “Distinguished Doctor” award by the British International Doctors Association in recognition of his pioneering work, has performed joint replacement surgeries on patients from Tanzania, Nigeria, Middle East and South Africa. He also performed the highest number of Buechel-Pappas mobile bearing total knee arthroplasty in the whole of India.

Collaborations 

Dr Reddy collaborated with CCMB (Centre for Cellular and Molecular Biology) in conducting research to identify early bio markers to diagnose Osteo Arthritis of the knee and degenerative disease of the spine. He also collaborated with the University of Christchurch, Canterbury, UK on Stem Cell research for treatment of knee arthritis.

Dr Gurava Reddy | Global Indian

Besides, he is a visiting faculty at Badr-al-Sama hospital in Muscat and trains 10 post MS orthopaedicians in Arthroplasty fellowships every six months and hosts about 40 shorter term trainings from India and abroad. "We also have collaborations with several hospitals in the US and Germany for research and academic programmes," informs Dr Reddy, whose hospitals are the only one in Asia to have been recognised by the International Society of orthopaedic centres, which is the most elite body in the field.

His Innovations  

Dr Reddy brought about several innovations in the field of Arthroplasty in the last two decades. He introduced the concept of bilateral simultaneous total knee replacement in India, which enabled patients undergo both knee replacements in the same sitting, leading to a shorter period of rehabilitation, which brought down the cost. He also introduced the bilateral staggered total knee replacement for the aged and those with comorbidities, where the knee replacement is done three days apart.

Among his other innovations is the rapid recovery protocol, a concept of having selective patients being made to walk within four hours of surgery.

Andhra boy

Born in Guntur in September 1958, Dr Gurava Reddy is the eldest of the three brothers. He was six months old when his parents moved to Bapatla after his father Dr Satyanarayana Reddy got a job in the Agricultural College and went on to become its Principal. His mother, Rajya Lakshmi was a home maker.

Dr Reddy studied in Sitaramaiah elementary school, which used to be run from a thatched hut. “When it rained, the school would be closed as the water used to leak and accumulate inside. There were no tables or chairs in the school, we used to sit on small wooden pitas and listen to the teachers,” smiles Dr Reddy, recalling the good old days.

A saree for mother 

After completing his Intermediate from Arts College, Bapatla, he went on to do B.Sc. Agriculture from Agriculture College, Bapatla. He always excelled in academics. “I could not secure a medical seat so got into B.Sc agriculture. I got the medical seat in my fourth attempt,” says Dr Reddy, whose best academic performance got him a ₹1,000 scholarship from the institution. "With that money, I bought a saree for my mother. I still remember the happiness in her eyes,” recalls Dr Reddy.

 

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Though his father wanted him to go to the US to do M.Sc in Agriculture, Dr Reddy refused and enrolled himself in Guntur Medical College, of which he has fond memories. “I was doing everything except studying,” chuckles Dr Reddy, who used to be the captain of the college cricket team, table tennis team and also headed the college quiz team.

Dr Reddy’s mother harboured dreams of her son becoming a doctor. "I also used to like the doctor’s white coat and used to be fascinated by it when I used to watch my favourite movie stars wear them,” he says. But strangely what inspired him to become a doctor was a room full of tubelights. In those days when most people in Bapatla had candle bulbs, there was a doctor whose room was brightly lit, courtesy the tubelights. "Funny as it may sound, for me tubelights was an indicator of affluence and being wealthy. This served as an inspiration for me to become a doctor,” says Dr Reddy, who has four grand children.

Off to Pune & marriage 

After medical school in Guntur, Dr Reddy went to Pune for his post-graduation in orthopaedics from Sancheti Orthopaedic Hospital, one of the premier orthopaedic institutes in India. Around the same time, he married Bhavani, who was also doing her post-graduation from Pune. Her father Bhavanam Venkatarami Reddy served as the Chief Minister of Andhra Pradesh and her mother was also a Minister in the state cabinet. "Though I got married in to a political family, we were both living a very frugal life in Pune. My salary was ₹800 and our house rent was ₹1200. But we managed to get on with our lives with so much happiness. This is an indicator that only money cannot buy happiness,” says Dr Reddy.

Among the many people he met in Pune was Dr Satish Kutty, who eventually recommended his name for studying orthopaedics in England. "It was in England that I learnt to take care of people, not as patients but as persons. I also learnt many new techniques in orthopaedics," says Dr Reddy, who did his M.Ch. Ortho from the University of Liverpool and FRCS from London, Glasgow and Edinburgh.

Back to India

Upon his return to Hyderabad, Dr Reddy joined the Apollo Hospital, where he worked for the next five years. Thereafter, he along with his co-brother, Dr. Bhaskar Rao (who is the chairman of KIMS Hospital now), started the KIM's Hospital in 2004. Later, he started Sunshine hospitals and drove it towards the zenith of healthcare delivery.

 

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In 2021, Sunshine hospital’s major stake was sold to KIMS and the group is now called KIMS-Sunshine hospitals.

Busy schedule 

Dr Gurava Reddy’s work keeps him busy for almost 12 to 14 hours everyday. He wakes up at 5 am and begins his day with a game of tennis with his wife Bhavani. By 7 am, Dr Reddy is in the hospital. "I have breakfast in my car which saves me almost half an hour.  In between the cases I go to operating theatres and operate. On an average I operate 15 to 20 surgeries a day," informs Dr Reddy, an active faculty member at the Royal College of Surgeons, Edinburgh, UK.

Family time

It's family time for Dr Reddy after he returns home from work. "I divide my time between my four grand children and play with them," he says.

 

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In his early days, he would get calls even in midnight. But not anymore. “My team handles all the night calls now unless close friends or some VIPs face any emergency,” says Dr Reddy, who has performed surgeries on several top government functionaries and many from the film industry as well.

Book worm & Movie buff

A voracious reader, he loves biographies and comedy besides history books. He authored a book - Guruvayanam, a collection of his musings on life and even acted in a comical teleserial named Amrutham.Also, a huge movie buff, he enjoys romantic, comedy and adventure films, along with Telugu and Hindi music.

As a traveller, Switzerland has captivated his mind and soul. "I try to do two or three international destinations every year,” informs Dr Reddy, a hardcore Beatles fan. In fact, while studying in England, he travelled across Europe and visited all the places where Beatles had performed.

Dr Gurava Reddy | Global Indian

Future of medical field

Dr Reddy feels that a MBBS degree won't be sufficient in the near future as doctors would need to have an expertise or a speciality. “The technology too is evolving and doctors need to keep themselves updated. Artificial Intelligence, robotics will play a key role in the medical field," he says.

Giving back

He says a surgeon's life is divided in four decades. “The first decade is learning, next is earning, then teaching and last is giving. I am now in my fourth stage,” says Dr Reddy, who has started a trust - Sarvejana - under which surgeries are performed free of cost to disadvantaged people, who otherwise cannot afford knee replacement surgeries. Dr Reddy has already performed over 100 such surgeries and plans to do many more in future.

Awards received by Dr AV Gurava Reddy
  • Lifetime Achievement Award for Contribution to Healthcare (coordinated by IMA, Govt of AP, Indo-Global)
  • Felicitated by Indo-German Orthopedic Foundation
  • "Top Adult Reconstructive Orthopedic Surgeon in India" award from Leading physician of the World, USA
  • "Outstanding citizen of Andhra Pradesh" by Indian Express Group
  • Felicitated with the “Distinguished Doctor” award by British International Doctors Association in recognition of his pioneering
  • Felicitated with the “Paul Harris Fellow” by Rotary International
  • Excellence Award by Delhi Telugu Academy, Ugadi Puraskar 2010 for contribution in field of medicine.
  • “Vocational Excellence Award” by Rotary International District

 

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About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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