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Global IndianstoryIndian HR expert Pradeep Gopi – Bringing the ‘human’ back into human resources 
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Indian HR expert Pradeep Gopi – Bringing the ‘human’ back into human resources 

Written by: Vishnu Anand

(February 21, 2022) Blending years of human resources experience in China, Japan and the US, and Indianising them for the start-up community, Pradeep Gopi has used his wealth of knowledge from across the world, to bring international best practices into HR culture in India. “It’s time to bring the ‘human’ back into human resources,” said the Indian HR expert, in an exclusive interview with Global Indian.

Early start

It’s the summer of 1994. Tucked into the narrow by-lanes of the shopping hamlet – Shivaji Nagar in Bengaluru’s central business district, is Dilpasand Silk Palace, among the oldest stores. Inside, amidst the chaos of bargaining customers and bustling salespeople, sits Pradeep Gopi, the 10-year-old son of the owner, Gopi PS. He’s soaking in all the action, keenly observing the proceedings.

Over two decades later, Pradeep, who is now 38-years-old, says he was expected to join his family business. But destiny had other plans – to bring his wealth in human resource back to Indian shores.

In 2015, Indian HR expert Pradeep was rated among the top 100 most influential HR professionals by the Asia Pacific HRM Congress.

Indian HR expert | Pradeep Gopi

Family business? No thank you 

“I’ve spent many years at Dilpasand, but surprisingly I found myself getting interested in just one aspect – managing staff. We had about five to 10 salespeople. I realised that I was constantly thinking of ways to keep them motivated, and driven. Such was the nature of our business that sales staff turnover was huge – often carrying important inside information – from sarees sourcing, margins, discounts, etc. This was my first initiation into what we call ‘people and attrition management in’ modern HR parlance,” Indian HR expert Pradeep explains, cheekily adding, “The only other thing I was driven to was branding, but when my family saw my competency – the tagline – fashion is our passion – everyone agreed that I wasn’t cut out for it.”  The Bangalore University graduate is an XLRI alum.

Saree shop or corporate house – fundamentals are the same 

A decade as an HR professional, he worked with startups like InMobi, Vizury and iRunway. Today he is director, human resources, Bidgely, an Indian-origin Silicon Valley startup that operates in the smart and renewable energy space. Learning that fundamentals of human resource management are the same, he has added to those years of observing at Dilpasand with his experience around the world. “Bonuses to keep staff happy, background checks of new staff, good performance rewarded, and inferior performance warned. Isn’t this the core philosophy behind appraisals and attrition?” the Indian HR expert wonders?

Parents and spouses – the real heroes? 

The 2022 appraisal cycle at Bidgely is special as an initiative he brainstormed was a roaring success. “When we announced our appraisals, we decided to send promotion letters to parents and spouses of employees, along with a celebratory cake.” Which, during work from home in the pandemic was a great idea, getting the family to share in the celebration. The initiative went viral, with employees taking to social media to share their letters.

Indian HR expert | Pradeep Gopi | Global Indian |

Pradeep with his family

The challenging ‘states’ of mind 

For three years since 2008, Pradeep served as assistant HR manager at iRunway. Next, as talent acquisition specialist at InMobi, he did a four-year stint at Vizury. Then Pradeep got married and relocated to the US. And this was when things got rough.

The first few months were challenging. “I relocated to Atlanta on a dependent visa, and it was difficult to get a dependent work visa. Those were the days of the Trump administration, which was cracking down on expat employment. Even though I got the visa, companies wouldn’t hire me because of the colour of my skin, especially for HR roles,” adds the Indian HR expert.

Pradeep Gopi

He joined a talent acquisition company Aimployment Services, and it was just a matter of time before he impressed one of its biggest clients, NIIT Technologies and became their HR business partner. “For the next year and a half, I learned a lot about global HR from ground zero,” he adds.

Global workforce 

If industries might be united by a common set of human resource principles, India and the United States couldn’t be more different in terms of diversity. “An average company in India will comprise an all-Indian workforce. With NIIT, I learned that there were employees from a multitude of nationalities, a common structure, and language of corporate communication. I wanted to return to India with these lessons and impart them here. The US is the land of expats,” the Indian HR expert explains.

Missing his roots

Deep down, he missed his family. “My wife was hugely supportive during my stay in the US but I missed my parents so much that I booked their tickets and took them on a tour of America,” he says. “My parents never travelled outside India, and they had a great time with me and Jananee S (his wife). In fact, for a guy who could cook nothing more than instant noodles, I impressed them with my advanced Indian cooking skills too,” he adds.

Indian HR expert | Pradeep Gopi | Global Indian |

With his family on a cruise in the Bahamas

The trip would turn out to be instrumental, fuelling the idea for the HR initiative that earned him many laurels. When his father passed away shortly after his return to India, the Indian HR expert realised how proud parents are when their children do well.

Learnings from China and Japan

During his stint at Vizury, Pradeep also travelled extensively to China and Japan, further adding to his global intelligence in HR. “I was asked to recruit the GM for China, an unusual move as such hiring is usually outsourced. The experience was an eye-opener. “I witnessed, first-hand, the sheer professionalism and task-centric approach of Chinese companies,” says the Indian HR expert who then went to Japan, to “restructure an organisation.”

What Indian start-ups need 

Ever since his return home, Pradeep has been committed to making Indian start-ups leverage international best practices while staying humane. “We need to bring the ‘human’ back into ‘human resources.’ We also need international professionalism. This is my vision for life,” he says, aspiring to as international professionalism to the formula. “This is my vision for life,” says the Indian HR expert.

Indian HR expert | Pradeep Gopi | Global Indian |

Cricket fans Pradeep and his wife at an IPL match in Bengaluru

He follows Indian cricket keenly, and is a huge fan of the Royal Challengers Bangalore IPL franchise. Dilpasand Silk Palace shut down a few months before the pandemic, and currently is an empty dilapidated structure, unlike Pradeep’s dreams for the future of Indian start-ups… robust and humane.

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rathish raj
rathish raj
February 22, 2022 11:47 pm

A Very talented HR and a great human being ,His skills are extraordinary.Very hard working and extremely knowledgeable person I have come across HR so far.He is a very valuable asset to any company !!

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hored over the years. His 2018 book The Made-In India Manager, examines how a unique combination of factors led Indian management thought and practices to evolve differently from the western discourse. “As Indians, we learn many managerial qualities without even realizing it. A lot of them dissipate in following protocols: Government and social.” Indians grow up in a highly competitive environment and that compels them to pursue goals with a single-minded focus. “Which is why when Indians go abroad and work with better infrastructure, they are able to put their surplus energy to better use. They have a unique way of dealing with issues,” he says.  But there are also downsides to the Indian way of managing. The lack of innovation from India, for instance, is largely because we cry victory too soon and don’t see the idea through to customer use and satisfaction. “We don’t plan long term; it’s more about quick fixes or jugaad engineering.” Gopalakrishnan also mentors a few startups. While there is more respectability surrounding the startup ecosystem today, there is also a lot of hype around them, he feels. “How many of our startups are actually profitable or IPO worthy? I believe a startup’s measure of respectability lies in the period of time it takes to make profit. We should encourage startups by applauding the effort behind them and not the inherent talent.” Gopalakrishnan is also uniquely qualified to talk about the divergence in Indian and MNC top management cultures. He’s someone who began his career as a computer analyst at Hindustan Lever, moved to a marketing role and eventually settled into the management track. Gopalakrishnan went on to serve as the Chairman of Unilever Arabia, MD of Brooke Bond Lipton and Vice Chairman of Hindustan Lever, before being handpicked by Ratan Tata to change things around at Tata Sons as executive director. 

Tata Sons and Ratan Tata

The transition to Tata Sons wasn’t easy at first: One adjustment was about adopting a more indirect and diplomatic line, different from what he would have done as the chief executive of various businesses in previous stints. About Ratan Tata, his boss for many years, Gopalakrishnan says, “He was a good boss; not perfect, but good. No boss is perfect; I never was either.”  “But Ratan Tata has a large heart, he can think long term and is a critical thinker; not qualities easy to come by.” Presently, he serves as the non-executive chairman of Castrol India and independent director of Press Trust of India. He also makes it a point to financially help charities. “I’m not actively involved in philanthropies, but I do support those who run them, for example my wife Geeta, who works extensively with children (Ma Foundation) and cancer patients (Tata Medical Centre).”  Gopalakrishnan says that some of the greatest lessons he learned over the years is the ability to be adaptive and the fact that one’s human relations capability trumps technical capability. “You may be technically sound, but if you aren’t able to connect with the people around you there’s only so far that you can go. Some of the best leaders are people who have the ability to connect with people. It’s what drives the world.” 

 

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[caption id="attachment_59181" align="aligncenter" width="550"]Heeta Lakhani | Indian climate activists | Global Indian Heeta Lakhani, featured on the cover of The New York Times[/caption]

Laying the Foundation for Environment

Heeta went on to do her Master’s in environmental studies at TERI University, in Delhi. She recalls, “I was applying for jobs in Mumbai because I wanted to be with my family. At the same time, I was volunteering with a wildlife conservation organisation and studying German. Soon after I completed the course, I got a job as a language expert with TCS, though the environment continued to be my passion. In 2015, there was a lot of buzz in the media about the COP21 [21st Conference of Parties] – a UN Climate Change conference in Paris. Even Prime Minister Modi was going to be there. It is an annual conference held by the UN on climate change. I wanted to go and was looking around for avenues to get there. Luckily, someone I had met while volunteering supported me with a badge to attend the event. I had no training or capacity building for the conference, but I attended it for one week. The entire experience was overwhelming; the venue was spread over one km, and around 30,000 people attended. Even though I didn’t understand the proceedings, I was motivated and it was a sign that I had to go back to working for the environment.”

Due to her volunteer work, the next year, at COP22 held in Morocco, Heeta was part of a youth delegation. She had also joined the UNFCCC youth group for climate change called YOUNGO as a volunteer. “I attended meetings where negotiations on climate change were held. I got to observe the geopolitics involved, the technical language used during the discussions, and the pace and scale of progress.”

Heeta Lakhani | Indian climate activists | Global Indian

Training them Young

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She has also co-founded the Youth Negotiators Academy, where youth are trained to be effective negotiators in the UN’s intergovernmental processes.

Passion for the Environment

Heeta Lakhani | Indian climate activists | Global Indian

What Heeta Lakhani does requires dedication, passion and commitment. Everyone makes the right noises about saving the environment, but not as many practice it daily. What are the challenges in a country like India for an environmental warrior like Heeta? She says, “Initially, getting an audience was a challenge here. One has to think beyond waste segregation and pollution and look at the bigger picture as well. The next challenge is to bring various audiences together to affect the change. We tweak the messages we send out in the schools and make them relevant and palatable to the audience. We have had sessions with tribal children in Manipur. There, we had to be sensitive to their culture and lifestyle; the content had to be simple so it could be easily translated by a local. The good part however, is that when we started in 2017, we had to explain what climate change means; now everyone already knows about it.”

Another feather in Heeta’s cap is that she is an alumna of the Women Climate Collective and was part of last year’s cohort of 16 women climate leaders. Founded in 2023, Women Climate Collective has worked dedicatedly towards empowering women in the climate and gender equity spaces. This year to further amplify women's voices in climate action and ensure their equitable participation in designing and implementing sustainable solutions, WCC has launched its next cohort focused on nurturing 20 young women leaders in climate action. These women leaders work across diverse focus areas such as climate advocacy, nature-based solutions, and climate tech, spanning regions from the Himalayas to Bengaluru, and from Maharashtra to West Bengal, as well as many other states and areas of expertise. Heeta was one of the four who attended the Climate Week NYC 2024, from September 22 to 29 in New York. The Collective also facilitates interactions with business leaders, political change-makers, and civil society representatives worldwide to advocate for gender-just climate action.

'It's a marathon, not a sprint'

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On the personal front, Heeta Lakhani practices what she preaches. She says, “My journey here is a marathon, not a sprint. I am here for the long run.” Her efforts towards saving the environment at home include recycling everything, using menstrual cups, using public transport and trains instead of flights when possible, and travel cutlery. The latter she says “can be a hindrance at airports but I carry my own. I have not bought a bottle of water since I was a teenager and even as kids, we didn’t burst crackers. At home, we have our compost pit and kitchen garden. My parents are also part of all these efforts.”

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eleela has put a number of big projects in her kitty, taking the south Indian film fraternity by storm. “I just go with the flow and give my 100%. I have learnt to not take things too seriously. I put in my best effort and leave the rest to destiny,” says the actress. She has seven big-ticket films to her credit, possibly the highest number that any top actress has had at a single point in time, even at the peak of their careers.

Among them are Ustaad Bhagat Singh with Pawan Kalyan, a film with Vijay Deverakonda and Aadikeshava, another with Allu Arjun besides playing the female lead in Bhagavanth Kesari. Her most recent achievement has been bagging the role of the female lead in Guntur Karam with Tollywood superstar Mahesh Babu. Her career took off with a Kannada film Kiss in 2019. The film achieved considerable success at the box office and earned her the Best Female debut (Kannada) award along with the most promising newcomer award. “The title of the film (Kiss) was a shock but the film itself had nothing to do with the title,” Sreeleela remarks. She marked her entry into Tollywood with the Telugu film PellisandD in 2021 and then Dhamaka happened the following year. There has been no looking back since.

She feels it’s just the beginning of her journey. “Nothing in life comes easy. One has to be smart and hardworking, irrespective of any field. I have a long, long way to go,” says the 22-year old, adding she is grateful for the big ticket projects coming her way. She recently wrapped up shooting for another film opposite actor Ram Pothineni.


Born to dance

Born in Detroit, Michigan in June 2001 into a Telugu speaking family, Sreeleela started learning Bharatnatyam when she was just three. Even as a child, she was passionate about dancing. “My mother did not want me to be content only with one dance form so she enrolled me to ballet classes as well,’ informs the star, whose second Kannada movie was ‘Bharate’. Within a few years of staying in US, they shifted back to Bengaluru.

She says both the dance forms being so diverse, it would be confusing for her while practising either of the two. “But it later helped me adapt to whichever form that I was performing,” smiles the actress. At the same time, academic rigour was a non-negotiable rule, enforced by her mother, Swarnalatha, who is a gynaecologist in Bengaluru. “My mother was very strict when it came to academics. After my classes and dance practices, I would have to attend Math tuition without fail and then it was homework time,” recalls Sreeleela, who studied in Bengaluru.

Navigating fame in the age of social media, OTT

By her own admission, Sreeleela has always been a ‘drama queen’. “I used to entertain visitors who came home by either imitating someone or throwing starry tantrums and behaving like an actress,” laughs Sreeleela, who is also a swimmer and briefly played hockey in her school in Bengaluru.

Ask her if an actor’s life is like a roller coaster, given the hits and flops which constantly make or mar their careers, Sreeleela says actors across all film industries have their share of ups and downs. “The one piece of advice I follow is never to take success or failure too seriously. That keeps me going.”

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She feels OTT is a great platform where different subjects and characters are being explored. “For theatre release, we need some theatrical elements but for OTT, it’s not necessary. It has widened the film making process,” she says. Movie shoots leave her with little to no time. “Post shoots, I do a bit of reading for my MBBS. It helps me relax,” she says.

Follow Sreeleela on Instagram.

 

 

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Mur Ghurar Duronto Goti (The Horse From Heaven) is a 2023 Oscars contender for Best Live Action Short Film.

[caption id="attachment_33088" align="aligncenter" width="606"]Indian filmmaker | Mahrashi Tuhin Kashyap | Global Indian Maharshi Tuhin Kashyap is an Indian filmmaker[/caption]

A perfect expression of surrealism, the film tells the story of an Ojapali performer who believes that he has the world's fastest horse, and wants to win all the races in the city. But in reality, it's not a horse but a donkey. "Making it to the Oscars 2023 race feels as absurd as the film is," laughs Tuhin who recently won the best short film prize at the Russian State University of Cinematography (VGIK), the world's oldest film school. "The screening of the film in Moscow was a beautiful moment as I realised that people in different parts of the world can connect to the film," the final year student at Satyajit Ray Film and Television Institute (SRFTI) says, adding that making it to Oscar race is a sort of validation. "The film got rejected at various international festivals, and many times I thought 'Is this film a donkey that I think is a horse?'," he guffaws. "But now I feel that it did connect with people, and that's what matters to me."

The 15-min film was made as a part of his second-year curriculum at SRFTI, and Kashyap never in his wildest dream thought that a college project would land up at the Academy Awards race. It all began at his grandmother's funeral when he and his father met a man who couldn't stop talking about his horse. "It was an absurd encounter with a man who went on and on about his horse. I remember asking my dad if you believe in this man's story about his horse, to which he replied, 'Maybe he doesn't even have a horse. What he has, must be a donkey.' I found it bizarre but somehow it stuck with me. So, when I had to pitch an idea for my project, I decided to make a film on the same idea," Tuhin reveals, who initially had a hard time convincing his mentor Putul Mehmood of the idea. But as the script progressed, the film started taking shape.

[caption id="attachment_33089" align="aligncenter" width="758"]Indian filmmaker | Global Indian | Maharshi Tuhin Kashyap A still from The Horse From Heaven[/caption]

The cause and effect of theatre

This love for direction and cinema has its roots in theatre, something that Tuhin began indulging in Class 4. He still remembers his first role - a beggar - that made him the talk of the school. His dad recognised his talent and took him to a summer camp. "I call it my first step into acting. That's how my interest in theatre started developing. Soon, I became a part of children's theatre and started working with Manik Roy sir. Taking up theatre changed things for me," he tells Global Indian. But it was Slumdog Millionaire bagging eight Oscars that shifted things for Tuhin, who knew he had found his calling in filmmaking.

Film school calling

He learnt about the Film and Television Institute of India, Pune from one of his teachers and knew that he wanted to get in. "Someone told me that to get into a film school, one needed science. So, after Class 10, I took up science just so that I could make it to FTII or SRFTI someday," smiles Tuhin, who also met Jahnu Barua's art director Phatik Baruah to understand the nitty-gritty of filmmaking. "It was a ground preparation for me." Around the same time, he started Deuka Films with a bunch of aspiring filmmakers who had "no idea how cinema is made." They began experimenting with a basic DSLR and learnt to edit. Their first film Crossroads about child labour made it to the 2015 International Film Festival in Malta. "We were amazed something like this could happen, and this exposure helped me get into SRFTI."

 

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When Tuhin enrolled in film school, he wanted to be the next Anurag Kashyap. "It was glamour that I was after. But SRFTI changed my perspective on cinema. It gave me time for myself, and I started dissecting my existence. Gradually, exploring my identity and my roots (Assamese) started becoming important to me. Now through films, I want to talk about my own identity. Being from the northeast is something I want to talk about and the collective consciousness we have as a community," says the filmmaker who used Ojapali, an indigenous folk dance from Assam in The Horse From Heaven, which he says is now a dying art form. "I was keen to use this ancient storytelling form and translate it into cinema."

Making to the Oscars' race

The story and the form of storytelling both resonated with the audience all across the globe, so much so that it beat Varun Grover's Kiss to win the top prize at the Bengaluru International Short Film Festival 2022 (BISFF). Tuhin explains that The Academy of Motion Picture Arts & Sciences has designated BISFF as an official qualifying film festival for the live-action category, and any film that wins the top honours at BISFF automatically makes it to the Oscars race. It was in November that he received a confirmation that his film has made it to Academy Awards consideration. Despite being ecstatic about the news, Tuhin humbly believes that he's "not in the position to be awarded Oscars yet." "I will be glad if I get it, but I think I am yet to make my best cinema. But definitely, I have been a long way than I had imagined," avers the man for whom connecting with people is more important than awards.

Cinema as an expression

Tuhin was barely a teenager when the first seeds of filmmaking were sowed in his young mind, and now years later, he is happy to have found his calling in its truest form. While he still has a long way to go, the filmmaker says that in this journey so far, he has learnt how important it is to believe in oneself and to never give up on your dreams. "If we know in our heart, what we are doing is the right thing. One should pursue it, despite what naysayers tell you."

 

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While The Horse From Heaven has put Assamese cinema on a global platform, Tuhin believes that his film is just a speck in the "vibrant and experimental" cinema that Assam is witnessing these days. "My film might inspire aspiring filmmakers to take that chance and follow their dreams. But I don't know if it will be a game changer as it's a good time for the Assamese film industry. With the digitisation, the ball game has changed." The 28-year-old, who is already working on two feature film ideas and a few non-fiction ideas, wants to use his craft to express himself and to inspire people to be themselves. "I want to talk about things that have an impression on me and what it's about being from the northeast, a marginalised place. My work will inspire people to be themselves and who they are matters."

[caption id="attachment_33090" align="aligncenter" width="662"]Indian filmmaker | Global Indian | Maharshi Tuhin Kashyap A still from The Horse From Heaven[/caption]

Tuhin opines that it's inspiring to see his film making it to the Oscars race as it gives hope to filmmakers sitting in small cities in any part of the country that it's possible to make their dreams come true. "I don't know if my film has been a game changer but What it has done is that it has opened a window of opportunity for many people that anything is possible," he signs off.

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Reading Time: 8 min

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Meet Bulu Imam, the archaeologist who is protecting tribal art

(March 23, 2024) He dedicated his youth to conserving the tribal art and thick forests of Jharkhand. Now 79 years old, Padma Shri Bulu Imam lives in a colonial house nestled in a grove of tall trees and lush bushes, in Hazaribagh, Jharkhand. The hunter-turned-environmentalist and archaeologist who revives tribal paintings, Bulu currently runs an art museum, The Sanskriti Centre. He is also the author of several books and was awarded the International Peace Award by the Gandhi Foundation for his humanitarian work. [caption id="attachment_24269" align="aligncenter" width="550"] Bulu Imam receiving the Padma Shri from President Ram Nath Kovind, in 2019[/caption] "Our museum is home to old rock paintings that are about 10,000 years old. They belong to the Mesolithic, Chalcolithic, and Neolithic eras," shares the archaeologist during an interaction with Global Indian, adding, "This land of coalfields has been home to millions of tribal people, who lived there for centuries. The coal mining here was not only destroying the beautiful jungles of the land but also affecting the megaliths, some even dating back to before 2000 BC." Son of the forest The grandson of Indian High Court judge and India’s Congress President Sir Syed Hasan Iman, Bulu was born in

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nd but also affecting the megaliths, some even dating back to before 2000 BC."

Son of the forest

The grandson of Indian High Court judge and India’s Congress President Sir Syed Hasan Iman, Bulu was born in the lap of luxury. Like his father, the archaeologist was a big-game hunter and would animals that posed threats to human life. "My mother was of French ancestry, whereas my father was of Arab ancestry. My father was very fond of big-game hunting and as a child, I would accompany him on several hunting trips. I grew up surrounded by forest and tribal people, which is why I believe I feel so strongly in them," shares the conservationist.

Unusually, Bulu did not receive any formal higher education. "I have studied till standard XII in St. Xavier's School, Hazaribagh. My entire family has studied at Oxford and Cambridge. But my uncle, who was an Aurobindo-man had his own ideas about education. Upon his suggestion, my parents didn't send me to any school or college. And I feel, had my uncle not taken that stand, the world would not have seen the Sohrai and Khovar paintings," laughs the archaeologist.

Archaeologist | Bulu Imam | Global Indian

Growing up, Bulu was fond of painting, reading, and writing poems. However, hunting was his passion. "I loved to go on hunting trips, but we never killed the animal for pleasure. During the ’60s and ’70s, I hunted 19 elephants and many man-eating tigers most of my early adulthood was spent organising tiger hunts with my father in the region of Jharkhand," the archaeologist shares.

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Turning point

It was a hunting trip that would be a turning point in the archaeologist's life. In 1979, when the conservationist was on a journey around the state with British traveller-writer Mark Shand and his elephant, he saw the destruction of thick forest for coal mining by the state for the first time. "I was shaken by the mass-scale destruction of the forest," share Bulu. Upon approaching the forest officials, learned that the Central Government had allotted contracts to mine six million tonnes of coal at 30 sites in Damodar Valley. "That was when I decided to oppose the decision and spearheaded a movement," he recalls.

[caption id="attachment_24267" align="aligncenter" width="551"]Archaeologist | Bulu Imam | Global Indian Bulu's daughter, Juliet Imam, making a tribal art[/caption]

Coal mining in the area was also displacing the local tribal community and affecting their livelihoods, which depended on the forest. Eventually, the Global Indian became a strong propagator for tribals and wildlife in the North Karanpura Valley against open cast mining. He also brought attention to the need to protect elephants and tigers' corridors to have distinct habitats.

Tracing the tribal past

After five years of fighting with the authorities to prevent the destruction of local culture, biodiversity, and distinct animal habitats, Bulu became quite well-known in the country. However, not much came out of his protests against the government. "The coal mining didn't stop in the area," shares Bulu, who wasn't disheartened and continued to raise his voice against the mining.

[caption id="attachment_24264" align="aligncenter" width="551"]Archaeologist | Bulu Imam | Global Indian Bulu Imam, Tarshito, Erwin Neumayer, and Philomina painting in Vicino Lantano Festival[/caption]

In 1986, the archaeologist explored the Adivasis's identity and was chosen as regional convenor for INTACH, a Delhi-based NGO. In the following years, the conservationists conducted various campaigns to stop the mining activities from Damodar Valley to Hazaribagh. And around the same time, he discovered ancient art that helped him save the local traditional culture.

"One evening in 1991, an Australian Jesuit priest, Father Tony Herbert - who ran a night school for the children in Barkagaon Valley adjacent to Hazaribagh - approached me with the news of some red markings found in one of the caves in the mining area. I was intrigued and decided to visit the site. I realised that those markings were ancient rock art and knew we had discovered something significant,” the archaeologist says.

[caption id="attachment_24266" align="aligncenter" width="552"]Archaeologist | Bulu Imam | Global Indian Bulu still likes to sketch whenever he finds some free time[/caption]

The paintings discovered were a dozen prehistoric rock art sites more than 5,000 years old. During the same time, Bulu also found palaeoarchaeology sites associated with Mesolithic rock art, ancient megaliths, and Buddhist archaeological sites. These sites were acknowledged by the Archaeological Survey of India, enriching the cultural tradition of the region.

"I was able to find a link between these prehistoric art paintings to the paintings Adivasi women draw on the mud walls of their home. The painting style can be distinguished into Khovar and Sohari. The local women paint their homes inside and out, twice a year, celebrating harvest and marriage time," Bulu explains.

ALSO READ | Revati Singh is crafting artistic narratives that transcend boundaries

The road ahead

Married to two Adivasi ladies, the archaeologist lives in Hazaribagh with his son Gustav Imam. The father-son duo runs the Tribal Women Artists Cooperative (TWAC), to empower and encourage Adivasi women to continue painting. To help raise funds for the tribal community, Bulu has been putting these paintings on canvas and cloth and exhibiting them all around the world. TWAC has held more than 50 worldwide exhibitions so far

"These mud wall paintings are not new but have been in existence since the Chalcolithic and Iron Age period. I didn't just want to protect this culture but collect and showcase them. So, I started collecting such stone tools in my museum and it is one of the recognised museums by the government," shares the archaeologist.

[caption id="attachment_24270" align="aligncenter" width="553"]Archaeologist | Bulu Imam | Global Indian Bulu with his son, Gustav Imam[/caption]

Gustav has been instrumental in documenting the artefact present in the museum which could be used by further researchers, academicians, and students. "Sanskriti museum is a result of 30 years of research. Each artefact or stone tool present in this museum has a story behind it linked to human evolution. I really hope that these documents will help the future generation of researchers," concludes the archaeologist, with a smile.

  • Follow Bulu Imam on his website

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About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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