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Indian designer | Jayati Sinha | Global Indian
Global IndianstoryJayati Sinha’s ‘designs’ on empathetic housing for California’s homeless
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Jayati Sinha’s ‘designs’ on empathetic housing for California’s homeless

Written by: Charu Thakur
(June 25, 2022) Stepping into California for her master’s degree, responsible designer Jayati Sinha saw a jarring contrast in the landscape. The stunning high-rise buildings that lined the blue California sky, were matched with an equal number of tents queued up on the corners of the streets for the homeless. The alarming situation which left her “surprised” eventually made LA Mayor Eric Garcetti feverishly look for a solution, which he later found in a prototype built by Jayati and her team – a Pop Hut. The smart foldable and easily transportable temporary houses that give a “sense of belonging” to the homeless won the nod of the mayor in 2019 and can be a possible solution for the 161,548 homeless people in California.

“I was surprised to find so many homeless people in a developed country like America. I realised it’s not just a problem in developing or underdeveloped countries, it’s a global issue,” Jayati tells Global Indian over a call from California. Her invention might be a stepping stone to solving the homelessness crisis in California, and Jayati believes that the prototype can be replicated anywhere in the world, including India.

Designer | Jayati Sinha | Global Indian

Jayati Sinha

The evolution of a childhood dream 

When she was quite young, a fortune-teller prophesied that she would do something with scissors when she grows up. The only interpretation that her ecstatic mother could derive at that moment was that her daughter would become a doctor. She did pick up a pair of scissors as a youngster but that was to make Barbie dresses. “I must have been in second grade and was very much inspired by the protagonist of Disney show That’s So Raven. I was fascinated by how she designed something from scratch,” smiles Jayati whose interest later developed into product design. Her father, who is a scientist and professor at IIT-Kanpur, would get new gadgets and toys from his foreign trips which piqued her interest in technology. “My brother and I would take them apart and see what was inside of them. This desire to blend design and technology led the way to my interest in product design, which is ever-expanding,” adds the responsible designer.

Designer | Jayati Sinha | Global Indian

The National Institute of Fashion Technology, Bhopal gave wings to her dreams wherein the Kanpur-born enrolled for a Bachelor of Design in lifestyle products. The four years played a perfect catalyst in helping shape her ideology as a product designer. Her perception changed when she was in college and happened to visit a crafts cluster at a nearby village, where artisans practiced metal crafts. “It was an opportunity for us to learn from them and vice versa. The visit had an impact on me as I saw how they were keeping the culture alive with their crafts. But at the same time, they weren’t getting paid enough,” explains Jayati who couldn’t get past the paradox. “They were busy making beautiful things but their own life was nothing like it.” This pushed the 26-year-old designer to become more empathetic and do things in the future that create an impact.

The project that changed it all    

This quest for purpose took her to the ArtCenter College of Design in California in 2017 for her Masters in Environmental Design. Two years into her degree, Eric Garcetti, the Mayor of Los Angeles, reached out to her college “looking for inspiration” to build budget houses for the homeless. The mandate was to build structures that were foldable, transportable, and something that gave them a “feeling of home”. Soon she began ideating on Pop Hut along with her team that was led by Professor James Meraz. “It’s temporary housing, like a transition house that homeless people can use when they have no place to go before they move to a permanent house once they get a job or something.” While building on the concept, Jayati and her team were crystal clear about including “empathy” and a “feeling of home” to the Pop Hut. They did that by including a door, a house number, and a small porch. “It’s not just a box but should give them a sense of home and belonging,” adds Jayati who worked on Pop Hut for about a year. “The initial few months went into interviewing the homeless and understanding their psyche, gathering information and research and prototyping. We built the home in four months,” reveals Jayati who was emotional about designing the house, adding, “We used translucent glass instead of transparent so residents feel less vulnerable. Having been on the streets for so long, they don’t want people to look into their homes anymore. It gives them a sense of privacy.”

Designer | Global Indian | Jayati Sinha

Pop Hut designed by Jayati and her team

Made on a budget of $2000, the Pop Hut’s journey from concept to reality had its share of challenges. If getting people to open up about their insecurities was a task, finding affordable material for the built was nothing short of a dare. “Making a connection where they feel safe enough to show their vulnerable side requires time. But this also made me understand how privileged I am to come from a family that supports me – emotionally as well as if need be, financially,” says Jayati who gives a reality check on the stark difference in lifestyles between India and US. “Here, kids leave home at 16 or 18 years to support themselves. Many pay their fees with the money they earn at Starbucks or McDonald’s. They don’t get to explore the opportunities to grow or do something they are capable of. However, in India, teenagers get to focus on education without having to worry about how to fend for themselves,” says the designer who in the process understood that everyone has a story and “they aren’t homeless because they are lazy.”

How an environmental designer became responsible 

With the prototype getting a nod from the mayor and on its way to becoming a reality, Jayati believes that Pop Hut can be replicated in India too, but not without a few tweaks. “We’ll have to learn about the environment – where it will be placed and understand a little about the problem of homelessness in India to make it a product that caters to the need of the people. We might have to change a few materials too, but overall this can be replicated anywhere,” says the designer keeping in mind the population of 1.77 billion homeless people in India.

Designer | Jayati Sinha | Global Indian

Jayati Sinha working on Pop Hut

Jayati, who is currently working with Accenture in California, is steadily unfolding the concept of “responsible design.” While environmental designers focus on projects that are eco-friendly and sustainable, responsible designers collectively focus on “environmental, social and economic factors.” “It’s embedded in the decision-making of why we are doing what we are doing. We don’t mind saying no to big clients if what they are asking for isn’t good for the users. That’s where the collective consciousness is now moving to,” reveals Jayati who loves to work with clients who think about “humans as humans and not as profit.” Currently busy exploring the EV space in her new project at work, she is understanding “how and why EVs are important and even if they are good for the environment, and how we can make it better,” says the girl who loves unwinding by spending time with her German Shepherd, growing plants at her home, and working out.

Designer | Jayati Sinha | Global Indian

Jayati loves hiking

She believes that winds of change are causing shifts like never before. “A lot of people now are not simply doing jobs for the sake of it, but most are busy creating an impact. Things are shifting on a larger scale,” signs off Jayati.

  • Follow Jayati Sinha on Linkedin and Twitter

 

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  • ArtCenter College of Design
  • Environmental Design
  • Global Indian
  • Homeless in California
  • Homelessness Crisis
  • Jayati Sinha
  • LA Mayor
  • Pop Hut
  • Product Design
  • Responsible Designer
  • urban planning
  • Visual Designer

Published on 25, Jun 2022

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Sustainable designer Kriti Tula is changing the ways of the fashion world

(July 9, 2022) Fashion is one of the fastest growing industries in the world, and also one of the sectors that generates tonnes of harmful waste every year. When I ask fashion designer Kriti Tula, what I can as an individual do to help reduce this waste generation, she advises, "Consume consciously. One can make a difference just by the way they shop." Connecting with Global Indian for an interview, the young sustainability champion adds, "Consumers, the key drivers of sustainability, need to be willing to slow down and pay the right price for consciously creating clothing. Bringing a change is a lot more difficult when everyone is just looking for discounts and we are all paying a heavy price to produce things cheaper and faster." [caption id="attachment_27479" align="aligncenter" width="550"] Kriti Tula, founder Doodlage[/caption] The Delhi girl, who started Doodlage in 2012, has been a vocal environmental activist and has brought forward the impact of the fashion industry on the environment. For her efforts to upcycle the waste produced by the garment industry, Kriti was recognised by the Lakme Fashion Week Gen Next Platform and won the ‘Green Wardrobe Initiative’ by HUL and Grazia Young Fashion Award. In 2012, the

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ntal activist and has brought forward the impact of the fashion industry on the environment. For her efforts to upcycle the waste produced by the garment industry, Kriti was recognised by the Lakme Fashion Week Gen Next Platform and won the ‘Green Wardrobe Initiative’ by HUL and Grazia Young Fashion Award. In 2012, the 33-year-old fashion designer was also one of 17 climate champions selected by the United Nations.

Socially conscious

Born and brought up in the national capital, Kriti was introduced to the concept of consuming things consciously very early in life. Coming from a middle-class family, the fashion designer says "it was just a way of life back in the day." Apart from being brilliant academically, Kriti took part in various voluntary works. "I have enjoyed volunteer work growing up - from helping out at blind schools to old age homes," says the fashion designer, adding that organising such drives is still a big part of Doodlage.

Attracted to art since her childhood, it was during her school days that Kriti was first introduced to doodling. "Growing up, I have been that kid in the art room who explored various mediums that they enjoy. That's when I started doodling, and in fact, I still try to doodle every day," shares Kriti, who pursued her under graduation in apparel designing at Pearl Academy in Delhi. "I developed an interest in designing at the age of 13. However, a lack of awareness at the time led me to fashion," shares Kriti.

Fashion designer | Kriti Tula | Global Indian

After her graduation, the youngster moved to the London College of Fashion for four years to pursue a master's in design management on a full scholarship. The fashion designer speaks very fondly of her years in London. She says, "Understanding another culture, learning from a new market and getting exposed to a different education system was a great experience. I credit a lot of my growth to these years."

Visiting various production houses at the time made Kriti think hard about the kind of wastage created by the fashion industry every year. "More than 50 percent of textile waste ends up in landfills, as there are no ways to reuse them," shares Kriti, adding, "A mix of my background growing up, being exposed to waste at export houses and just the overall culture of mass production was enough to drive me away from it. I have worked since then to educate myself about various alternatives to fast fashion, meet numerous ethical production units, and the culture that could prevail if we humanise the supply chain. I think that has been enough to motivate me to work towards it."

Making sustainability fashionable

In 2012, after earning her masters in London, Kriti decided to return to India. Having gained a global perspective on the fashion industry, Kriti shares that as a designer she was always inclined to find solutions, and Doodlage started with exactly that agenda. "We aimed to start a conversation around ways to bring circularity in fashion and raise awareness around the impact of a linear fashion model. As we were a bootstrapped firm, we decided to work with one problem at a time. I carefully curated our small supply chain," shares the 33-year-old fashion designer.

[caption id="attachment_27481" align="aligncenter" width="668"]Fashion designer | Kriti Tula | Global Indian Kriti during a field trip[/caption]

Doodlage started collecting fabric waste from factories around Delhi, which had been rejected because of minor defects but which were big enough to be stitched back together to cut more pieces. This allowed them to create limited edition collections, saving tonnes of fabric from ending up in landfills. As the company grew, Kriti found herself "more committed to building a social enterprise making sustainable clothes."

[caption id="attachment_27482" align="aligncenter" width="550"]Fashion designer | Kriti Tula | Global Indian Doodlage's collection is simple and yet quite unique[/caption]

Armed with 20 employees, the majority of Doodlage's sampling, designing, and marketing happens at the studio in Delhi where they employ local artisans. Shedding light on the production process at the fashion house, Kriti shares, "We collect factory waste, fix our material, patch panel and embroider to optimise the use of the fabric we source. We save all resources that would go into making virgin material. What we waste in our supply chain goes to NGOs to create small products like accessories and toys for kids. What is left over is recycled to make paper for our notebooks and packaging."

Long road ahead

Her sustainable fashion brand started earning profits from the first year of operations, however, Kriti expresses that every year came with a new set of challenges. "Our organic reach accounts for almost 16-20 percent of our sales. But there still is a lot to be done to make Doodlage a global brand," says the fashion designer. She has recently expanded the company's operations to Bengaluru and Jaipur, where they are looking to make recycled handloom material, using yarns that are made from shredded post-consumer garments.

[caption id="attachment_27483" align="aligncenter" width="605"]Fashion designer | Kriti Tula | Global Indian Kriti with her team[/caption]

Although the awareness about the impact of the fashion industry on the environment has grown manifold since she started her company, Kriti feels there is still a long way to go. Explaining that multiple stakeholders have to work together to bring about a larger change, the fashion designer feels that the government also needs to enforce laws to hold brands and production houses accountable for the waste created. "Solutions have to be created at the design stage using the right material and thinking about the end of the life of a garment is necessary. Also, cleaning the supply chain to pay our artisans a better wage is very important," Kriti says, as she signs off.

  • Follow Kriti Tula on LinkedIn
  • Follow Doodlage on Instagram and its website

Reading Time: 7 mins

Story
Educated in India, this Afghan comes across Taliban and hopelessness everywhere in Kabul

(August 23, 2021) As Hamid Bahraam stepped outside his house located in Police district 8 (locally known as PD 8) in Kabul last evening, the first thing that caught his attention was a group of armed Taliban militia, patrolling the streets in armored vehicles. He then came across a few children playing outside their homes under the watchful eyes of their family members even as a handful of people including women hurriedly walked past shops and establishments on a largely deserted road. The tension in the air was palpable.   "There is nothing unusual about the behavior of the Taliban, at least for now, which makes things on the ground look normal. But this is just the beginning (of Taliban rule). All Afghans fear that the Taliban may go back to its old ways (of brutality and violence)," says the 26-year-old, who quickly walked back home after purchasing a few essentials, the prices of which have shot up since the country fell to the Taliban.  [caption id="attachment_7970" align="aligncenter" width="571"] Hamid Bahraam[/caption] It was on July 29 that Hamid arrived in his country from Hyderabad, India when the Taliban was still far away from seizing Kabul. "It was just like any other normal day. Only

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[caption id="attachment_7970" align="aligncenter" width="571"]As he stepped outside his house in Kabul, the first thing that caught Hamid Bahraam's attention was a group of armed Taliban militia. Hamid Bahraam[/caption]

It was on July 29 that Hamid arrived in his country from Hyderabad, India when the Taliban was still far away from seizing Kabul. "It was just like any other normal day. Only that the regular Afghan army and police were patrolling Kabul in their vehicles instead of Taliban," he says, drawing a comparison of how things took a turn for the worse in a matter of days. 

Afghanistan plunged into chaos after the Taliban took control of the country's capital on August 15. Like all Afghans, Hamid and his family remained indoors that day, staring at an uncertain future, memories of Taliban brutality coming back to haunt them. All that the Afghans saw from the doors and windows of their houses were several groups of Taliban members criss-crossing the city, all in a celebratory mood.  

"People are very scared, especially women. There is panic everywhere and people mostly prefer to stay indoors. I stepped out after four days," informs Hamid, speaking exclusively to Global Indian from Kabul. His father Naquibullah Bahraam is a principal in a government-run school there. It was in 2014 that Hamid first visited Hyderabad to pursue a Bachelor of Arts course in Osmania University. After completion of the course in 2017, he went back to his country only to return to Hyderabad two years later to pursue his MA, which he completed in July this year. 

[caption id="attachment_7972" align="aligncenter" width="318"]As he stepped outside his house in Kabul, the first thing that caught Hamid Bahraam's attention was a group of armed Taliban militia. Hamid Bahraam[/caption]

"Before I left Hyderabad, I knew of the tense situation prevailing in my country. But not once did I expect that Kabul would fall to the Taliban and the democratically elected government would be overthrown. In fact, all Afghans were under the impression that it was just another fight (between the Taliban and the Government) and a compromise would be reached soon. None in my country had imagined that Kabul would collapse so swiftly," says Hamid, who worked in Kabul-based Gardez radio as a news presenter between 2017 and 2019. The family also run an institution called Bahraam Public Speaking Centre, where both father and son teach public speaking and English to Afghans of all age groups. 

As a child, Hamid has faint memories of the ouster of the Taliban regime way back in 2001. "My parents and relatives have lived under the Taliban regime and they have seen the collapse of peace and security post 2001," he says. The family has even been issued threats by the Taliban. "My father is a social activist, a doctor and also worked in a radio broadcast for some time. The Taliban always has problems with media and social activists. Due to his nature of work, the militia had once threatened my father with dire consequences," recalls Hamid, adding that the Taliban has a history of killing and violence which no Afghan can ever forget.  

Having completed his MA, Hamid was looking forward to working in media organizations and had even applied for a few jobs. But he is now a disappointed man. "Right now, I have no option but to wait for the situation to normalize. If my plan to join a media house does not materialize owing to the prevailing situation, I will go back to teaching public speaking and English at my academic centre. Hundreds of Afghans have benefited from the academic centre," he informs.  

Originally hailing from Paktika province in eastern Afghanistan, Hamid Bahraam takes pride in the fact that his father is a Tajik, a Persian-speaking ethnic group and his mother a Pashtun. "Pashtuns and Tajiks live together in Paktika which is a very unique composition. I speak both Persian and Pashto fluently," he smiles. In Afghanistan, Tajiks dominate the Afghan army while Pashtuns dominate the Taliban. Tajiks are the second largest ethnic group in Afghanistan. 

Ask him why, despite the deteriorating situation, he chose to return to his country from India, the youngster informs that his visa was to expire in September this year. "Once I completed my course, there was no legal reason to stay back in Hyderabad. Most importantly, I could not have left my family here by themselves." 

Reading Time: 5 mins

Story
Artiste Rekha Tandon: Bridging yoga with Indian classical dance

(May 2, 2024) Many Indian dancers would agree that Indian classical dances and yoga have similar roots and tales associated with them. From the mudras to the various positions and alignments, many things are similar in yoga and our classical dances. However, over the period of time, people have forgotten the connection between dance and yoga. Eminent Odissi artiste Rekha Tandon, is working on re-bridging the gap between Indian classical dance and yoga. [caption id="attachment_24385" align="aligncenter" width="550"] Odissi artiste Rekha Tandon[/caption] Living in a quaint and beautiful house in Auroville, which is situated near Puducherry, the Odissi dancer hosts artistes from across the globe for residencies and workshops. She has presented performances at many festivals in different parts of the world, including at the Quay Theatre, The Lowry, Manchester (2007), Mary’s Gallery, Sydney (2012), Tantrutsav, Kalarigram (2018) and Pondicherry Heritage Festival (2019).   View this post on Instagram   A post shared by Rekha Tandon (@danceroutes_skandavan) An author of the book of Dance as Yoga: The Spirit and Technique Odissi, Rekha explains that yoga has been the fundamental building block of Indian art for centuries. "In essence, yoga is the union of matter and spirit. The process of refining any

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A post shared by Rekha Tandon (@danceroutes_skandavan)

An author of the book of Dance as Yoga: The Spirit and Technique Odissi, Rekha explains that yoga has been the fundamental building block of Indian art for centuries. "In essence, yoga is the union of matter and spirit. The process of refining any body movement skills and aspiring for excellence, is by itself very naturally ‘yogic’," shares the artiste during a conversation with Global Indian, adding, "Yoga has made such a strong impact on global consciousness, and all Indian classical dance forms embody yoga. This integral connection will acquire more widespread acknowledgment and as it does, I am sure more people will gravitate towards them."

Born to dance

Born in Karachi, Pakistan, well-known Odissi dancer Rekha Tandon is shaping Indian classical dance - Odissi - for a contemporary world. As her father was working with the Indian Foreign Services, Rekha lived in various countries, including Germany, Belgium, and Egypt. Moving from one country to the other, if there was one thing that stuck with Rekha, it was dancing. "I loved to dance even as a child," shares the artiste, adding, "I was introduced to various Indian classical dances, such as Bharatnatyam, Kathak, and Khathakali in school. In fact, when I lived in Cairo, I even learned western ballet."

[caption id="attachment_24386" align="aligncenter" width="550"]Artiste | Rekha Tandon | Global Indian Rekha with Padmashree Madhavi Mudgal, in 1985[/caption]

However, the family was struck with tragedy when the artiste's father passed away in a glider crash, in 1981. The dancer's mother, who had been a housewife until then, started working India Tourism Development Corporation and later also worked for the former Prime Minister of India, Rajiv Gandhi. The family moved to Delhi, and it was in this city that Rekha fell in love with Odissi.

"I was about 15 years old, and during an event, I saw eminent dancer Kiran Segal perform. Although I had been dancing for about six to seven years by then, I was transfixed by the lyrical quality of her performance, It seemed to combine contrasts effortlessly — strong, defined lower body footwork with a very fluid, curvilinear upper body that was perfectly amalgamated," shares the artiste, who soon started learning Odissi, under Guru Surendra Nath Jena - whose dance style incorporated the various aspects of Indian culture, such as temple sculpture, ancient dance, Sanskrit and vernacular literature, yoga, traditional painting, manuscripts, and philosophy.

[caption id="attachment_24387" align="aligncenter" width="551"]Artiste | Rekha Tandon | Global Indian Rekha Tandon with other Odissi artistes[/caption]

"Initially it was more like something I did in the afternoons, after school. But slowly my focus changed and dancing became much more than just a hobby for me," shares the artiste, who pursued a bachelor's degree in planning and architecture.

A dance academician

After six years of practice under Guru Surendra Nath Jena, a 23-year-old Rekha started rehearsing at the Gandharva Mahavidyalaya, under Padma Shri Madhavi Mudgal. "Though my mother was very supportive, I still had a lot of pressure to look for a job. So, in 1985 after my graduation, I apprenticed under an architect, who was working with noted designer Rajeev Sethi. We worked on the event Festivals of India. However, I think dancing was where my soul was," laughs the artiste, who later did a master's in history of art, from the National Museum Institute of History of Art, Conservation and Museology between 1990 and 1994.

[caption id="attachment_24388" align="aligncenter" width="551"]Artiste | Rekha Tandon | Global Indian Rekha at Skandavan with her students[/caption]

While Rekha had been practicing Odissi and presenting solo performances at many festivals in different parts of the world since 1985, she wanted to learn more about the history of Indian dances and understand the culture better. So, in 1995 the dancer started pursuing a PhD in Dance Studies from the Trinity Laban - United Kingdom's only conservatoire of music and contemporary dance. It was here that the dancer met her now-husband, Michael Weston, who is a musician.

As the artiste studied and researched at the centre about how the Indian dances were connected to the temples, yoga, and philosophy, Rekha was also working with the kids trained in Gotipua dance in Bhubaneswar, Odisha. In 1997, the dancer co-founded Dance Routes with her husband, to help these kids slow down their acrobatics and learn new choreography.

 

View this post on Instagram

 

A post shared by Rekha Tandon (@danceroutes_skandavan)

Explaining her work with the Gotipua dancers, Rekha shares, "Gotipua is basically a traditional dance form, which is the precursor of Odissi. These kids have been performing in the courtyards of the Hindu temples since 16th century. It has been performed in Orissa for centuries by young boys, who dress as women to praise Jagannath and Krishna. Once they become fully mature at the age of 14 or 15, they stop dancing. So much skill was invested in 10 years of their life. However, they eventually were jettisoned from this tradition and had to find alternative sources of income. Our work involved developing their skills further and creating productions that could be staged in cities.”

Living in the lap of nature

The artiste first visited the beautiful Auroville - which she now calls home - for a workshop, along with her husband. "It was during our third visit to Auroville that we decided to make it our base. We have beautiful rooms for foreign visitors, who come for the residencies. I also have a few students from Auroville, and Puducherry, whom I teach Odissi."

Over the last few years, Rekha and her husband have documented, researched, and produced DVDs in connection with the art form. Shares the artiste, “We have this interesting history folk tradition being revised as classical tradition. And, it would be tragic to just tap into the final product of Odissi and not look back at the elements that went into it. The focus of the hour is while learning Odissi, being aware of the resources that went into building it right from the beginning.”

https://www.youtube.com/watch?v=Vp5P__5Pvgs

Giving an insight into her world, the artiste shares, "I live and work mostly from a studio residence in Skandavan which is a beautiful two-acre garden near Auroville, with my husband, Michael, two dogs, a cat, several chickens, and two big fishponds. We inevitably always have guests or students living on the premises as well. So, every day is always busy from very early morning onwards. When I can, I enjoy watching movies, reading, or just being with the animals."

  • Follow Rekha Tandon on Facebook, Instagram, and her website

Reading Time: 6 mins

Story
Raising the stakes: How investment banker Anurag Tripathi became a bestselling author

(September 29, 2024) Anurag Tripathi, an acclaimed author known for his gripping thrillers, has made a mark in the literary world with his keen ability to capture human ambition and greed. His debut novel, Kalayug, delved into the underbelly of the art market, earning a nomination for the Raymond Crossword Book Awards, while his subsequent works, Dalal’s Street and The Goa Gambit, were praised for their riveting narratives set in high-stakes environments. Now based in Singapore, Tripathi's foreign experiences deeply influence his writing, as seen in his immersive research in global casino cultures for The Goa Gambit. His extensive travels across Asia, Europe, and beyond add an authentic global dimension to his stories, making him a storyteller with a truly international lens. A few years ago, on a flight to Goa, Anurag Tripathi bumped into a young man, from a village on the outskirts of Delhi NCR. The youngster had made 15 trips to Goa that year and was addicted to gambling, and everything that came along with it. He told Anurag that there were 40 other people from his village on the flight. He went on to tell Anurag a fascinating story about gambling, booze and sex. The story

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fascinating story about gambling, booze and sex. The story got Anurag hooked and from there, he began his research into the seedy world of casinos, and the interesting lives of its patrons. Almost three years later, came The Goa Gambit — his third book.

[caption id="attachment_57123" align="aligncenter" width="419"]Anurag Tripathi | Author | Global Indian Author Anurag Tripathi[/caption]

Anurag is a social gambler and does like the occasional casino trip a couple of times a year. “However, once I began to research on this topic, I made several trips to the casinos in Goa along with those in other parts of the world,” smiles the acclaimed author, speaking to Global Indian.

Filled with his keen observations of people, Anurag’s debut novel Kalayug, which was on the art market in India, was nominated for the Raymond Crossword Book Awards in 2017. Dalal’s Street, his second, was called the Indian equivalent of the iconic Liar’s Poker by stock market veteran Manish Chokhani.

The Goa Gambit

The Goa Gambit is set in the glamorous world of the casinos of Goa, where powerful politicians, famous celebrities, the ordinarily rich, even the hoi polloi with money to lose, and those with dreams of just making a fast buck all gather to play. “There is glamour and high stakes and underlying menace in this fast-paced thriller, where a single roll of dice could win you an unimaginable fortune and a small misstep could cost you your life,” says Anurag, who visited casinos in Las Vegas, Monaco, Cairo, Colombo and Nepal, as part of his research on casinos.

The book takes readers into a high-stakes world where politicians, celebrities, and dreamers chase quick fortunes. The plot masterfully blends suspense, mystery, and a hint of romance, ensuring a thrilling reading experience from start to finish. “It took almost two years of research and writing to finish the first draft. Thereafter, almost another year for editing,” informs the author.

Kalayug

Anurag Tripathi | Author | Global Indian

Among his three books, Kalayug, a thriller on the underbelly of the art industry in India stands out for Anurag. “It was my debut novel and is close to my heart. It is fast paced, with a simple plot involving 4-5 characters. When I began writing this novel, I knew nothing about the art industry. I researched along the way,”’ explains the Singapore-based author.

Kalayug gives readers an insight into the working of the Global Art Market, from art auctions, to art authentication process, to the world of fakes. “It has all the masala required to make a good thriller.”

So what are the ingredients that make for a thriller?  “An edge of the seat thriller needs to be fast paced, unputdownable, with a good balance between suspense and mystery. The plot needs to be tight and intriguing. The characters need to be flawed and unpredictable,” explains the author.

He says the entire process of researching, writing and publishing a novel takes approximately 3.5-4 years. “The first year is spent researching. I take around 12 months to write the first draft. Another 6 months is spent on editing and refining the draft,” informs Anurag. Once a publisher signs a contract, it takes another 12-18 months for the book to be available at bookshops.

Investment banker to writer 

Anurag says he was always a story teller with an uncanny ability to make the most mundane aspects of day-to-day life sound incredibly interesting and funny. “However, like everyone else, I was in a rat race doing a nine to six corporate job. I was never passionate about my work. I did it because it helped me to pay bills and make a living,” quips Anurag.

In 2013, his wife got an opportunity with her employer to take on a larger role in Singapore. “I quit my existing corporate job in India and joined her in Singapore. Thus, the writer who was always lurking in the shadows came to the forefront. This was beginning of the writing journey.”

Allahabad boy

Born June 15, 1977 at Allahabad, Anurag Tripathi's father was in the Indian Civil Service. He is now retired. His mother is a housewife and Anurag has two younger siblings. He did his schooling from Modern School, Barakhamba Road, New Delhi.

He was an all-rounder in school. “I was above average in academics, played football for the school team and also dabbled a bit with quizzing. For my all-round personality, I was appointed a School Prefect,” informs Anurag, who took Science with Economics in his class 12th exam and passed with distinction in 1995. Thereafter, he did B.A.(Hons) Economics from Ramjas College, University of Delhi.

“I grew up reading James Hadley Chase, Frederick Forsyth, Jeffrey Archer and Sidney Sheldon. I like edge of the seat thrillers. I also read a lot of non-fiction,” he says.

At Work

Post college, Anurag joined a consulting firm, Arthur Andersen in 1998. He worked with them in the Tax and Business Advisory Practice for four years. Thereafter, he did his MBA from the Indian School of Business (ISB), Hyderabad in 2002-2003. He then joined ABN AMRO Bank from the campus on the consumer banking side.

In 2015, Anurag did a course in Advance Creative Writing from the University of Oxford, Department of Continuing Education. In 2021, he did a Masterclass in Script Writing from Aaron Sorkin.

Anurag Tripathi has been living in Singapore since 2013. An early riser, his day starts with a cup of coffee followed by a walk with his Toy poodle. By 8.00 am, he retires to his den. “I don’t leave the writing den unless I have penned down 500 words. Usually, I am done by noon, by which time the Indian stock markets open,” smiles the author, who then spend a few hours dabbling in the stock market.

So what’s coming next?

The acclaimed author says his first three novels are commercial thrillers which have dealt with human greed and ambition and he gradually raised the stakes with each successive novel.

“While in Kalayug and Dalal’s Street, money was at stake, in The Goa Gambit both money and human lives are at stake. Going forward, I wish to raise the stakes significantly. Perhaps, a spy thriller on the India-China border, or a thriller involving the takeover of a nuclear power plant,” informs Anurag.

Foodie and Traveller

Anurag Tripathi | Author | Global Indian

“Most people eat to live. I on the other hand live to eat,” smiles Anurag, who describes Singapore as a melting pot of different cultures and cuisines. He savours Chinese, Japanese, Thai, Vietnamese, Indonesian, Malaysian, Korean, Indian, Srilankan, Greek, Turkish, French, Italian, Spanish, Mexican, Peruvian, and many other cuisines. From 2016-2018, he lived in Paris, where he tried a variety of cuisines.

Anurag Tripathi has travelled extensively across Asia, Europe, Middle-East, North America, parts of North and East Africa. “I would like to further explore the African and the South American sub-continent. As for my next destination, it will be Mongolia,” informs Anurag, who confesses that he suffers from a severe case of wanderlust, travelling and exploring worlds lesser known.

Among the few books he recently read are Ikigai by Hector Garcia and Francesc Miralles, Quit by Annie Duke, and The Republic by Plato.

  • Follow Anurag Tripathi on his website.
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Raju Bhupati: Pioneering millet revolution with affordable nutrition

(June 15, 2024)  "Can you imagine enjoying nutritious snacks for just ₹5? In a country where health and nutrition often seem like distant aspirations for millions, Troo Good emerged on the scene in 2018 with a revolutionary vision," states the website of a millet snack company that's on a mission to "nourish 1 billion Indians." It was six years ago that US-returned Raju Bhupati drew his inspiration to advocate for better nutrition in India from his father, who was both a spiritual leader and a healer. "He was a homoeopathic practitioner and would treat the poor for free. This was the base for my motivation to deal with the nutrition challenge in the country," he said in an interview. In a short span, Raju has become the millet movement pioneer in India making nutrition meet affordability, one snack at a time. Journey from IT to entrepreneurship But growing up, entrepreneurship was never on his mind. In fact, after finishing his MSc in Organic Chemistry, he made his debut in the world of IT as a lab assistant and later moved to Computer Science Corporation. Over the years, he climbed up the corporate ladder and soon became the youngest global director

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But growing up, entrepreneurship was never on his mind. In fact, after finishing his MSc in Organic Chemistry, he made his debut in the world of IT as a lab assistant and later moved to Computer Science Corporation. Over the years, he climbed up the corporate ladder and soon became the youngest global director at CSC managing the Independent Testing Services vertical. His hard work and perseverance took him to the US where he helped accelerate the growth of several IT companies globally.

Having worked for years in IT for other companies, Raju knew that it was time to start something of his own. This desire to become an entrepreneur made him return to India to start Hello Curry, one of India's first cloud kitchens in 2013. He successfully pioneered India's first shared kitchen model, where multiple brands could operate from a single kitchen connected to Hello Curry, creating a unified platform for ordering food.

Raju Bhupati

Reintroducing millet

Riding on the success of Hello Curry, his ambition to further innovate in the food industry and provide affordable nutrition led to the establishment of Troo Good in 2018. This led Raju towards millets, an economical and nutritious grain. "Since I wanted to make the food affordable, I needed something locally available. Quinoa is a good, healthy alternative to wheat, but it is expensive and has to be imported. Then I found millets, which are the best choice," he added.

He began with selling millet paranthas to local schools and corporations and soon transitioned to millet snacks with chikki, owing to its long shelf life. Upon research, he found that ₹5 and ₹10 snack market is huge in India. "You mostly get chips, biscuits, and other snacks in that price range. I saw that existing options only cater to taste. I wanted to focus on three fundamentals through Troo Good — affordability, taste, and nutrition."

Having found the perfect vessel in chikki to turn his mission into reality, Raju collaborated with a team of in-house scientists to develop a millet chikki enriched with ragi, bajra, jowar and peanuts. In no time, the brand was recognised by the Indian Council of Agricultural Research and the Indian Institute of Millets Research for its pioneering work in providing affordable nutrition.

Troo Good

Making an impact

While his mission has been to establish a healthy snacks market centered on millets as the star ingredient, he has also significantly contributed to inclusive growth by employing local workers, sourcing raw materials locally, and selling the products within the community, all of which help maintain the affordability of the snacks. However, the sudden surge in demand led him to set up three new factories in a fortnight by sending his employees to Chattisgarh and nearby states. "We needed skilled manpower. My team members went to villages and spent nights in the houses of contractors. We had to add factories at lightning speed. With a ton of courage, we added three factories in 15 days and increased our volumes to 5,000 kgs," added Raju.

To support their operations, they hire locally and create employment opportunities for women, who form 80 percent of their factory workforce, thus working towards women's empowerment. "Wherever we go, we train the women at the self-help groups. We also help farmers by directly buying from them, helping them increase their profits," said the entrepreneur. With over 250 employees across 8 states, Troo Good is India's largest non-NGO social enterprise. Their products are available in more than 12,000 small brick-and-mortar shops and 500 modern retail stores across various cities in India.

 

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Currently, they are collaborating with the Telangana, Andhra Pradesh, Karnataka, and Chhattisgarh state governments on several initiatives, including Poshan Abhiyan, young mothers' welfare, and the mid-day meal scheme. They have also partnered with The Akshaya Patra Foundation in Karnataka and Vedanta in Uttar Pradesh to enhance nutrition in Anganwadis.

Raju, who translated his dream into reality, says that his mantra is to go all out with every ounce of energy to achieve what you want in life.

Celebrating millet

Millets, once a staple in rural India, are now celebrated as a superfood, leading a nutritional and environmental revolution across the country. Renowned for their high protein, fiber, vitamin, and mineral content, millets offer substantial health benefits, such as improved digestion, chronic disease prevention, and effective weight management. Interestingly, their resurgence aligns with the United Nations' Sustainable Development Goals (SDGs), particularly SDG 2 (Zero Hunger), SDG 3 (Good Health and Well-being), SDG 12 (Sustainable Consumption and Production), and SDG 13 (Climate Action).

 

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With strong backing from the Indian government and various enterprises, these grains are increasingly integrated into public welfare programs, including mid-day meals and Anganwadi nutrition supplements, thereby enhancing dietary habits and supporting local economies. This millet renaissance is a pivotal force in India's pursuit of sustainable and inclusive growth, and Troo Good is playing an important role in helping in taking the millet revolution a step forward.

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About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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