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Christianity | Global Indian
Global IndianstoryThe path of Messiah: How Christianity found its way to India
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The path of Messiah: How Christianity found its way to India

Written by: Namrata Srivastava

(December 25, 2022) Once upon a time, in AD 52, a battered ship – having covered thousands of nautical miles – touched land on a quaint afternoon. A strange place, covered with tall palm trees welcomed those onboard. As the travellers asked around, they were informed that they had landed on the shores of Muciripattanam – one of the busiest port cities located in the Malabar region of Kerala. Brought to the shore in that ship was one of the twelve apostles of Jesus – St Thomas – who not only chose to spend the rest of his life in India but also spread the message of the Messiah to its people. And thus – contrary to many beliefs – Christianity was brought to the shores of India, way before it ever made its way to Europe. Even today, Saint Thomas Christians, also called Syrian Christians of India, are counted among the oldest followers of Christianity in the world.

Christianity | Global Indian

An old image of Syrian Christians from Kerala

With time the community grew and later as several European countries established their colonies in this part of the world, Christianity established itself as one of the major religions in India. Home to some of the most marvellous churches in the world, India has a vibrant Christian community. While the Christians living in the northeastern parts of the country take on the streets singing carols, few of those in the southern parts, fast from December 1 to the midnight mass service on December 24 to commemorate the birth of the saviour – making Christmas one of the most awaited festivals in the country. As the world celebrates the birth of Jesus today, Global Indian explores the roots of Christianity in India. Happy reading, and Merry Christmas!

Travellers from the West

Soon after the crucifixion of Jesus in the 1st-century Judea (approximately AD 30 or AD 33), the eleven apostles decided to take his message to faraway lands and undertook journeys through land and sea. When he was told that he had to travel to India, St Thomas is recorded to have responded with, “I am a Hebrew man; how can I go among the Indians and preach the truth.” This chapter from the early third-century Biblical text, Acts of Thomas, is one of the strongest proofs of the birth of Christianity in India. Despite his initial hesitations, St Thomas crossed the mighty Mediterranean, Red, and Arabian seas, and made his way to the court of Indo-Parthian King Gondophernes. While there are a few who believe that the saint came through Afghanistan, there are no historic shreds of evidence to support the theory.

Christianity | Global Indian

St Thomas (c. 1611) by Peter Paul Rubens

During his stay in Kerala, St Thomas preached the Gospel to the locals, and travelled to various cities and villages, now part of the southern states of Kerala and Tamil Nadu, inspiring people to join the church. During these travels, St Thomas is believed to have established seven churches at Kodungallur, Palayoor, Kottakkavu, Kokkamangalam, Nilackal, Kollam, and Thiruvithamcode. There are several families in these parts of the country, who trace their origins almost as far as the establishment of these churches. Interestingly, however, although their faith was born in the far west, the traditions that these families follow are quite similar to that of the local Indian communities, and so is their food.

Christianity | Global Indian

Shrine of Saint Thomas in Mylapore, 18th-century print

In AD 72, two decades after he arrived in India, the saint was martyred near Chennai, and his body was interred in Mylapore. Eventually, his relics were taken to Edessa, Greece. The famous St. Thomas Cathedral Basilica in Chennai, which stands on the site of his martyrdom, was first built by the Portuguese in the 16th century, and later rebuilt in the 19th century by the British.

The Anglo-Indians

The arrival of various Europeans in the country, who became permanent residents, resulted in the inception of a new community in India – Anglo-Indians. While the term itself was in a state of flux for a major part of history, in the Government of India Act of 1935, an Anglo-Indian was formally identified as “a person whose father or any of whose other male progenitors is or was of European descent, but who is a native of India.” Mostly located in the urban parts of the country, the traditions and rituals of these families are quite similar to those followed by the Europeans.

Christianity | Global Indian

British Raj era Anglo-Indian mother and daughter

The earliest known Anglo-India families trace their roots back to the arrival of Portuguese navigator Vasco da Gama in 1498. As the Portuguese sailors conquered the city of Goa, Governor Alfonso de Albuquerque encouraged his men to marry the local women to help establish their colony on the Indian coast. Initially called Luso-Indians, the offspring of these naval officers moved from Goa to various parts of the nation taking their traditions where ever they went. Interestingly though, the British Raj contributed heavily to the flourishing of this community- especially their mouth-watering cuisine. Evolved over centuries as a result of assimilating and amalgamating ingredients and cooking techniques from all over the Indian subcontinent and Europe, the Anglo-Indian cuisine encompassed the rustic and robust flavours in the dishes.

Christianity | Global Indian

An Anglo-Indian family

Over the years, many Anglo-Indians have migrated to the United Kingdom, Australia, Canada, the United States, and New Zealand where they form part of the Indian diaspora. However, India is still home to over 1.5 lakh Anglo-Indians, who are mostly settled in Mumbai, Delhi, Hyderabad, Kolar Gold Fields, and Chennai.

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Published on 25, Dec 2022

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f art on canvasses and her last solo exhibition at the Foley Gallery in Manhattan. Bhojan, showcased Indian food depicted in a hyperreal style to much acclaim.

Hooked To Hyper Realism

Drawing and scribbling on paper using pencil were always of interest to Sarasvathy but, she never took it seriously. Once, that changed she started working on canvases and exploring her art.

While searching for unique subjects, Google introduced her to hyperrealism. Various works from renowned artists in hyperrealism world and especially in food like burgers, desserts, fast foods as art attracted her and she realized that, Indian food was not explored in the milieu.

The artist shares, “This is where I started my journey to depict Indian food as hyper realistic art. To start my journey in hyper realism art world, I didn’t have any references or someone to lookup for help. Painting is all about colours and texture along with thoughts of artists shown on canvas. According to me, any food/cuisine and especially in Indian food, will have amazing textures and colors and this is the inspiration towards my work.”

[caption id="attachment_43962" align="aligncenter" width="500"]Global Indian | TK Sarasvathy Jalebi Painting by artist TK Sarasvathy.[/caption]

Sarasvathy studied the art of hyper real greats including Tjalf Sparnasy and Mary Ellen Johnson, to understand its intricacies and she them calls her inspiration. She adds, “I love their creations and they have influenced me a lot. This is due to the minutely detailed work depicting colour and texture of food.”

Her works are a treat to behold. From idli, sambar and coconut chutney to samosa, naan, gulab jamun, mango lassi and chole bhatura  she has created works of  well-known Indian dishes covering from North to South, using the medium, Oil on Linen, as her canvas as it helps to get a hyper realistic texture because of its smoothness and its great quality.

Food Fables

Every single painting takes Sarasvathy months and each work is a challenge in itself. This difficulty is not with the dimensions of the food or dish or even color, but lies in bringing those intricacies of details at every centimeter of the canvas to life.

“It took me close to 6 months to paint Idli, Sambar and Chutney and this was due to complexity of idli texture with tiny holes around and being the first painting to be painted in this genre. While eating idli all my life, I never realized it has so much details and hundreds of tiny holes. Now, I cherish eating idli more, knowing its value.” she laughs.

Similarly, when she worked on dosa which had 5000+ circles or on Gulab Jamun, she had to paint 1000+ tiny circles on seven Gulab Jamuns depicted in the paintings took her months. Every painting takes two to three months and surely is very demanding.

These challenges are something the artist relishes. “It is not easy to paint food as there is a very detailed output covering colour, texture, shape of the dish, condiments, magnitude and depth of vegetables among others.” she shares before adding, “When we paint a food/dish, all eyes that are going to watch it, have a pre-determined picture of that food/dish in their mind. As an artist I have to ensure, the picture of that dish in end viewers mind is matching with my work or my art replaces that picture in his brain.”

[caption id="attachment_43960" align="aligncenter" width="511"]Global Indian | TK Sarasvathy Papad painting by Artist TK Sarasvathy.[/caption]

No Pain, No Gain, is her mantra. For example, her painting Papad has almost 1400 big circles and many smaller ones. “I have to make all these circles look like a puffed portion, it is very time consuming but it gives me immense pleasure for creating artworks intricately hand painted capturing every detail. More than anything, it's the satisfaction of achievement and the peace in my mind during every stage of that painting that motivates me.” she adds.

To start her journey in hyper realism art world, Sarasvathy did not have any references or help, it was all self-learnt. An artwork showcasing real-life image on canvas is an overwhelming feeling of happiness for the person behind it and this is what moves Sarasvathy to pay homage to Indian food, no matter the difficulties.

She adds, “What we cook is an expression of who we are and where we come from. Food is one thing that we all have in common and it plays such a central role in every culture, globally. This is the background to my project to bring all famous Indian dishes and my small attempt retrieves culture back into the form that is alive.”

Art as the center

The artist recently collaborated with South Asian Woman’s Creative Collective (SAWCC) public programming that provided a deeper context into the foods of the Indian Subcontinent and with The Cumin Club first ever PR/media dinner in NYC for 25 food writers and editors. Her work brings Indian food to the global diaspora showcasing the rich wealth and heritage of the cuisine.

Global Indian | TK Sarasvathy

Since her work is time-consuming, how does she juggle it with her young family? By being organized and planning ahead, she laughs and shares, “I am blessed to have children (Revant aged 13 and Nipeksha, 7) and a spouse (Nagaraju Palivela, Senior Director - Credit Suisse Bank) who are extremely co-operative and understand my work and my aspirations with art. They are very supportive and lend a hand, sometimes to take care of things. I plan their classes and activities in advance and ensure my meetings and work are done before / after them.”

Currently she started working on a small series of artworks with spoon and fork while she plans on exploring other cuisines too. Creative, Unique and Surreal, the artist is a perfect example of pursuing passion with all of one’s energy. Showcasing real food through hyper real art, the Global Indian captures the mystery of Indian food through her mastery over medium.

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2022 recap: The Indians who dominated the global art and culture scene

(December 31, 2022) Indian art and culture exploded on global platforms this year. Filmmakers, authors, actors and musicians have made their presence felt, showcasing Indian culture in all its richness and diversity. In this recap, we revisit some of Global Indian's top art and culture stories through 2022. Geetanjali Shree, winner of 2022 International Booker Prize India was in for quite a surprise, when on May 27, 2022, Indian author Geetanjali Shree's 'Tomb of Sand' has become the first Hindi novel to be awarded the prestigious International Booker Prize. Originally published as 'Ret Samadhi', the book has been translated into English by Daisy Rockwell. Speaking to Global Indian in an interview earlier this year, the author had expressed, "Ret Samadhi is the story of an 80-year-old woman who is depressed after her husband’s death. Actually, it was the image of a woman in a joint, orthodox, middle-class family, who was sitting with her back turned, that stayed with me for a very long time. Somewhere it made me wonder if she was turning her back to the people around her, or her life. It took me around seven to eight years to finish the book." Growing up in various towns of Uttar Pradesh in

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seven to eight years to finish the book."

Growing up in various towns of Uttar Pradesh in the late 50s and 60s with four siblings, the 64-year-old author reveals it was the vibrant culture of those towns and their language that gave her a foundation. While she attended an English-medium school, the scarcity of English-language children’s books turned out to be a “blessing in disguise” for her. “I used to read Chandamama and Nandad as a child, and that gravitated me towards tales from the Ramayana, Mahabharata, Arabian Nights, Panchatantra, Kathasaritsagara and Chandrakanta Santati. Had I not experienced this childhood, I am not sure if I would have been able to write these stories,” reminisced the author, adding, "My mother would narrate stories to us siblings. Also, since my father was a bureaucrat, we had several people working for us at our house. I remember listening to stories from those ladies as a child. I was mesmerised by how words could create a whole new world, which was so engrossing. Unfortunately, I do not have those stories though even I am curious to know what I wrote back then."

[caption id="attachment_21807" align="aligncenter" width="548"]Author | Geetanjali Shree | Global Indian Geetanjali Shree, author[/caption]

Shaunak Sen, filmmaker

In 2022, filmmaker Shaunak Sen's All That Breathes became the first Indian documentary to be screened at the Cannes Film Festival. It went on to win the “L’OEil d’Or, the Golden Eye award, which "goes to a film that, in a world of destruction, reminds us that every life matters, and every small action matters. You can grab your camera, you can save a bird, you can hunt for some moments of stealing beauty, it matters," the jury said in their note.

Nearly three years in the making, All That Breathes paints a "dystopian picture postcard of Delhi in the 1990s," Shaunak told Global Indian, shortly before he headed off to Cannes in 2022. “My first sense of tone was the sense we always have in Delhi, of gray, hazy skies and air purifiers humming everywhere. And in this all-encompassing grey, monotony, you can see birds flying around."

The film follows the lives of two brothers, Mohammad and Nadeem, who rescue and treat injured kites in Delhi. The 90-minute film was chosen by a jury comprising Polish filmmaker Agnieszka Holland, Ukrainian writer-director Iryna Tsilyk, French actor Pierre Deladonchamps, journalist Alex Vicente, and Moroccan writer-filmmaker Hicham Falah.

[caption id="attachment_24879" align="aligncenter" width="434"]Shaunak Sen global indian Shaunak Sen[/caption]

Khyati Trehan, graphic designer

The 94th Oscar Academy Awards had an august array of creative spirits. Among them was an Indian graphic designer whose 3D artwork was among eight creative people invited to contribute to the Oscars. 3D artist Khyati Trehan, a well-known fluid digital artist was no doubt thrilled to be selected, even wishing she had been invited to the ceremony. “I am still in disbelief,” shared Khyati, adding, "My concept was of the Oscar statue as a movie viewer amidst the action. It was a dream project and I drew inspiration from the immersive power of movies. I wanted to create an overwhelming sense of feeling. I just wished they has called us to the US for the ceremony when my design was selected."

The young designer, who was also among the 2022 Forbes ‘30 under 30’, started her designing journey from National Institute of Design (Ahmedabad). “While working on a project in college, looking for an image, I realised I was spending more time on searching for a photograph, than designing. I started exploring possibilities of making all the pictures, rather than hoping that someone had clicked an image suiting my requirements. That’s how I discovered 3D. It seemed like magic."

Khyati has worked for award-winning global design and innovation firm IDEO. The sky was the limit as she worked on projects with NYT, New Yorker Magazine, Apple, Adobe, Absolut, Instagram and Snapchat. The successful graphic designer won several awards and recognitions, including the Artistry Creator of the Year at Adweek’s Creator Visionary Awards and ADC Young Guns 19 – 2021.

[caption id="attachment_33390" align="aligncenter" width="693"] Khyati Trehan[/caption]

Manali Datar, actress

She made headlines in 2019 when she was selected to play the role of Rose Granger-Weasley in the theatrical production of Harry Potter and the Cursed Child. And earlier this year, Indian-Australian actress Manali Datar scored the part of Edna in the smash-hit musical sensation Fangirl at the Sydney Opera House. “It’s surreal. As an actor, I dreamt about getting to perform at the Opera house and now it is happening. I am still soaking in that I am going to perform at the venue,” Manali shares.

Born in Nashik, the actress moved to Australia at a young age, and fell in love with the stage while she was still in school. Calling the production of Harry Potter a “steep learning curve”, the actress revealed that it not only helped her improve her acting chops but also gave a sneak-peek into the theatre industry from the set. In 2022, Manali played the title role in the super successful White Pearl by the Sydney Theatre Company, which was a comedy about a skin-bleaching ad gone wrong. “I played the part of Priya Singh. The production helped me strengthen my relationship with India and realise my identity. I understood a lot about myself and my roots through that experience,” said the actress, who aspires to be on the silver screen.

[caption id="attachment_33391" align="aligncenter" width="549"] Manali Datar[/caption]

Aditya Rao, musician

In 2018, the actor R. Madhavan met Indian-American musician Aditya Rao and his wife at a ramen restaurant in LA. What began as a conversation on Instagram would turn into a serendipitous meeting for all of them, as Madhavan told them the story of a film he was working on - Rocketry: the Nambi Effect. Aditya's career was flourishing by that time - he had collaborated with the multi-Grammy and Oscar-winning music director A.R. Rahman, lending his voice to the hugely popular Aila Aila in the Vikram-starrer 'I'. He went on to sing in two more projects - Achcham Yenbadhu Madamiayada and Pele: Birth of a Legend and did two concerts with Rahman, one in Chennai and two in Las Vegas. In 2017, his Carnatic remix of Ed Sheeran's Shape of You, made in collaboration with Indian Raga, went viral on the internet with 11 million views as of 2022.

Aditya went on to make nine songs for Rocketry: The Nambi Effect. “I ended up singing nine songs, two in five different languages. It was a ridiculously amazing experience, working to get the tracks mixed and re-mastered," he told Global Indian. The final versions of Peruvali were recorded in his home studio. "It was one of the hardest songs I have ever done, not only because it was a difficult song to sing but also because the lyrics were written by Dr Nambi Narayanan himself."

[caption id="attachment_28106" align="aligncenter" width="563"]aditya rao Aditya Rao[/caption]

Aishwarya Balasubramanian, dancer

The disciple of renowned Guru Acharya Choodamani Anitha Guha, Aishwarya Balasubramanian began her Bharatanatyam journey at the age of five. As a child, she mesmerised her audience during the stage performances. Even so young, she stood out for the beauty of her facial expressions, clarity of footwork and her grace. Over the years, Aishwarya has developed a reputation as one of Chennai’s most loved Bharatanatyam dancers and is a guru herself, training pupils from the Indian diaspora in the USA. She has been given titles like ‘Singar Mani, ‘Nalanda Nritya Nipuna, ‘Kala Ratna’ and ‘Natya Chudar’.

Aishwarya runs her dance school, Arpanam in the USA, bringing the ancient wisdom of Bharatanatyam to new, young learners from among the diaspora. “Since I had very strong roots in dance back in India, it was not a challenge to continue my passion in the USA,” says the dancer who performs at significant events and dance festivals in the US.

[caption id="attachment_32082" align="aligncenter" width="525"] Aishwarya Balasubramanian[/caption]

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About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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