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Global IndianstoryHow Actor Kal Penn shattered Hollywood stereotypes and became the political voice for South Asian immigrants in the US
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How Actor Kal Penn shattered Hollywood stereotypes and became the political voice for South Asian immigrants in the US

Compiled by: Darshana Ramdev

(November 4, 2024) Kal Penn remembers the day he changed his name. He was just starting out as an actor, a college student sending headshots to casting agents and getting silence in return. A friend suggested a simple switch: go by “Kal Penn” instead of Kalpen Modi, and he might get a response. He laughed it off, but curiosity got the better of him. Within a week of mailing out headshots with his new name, he had auditions lined up. “It was surreal,” he recalls. “Just changing my name made me visible to them.”

Known for his role as Kumar in the Harold & Kumar series, he brought one of the first complex South Asian American characters to mainstream comedy, changing the way audiences saw Asian American leads on screen. Penn’s impact didn’t stop at comedy; over two decades, he took on roles in films like The Namesake and Designated Survivor, broadening the representation of South Asians in American film and television. The Global Indian left Hollywood in 2009 to join the Obama administration, surprising many who couldn’t understand why he’d trade acting for politics. For him, it was about public service—a value he grew up with. In his new role, Penn worked on outreach to Asian American, Pacific Islander, and arts communities. Though seen as “the actor” in D.C., adviser Valerie Jarrett reminded him he was there for his unique perspective, not his fame.

actor Kal Penn | Global Indian

Kal Penn with former US President Barack Obama

Early Life

Penn grew up in Montclair, New Jersey, the son of Indian immigrants who had high hopes for his future. His father arrived in the United States with a handful of dollars, working to provide stability for his family. For them, a career in medicine or engineering would mean Penn had “made it.” “Acting was something they just couldn’t see as stable,” he says. But Penn was drawn to theater early on, performing in school plays, knowing that his family’s support came with concerns. He took this passion to UCLA, majoring in sociology and theater, where he faced the realities of trying to break into Hollywood as a South Asian actor.

“Every role I’d see was a stereotype,” he recalls, thinking back to his first auditions. He’d show up, only to find that the roles he was reading for were cab drivers, tech support guys, or nameless “foreigners” who barely had lines. “There was this expectation that I’d put on an accent, act like a caricature,” he says. The industry wasn’t interested in casting him as a leading man, but Penn kept pushing, convinced he could prove them wrong.

Hollywood calling

In 2004, Penn got his breakthrough with *Harold & Kumar Go to White Castle*, a comedy about two stoner friends on a surreal quest for fast food. The character of Kumar was unlike anything he’d seen—a South Asian lead who was funny, flawed, and just a regular guy. “I read the script and thought, ‘This is different,’” he says. “Kumar wasn’t a punchline, he was the guy with a story.” The film became an unexpected hit, and audiences connected with Kumar, especially young people who rarely saw someone who looked like them in a role like this. For Penn, the role was a revelation, proof that there was space for South Asians as more than just stereotypes.

But Harold & Kumar didn’t transform Hollywood overnight. “People assumed that movie would open all the doors,” he says, “but I kept getting offers for the same kind of parts.” Instead of settling, Penn sought roles that challenged the industry’s narrow view of him. One of these was The Namesake, based on Jhumpa Lahiri’s novel. Directed by Mira Nair, the film follows Gogol, a young man straddling his Indian heritage and his American identity. “It was the most rewarding role I’d ever had,” Penn says, noting that it gave him the chance to tell a story that felt real. “I could relate to Gogol on so many levels—it was more than just acting.”

actor Kal Penn | Global Indian

Actor Kal Penn in a still from Harold and Kumar

Politics

In 2007, while filming the TV drama House, Penn’s life took an unexpected turn. A friend and co-star, Olivia Wilde, invited him to a campaign event for Barack Obama. Penn went, curious but not expecting much. Listening to Obama, though, something shifted. “He was talking about change in a way that felt real,” Penn recalls. Inspired, he joined the campaign as a volunteer, traveling to Iowa to knock on doors and connect with voters, many of whom were surprised to see a familiar face at their doorstep.

In 2009, after Obama’s victory, Kal Penn made a surprising choice: he stepped away from acting to join the administration as an associate director in the White House Office of Public Engagement. “People thought I was nuts,” he says. “They couldn’t understand why I’d leave Hollywood for Washington.” For Penn, though, it wasn’t about abandoning one career for another; it was about public service, something he’d grown up hearing about in his family. “My family didn’t fight for opportunities just so I could settle for something easy,” he says.

In Washington, Penn focused on outreach to Asian Americans, Pacific Islanders, and the arts community. But he also faced a new kind of challenge. “In Hollywood, I was typecast as the ‘Indian guy,’” he says. “In D.C., I was ‘the actor.’” He remembers confiding in senior adviser Valerie Jarrett about his concerns. She reassured him, telling him, “You’re here because of what you bring, not because of what you’ve done on screen.” Jarrett’s support helped him lean into his role, connecting with communities across the country. “This wasn’t about being recognized—it was about doing the work,” he says.

His two-year tenure in the White House ended in 2011, but the experience left a lasting impact on him. “Being part of something meaningful was a new feeling for me,” he says. After returning to Hollywood, Penn found that his time in Washington had broadened his sense of purpose. “It gave me a different perspective on what mattered,” he reflects.

Personal Life

actor Kal Penn | Global Indian

Kal with his partner, Josh

In 2021, Penn published You Can’t Be Serious=, a memoir that opened a new window into his life, particularly his long-term relationship with his partner, Josh. For over a decade, he’d kept their relationship private. “Josh isn’t into the spotlight, and I respected that,” he explains. But writing the memoir felt like a moment to be candid. “I wanted to show up fully as myself,” he says, adding that the response from readers was overwhelmingly supportive.

For Kal Penn, opening up about his personal life wasn’t about making a statement; it was about authenticity. “I knew that sharing my story could make others feel seen,” he says. For years, Penn had been a visible figure in Hollywood, but now he was bringing every part of his identity into the conversation.

Legacy

Today, Kal Penn stands as a figure who has pushed past the limits of Hollywood and Washington, showing that it’s possible to create space for more diverse voices. “I’ve learned you don’t have to be just one thing,” he says. For him, that truth has shaped a career that defies easy categorization. As he continues to work in Hollywood and beyond, he’s focused on telling stories that matter, creating room for others to tell theirs.

  • Follow actor Kal Penn on Instagram.
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  • Asian American outreach
  • breaking stereotypes
  • Global Indian journey
  • Harold & Kumar
  • Hollywood diversity
  • Indian American actor
  • Indian American in politics
  • Indian heritage in Hollywood
  • Kal Penn
  • Kal Penn public service
  • Kal Penn White House
  • redefining Hollywood roles
  • South Asian Representation

Published on 04, Nov 2024

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Journey of an artist: Revati Sharma Singh is crafting artistic narratives that transcend boundaries

(June 4, 2023) In a world where the weight of crises threatens to drain the vibrancy from our existence, it is a somber thought to imagine a world devoid of colour. From the pressing issues of hunger to the disheartening disparities of abundance, humanity stands at a crossroads. But amidst this bleak panorama, one interdisciplinary artist has emerged as a beacon of hope, weaving hues of optimism through her artistic tapestry. For the past 23 years, UK-based artist Revati Sharma Singh has tirelessly traversed the creative realms between London and India. "My paintings are very layered, just like people are," the artist explained during a recent interview, adding, "Often one wouldn’t notice slow, covert changes in the weather, just like one wouldn’t pay heed to the internal workings of the mind of a stranger. In a way, then, adding layers only unpeels my art’s subject." The Global Indian has been a consistent participant in prestigious art events such as the LAPADA Fair, Saatchi's Start Art Fair, the Affordable Art Fair in London and Singapore, the Masterpieces Art Fair in London, Art Monaco, and the Venice Biennale, where she has received two invitations to showcase her work. "Layers of surfaces give

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/a> has been a consistent participant in prestigious art events such as the LAPADA Fair, Saatchi's Start Art Fair, the Affordable Art Fair in London and Singapore, the Masterpieces Art Fair in London, Art Monaco, and the Venice Biennale, where she has received two invitations to showcase her work. "Layers of surfaces give meaning to the depth of understanding and emotion below. Nothing is ever in a vacuum and nothing is ever truly lost. Even if it can no longer be seen, it is right there under the surface. My works are made up of these layers. Sometimes many layers that you only catch a glimpse of how the work started and how it evolved."

Enchanted by nature

Growing up in Mumbai, Revati would never leave any chance to visit her grandparents, who lived in a scenic village in Himachal Pradesh. It was here that the young artist first fell in love with nature's beauty and later incorporated that into her art. "My work finds its verse in memories of my days at my grandmother's tea estate, nestled between the mountains in a tiny village called Darang, in Kangra, Himachal Pradesh," she mentions on her website, adding, "It is my spiritual home that renders my aesthetic. One of the most important concepts ingrained in me from my wandering days in the hills is that of freedom. Freedom from dogma and religion, freedom from closed-mindedness, freedom to choose my influences, and freedom from fitting in."

Artist | Revati Sharma Singh | Global Indian

But, while she loved colours since she was a young kid, Revati was introduced to pottery as a teenager, and in her words she was "hooked for life". Revati said, "My love affair with the pottery first began when I was 14. That summer, I lived with and learned from the great potters, Mini and Mary in an artist village called Andretta in Himachal. I spent hours turning the wheel with my foot and creating little pieces of magic from the earth. The rest of my time I spent walking around the fields on my own."

An artistic inspiration

After earning a Bachelor of Fine Arts (BFA) degree from Delhi College of Art the artist shifted to Singapore, which proved to be a turning point. Venturing beyond the borders of India for the first time, she immersed herself in the vibrant city, tirelessly exploring its art galleries. It was during this period that she developed a deep admiration for the works of Affandi, the renowned Indonesian impressionist master, who would later become a profound influence on her paintings. "I admire Affendi, an old Singaporean Master. I love his work and his style of painting. I relate to his work a lot and am very inspired by him," Revati shared.

[caption id="attachment_39592" align="aligncenter" width="605"]Artist | Revati Sharma Singh | Global Indian Revati's artwork, "Fleeting Glimpses in Delhi"[/caption]

Interestingly, it was also during her stay in Singapore that Revati experienced the triumph of her inaugural exhibition, held at the esteemed Raffles Hotel. Reflecting on this achievement, the artist recalled a profound realisation that her art held the power to make a positive impact. Inspired by this revelation, Revati initiated a heartfelt gesture of philanthropy by donating a portion of the proceeds from each of her sold paintings to charitable organizations based in Indian cities. This philanthropic practice remains an integral part of her artistic journey, with notable contributions made to the annual charity auctions organized by the Magic Bus Foundation.

[caption id="attachment_39594" align="aligncenter" width="692"]Artist | Revati Sharma Singh | Global Indian Revati is working on several pieces for various international art festivals[/caption]

Revati eventually moved back to Mumbai and the return to her homeland sparked a transformation within her artistic expression, taking on a newfound and distinctly political dimension. Moving to the trendy Mumbai suburb of Bandra in 2007 provided Revati with a renewed perspective on the city, allowing her to embark on what she considers a pivotal phase in the evolution of her artistic expression. "I can still recall the moments when I would gaze out from my sea-facing apartment, completely captivated by the juxtaposition before me. I could see the shimmering high-rise apartments of the privileged alongside the sprawling slums below. This stark and powerful contrast became a pivotal moment of realisation for me, as it dawned on me that my art possessed the extraordinary potential to illuminate the urgent challenges that plague India's densely populated and struggling society," the artist expressed.

The broader picture

In 2011, Revati was invited to exhibit at the Art Monaco fair, which she did with Running on Faith, an installation featuring a life-size cycle rickshaw. In the work, the artist turned her focus more directly toward the religious context of modern India, targeting the concepts of faith and karma as manifested in an overweight, gold-coloured passenger being pulled along by an emaciated, grey-blue rickshaw driver – the latter’s thin body covered in tiny artworks of Hindu icons.

https://www.youtube.com/watch?v=Av4R1CVrknQ

A couple of years later the artist shifted base to the United Kingdom, and 2015’s Italia Docet | Laboratorium marked Revati's first appearance at the Venice Biennale, with two multimedia installations drawing on the work of renowned Indian philosophers Rabindranath Tagore, Sri Ramakrishna and Swami Vivekananda. While her art is brilliant, one of the most interesting things about Revati is that she makes her own colours. "I use natural pigments and glues to make my colours. Stunning lapis lazuli and beautiful malachite, earthy raw sienna, and brilliant yellow - it’s the essence of my being."

In 2019, Revati exhibited her sculptural works, Grains of Antiquity with Art and Soul, casting grains in varied materials and stitched together to form maps of countries, cutouts, and drawings are placed over each other using rice paper forming various planes of visual decoupages. Currently, working on several pieces for various international festivals, the artist wishes to use her art for the common good of humanity.

Artist | Revati Sharma Singh | Global Indian

"I have a strong desire to be ethical in the implementation of my work, to not succumb to what is expected but to be courageous and have the integrity to do what I believe in," she expressed, adding, "I found my path in the language of grains, the language of food, the language of hunger and that of abundance, it’s the language we all speak despite our differences in race, colour, class or religion. It is these differences that make life colourful."

  • Follow Revati Sharma Singh on Instagram, LinkedIn, Facebook, and her website

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US’ National Medal winner Dr Ashok Gadgil merges engineering and empathy to transform communities

(April 13, 2024) When Dr Ashok Gadgil went to the US in 1973 to do Ph.D. from UC Berkeley, he was struck by the stark differences between the United States and India. One striking contrast was the excessive use of fertilizers on American front lawns - a sharp disparity to the agricultural needs in his homeland and the constant struggle for resources. This instilled in him a sense of purpose towards improving the lives of those in less fortunate societies, countries, and circumstances. In 2023, he was presented with a National Medal for Technology and Innovation by US President Joe Biden, at the White House, for providing ‘life-sustaining resources to communities around the world. Over the years, Dr Gadgil has driven numerous inventions, harnessing technology to address urgent problems faced by people in low-resource settings.  His work encompasses a wide range of areas, from water purification to efficient lighting, infant care and fuel-efficient cooking options, among others. [caption id="attachment_50692" align="aligncenter" width="669"] Dr Ashok Gadgil recdeiving National Medal from Biden in 2023[/caption] “His innovative, inexpensive technologies help meet profound needs from drinking water to fuel efficient cookstoves. His work is inspired by a belief in the dignity of all people and

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t="Indian Scientist | Dr Ashok Gadgil | Global Indian" width="669" height="470" /> Dr Ashok Gadgil recdeiving National Medal from Biden in 2023[/caption]

“His innovative, inexpensive technologies help meet profound needs from drinking water to fuel efficient cookstoves. His work is inspired by a belief in the dignity of all people and in our power to solve the great challenges of our time,” it was announced at the award ceremony while he stood up to receive the award.

Purpose – to make a difference

Talking about his earlier days in an interview with the Berkeley Lab News Centre, he shared:

Nobody I knew had a Ph.D., and I didn’t even know that you had to get a Ph.D. to learn to do research. But what matters is your curiosity and the fire in your belly, and wanting to somehow, make a difference.

Throughout his illustrious career, Dr Gadgil received numerous awards and accolades. These include the prestigious Heinz Award, the Lemelson-MIT Global Innovator Award, The Zayed Sustainability Prize, Zuckerberg Water Prize, LBNL Director’s Award for Exceptional Achievement in Societal Impact, the Patents for Humanity Award among others.

Following his retirement from the Lawrence Berkeley National Laboratory (Berkeley Lab) as a faculty senior scientist, where he served from 1980 to 2023, Dr Gadgil has continued to contribute as a Distinguished Professor Emeritus in civil and environmental engineering at UC Berkeley.

Sudan’s Darfur War and Dr Gadgil’s contributions

Between 2003 and 2020, a conflict in Sudan’s Darfur known as War in Darfur or Land Cruiser War, killed lakhs of people, forced millions from their homes, and destroyed traditional livelihoods. Many had to reside in large displacement camps where they received food aid but were still required to gather firewood to cook their meals. For this, women either walked hours to find a single tree, risking assault at every step or purchased wood at unaffordable prices from the vendors.

In response to this crisis, USAID, the world's premier international development agency headquartered in Washington DC requested Dr Ashok Gadgil in 2004 to help design a better cooking alternative for refugees in Darfur - the Sudanese region in Northeast Africa.

[caption id="attachment_50697" align="aligncenter" width="800"]Indian Scientist | Dr Ashok Gadgil | Global Indian Dr Gadgil at a refugee camp in Rwanda[/caption]

The Indian-American civil and environmental engineer designed the stove that had the capacity to burn less than half the wood or charcoal required in a traditional stone fireplace. Gadgil focused on cost effectiveness and simplicity so that the stove could be manufactured locally. Since then, lakhs of women have benefitted from the fuel-efficient wood-burning cookstoves. It eased their financial burden, reduced their families’ exposure to smoke, and diminished their exposure to violence during wood collection. This innovation also helped reduce carbon impact on the planet.

When I visited a refugee camp in Darfur, a couple came up to me and asked me my name. After I told them, they said, “We are going to give that as the middle name for our child.” I was totally blown away. I was humbled. These moments are hard to forget.

Dr Ashok Gadgil remarked in an interview with Berkeley Lab News Centre

Since the stove was designed in partnership with Lawrence Berkeley National Laboratory it was named the Berkeley-Darfur Stove. In an interaction at IIT Bombay, Dr Gadgil had said, “One of the things I cite to my students is a quote of Gandhi. It says, whenever you are in doubt about your course of action, think about effect it will have on the weakest member of the society and that would lead you to the right course of action,”

Disinfecting drinking water, saving lives

Eleven years prior to the Darfur war, Dr Gadgil had worked for UV Waterworks, a project sparked by a 1993 cholera epidemic in South and Southeast Asia. Dr Gadgil’s response was to invent a device that used UV light from a low-pressure mercury discharge (similar to that in a fluorescent lamp) to disinfect drinking water.

Always focussing on simplicity and ease of use for people on ground, he designed a system which had no moving parts and could be operated using even a car battery or solar cell to disinfect approximately four gallons of water per minute. Millions of people in South and Southeast Asia benefited from the device. It was estimated to have saved more than one thousand lives annually.

A project that he has been working on since 2005 focuses on cost-effective arsenic removal from groundwater. It now operates through two community-scale plants in India, serving 5,000 people each at less than a rupee per litre.

https://www.youtube.com/watch?v=xipwECQGABE

 

The technology is also being introduced to California's Central Valley to address arsenic contamination, benefiting low-income rural communities reliant on contaminated groundwater. These initiatives are aimed to alleviate economic burdens and improve access to safe drinking water locally.

Dr Gadgil is revered by his students to whom he always advises:

Make sure you deliver something that actually works well, delivers value at an affordable price, and solves a problem. At the same time, do it in a humble way, where you listen to the community and respect them.

Another significant project of Dr Ashok Gadgil in the field of water purification was ECAR (ElectroChemical Arsenic Removal) that addressed the issue of arsenic contamination in groundwater - a problem that was fatal for one out of five adults in Bangladesh. The ECAR initiative involved use of small amounts of electricity for controlled release of iron rust. The rust binds irreversibly with the arsenic and gets removed as it settles with arsenic, leaving the water safe to drink. The process was effective at room temperature and enjoyed success rate even with high levels of arsenic in water.

Preventing infant deaths

Dr Gadgil developed a plant based non-electric infant warmer to prevent infant deaths from hypothermia - a situation where the body loses more heat than it is generating.

In an interview with NDTV after winning the National Medal for Technology and Innovation last year, he had remarked, "About one million infants die in the first days of their birth from hypothermia. The places where they die do not have reliable electricity. The infant warmer has reduced all-cause deaths of neonatal patients by a factor of three for a large trial in Rwanda public hospitals. That's a very dramatic impact."

https://www.youtube.com/watch?v=MPvxXfOFOsc

Advancing the field of Development Engineering

In addition to numerous inventions, Dr Gadgil has authored and co-authored hundreds of journal and conference papers. He is the founding editor of Open Access journal, Development Engineering published by Elsevier, and has been serving as editor of the Annual Review of Environment and Resources for the last 20 years.

Dr Gadgil has also taught graduate courses on Development Engineering at UC Berkeley and co-edited the first graduate-level text book on the subject that was released in 2022.

Apart from winning numerous awards he has been inducted in the Inventors Hall of Fame and elected to the National Academy of Engineering. He has more than 150 refereed archival journal papers, 140 conference papers, and several patents to his credit.

I think the joy of discovery and inventing is amazing. The opportunity to work with some of the brightest people in the research field just by being here and being in Berkeley is a joy.

Dr Gadgil shared in his interview with the Berkley Lab News Centre

From Bombay to Berkeley

Born in Bombay in 1950, Dr Gadgil did his bachelors in Physics from the University of Bombay, MSc in Physics from the Indian Institute of Technology, Kanpur, M.A., Physics from University of California, Berkeley and PhD in Physics from the University of California, Berkeley.

Before his long stint at the Lawrence Berkeley National Laboratory (LBNL), California, the Global Indian worked for Environmental Energy Technologies Division at the Tata Energy Research Institute, and National Centre for Scientific Research, Paris.

[caption id="attachment_50695" align="aligncenter" width="402"]Indian Scientist | Dr Ashok Gadgil | Global Indian Dr Ashok Gadgil with US President Biden[/caption]

What’s next?

In an interview, he hinted at his next project - how to avoid a large number of heat deaths ‘which are coming to the developing world faster than anybody is ready for.’

“People with training in STEM and with intentions to make the world a better place, have amazing power to do so. Societally, we just have to have the strong intention for a just and sustainable future for all, and the solutions will be there, they are within reach,” he told Berkeley Lab News Centre.

  • Follow Dr Ashok Gadgil on LinkedIn

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Meet Vishnupriya Rajgarhia, the Forbes 30 Under 30 at the intersection of art, policy

(June 24, 2023) Vishnupriya Rajgarhia is an accomplished independent consultant with expertise in art, culture, and education, at the intersection of arts and policy. She is the only South-Asian Research Fellow to represent the British Pavilion at the 58th Venice Biennale. She was also nominated and selected for the Forbes 30 under 30 Asia recognition in Arts. Her notable project, FreeTrade Museums, the world's first live museum focusing on intangible cultural heritage, has gained acclaim. Vishnupriya's work has been exhibited internationally and she has received awards for her contributions to the field. Now an independent consultant with core expertise in art, culture and education, Vishnupriya lives and works between India and the United Kingdom. [caption id="attachment_40610" align="aligncenter" width="629"] Vishnupriya Rajgarhia[/caption] By the time she turned 13, Vishnupriya Rajgarhia had won national and international awards for her art. She had started even earlier, seeing art as a hobby, but by the time she entered her teens, it was clear that the hobby had potential. Growing up in a joint family in Delhi, Vishnupriya Rajgarhia's interest in the arts was nurtured from a very young age. She learned Kathak and Bharatnatyam, apart from being a talented painter and calligrapher. "Summer at my

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priya Rajgarhia's interest in the arts was nurtured from a very young age. She learned Kathak and Bharatnatyam, apart from being a talented painter and calligrapher. "Summer at my nana-nani's home meant being enrolled in classes," she smiles, during her interview with Global Indian. "I always had a pronounced sense of self, I knew what I liked and what I didn't like. I was a shy child, sharp and was either on my sitting on my grandfather's lap, or immersed in books! Music and the arts offer a sense of flow, they help you disappear while working on something," she remarks.

In hindsight, as Vishnupriya looks back at her formative years, "the more I stand surprised," she admits. "I distinctly remember being asked what I wanted to be, when I was about 7-8 years old. I said M.F. Husain, although I knew nothing more about him other than the fact that he was an artist, which I had seen in a newspaper." She drew and she painted, winning every competition she entered and when school was tough, she found safety and refuge in her creative passion. "My family really encouraged me to pursue art beyond a hobby. My grandfather celebrated every medal I won as if it was the Padma Shri," she smiles.

Off to Oxford University

In those days, "the condition of art schools in India wasn't very promising," Vishnupriya says. So, she chose something more staid, a Bachelor's in political science and history at Lady Shri Ram College for Women." After graduating, she had her heart set on a Master's in Fine Arts and aiming high, applied at Oxford University, even if she didn't really believe she stood a chance without a B.F.A. "I had studied political science and history and as an artist, was mostly self-taught and informally trained. But I got in with a scholarship! I was also the only Indian to be accepted to the program in its history."

Vishnupriya arrived at the University of Oxford as a Levett Scholar. Even there, the going wasn't always smooth. By this time, she had experimented widely, working on her first exhibition with diptychs, and suspensions, methods that were largely unexplored in India. She always wanted to break the mould, which went on to set the tone for her artistic practice. At Oxford, she began exploring the intersection of art and policy. However, at University, she found that while her ideas didn't receive popular support, they did, however, receive critical appreciation from her tutors.

The artist in Venice

Soon after she received her MFA at Lady Margaret Hall, Vishnupriya travelled to Venice, where her research on FreeTrade Museums resulted in her selection as a Research Fellow with the 58th Venice Biennale. She was the only South Asian representing the British Pavilion. "We conducted on ground research while participating in curated workshops and experiences; it was the experience of a lifetime," she recalls. The focus was still on art as a soft power to improve relationships between countries.

Vishnupriya's most notable work is FreeTrade Museums, the world's first live museum focussing on intangible cultural heritage, which gained international acclaim. It also earned her a spot in the 2023 Forbes 30 Under 30 Asia list in the Arts category. “It has been the toughest project I have delivered, but one that was the most fulfilling. I hope this creates more awareness about the project, as we scale," Vishnupriya says.

In academia

During the pandemic, Vishnupriya worked as a Research Assistant for the University of Oxford's Changing Character of War centre, where she analysed changes in confict usual visual art techniques. She also worked with the Indian Ambassador to the United States as a research and teaching assistant.

She has led an eventful life in academia, working as an Assistant Professor and Visiting Faculty in serveral different universities. One of her interests is the future of work, and she has developed courses on skills like creative thinking, which she believes will be essential for meaningful impact in the 21st century.

"I worked as a Graduate Tutor at Oxford and soon after, had the chance to be Visiting Faculty at Ashoka University," Vishnupriya says. "I realised how nourishing this experience was for me, it helped me reconnect with a discipline I was so passionate about at a fundamental level."

After that, she was invited to join Anant National University in Ahmedabad, at the age of 26, as an assistant professor in the School of Design. "It allowed me to gain an in-depth view of what academics was all about, as well as key themes and issues surrounding it," Vishnupriya says. She quit that job in February 2023 and is presently a Consultant for India's G20 Presidency, alongside setting up her individual cultural consultance practice.

Where she works

Although she is given to shuttling between cities - and countries, Vishnupriya's workspaces are always dynamic. One thing remains, however: she always sits facing a blank wall. "In all my workspaces, I have always kept a place (a huge whiteboard, lots of post-its) to put up questions, make to-do lists and write down thoughts I would like to return to later," she says.

Balancing roles

It's nearly impossible, Vishnupriya says, to juggle a full-time role and be an artist. Dedicating time consistently to one's practice is crucial, after all. "It's important to find a role that honours the need of your primary profession. Working as a visiting faculty member permits me that freedom and nourshment, both," she says.

How does her academic career influence her creativity? "My academic background is varied in terms of subject-matter focus," says Vishnupriya. "However, it helps me think critically, and beyond curated boundaries. It definitely pushes me to connect the dots between disciplines, and it shows in my projects."

  • Follow Vishnupriya on LinkedIn and read more about her work on her website.

 

 

 

 

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Meet Chef Tavish Bhasin, a self-taught foodpreneur who runs Curry Castle, a cloud kitchen in Dubai and has worked with Michelin-starred chefs. (July 08, 2023) A copywriter at an event media company, Chef Tavish Bhasin was passionate about cooking, and this love for food helped him tip-toe into the world of culinary arts. From cooking for “half the office every week,” to selling burgers and hot dogs at events on the weekends, to his very own cloud kitchen, it has been quite a journey for the chef, who started cooking professionally at the age of 26. “My first cooking job was in 2014 at the Blue Frog under Chef Mrigank Singh, one of the first pioneers of modern Indian food, following which I spent two years at the Table in Colaba, Mumbai, (then listed on Asia’s 50 Best Restaurants) under Chef Alex Sanchez. Those two years were some of the toughest, yet best years of my life, where I regularly got the opportunity to cook alongside Michelin-starred chefs whose guest dinners we hosted,” he tells Global Indian. [caption id="attachment_41034" align="aligncenter" width="440"] Chef Tavish Bhasin[/caption] Gaining Experience and Inspiration After gaining some valuable experience, Tavish, now 32, moved to Dubai where

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align="aligncenter" width="440"]Chef | Global Indian Chef Tavish Bhasin[/caption]

Gaining Experience and Inspiration

After gaining some valuable experience, Tavish, now 32, moved to Dubai where he joined Five Palm Jumeirah. “I spent four years working across many restaurants and cuisines (including Mexican, European and Indian) and finally ended up as Head Chef at their new property, FIVE Jumeirah Village. Along the way, I led one of their restaurants, BLVD on One, to become the number 1 restaurant in Dubai on Tripadvisor,” he says.

In the spirit of adventure and with a hunger to learn, Tavish utilised his summers well as each summer he would spend around 45 days working at various Michelin starred restaurant in Europe “to learn new techniques and ideas and to get inspired; these included Quattro Passi in Italy, La Manoir aux Quat’ Saisons and Bibendum in England and The Test Kitchen in South Africa.”

As glamorous as this might sound, it was really hard work. He agrees that being a chef can be challenging as it is quite physically demanding. "I learnt early on that 14-hour workdays are the norm, with most of your time spent on your feet. It may seem glamorous from the outside, but to achieve your goals, you need to put in the hours and power through the tough days," says the chef, adding, the challenges differ as one grows in skill and designation. "Creative development, staff management, recipe standardisation, guest relations are other challenges that add up. There are no free lunches, so to speak.”

Chef | Global Indian

Like most chefs, Tavish too wanted to become a foodpreneur someday. While it was at the back of his mind from the start, he didn't want to take the usual route by starting a restaurant. Instead, he hit upon the idea of a cloud kitchen. He reveals, "It had always been a goal from day one to start my own food business. I'd dabbled with the idea of a cloud kitchen as early as 2009, and considering the restaurant set-up costs in Dubai, I decided to take baby steps into the world of entrepreneurship with a cloud kitchen." In retrospect, he calls it a wise decision as he understood over the time that "there are so many more aspects to a business that need attention than just the culinary one." He hasn't given up on the restaurant dream though. "Someday, we hope to have restaurants as well under our company banner."

Interestingly, Tavish grew to love Indian food, thanks to his mother’s and grandmother’s cooking. Added to that were his travels across India which showed him how regional cuisine could be healthier, more flavourful and delicious. Plus, no one was really focussing on this hidden gem at the restaurants in Dubai.

Originals Reinvented

Situated in the suburb of Al Barsha South in Dubai, he launched Curry Castle, his cloud kitchen, approximately nine or ten months ago. He defines the food he cooks as "Progressive Indian Cuisine." His menu is well-researched and the dishes are tweaked to suit this definition of what he serves. He says, "We use the term Progressive Indian Cuisine for what we're doing at Curry Castle and Dark Knight Hospitality (his brand). Dubai is a pretty evolved market; in our neighbourhood radius alone, there are more than 50 Indian restaurants."

"We feel we've found a gap in the market with progressive, healthy Indian cooking. Food that is delicious while also being healthy is something people are looking for in 2023 and we wanted to offer that by integrating low-carb, sugar-free, keto, gluten-free and vegan options into the first half of our menu. We want our food to be accessible to all, no matter what your dietary preferences. The second half of the menu is reserved for modernised versions of regional classics like Goan Raw Mango Curry with triphala and dry mangoes or our version of Duck Mappas, Lamb Shank Rogan Josh and a slow-cooked Smoked Dal that we finish with a 45-minute olive-wood smoke.”

 

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How has he tweaked the evergreen favourites to give them a healthy twist? He elaborates, "The low carb Butter Chicken, for example, omits onions and cashew nuts completely, along with sugar. Instead of the cashews we used almonds, peeled and soaked overnight; and we have replaced the sugar with stevia. Asafoetida replaced the ornamental onions, and after some tweaking and trials, we believe we have the ratio of sourness to sweetness to richness right. Another neighbourhood favourite is the Lamb Shank Rogan Josh as is the Smoked Dal. Personally, I love the 'Floyd's Raw Mango Goan Curry', named after the legendary late Floyd Cardoz [a huge influence in Tavish’s life] who paved the way for modern Indian cooking way back in the 90s.”

No wonder the response Curry Castle has received thus far has been very positive. "Surprisingly, our customers are a 60-40 ratio of Europeans and locals to Asian expats, though we anticipate this number will even out in the long run." Tavish's team at Curry Castle includes chefs who all have fine-dining restaurant experience. He adds, "Our vision from the start has been to serve restaurant-style, high-quality food that you can have within the comfort of your own home."

One would think the name of his company Dark Knight Hospitality harks back to Batman. Tavish laughs, “Funnily enough, the name has nothing to do with Batman though I can understand why you thought so. A dark knight or dark horse is an underdog, who succeeds against the odds, and we feel that represents us well. It’s also inspired by the fact that we run ‘dark kitchens’, or cloud kitchens are they are known in some parts of the world - so literally speaking, we are the ‘Dark Knights of the hospitality world’. That’s where it came from.”

 

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Since Curry Castle is already doing well, Tavish and his team plan to scale up locally. "Our immediate plans are to scale locally (Dubai is a big city) and we'd like to open at least a few more stores to make the brand more easily accessible to people," he says.  He'd love to add at least three more dark brands as he calls them, and some slightly-elevated dine-in concepts to their stable before expanding further in the Middle East. "I would like to use my experience in fine dining in combination with my love for takeaways. Essentially, I want to use all the techniques I know with the best of Indian cuisine,” he concludes.

Chef Tavish eats at:

Streetery for the Best Asian food and Sichuan Wontons
Tresind Studio for a high-end Indian meal
Al Ostadi Special Kebab for authentic Iranian fare

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Reading Time: 6 mins

Story
Comic belief, period! Menstrupedia entrepreneur Aditi Gupta busts taboos

(March 2, 2022) Not many individuals are comfortable discussing periods or even menstruation freely. The subject is often relegated to hushed tones. Sanitary napkins hidden in brown paper bags, menstruating women banned from kitchens, places of worship and festivities, or just isolated. Even today, several girls in small towns and villages drop out of school due to lack of proper hygiene once they start their periods. To shatter these myths and taboos surrounding menstruation Indian entrepreneur Aditi Gupta launched Menstrupedia with her husband Tuhin Paul. Launched as a comic book aimed at educating and creating awareness about menstruation, the comic demystifies the biological process and makes information accessible for young kids in the throes of puberty. Today, Menstrupedia works with over 11,000 schools and 10 government organisations, and the comic itself is published in 19 different languages with a presence in six countries. In fact, Aditi’s work has been so appreciated that she has been featured in international magazines like TIME and is also on the Forbes 30 Under 30 list.    A magical childhood Raised in Garhwa, Jharkhand, Aditi is the eldest of three siblings who led a magical childhood. “Our house was by a river. My brother and

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811_860543372175_4077299360980018741_o-1.jpg" alt="Indian Entrepreneur | Aditi Gupta | Founder of Menstrupedia" width="632" height="421" />

A magical childhood

Raised in Garhwa, Jharkhand, Aditi is the eldest of three siblings who led a magical childhood. “Our house was by a river. My brother and I spent hours trying to fish there. During Chhat, I’ve seen beautiful ceremonies right outside our home. A little mountain just beyond the river provided a beautiful backdrop as it changed colours every passing season,” she recalls, adding that summer evenings were spent under the glow of a thousand fireflies. “It really was magical,” smiles the Indian entrepreneur, who shares a close rapport with her parents who always instilled a sense of confidence in her.

In small towns like hers, girls are married off after class 10. “But my parents were well educated and went to great lengths to ensure that we were too,” she tells Global Indian.

Indian Entrepreneur | Aditi Gupta | Founder of Menstrupedia

After doing her engineering from Hindustan College of Science and Technology, Agra, Aditi did a Masters in new media design from National Institute of Design. “Growing up in a small town meant that one either studied medicine or engineering. Although, I had a creative bent of mind, I too first pursued engineering,” says the Indian entrepreneur in an interview with Global Indian.

Despite an idyllic childhood, Aditi was asked to keep her period a secret, even from family. “I got mine at 12. It was treated like an unspeakable sin. I was not allowed to touch or eat pickles, attend social activities or festivities, sit on the sofa or on the beds of family members. I had to wash my sheets after each period, stained or not,” shares the entrepreneur, who would use rags to manage her cycle, often dried in damp, dark places.

The onus to design for progress

[caption id="attachment_20577" align="aligncenter" width="544"]Indian Entrepreneur | Aditi Gupta | Founder of Menstrupedia Aditi Gupta and Tuhin Paul[/caption]

It was during her time at NID that she met and fell in love with Tuhin, who learnt about the inconvenience she often faced. He pulled up a wealth of information for her. “It struck me that there were millions of girls who were ill-informed about menstruation. This left them vulnerable to unhygienic practices, and also lowered self-esteem,” says Aditi, who undertook a year-long research project with Tuhin to understand the level of menstrual awareness in young school-going girls in urban and semi-urban areas.

[embed]https://twitter.com/menstrupedia/status/1481498655396102147?s=20&t=dZYYeqjWoRZo2A_OtVtKJA[/embed]

 

Most kids were ill informed, and most girls didn’t know about menstruation before their first period. “In fact, in Rajasthan 90 percent girls were unaware,” says Aditi, adding that even today 88 percent of girls and women in India follow unhygienic practices. “This is largely due to the culture of silence and the inherent shame surrounding it,” she adds.

After NID, both Tuhin and Aditi worked for a couple of years before they got married, and quit to launch their dream project. The idea for Menstrupedia received a great response. “There were a few naysayers who questioned it. We applied for Power of Idea, and were pitching it to investors who didn’t seem entirely convinced. However, we crowdfunded our book, raised ₹5.15 lakh (our target was ₹4 lakh) - the public loved the idea,” says the Indian entrepreneur.

[embed]https://www.ted.com/talks/aditi_gupta_a_taboo_free_way_to_talk_about_periods?language=en[/embed]

 

A comic on awareness

Menstrupedia was launched in 2014. The comic aimed at creating two-pronged awareness- do away with the associated shame by portraying menstruation in a positive light, and to help young girls learn about the subject in a fun way. It is also a great tool for parents and teachers to broach the topic.

Indian Entrepreneur | Aditi Gupta | Founder of Menstrupedia

Today, Menstrupedia has four offerings: the Menstrupedia comic, Gulu, a book for pubescent boys, workshops for teen girls and parents, and a masterclass to enable menstrual educators. The team also works with government organisations; just last week, they shipped over 20,000 comics to Punjab. Their comics are also printed locally in US, Zimbabwe, Bangladesh, Uruguay, Hungary and China. “Currently, we’re working on a huge project in Jharkhand with an aim to reach 50,000 girls through workshops. And focus on enabling menstrual educators to spread the word,” says the entrepreneur, who loves to read and paint.

As the team gears up to take the business online, and build a one-stop platform, Aditi says they couldn’t have done it without mentors Ketan Rawal, Uday Akkaraju, and Sunil Handa. “From pointing us in the right direction, helping us transform as human beings, instilling a sense of discipline, pushing us to win, and working towards our aim of achieving global domination as period educators, they’ve been with us right through,” says Aditi, who also won big on Shark Tank India recently.

 

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About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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