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Hotelier | Roop Partap Choudhary | Global Indian
Global IndianstoryFrom heritage to fine dining: Hotelier Roop Partap Choudhary’s inspiring entrepreneurial saga
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From heritage to fine dining: Hotelier Roop Partap Choudhary’s inspiring entrepreneurial saga

Written by: Bindu Gopal Rao

(September 13, 2023) When his parents began their journey of conceptualising and building the Noormahal Palace, they spent a considerable time on the project. Naturally, this helped expose Roop Partap Choudhary to the many discussions and the extensive work that went on for years. Currently serving as the Executive Director of the Noormahal Palace Hotel (India), Choudhary is the founder of Colonel Saab in London and an award-winning hotelier.

Hotelier | Roop Partap Choudhary | Global Indian

Hotelier Roop Partap Choudhary

“I have inherited the love for our royal heritage, hospitality, and creativity from my parents. This process of building Noormahal Palace gave me a chance to give the right outlet to my natural aptitude. I went through formal education in the field and then earned the opportunity to work with some reputed organisations to understand the functionality of an organisation. My ultimate goal was to make myself capable enough to take on the role of an entrepreneur,” shares the hotelier as he connects with Global Indian.

Building a magnum opus

After completing his schooling in Shimla, he moved to the United States for his undergraduate degree, and later relocated to Singapore for his master’s degree. For someone who travelled extensively across the country, courtesy his father’s service in the Indian Army, Choudhary was exposed to India’s glorious heritage at a young age.

“My parents have been my inspiration, on one side was the army background of my father, and on the other my mother’s passion for art and their dedication towards family. What left a lasting impression on me was also their passion for hospitality and their respect for our rich royal heritage. I am a hotelier both by profession and passion. Before embracing the family legacy of heritage hospitality, I started my career by doing internships at Galaxy Hotel and ITC Maurya, then graduated to join Kingdom of Dreams in Corporate Sales. This was the invaluable time I spent in learning about the luxury hospitality industry. But my biggest learning experience has been Noormahal Palace as I have been associated with it from a very young age,” says the hotelier.

Hotelier | Roop Partap Choudhary | Global Indian

(L-R) Roop Partap Choudhary, Col. Manbeer Choudhary and Binny Choudhary

During the time that his parents were building the Noormahal Palace, Choudhary was captivated by the entire concept. “I was fascinated with the idea, the thoughts, the details, the architecture, the décor, and everything else that went with it,” says the hotelier. The major years of his career were spent in Noormahal Palace, which he calls his unofficial first-hand experience in the hospitality industry when he got a sneak peek into what really goes into building a palatial hospitality brand. “I joined Noormahal Palace officially in 2014 and soon took over the leadership role. It was a huge responsibility but I had the right support to help me pass through the initial phase,” he adds.

Leading by example

Noormahal Palace has evolved dramatically through the years, especially during his tenure, seamlessly adopting good new practices, improving sustainability, and upgrading technology as a natural progression. In recent years, the brand has changed its image. It has also changed the way it connects with guests and audiences, the focus on digital marketing and dialogue have been key in the marketing strategy. Through this time the brand has also built a strong team which is helping it to grow every day. Noormahal Palace has grown and added many new venues in the existing campus for MICE, weddings, and wedding functions of all sizes.

Hotelier | Roop Partap Choudhary | Global Indian

Noormahal Palace, Karnal

The Noormahal brand took a leap by making its first presence on the global canvas with the Indian fine dining restaurant ‘Colonel Saab’, right in the heart of London. A feat that’s nothing short of an achievement as it worked well despite the pandemic.

London Calling

He conceived the idea of Colonel Saab in early 2019 and started planning as the year progressed. “As we were working on the project, the COVID pandemic hit us hard and we had to stop the physical work for a good amount of duration. Colonel Saab is an ode to my journey with my father who has had a decorated service as an officer of the Indian Army and my mother who supported him throughout. It is not only an expression of my journey with my parents but also my passion for showcasing the depths of Indian cuisine to the global food-lover community. The hospitality industry trends of London rather than the global trends are very different from India. Here Indian food is our food, but there it is seen from an outsider’s point of view. I am delighted that in a very short span of time, we have been able to get it right and Colonel Saab has made a significant mark in the global food lovers’ community,” says Choudhary.

Hotelier | Roop Partap Choudhary | Global Indian

Colonel Saab, London

As a second-generation entrepreneur, who comes after people who have created brilliance, the task of filling in such big shoes is always one of the biggest challenges. “Being an entrepreneur means never giving up, always trying to find solutions, and always being on top of any situation. There have been difficult situations some of which are common to all hospitality businesses or all businesses and some as huge as the COVID pandemic which are unprecedented. But one can overcome all these situations with persistence and the right team to support,” he says.

Being an entrepreneur means learning every day. Work is the biggest teacher and the most valuable lesson it teaches is that it’s never the end, there is always a way ahead. “Someone who wants to embark on the entrepreneurial journey should be open to learning from anyone, no matter their seniority,” he adds.

Looking Ahead

The hospitality industry is very demanding and that makes it very difficult to maintain work-life balance. “Still, I try my best to maintain a healthy work-life balance. In my personal time, I like to read books, especially autobiographies of inspirational people. I also invest time into exploring and enriching my art collection, some of the artworks and antiques that I have acquired are displayed at Noormahal Palace and Colonel Saab. I also like to spend time with my family when we all can take off time from work,” says Choudhary.

Hotelier | Roop Partap Choudhary | Global Indian

Nobel Peace Prize laureate, Malala Yousafzai at Colonel Saab, UK

With Noormahal Palace and Colonel Saab already making their mark, the next step is to expand the brand, both in India and across the globe. His family and he are now looking at making more investments towards the expansion of the brand.

  • Follow Roop Partap Choudhary on LinkedIn, Instagram, Facebook, and Twitter
  • Follow Noormahal Palace on Instagram and their website
  • Follow Colonel Saab on Instagram, Facebook, LinkedIn, and their website
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  • art collection
  • brand expansion
  • Colonel Saab
  • COVID pandemic
  • creativity
  • digital marketing
  • Executive Director
  • formal education
  • global food lovers
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  • luxury hospitality industry
  • MICE venues
  • Noormahal Palace
  • Roop Partap Choudhary
  • royal heritage
  • second-generation entrepreneur
  • Sustainability
  • technology upgrade
  • wedding functions
  • weddings
  • work-life balance

Published on 13, Sep 2023

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minent stages around the world with captivating performances that have enchanted audiences and critics alike. 

 “Apart from teaching here in the UK, I am also involved in a cross-country cultural project exploring English medieval writing paired with the famous Ukrainian poems through the language of Indian classical dance,” she says. This project is a collaboration with ExploreTheArch, an organisation in Hastings, and Kyiv’s Indian theatre, Nakshatra. 

[caption id="attachment_44653" align="aligncenter" width="510"]Indian Art and Culture | Ganna Smirnova | Global Indian Ganna Smirnova[/caption]

Art and the war 

Ganna founded Nakshatra in 2003. Although she has moved to the UK for the time-being, her theatre stands tall amidst the war. It is being looked after by one of her disciples, Victoriya Burenkova. “In 2014, an opportunity to teach at the Jawaharlal Nehru Indian Cultural Centre led me to stay in Moscow for extended periods of time. But I used to visit Kyiv regularly. During that time, I had handed over Nakshatra’s baton to Victoriya so that Nakshatra’s functioning remains unhindered,” Ganna, shares. 

It was just after seven months of her relocation to Kyiv from Moscow that the Russia-Ukraine war broke. However, Ganna continues to support and advise Nakshatra and Victoriya online. “Due to the war, some of the Nakshatra students left the country, but those who chose to stay remain actively involved. Their dedication not only keeps them mentally resilient but also prevents them from succumbing to the prevailing sense of despair in Ukraine during these trying times,” she says. 

“Victoriya is a graceful dancer, an inspiring teacher, and a dedicated organiser. She deserves special recognition for her unwavering commitment to dance and her role in fostering this resilience despite the numerous challenges,” Ganna says, in praise of her disciple.  

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After earning an ICCR scholarship to learn Bharatanatyam in India, she came to New Delhi where she spent five years between 1998 and 2003 learning the classical Indian dance form from her Guru Smt Jayalakshmi Eshwar. 

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She also received training in Carnatic vocal music from Guru Vasantha Sundaram, studied Chhau, a semi classical dance with martial and folk traditions, under the guidance of Guru Janmey Jai Sai Babu, and gained introductory knowledge in Kuchipudi from Guru Seetha Naagjyothi. She also learned the basics of Sanskrit, Indian mythology and philosophy, the history of South India and yoga.

“Under the influence of my studies, and daily communication with my gurus, new habits formed and gradually changed my lifestyle and even the process of thinking,” she remarks, adding “From my own experience, I realized that the constant practice of Bharatanatyam as Natya Yoga, and especially its spiritual aspect - Abhinaya, based on a deep sense of bhakti, transforms the adherent’s consciousness.” 

Taking Indian classical arts forms to Ukraine 

 “After finishing my study in India, I felt the need to share my expertise with those who had an interest in Indian art forms in my country. When I returned to Kyiv in 2003, I started teaching Bharatanatyam at the Centre of Aesthetic Education of Kyiv State University,” she shares. “Following that, I established the Nakshatra Indian dance theatre group and led numerous performances. In 2010, Nakshatra was honoured with the title of Ukraine's National Amateur Collective, an accolade it continues to uphold.” 

Since founding Nakshatra, Ganna has tirelessly devoted herself to fostering a deep appreciation of Indian art and culture. Her unwavering dedication has been centred on creating substantial cultural awareness of India in Ukraine, creating numerous pioneering milestones in this endeavour. 

[caption id="attachment_44655" align="aligncenter" width="776"]Indian Art and Culture | Ganna Smirnova | Global Indian Ganna Smirnova's students[/caption]

“With the support of the Indian Embassy, we implemented a very interesting and successful project for several years – the annual Nrityaanjali international dance festival. Over the years, it was attended by many famous Indian dancers, and professional performers of Indian classical dances from other countries as well,” she tells. The purpose of the creative and informative project was to show the possibilities of adapting Indian classical dance to the needs of modern society in the global world. “A regular guest of honour at our festivals was the writer and dance critic late Padmashri Sunil Kothari.” 

Nakshatra also held the Raganjali music festival, where stars such as Hariprasad Chaurasia, Pt. Ronu Mazumdar, Pt. Debu Chaudhury, Ustad Amjad Ali Khan, and others performed. “We wanted citizens of Ukraine to see the best of Indian classical art,” Ganna remarks. 

Under her guidance, Nakshatra has introduced Indian classical dance and yoga lessons in various cities across Ukraine. She brought renowned gurus to conduct master classes in Indian art forms. It orchestrated festivals showcasing Indian classical dance and music, curated exhibitions featuring the works of Indian and Ukrainian artists, and facilitated students' journeys to study Indian arts in India. 

Embarking on a global journey 

As time passed Ganna started taking the magic of Bharatanatyam to prestigious venues like Berlin, Moscow, London, Lisbon, Milan, Colombo, Kandy, and Prague. “I also taught Bharatanatyam in dance groups founded by my students in Odessa and Crimea, which were then part of Ukraine".

[caption id="attachment_44662" align="aligncenter" width="796"]Indian Art and Culture | Ganna Smirnova | Global Indian Ganna Smirnova's troupe[/caption]

"We organised many interesting performances that took place not only on theatre stages, but also in significant historical places, such as the ruins of the ancient Greek temple of Apollo and the ancient Greek amphitheatre in Chersoneses (Sevastopol, Crimea). There have been occasions when Odessa, Crimea and Kyiv’s artists have collaborated and performed together in big events in Kyiv,” she says. 

For the love of India 

Despite leaving India after her five-year ICCR-sponsored training, Ganna's heart always yearned to return to the country, this time seeking to deepen her enrichment. She fondly refers to her second sojourn in India from 2007 to 2015 as a pivotal chapter in her creative journey. 

 “I was travelling across India, from north to south and from west to east. I was fascinated by the cultural diversity of traditions of different regions of this vast country and the warm hospitality of its inhabitants,” she remarks. 

From the lively streets of Ahmedabad in the west to the tranquil landscapes of Imphal in the east, and from the bustling city of Chandigarh in the north to the enchanting charm of Pondicherry in the south, the danseuse immersed herself in the captivating beauty and artistic richness of the country. 

Her pursuit led her to perform at prestigious cultural gatherings such as the Mahabalipuram dance festival, Modhera dance festival, Taj Mahotsava, Rajgir dance festival, Uday Shankar dance festival, Natyanjali dance festival in Chidambaram and Thanjavur, the Bharath Kalachar Dance Festival, and the Dasyam Festival, to name just a few. 

[caption id="attachment_44660" align="aligncenter" width="821"]Indian Art and Culture | Ganna Smirnova | Global Indian Ganna Smirnova[/caption]

Traveling from one district to another, by rail and road, Ganna immersed herself in the living traditions of folk culture. She encountered the soulful street singers of the Bauls in Bengal, listened to the captivating tales of Tamil storytellers, marvelled at the vibrant folk dancers of Rajasthan and Gujarat, delved into the artistic ambience of Shanti Niketan in West Bengal, and had the privilege of meeting the custodians of the exquisite dance styles of Uday Shankar and Rabindra Nritya. These experiences quenched her creative thirst and left an indelible mark on her artistic journey. 

She earned recognition from esteemed cultural institutions and Sabhas in Tamil Nadu – the place from where Bharatanatyam originated. “The vivid hues of Rajasthan, the perpetual lushness of rainy Shillong, Kerala's verdant hills and cascading waterfalls, Tamil Nadu's awe-inspiring temples, the serene ambience of Nagar, the Sun God's revered shrines in Odisha and Gujarat, the formidable fortresses of Agra and Delhi, the tranquil ashrams in Rishikesh and Pondicherry, the illuminating lights of Ganga-puja in Varanasi, the peaceful Shanti Niketan groves, the bustling sari emporiums in Chennai, the vibrant celebrations of Durga Puja in Calcutta, the enchanting Mysore fairy-tale palace, and a myriad of other cherished memories form a vivid and sparkling kaleidoscope in my mind,” she says. 

https://www.youtube.com/watch?v=OyyUlV139fo

 

 India – a part of her identity 

Ganna Smirnova has also written a book, ‘Indian Temple Dance – Tradition, Legends and Philosophy’. “It’s the first of its kind in the whole of CIS region which received appreciation from scholars and academicians alike for its depth and quality,” she mentions. “To me, India is a country of sacred ideas, mystical transformations, where the metaphysical and everyday life are inextricably linked. It’s a place where tradition and modernity complement and enrich each other, and where the Platonic ‘world of ideas’ and ‘world of things’ are not yet disconnected and people feel the presence of the divine,” she explains. 

Deeply in love with the memories of her late husband, who was an Indian, the Bharatanatyam danseuse has been working and living in Hastings with her twins. “They are studying classical music (harp) in London at Trinity Laban Conservatoire, and are my only family here. I miss my country, Ukraine and would like to go back once the situation gets normal.” Ganna signs off.  

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The Chief Scientist and Mission Designer for the world's first laser-based debris removal project at SKY Perfect JSAT Corporation in Japan, Dr. Baraskar has surely come a long way in the space science industry. The scientist, who is working on generating electricity in space, which can be distributed on Earth without using any wires, is also a serial entrepreneur and investor in businesses working on microsatellite designing, agriculture and fishery automation laboratory, and parking management systems. Interestingly, the scientist is also working on developing technology to tackle space junk, created by old satellites, rocket fuselages, and the like.

A small-town boy with big dreams

Despite being born in a small town in a middle-class family, Dr. Baraskar had big dreams. "I come from a very small town in the Betul district of Madhya Pradesh. I didn't get any fancy education growing up and studied at the Jawahar Navodaya Vidyalaya in Betul. But I was ambitious. So, after finishing school, I moved to Maharashtra, where I pursued a Bachelor of Engineering in electronics and telecommunication from Shramsadhana Bombay Trust, College of Engineering & Technology in Jalgaon," shares the scientist.

It was during his college that he was asked to present a paper in the second year. For someone who had no inkling about writing a paper, he chose digital communication as his subject. "It really amuses me sometimes that from a boy whose first paper was pretty bad, I have journeyed to become a scientist whose papers are quoted internationally."

https://www.youtube.com/watch?v=CGF63rBUUfs

While still in college, a natural disaster in Japan forced him to look into the 'wireless electricity' technology. "In March 2011, Japan was hit by the Tōhoku earthquake and tsunami, which resulted in Fukushima nuclear disaster. As the nuclear plant generated electricity, the accident caused a loss of energy for several localities. Not to mention the number of people who lost their lives due to the disaster. While I was reading about the news, I started thinking about more viable ways of generating electricity, and that's when I first thought about using wireless technology. We need electricity 24*7 on earth, but it also has to be from a renewable and sustainable source. So, why not generate electricity in space using solar power?"

"Back then, we had 3G network connections - something many people would have thought to be impossible a decade back - and in the future, this technology would only emerge more. So, in the same way, wireless electricity is also a possibility," he shares. While it was a great idea, the scientist needed to do a lot of groundwork before even testing the technology.

Moving to Moscow

After finishing his graduation, the scientist started writing to various scholars, under whom he could work on his idea. And it was then that he got invited to a military institute in Russia to pursue his master's degree. "While I was in college, I had criticised a Russian professor's paper, who was quite impressed by my knowledge. So, after I earned my degree, he asked me to join the Moscow Aviation Institute (National Research University) in 2016, where I pursued a Master's in space technology and rocket engineering. As it was a military institution, they didn't have any foreign students. I was one of the first two international students who went to MAI," he exclaims.

[caption id="attachment_35381" align="aligncenter" width="550"]Scientist | Dr Aditya Baraskar | Global Indian Dr Baraskar with Commander Astronaut Dr. Koichi Wakata[/caption]

Sharing an insight about his life in Moscow, the scientist shares, "It was a big culture shock for me," laughs the scientist, adding, "Till then I was completely dependent on my parents, and now all of a sudden I was on my own. During my initial days, I had no one to talk to and had to cook my food, which I had no clue about, and manage my house. So, for the first few weeks, fast-food restaurants were my refuge. However, I started gaining a lot of weight and also it was a bit heavy on my pocket to eat out daily. So, I eventually learned how to cook a basic meal for myself, taking instructions from my mother over the phone. But I must add that the Russians are very warm people. Everyone I met there - from my professors to my colleagues - helped me understand the city and navigate through it."

The land of the rising sun

Even though he learned a lot during his time in Moscow, the scientist shares that Russia wasn't so technologically advanced to put his thoughts into action. "My professor encouraged me to look for a research facility in Japan, where the technology was substantially more developed, and also introduced me to one of the faculty members at the Kyushu University in Fukuoka, Japan. I proposed my idea of wireless electricity and they were quite impressed. I pursued a doctorate in engineering, in aerospace, aeronautical, and astronautical engineering," shares Dr. Baraskar, who also has a postgraduate diploma in GIS and remote sensing laws from the National Academy of Legal Studies and Research (NALSAR), in Hyderabad.

[caption id="attachment_35382" align="aligncenter" width="650"]Scientist | Dr Aditya Baraskar | Global Indian Dr. Baraskar with the Japanese Space Solar Power Society 2021[/caption]

Eventually, the scientist developed his idea further and started working on developing a technology for the same. "Currently, satellites implement a traditional method for power generation using the solar panel and radioisotope generator (RTG) with battery storage capacity. Such a system increases the weight, cost, and valuable space. And it can be lowered by 15-25 percent by introducing Energy Orbit (E-Orbit), the concept of laser power transmission to customer satellites in LEO with 1600 Energy satellites (E-Sat). E-Sat will also provide multiple services like energy transfer, orbit transfer, and de-orbiting to LEO-based satellites. Hence, customers will save much money after accessing services from E-Orbit and generate new economic value with space sustainability. The project has an entrepreneurial side to it, and just last year we participated in the Asia-Pacific round and won the Specialised Sponsor Award," says the scientist, who has spent nearly a decade working on this technology.

[caption id="attachment_35383" align="aligncenter" width="650"]Scientist | Dr Aditya Baraskar | Global Indian Dr Baraskar with Hayabusa 2, ISAS-JAXA Japan[/caption]

There's more as Dr. Baraskar is also looking to solve the space debris issues, which can destroy hundreds of millions of dollar's worth of satellites in space and disrupt life on Earth as well. "I am a part of the team which is testing the use of satellite-mounted lasers to remove space debris, and manoeuvre satellites to avoid any collisions and accidents. A satellite collision is bound to have grave consequences, and no country would want that. So, we are using a laser beam to nudge debris toward the atmosphere. The technology behind it, called laser ablation, is widely used in electronics and cosmetic surgery," shares the scientist as he signs off.

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Reading Time: 7 mins

Story
How Bem Le Hunte is ‘Future-proofing’ education in a changing world

Thirty years had passed since Bem Le Hunte first stood on the doorstep of Mongrace in Kolkata, her first school. Her spirits lifted as she heard the children inside singing about "a little duck with a feather in its cap," a song she still remembered. Back in India to write her second book, Bem found herself drawn to the school once more, wanting very much to find Aunty Grace and say thank you. The door swung open and a woman stood before Bem, who told her what she wanted. To Bem's surprise, the woman burst into tears - Aunty Grace had just passed on. She might not have had the chance to see her old teacher again but her timing was startling, nonetheless. It's the sort of thing that happens in Bem's world - her own story is as riveting as the ones she likes to tell in her novels, which often draw from her real-life experiences.     Now an internationally-acclaimed author and academic, Bem is at the forefront of futuristic education herself, as the founding director of the award-winning Bachelor of Creative Intelligence and Innovation at the University of Technology, Sydney. Half Indian, half-British and totally Australian by choice, Bem

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y, Sydney. Half Indian, half-British and totally Australian by choice, Bem Le Hunte's story unravels like a Gabriel Garcia Marquez novel, a heady mix of mysticism and materialism.

[caption id="attachment_34249" align="aligncenter" width="319"] Bem le Hunte[/caption]

Building a brave new world

Bem moved to Australia when she was 25, tired of her life in the UK. Within a month, she had met her would-be husband, Jan, whom she married soon after, and also landed a full-time job as a lecturer in the Faculty of Arts and Social Sciences at the University of Technology (UTS). There, she is the founding director of a first-of-its-kind course on Creative Intelligence, that she says is “informed by consciousness based education.” A long-time practitioner of yoga and transcendental meditation, she tells Global Indian, “My Curriculum for Being informs everything I do. It informs how I write and the learning experiences I design."  

She describes it as a "creative response to this dilemma of our time." Through a transdisciplinary approach combining 25 different degrees, it’s an attempt to "future proof" careers in a rapidly changing world, one with which the education system has not yet managed to keep pace. "You have to do the ontology of learning, not just the epistemology, it's about the being, not the doing," Bem explains.  

Schooling systems the world over continue to emphasise rote learning, gearing students up for the competition-driven ecosystem of western capitalism. That won't work, Bem feels, in the workplace of the future, where "you're going to do 17 different careers in totally different fields. We aren't future proofing them if we're only training them for one." The other response is to create an ecosystem of "radical collaboration." Here, the unity of all disciplines is the goal. Students work in transdisciplinary teams, an engineer collaborates with a communications person, a businessperson with a healthcare person and "they tackle a challenge together that globally affects a lot of people."

[caption id="attachment_34254" align="alignnone" width="1017"] Course Director, Associate Professor Bem Le Hunte accepting the BHERT Award.[/caption]

Early life

Bem was born in Kolkata, to an Indian mother and English dad. Her grandfather ran a mining company that he eventually sold to the Birlas and was "quite an international person, who had studied at Bristol University." Her mother went to Cambridge, where the gender ratio at the time was one woman to every 10 men. "I’m not just the product of a tiger mum, but also of an English father. So I was half tiger and half pussycat," she grins. "My mother was very motivated about my education and encouraged me to write. I had a good mix of 'relax and do what you want' and this really motivated learning."  

When she was four years old, the family moved to the UK. Every summer though, they would return to Calcutta or Delhi where a young Bem would dip into her grandmother's book collection, reading Sri Aurobindo and Swami Vivekananda late into the night. At their home in Wales, Bem created a cathedral temple in the forest at the edge of their backyard, "a green space to encounter the natural world and the continuity of self that it gives to you." This mysticism has only grown stronger – her life is peppered with stories of healers, quests and spiritual journeys. One hour each day for the past thirty years has been spent in transcendental meditation. Her grandmother, Bem says, learned meditation from Maharishi Mahayogi himself.  Don't, however, mistake her for a new-age hippie, her approach is one of discovery and questioning, of exploring the mystic realms of the human mind rather than blind faith in the unknowable.

Breaking away from mainstream education

A gifted student, Bem found the mainstream education system quite unfulfilling and in high school, informed her mother she wanted to quit, taking her A-Levels after being home-schooled. She learned English literature from her mother, who, incidentally, was among those responsible for the English A-levels curriculum. After a year spent studying journalism and realising it wasn’t for her, she moved on to Social Anthropology and English Literature at Fitzwilliam College, Cambridge.  

"I wanted to go on to do other things," she says. "Education has a way of holding people back. I know that Indians see it as a key to a door but it has a strangulation effect, it can kill your creativity, too." Over the [ast few years, Bem has returned to the problem, this time as a champion of new ways of learning. Her year-long experience with journalism, which she agrees, helped her craft her writing, “was quite restrictive creatively." So, she switched to social anthropology instead. All in all, Cambridge was an exciting time, in an interview, she speaks of how she starred in a student movie, befriended controversial artist Marc Quinn, lived with the octogenarian Doctor Alice Roughton in a house filled with people from around the world where “we ate food she rescued from school dinner leftover bins."

[caption id="attachment_34255" align="aligncenter" width="572"] Bem Le Hunte[/caption]

Arrival in Australia

She went on to travel the world, visiting Japan and then Chicago, before returning to Delhi to make films on women’s development for the United Nations. At 25, she moved to Australia and began working as a lecturer at UTS and also met her husband. A month after their wedding in Rajasthan and a communal honeymoon in the desert, Bem contracted Hepatitis A. She was rushed back to London, to an isolation ward, where her condition showed no improvement. In a panic, Jan recruited a healer who offered to help and Bem, who was asked to sign papers acknowledging that she would die if she left hospital, moved to his house. The "polarity therapy" proved effective and brought with it a new fascination for Bem - alternative therapies.  

In 1995, heavily pregnant, she was asked to oversee the Australia launch of Windows 95. During that time, she was working in a range of industries, and also focussing on educating students and clients on digital innovation. "The Windows launch was scheduled for the same day as my due date," she says. Three years later, when Windows 98 came along, so was her second child. This time, she decided on maternity, to "sack my clients and go live in the Himalayas. I wanted to write that book so badly and at the time I didn't know what it was going to be. I placed radical trust in the creative process. It's one of the things I believe in. Mystery has to remain mysterious and I enjoyed the creative process of being able to stay in the mystery for longer." 

A time of renunciation and a literary career

Living in the mountains, she wrote The Seduction of Silence, a multi-generational, magical saga that takes the reader on an intensely emotional and spiritual journey. The story begins with Aakash, a sage in the Himalayas who continues to offer his teachings even in death, through a medium. Over generations, the family oscillates between the spiritual and the worldly, coming full circle through Aakash's great granddaughter, who returns to the Himalayas.

"If we were to believe that our lives are not magical," Bem remarks, "We would be deluding ourselves. Unhealthy people have a very realistic view of the world, for the most part, we have magical minds. If we didn’t, advertising wouldn’t work.” The book did well, and was shortlisted for the Commonwealth Writer’s Prize. In 2006, she published There, Where the Pepper Grows, a World War 2 tale about a Polish-Jewish family's stay in Calcutta during their journey to Palestine. Her third novel, Elephants with Headlights, came in 2020.

Bem continues to live in Sydney with her husband, Jan and their sons, Taliesin, Rishi and Kashi.

Story
Ramayana’s global odyssey: Cultural adaptations and twists

(November 8, 2023) Ramayana, the ancient Indian epic, and the most revered text of Indian mythology stands as a timeless narrative that has transcended borders and evolved in multiple versions. The universal tale of the Indian mythology ventured into distant lands from India, in places like the heart of Indonesia to the exotic temples of Cambodia, and even the archipelagic Philippines. These adaptations, weave the lasting influence of the Ramayana on different cultures. Global Indian uncovers the footprints of the Ramayana in locales outside India, and how this has led to twists on the story of the timeless epic. Kakawin Ramayana: The Indonesian twist on an Indian epic The Ramayana arrived in Indonesia in the 8th or 9th century, and is known there as the Kakawin Ramayana. It has deeply influenced Indonesian culture, particularly among the Javanese, Balinese, and Sudanese communities, serving as a moral guide and a form of artistic expression. Traditional Wayang puppetry, including Wayang Golek and Wayang Kulit, helped integrate the Ramayana and Mahabharata into Indonesian culture. [caption id="attachment_46580" align="aligncenter" width="679"] Indonesia's artists depicting the story of Ramayana on stage[/caption] While the Kakawin Ramayana shares many characters with the Indian version, it also incorporates indigenous Javanese deities

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balindian.com//wp-content/uploads/2023/11/EejQYwdUEAAgmg_.jpg" alt="Indonesia | Global Indian " width="679" height="452" /> Indonesia's artists depicting the story of Ramayana on stage[/caption]

While the Kakawin Ramayana shares many characters with the Indian version, it also incorporates indigenous Javanese deities like Semar and his four sons. One notable difference is the portrayal of Sita, who is depicted as a strong and assertive figure in the Kakawin Ramayana, in contrast to the demure and patient Sita in the Indian version.

Ramakien: Thailand's unique take on the Ramayana

In Thailand, the Ramakien, meaning the 'glory of Rama,' has become a national epic. King Rama VI played a crucial role in popularising it. The origins of the epic can be traced back to Vishnu Purana, Valmiki's Ramayana, and the Hanuman Nataka. While the original epic portrays Lord Hanuman as acting alone when setting Lanka on fire, Ramakien tells of how he led a monkey army in the attack on Krung Longka (Lanka). Hanuman used his magical powers to create a bridge for his monkey soldiers to overcome the water barrier.

[caption id="attachment_46569" align="aligncenter" width="700"]Ramayana in Thailand | Global Indian Thailand's artists depicting the story of Ramayana[/caption]

Unlike the original Ramayana, which primarily focuses on Lord Rama and his virtues, Ramakien delves deeper into the character of the demon king, Tosakanth. Ramakien admires Ravana's resourcefulness and portrays his abduction of Sita as an act of love, evoking sympathy.

Reamker: Cambodia's enduring Ramayana influence

The Cambodian rendition of the Ramayana, known as 'Reamker' or 'Ramakerti,' traces its roots in Cambodian culture as far back as the 10th century AD. Ancient Hindu temples in the region contain early references to the Ramayana, while the famous Angkor Wat temple showcases various episodes from the epic. In Reamker, Lord Ram is referred as 'Preah Ream,' Ravana as 'Krong Reap,' Sita as 'Neang Seda,' and Lakshman as 'Preah Leak,' while Hanuman retains his name with a slight pronunciation variation.

[caption id="attachment_46570" align="aligncenter" width="667"]Ramayana | Global Indian Artists of Cambodia depicting the story of Ramayana on stage[/caption]

The influence of the Ramayana on Cambodian culture is strong the story is depicted on Angkor's bas-reliefs and temple frescoes. It's a central theme in the traditional shadow play, ‘Sbek Thom’ and also forms the basis of the popular masked dance Ikhon Khol. Cambodians revere the character of Ram not only from a Hindu perspective but also as an embodiment of the Buddha himself, adding a unique layer of significance to the epic.

Hikayat Seri Rama: Malay adaptation of the Ramayana

Hikayat Seri Rama is the Malay adaptation of the Hindu Ramayana, believed to have been written between the 13th and 15th centuries. It's one of Malaysia's oldest known manuscripts and quite likely the oldest illuminated Malay manuscript. While the core story remains faithful to the original Sanskrit version, some aspects were adjusted to fit the local context, including names' spelling and pronunciation.

[caption id="attachment_46572" align="aligncenter" width="643"]Ramayana | Global Indian Malaysia's artists depicting the story on stage[/caption]

Over time, numerous branch stories emerged in the Malay adaptation of Ramayana, elevating minor characters or introducing new ones. For instance, in some variations, Laksmana takes on a more prominent role, often overshadowing Rama. Rama, though virtuous, is sometimes seen as less decisive, with the younger Laksmana admired for his courage and assertiveness.

Maharadia Lawana: Ramayana's Philippine influence

The famous Filipino 'Singkil' dance, rooted in the Ramayana, is a cherished folk dance of the Maranao people of Lake Lanao. The Hindu religion reached the Philippines from the Majapahit Empire between the 17th and 19th centuries. During this time, the epic integrated into the Philippines' folk literary tradition.

[caption id="attachment_46574" align="aligncenter" width="705"]Ramayana | Global Indian Phillipines' artists depicting the story of Ramayana on stage[/caption]

In the Maranao tribe, the Ramayana takes on a unique form known as 'Maharadia Lawana,' narrating the tale of an immortal ‘monkey-king’. This local dance style encapsulates the Ramayana's story, although certain elements are adapted or omitted. Notably, details about Lawana's (Ravana's) birth, death, and his motivation for kidnapping Sita are excluded. The fate of Lawana after combat remains ambiguous. In this version, Vibhishana's character is absent, and Hanuman and Lava-Kusa merge into a single character, Lakhsamana.

Sri Lanka's Ramayana journey: Echoes to heroic Ravana

Although there is evidence of early poetic works related to the epic within literate circles in Sri Lanka, especially in Kumaradasa's fifth-century Janakiharana, it wasn't until the 14th century that a substantial influence of the Ramayana became apparent in Sri Lanka. During this time the story got amalgamated with the Sinhala Buddhist folklore, literature, and temple practices. Ravana, in this version, is celebrated as a heroic figure, renowned for his exceptional warrior skills and compassionate rule, accompanied by remarkable intellect. Additionally, some even assert that Ravana may have been the first to pioneer aviation, centuries prior to the Wright brothers' achievements.

[caption id="attachment_46581" align="aligncenter" width="771"]Ravana's Fort This is considered to be the remnants of Ravana's Fort in Sri Lanka[/caption]

Sri Lanka and the Ramayana share a deep-rooted connection since the island nation has a significant mention in the Ramayana. It is believed to be the kingdom of Lanka, where the episodes of Lord Rama's quest to rescue Sita unfolded. The interlinking of Sri Lanka with the epic has made the tiny island nation an integral part of the larger Indian cultural tapestry.

The multiple adaptations of Ramayana illuminates the power of storytelling and the ability of one epic to resonate with diverse societies, transcending geographical and cultural boundaries. These adaptations have enriched the world literature and has helped India’s epic tale gain global significance.

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About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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