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Global IndianstoryFrom financial transparency to Brexit: How Gina Miller redefined accountability in the UK
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From financial transparency to Brexit: How Gina Miller redefined accountability in the UK

Compiled by: Darshana Ramdev

(December 5, 2024) Gina Miller’s fight for accountability has been decades in the making. Born in Guyana and sent to the UK for her education, she learned resilience early when political upheaval back home left her to support herself and her brother as a teenager. Co-founding SCM Direct, she challenged unethical financial practices and launched the True and Fair Campaign to protect ordinary investors. Her 2016 legal battle to ensure parliamentary oversight during Brexit brought constitutional law into the spotlight. Named Britain’s most influential Black person in 2017, the Global Indian has built a career spans activism, entrepreneurship, and fearless legal challenges that have reshaped public accountability.

Hotels lined the seafront in Eastbourne, East Sussex, where holiday makers flocked each year. Gina Miller stood before them too, but she wasn’t just another vacationer with her family. Instead, the fourteen-year-old was looking for a job. She and her brother had been sent from Guyana to benefit from a boarding school education in the UK but life took an abrupt turn when she turned 14. She received a letter from her mother telling her that Guyana’s then president had introduced strict currency controls, and that it would be a while before they could send money out to Gina and her brother.

Determined not to let her parents’ sacrifices go in vain, Miller tottered into a hotel in a pair of high heels and a formal skirt she had bought at a second-hand store, hoping they would make her pass for 16. She was nervous of what was in store, and seething at the injustice and chaos that a belligerent political system could wreak on the public. On the outside, however, she was the picture of composure. “I had to be the swan my mother had told me to be – paddling like fury under the surface but cool, calm and graceful on the surface,” she writes, in The Guardian.

Gina Miller | Brexit | Guyana | Global Indian

Gina Miller | Photo: Foreign Policy

A rough start

She landed a job at the first hotel she entered, at the age of 14, “cleaned toilets, lugged about a vacuum cleaner so heavy my arm ached, and emptied dustbins full of goodness knows what,” she recalled. She made the most of her situation in other ways too, even making notes of the books left on beside tables, so she could take them out of the local library.

“That was the summer I learned the pain of having to grow up quickly,” she writes. “Back home, the currency restrictions, part of a tough policy that tried to ensure people did not take their money out of the country as the economic decline continued, were in place for years.” In a way, her fourteenth year marked her last as a carefree child. All too soon, she had to learn how to live as an adult, take on responsibility, and care for her brother.

Life in Guyana’s Indian community

Gina Miller was born Gina Nadira Singh in British Guiana (now Guyana), to Savitri and Doodnauth Singh. Her parents belonged to Guyana’s Indian community, which traced its roots back to the mid-19th century, when Indians were taken to British colonies as indentured laborers to work on sugar plantations.

Starting in 1838, approximately 240,000 Indians were taken to Guyana over the next 80 years, always in harsh, exploitative conditions. After enduring the perils of the long sea voyage, they faced challenging conditions in their new homes as well. However, they learned to survive and when their indentures ended, many decided to stay on in Guyana. Today, about 40% of Guyana’s population has Indian roots, and the community developed its own identity while retaining strong ties to its cultural roots; Diwali, Holi and Eid are now important festivals in Guyanese culture.

I grew up in a very political household. My father was an attorney general, and I grew up with a strong sense of justice. Because of that I knew a lot of things that went wrong as well. And I saw the human cost of that, which tended to be women and children. I realised that as a woman I could play quite a different role to the men who were fighting for the same principles I believe in – Gina Miller

Her father, Doodnauth Singh, grew to become a pillar of the Guyanese community, and served as the country’s Attorney General from 2001 to 2009. He then moved into politics, joining the People’s Progressive Party and becoming a member of the National Assembly. “I grew up in a very political household. My father was an attorney general, and I grew up with a strong sense of justice. Because of that I knew a lot of things that went wrong as well. And I saw the human cost of that, which tended to be women and children. I realised that as a woman I could play quite a different role to the men who were fighting for the same principles I believe in,” she told The Hindu.

Racism at law school

Miller followed in her father’s footsteps and went on to read law at the Polytechnic of East London (now University of East London) but was forced to abandon her studies. In her book, Rise: Life Lessons in Speaking Out, Miller writes that she gave up on her dreams to be a criminal barrister following a vicious attack in the street.

Gina Miller | Brexit | Guyana | Global Indian

By this time, Miller’s life had already seen plenty of plot twists. She had moved to Bristol to marry a boyfriend who was ten years older, and the couple set up a photographic service for estate agents. They also had a child, Lucy Ann, who was born with symptoms of autism, dyslexia and dyspraxia. The marriage crumbled and five years later, Miller, now a single parent, enrolled in law school. She juggled part time jobs, did some part-time modelling and in her final year, entered a physically and emotionally abusive marriage to a city financier named Jon Maguire.

In her book, which The Guardian describes as a “rallying call to women who have suffered setbacks, particularly at the hands of men,” she describes two major incidents of physical abuse. One was the “brutal” attack she faced as a student, which she doesn’t explain in too much detail, other than to say that her attackers were students at her university. “I didn’t want people to feel sorry for me,” she told the Guardian. “(And) I have lots of detractors and they could use that. All the way through writing this book I had to have a sixth sense of how every word could be manipulated and used against me.” Incidentally, she believes that she was attacked because she was not behaving “as she was supposed to be behaving,” and while the incident was definitely racially-driven, the perpetrators were Asian who had mistaken her for being Indian.

Things did eventually get better, however. In 1990, she joined the BMW Fleet Division as a marketing and event manager, and two years later, started a speciaist financial services marketing agency. In 1996, she launched the Senate investment conference programme.

The Black Widow Spider

Co-founder SCM Direct | Brexit | The Global Indian

Gina and Alan Miller

2009 was a big year for Gina Miller. Her marketing consultancy business did well, and she soon had a top client list which included clients from private medical specialists in Harley Street (BBC). So, in 2009, she used the money she made to co-found an investment firm with her third, and current husband, Allan Miller. The firm, SCM Private (now SCM Direct), is an investment firm that supports smaller charities. “I realised it was my money, I could do what I wanted with it and so I used that money to get involved in social justice,” Miller said in an interview.

Her experiences in the UK, the political injustice back home in Guyana, and witnessing her father fight for his people, lit the fire of activism in Miller too. In 2012, Miller started the True and Fair Campaign, which became a platform for greater transparency in the fund management industry in the City of London.

The fight for transparency in the financial sector

In the early 2010s, the UK was seeing austerity measures brought in by the government in response to the financial crisis of 2008, which had led to widespread loss of public trust in banks and investment firms. There were cuts in public spending that disproportionately affected vulnerable communities, and a growing resentment towards the perceived excesses of the financial elite. The fund management industry was being criticised for hidden charges, high management fees and a lack of accountability. The worst hit were pensioners and ordinary investors, who had no idea how much of their money was being eaten up by these ‘costs’.

The True and Fair Campaign advocated for clear disclosure of fund management fees and practices, challenging a rich and opaque industry that had used its wealth and power to resist regulation and transparency to maximise profits. Naturally, this did not go down well with the financial elite, and Gina Miller earned the nickname ‘black widow spider’. She persevered, though, and her work would bring to light the stark imbalance of power between financial institutions and their clients. These principles of ethics and transparency were embodied in her own firm, SCM Direct, which became known for its commitment to ethical investment practices.

Gina Miller | Brexit | Guyana | Global Indian

The Brexit story

By 2016, Gina Miller had “spent ten years fighting rip-offs in the city” and was “vocal when I think things are wrong.” What was wrong at the time happened to be then PM Theresa May’s attempt to trigger Article 50 – the formal process for leaving the EU – without the Parliament’s mandate. To Miller, this was a major breach of constitutional norms, and a dangerous precedent, for it bypassed the elected representatives of the people. In November 2016, she initiated a judicial review against the UK government’s plan, using her own money to do so. A month later, the High Court ruled in her favour, and in 2017, the Supreme Court upheld the decision. This meant that Brexit could not be initiated without parliamentary consent.

During this time, Miller suffered shocking online abuse, including r*pe and death threats against her and her family, writes the BBC. “It has changed the way we live our lives, and the conversations we have with our children,” she told The Financial Times. “We use humour a lot because that’s the only way to get through it.” Fortunately, the legal system remained on her side, and an aristocrat who put a £5,000 “bounty” on Miller was sentenced to 12 weeks in prison.

In 2017, Miller was named Britain’s most influential black person. “it’s amazing to get an accolade when what I’ve done has solicited a huge amount of abuse,” she said, when she received her title. “To have somebody acknowledge me is extraordinarily kind and counters a lot of what I still get on a daily basis.”

In 2009, she took on former PM Boris Johnson, who controversially attempted to ‘prorogue’, or halt the activities of Parliament, in order to limit their debates and discussions in case they voted to prevent a potential no-deal Brexit. Critics like Miller saw this as an abuse of power, and the Supreme Court agreed with them. “They will push the law, they will push the Constitution and they will even bend it to get their own way,” Miller told the press after the ruling.

Gina Miller | Brexit | Guyana | Global Indian

The True and Fair Party

In September 2021, Miller announced the foundation of a new political party, the True and Fair Party, which was formally launched on January 13, 2022. A month later, the Renew Party also merged its operations with the True and Fair Party. Miller was the party’s candidate for Epson and Ewell for the 2024 general election, but was not elected.

 

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  • Brexit
  • British Indian
  • Gina Miller
  • Indian heritage
  • Indian roots
  • Indians in Guyana
  • Indians in the UK

Published on 05, Dec 2024

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Theatre director Dipankar Mukherjee is amplifying the voices of the marginalised

(September 14, 2023) In a dazzling debut on the U.S. stage, "Returning to Haifa," a play adapted from the 1969 novella by the late Palestinian author and activist Ghassan Kanafani, took the audience by storm, earning thunderous standing ovations and critical acclaim. At the helm of this theatrical triumph stands Dipankar Mukherjee, the visionary Indian American director. As the co-founder and artistic director of the renowned Pangea World Theater, a Minneapolis-based international hub for art and dialogue, Dipankar's creative journey is deeply intertwined with his unwavering commitment to social justice, equity, and profound spirituality. These pillars, together with his keen political insights, serve as the cornerstone of his artistic endeavors. With an impressive directorial portfolio spanning across India, England, Canada, and the United States, Dipankar Mukherjee is not only a luminary in the world of theater but also a recipient of the esteemed Humphrey Institute Fellowship to Salzburg, solidifying his impact on the global stage. "I am truly committed to telling stories from multiple perspectives and highlighting those voices who have been unjustly vilified, marginalised, displaced, erased, or ignored," said the director, who is also a Ford Foundation delegate to India and Lebanon. Artistic brilliance Born in Kolkata (Calcutta) the

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tage. "I am truly committed to telling stories from multiple perspectives and highlighting those voices who have been unjustly vilified, marginalised, displaced, erased, or ignored," said the director, who is also a Ford Foundation delegate to India and Lebanon.

Artistic brilliance

Born in Kolkata (Calcutta) the director has a deep connection to his historic dramaturgical roots that extend thousands of years back. After finishing his education, Dipankar started working with various dancers and choreographers in India, the director expanded his wings to work in USA, Canada, and England.

"I've had the privilege of collaborating with talented dancers to craft cross-cultural performances, drawing upon my expertise in Kalaripayattu, an ancient Indian martial arts discipline. Throughout my journey, I've had the opportunity to collaborate with skilled choreographers/dancers hailing from India, the United States, and Canada, assuming the role of a director in these creative partnerships. My artistic vision has evolved organically, shaped by a steadfast dedication to principles of social justice, equity, and profound spirituality. These foundational values, intertwined with a keen sensitivity to contemporary political currents, serve as the guiding pillars of my creative work," the director said in an interview.

https://www.youtube.com/watch?v=UWhkT_l-7uk

Quite early in his career, the Global Indian won the prestigious Twin Cities International Citizens Award from the Cities of Minneapolis and St. Paul for contributions in the area of human rights and international cooperation. It was around this time in 1995 that he was also involved in establishing the Pangea World Theater, along with his wife Meena Natarajan, who is also quite a well-known artist. "Our theater is shaped by the stories forged by artists who dared to speak their truth and blessed by our elders from multiple communities. We renew our commitment to the artists who are architects of our collective imagination and whose courage has been a part of the skein that created Pangea," the director said during an interview, adding, "We commit to a world of equity for the next 25 years and beyond."

The world's a stage

Eventually, Pangea evolved to become not just another theatre in America, but a platform for suppressed and unheard voices. "I always wonder why The Ordway, The Guthrie, and other famous Drama centers all over America would invite artists the world over including England, but they would never reach out to provide a helping hand to the struggling Native American artists, the Latina, the LGBTQ artists who are trying to change this world one street theater at a time, one play in the park at a time,” the director shared.

[caption id="attachment_44914" align="aligncenter" width="672"]Director | Dipankar Mukherjee | Global Indian A scene from the play Returning to Haifa[/caption]

And this is precisely what inspired their commitment to offering a nurturing artistic haven for those who needed it most. Pangea's extensive repertoire brims with creative expressions from artists of diverse backgrounds: people of color, Native Americans, African Americans, immigrant artists, and members of the LGBTQ community, all working towards positive change. In a recent conversation, the director emphasized the significance of this choice, both in dismantling systemic racism and in fostering more compassionate interactions among us all.

Giving back to the community

Amidst the endeavour of creating a globally renowned drama company, the theatre director remained deeply connected to his Indian roots. Pangea collaborates closely with local Indian organisations, including the India Association of Minnesota and the Hindu Temple. These partnerships have given rise to intriguing dynamics and interactions within the community. "To leave a different world for the next generation and be able to face them with integrity, we must take accountability. We must know our own history and acknowledge the debt we, as immigrants from India, owe to the Civil Rights movement as it’s because of this that we have the privilege of being on this land," shared the director.

Throughout the years, the director has partnered with various organisations, including SEWA, to shed light on pressing issues within the community, particularly domestic violence awareness. In 2017, the theatre produced a powerful play titled '5 Weeks,' a collaborative effort involving individuals from the local South Asian community. This production delved into the multifaceted narratives that constitute the often-overlooked history of the Partition of India in 1947. It eloquently portrayed stories of heartbreak, shattered identities, yearning, and memories of home during the turbulent period following the establishment of India and Pakistan's borders.

[caption id="attachment_44915" align="aligncenter" width="666"]Director | Dipankar Mukherjee | Global Indian Dipankar Mukherjee and Meena Natarajan of Pangea World Theater[/caption]

"We have also organised gatherings to raise our voice and take strong action against islamophobia, homophobia, racist attitudes, colorism, patriarchy, and domestic violence within our communities. Reaching out and standing in solidarity with the Black community and indigenous community is our duty and understanding that we are a part of this ecosystem called America," the director said.

  • Follow Dipankar Mukherjee on LinkedIn

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Serial entrepreneur Yaswanth Vepachadu finds biryani success

From setting up companies in the IT sector and then selling them to tech giants, Yaswanth Vepachadu has now ventured into biryanis and more, except that his biryani comes in a steel box that is yours to keep. (September 17, 2023) It is often said that once you get bitten by the entrepreneurial bug, no challenge is big enough. That would be the case for Yaswanth Vepachadu who, after graduating in civil engineering from the Vasavi College of Engineering, Hyderabad, went on to do his MBA from the NM Institute of Management in Mumbai. Thirteen years of shuttling between the US, sometimes just for a weekend even, Canada and India resulted in the establishment of several companies that he set up. Subsequently, he would sell these IT verticals to tech giants like Deloitte, Accenture, Facebook, etc. [caption id="attachment_45076" align="aligncenter" width="588"] Yaswanth Vepachadu, Founder of Neos ka Dabba.[/caption] For the love of Biryani While still holding a corporate post of Group CEO for the Nivriti group of companies which he quit only last month, Yaswanth, over a casual conversation with friends about the unavailability of a good biryani in Bengaluru, decided to start an outlet of his own. He also had a

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group of companies which he quit only last month, Yaswanth, over a casual conversation with friends about the unavailability of a good biryani in Bengaluru, decided to start an outlet of his own. He also had a couple of friends in Vancouver, Canada, willing to invest and that is how Neos Biryani was conceptualised. Yaswanth recalls, “Earlier this year when my friends and I couldn’t get a decent biryani in Bengaluru, we decided to start a food business to make the kind of biryani we liked. We rented out a central kitchen space, which also belongs to one of my friends, and started research. We hired 24 local chefs, who know how to make a true biryani and Bangladeshi Muslim specialist cooks from Odisha. Between them, we zeroed in on the formula for the masalas to use and the recipe to follow. We have now hired four out of the 24 permanently and they work at the main kitchens. For the second level of staff, we hired hotel management graduates who follow the recipes created by the chefs without making changes.”

Neos ka Dabba

Interestingly, Yaswanth didn’t attribute any meaning or specific connection to the name Neos. He shrugs, “I just wanted a four-letter word; I thought of Neos and it got accepted during registration.” And what about the steel dabba that the biryani is served in? He elaborates on the philosophy behind it. “During our research and brainstorming sessions, we found that biryani is the most ordered dish by middle-class and lower middle-class people on weekends. Also, women in this demographic have great use for steel dabbas and cherish the ones they have. So, we thought it would add value to the dish when they ordered it as they could keep the box and use it for other things later.” The boxes come in three sizes, based on the serving for one, two, or four people.

[caption id="attachment_45073" align="aligncenter" width="584"] Neos Biryani.[/caption]

The business model he follows is that of cloud kitchens and QSR takeaway outlets. In Hyderabad, the cloud kitchens are in Kukatpally and Kokapet, and AS Rao Nagar and LB Nagar are on the anvil. He will shortly launch in Mumbai and some more outlets in Bengaluru, where currently, they are in Electronic City, Bomasandra, Whitefields, and Hebbal. A diner that can seat 40 people is also part of the expansion plan for Electronic City.

He even has two cloud kitchens in Vancouver, Canada. There, Neos is based in a shared kitchen space, much like co-working spaces. And based on Canada’s food regulations, the recipes have been tweaked to lower spice levels. In Hyderabad, there are QSR takeaway joints where you can buy the Neos biryani offline. The cloud kitchens supply these outlets.

Expanding menus and the company

Launched in March 2023, Neos follows the standard recipe created by its chefs for the biryanis available. However, customer feedback led to Yaswanth having to expand the menu to include starters like kebabs, shawarmas, rice bowls like rajma chawal, palak paneer and rice, chicken curry, and rice etc. The biryani of course is the star of the menu and comes in veg, mushroom, egg, chicken, and mutton and a mixed one with chicken, mutton, and prawns. Within the chicken version alone, there is the 65, lollipop, fried, and dum-cooked biryanis to choose from.  But, Yaswanth is very particular about quality. Hence the quantity made is limited. He says, “Between all my kitchens in Hyderabad, we make only 300 portions of biryani per day. I have found that when you increase the quantities, the quality goes down. On weekends, when there may be more demand, I makeup to 400 but not more than that.”

Yaswanth has been a stickler for good quality from the start. Even the ingredients used have been carefully chosen by him and his team. He says, “I know that people consider other rice strains also good for biryani, especially in Kerala and Tamil Nadu, but in Telangana, you won’t be forgiven if you don’t use basmati rice. The basmati I get is specially brought from Punjab and costs me Rs 170 a kilo. For the spices we needed based on the recipe we finalised, we went to Wayanad in Kerala, and spent ten days meeting various growers and suppliers, before zeroing in on the one whose quality we liked the best. Our ghee comes from one supplier in Ramanthapur (a distant suburb in Hyderabad) and it costs Rs 1500 a kilo. His ghee is famous. You go there and ask anyone for Ramanthapur ghee and they will point you to his outlet. We even send this ghee to our cloud kitchens in Canada. The meat in Hyderabad is sourced locally, but here too, we stress quality.”

Despite all these factors and the costs involved, Neos began making profits early on. Started with an initial investment of Rs 60 lakhs, with more funds infused later, an investor also showed interest and he has bought an eight percent stake in the company. Yaswanth now plans to open outlets in the US and some more in Canada.

Strangely, the only challenge Yaswanth has faced is from petty customers. Human nature being what it is, people would order the biryani without the steel box [that was an option on the menu for those who didn’t want the dabba on food delivery apps], then post pictures and reviews saying they did not receive it in the steel box. Or, they would remove one piece of meat and say the quantity was not as promised. Yaswanth had to personally speak to the customer service heads of these apps to have the problem sorted. He has also now discontinued the box-free option of the biryani on the apps. Only the takeaway outlets will give it to you in foil packaging. If you order online, it will come with a steel box.

In the ubiquitous world of the much-loved biryani, to be able to make a mark with a new brand within a short span of time is no small achievement. And with expansion plans afoot, this Global Indian is likely to make the steel dabba biryani a familiar sight soon.

  • Follow Yaswanth Vepachadu on Instagram
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From H-1B to Human Rights: Trump’s policies and Indian workers in the U.S.

(November 8, 2024) As the dust settles following Donald Trump's re-election as President, Indian workers in the United States and aspiring immigrants back home in India are considering what this means for their future. To understand the potential impact of Trump’s policies, Global Indian reached out to two Indian Americans who bring a wealth of insight and experience. Harold D’Souza, a human trafficking survivor and former member of the U.S. Advisory Council on Human Trafficking who worked at the White House under both Obama and Trump, speaks from a human rights perspective. Narendra P. Singh, a professor and mentor of minority students at the University of South Carolina, offers a broader view on U.S.-India relations. This feature captures their insights along with editorial analysis, creating a comprehensive look at the implications of Trump’s policies on Indian workers, families, and communities. Harold D’Souza: A voice of resilience and representation Harold D’Souza’s perspective on Trump’s victory, particularly as an Indian American with experience on the United States Advisory Council on Human Trafficking, is both unique and layered. “Serving under the Trump administration brought a focused attention to combatting human trafficking, an issue that Trump is deeply passionate about, primarily through his work

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t a focused attention to combatting human trafficking, an issue that Trump is deeply passionate about, primarily through his work empowering ‘Survivors to Thrive’, he tells Global Indian. His role on the council allowed Harold to bring an immigrant’s perspective to policies impacting vulnerable populations, including those targeted by traffickers.

[caption id="attachment_59530" align="aligncenter" width="664"]Indians in USA | Trump Policies | Global Indian Harold D'Souza with President Donald Trump and other delegates at the White House during Trump’s previous term in office[/caption]

As an Indian American and founder of the non-profit Eyes Open International, Harold values the importance of representation and the strength of diverse voices in American policymaking. Trump’s victory initially sparked mixed feelings within immigrant communities, as some policies created apprehension. However, for Harold, this was balanced by a shared dedication to the anti-trafficking mission. He found common ground in striving for policies that would create safer environments for exploited individuals, regardless of their nationality or background.

Harold’s journey on the advisory council revolved the need for bipartisan efforts to combat trafficking, showing that this cause transcends political divides. His experience reinforced his belief that real change comes from working collaboratively, focusing on humanitarian goals, and ensuring voices from all communities are heard.

Given Harold D’Souza’s experiences with Trump and regard for his leadership, Harold’s reflections on Trump’s victory take on an even more personal dimension. “I appreciate Trump’s commitment to supporting anti-trafficking initiatives during his tenure and recognize his unique leadership style, which brought attention to crucial human rights issues. Working under Trump allowed me to witness firsthand his drive to bring change in areas that affect vulnerable populations, especially human trafficking victims,” he mentions.

[caption id="attachment_59579" align="aligncenter" width="560"]Indians in USA | Global Indian Harold with Ivanka Trump at the White House during Trump’s previous term as President[/caption]

Trump’s support and leadership resonate with Harold, inspiring him to continue his work to prevent exploitation globally. This personal connection highlights the positive impact of a strong, focused leader in tackling one of the world’s most challenging issues. Harold remains grateful for Trump’s dedication to amplifying the fight against human trafficking, valuing both the understanding and the opportunities that arose from this shared mission.

Narendra P. Singh: U.S.-India relations in a new era

Narendra P. Singh, a professor at the University of South Carolina, shared his views on the renewed Trump administration from a geopolitical standpoint. Though Narendra is not personally a fan of Trump, he sees this victory as a potential boon for U.S.-India relations. “At present, Republicans are more accommodating to Indian causes. Traditionally, Republicans were more pro-Pakistan, but post–Cold War, U.S. foreign policy has changed, and it is more pro-India. Definitely, Indians living in the USA and their financial clout have played a significant role in changing the direction,” he says.

Narendra believes that the economic and strategic interests of Indian Americans will be safeguarded by the Trump administration. "At this juncture post–Trump win, I can only say that Indian interests will be safeguarded by Trump. He will be good for India." His words highlight the growing influence of the Indian American community, whose presence and economic impact have helped steer U.S. foreign policy in favour of India.

[caption id="attachment_59535" align="aligncenter" width="671"]Indians in USA | Global Indian Narendra P Singh with his American-African students at the University of South Carolina[/caption]

The H-1B Visa debate: A narrowing window for Indian workers

For Indian professionals, the H-1B visa has long been the bridge to realizing the “American Dream.” This visa allows U.S. companies to employ foreign workers in specialized fields, particularly within technology, engineering, and STEM disciplines, and has thus fueled the dreams of thousands of Indian engineers, programmers, and scientists. However, this pathway may be shrinking. Trump's previous term brought about a notable tightening of H-1B approvals, with a peak denial rate of 18%, up from around 3.2% during the Biden administration. Increased Requests for Evidence (RFEs) also reflected a stark change, making the visa process longer and more challenging. These restrictions hit hard in Indian communities, where the H-1B visa remains a popular route for skilled professionals to access American opportunities.

Trump's return suggests that visa restrictions may continue, especially if his administration revives and strengthens the "Buy American and Hire American" policies. Trump’s philosophy on immigration prioritizes American jobs and promotes a more selective, merit-based visa system. Indian professionals could see a shift toward increased documentation, higher qualification thresholds, and perhaps further limitations on dependents who can accompany them on H-4 visas.

Impact on family-based immigration: Potential strains on family reunions

Family reunification has always been a priority for many Indians who have already established roots in the U.S. Through various family-based visas, these immigrants hope to bring their spouses, children, and parents to join them. However, Trump’s policies heavily favour merit over familial ties. The 2019 public charge rule, which sought to limit green cards to those who could financially support themselves, underscores Trump's preference for an economically self-sufficient immigrant population.

The renewed administration may continue emphasizing skill-based visas, which focus on work contributions over family ties. This approach, while potentially alleviating the backlog of skilled immigration applications, might place added barriers to family reunification. Many Indian families are now uncertain about whether they will be able to reunite with their loved ones in the U.S., a concern heightened by the Trump administration’s rigorous vetting standards and possible restrictions on categories for extended family members.

https://www.youtube.com/watch?v=t-d5j1FJAcM

Economic implications: Technology firms and job markets in flux

India has long been a powerhouse of tech talent, supplying skilled workers to U.S.-based giants like Google, Microsoft, and Amazon. These firms rely on Indian engineers and developers, whose skills and expertise contribute immensely to the industry. However, restrictive visa policies may prompt some U.S.-based companies to shift their focus to other countries with more liberal work visa regimes, or even invest in setting up operations in India, where they can tap into an equally skilled, yet locally based, workforce.

For Indian tech firms, the possibility of fewer visa approvals under Trump’s policies could mean a growing necessity to develop robust training and employment systems domestically. This shift might accelerate India’s efforts to strengthen its local tech industry and reduce its dependency on foreign markets for employment opportunities. While this may bring economic growth within India, it leaves Indian workers who aspired to work in the U.S. with potentially fewer prospects.

A divisive future: Balancing humanitarian efforts with economic policies

Trump’s firm stance on legal immigration versus illegal migration has drawn diverse opinions. While it is perceived by some as protecting American job opportunities, others argue that it hinders the influx of talent and hinders familial support networks for immigrants in the U.S. Harold D’Souza’s journey is an example of the importance of supporting immigrants’ human rights and highlights that there is an opportunity to bridge humanitarian work with economic policies. His experience highlights the importance of bipartisan efforts to address issues such as trafficking and labour exploitation.

For Harold, Trump’s leadership on anti-trafficking brought an empowering and focused approach to one of the world’s most pressing human rights issues. His continued advocacy, inspired by the Trump administration’s attention to human trafficking, serves as a reminder that focused leadership can bring positive change, even amidst restrictive policies. In this light, the Trump era may hold lessons on balancing immigrant rights with a more structured, merit-based immigration system that can still cater to economic and social justice needs.

[caption id="attachment_59543" align="aligncenter" width="600"]Indians in USA | Global Indian Harold D'Souza during one of his anti human trafficking campaigns in the U.S.[/caption]

Looking forward: The Indian American community’s resilience

As Indian workers and their families brace for another term under Trump, the future remains uncertain. The drive toward stringent visa requirements may reduce the flow of Indian talent to the United States. However, with a robust support system, an enduring commitment to humanitarian efforts, and an evolving global economy, Indian professionals and advocates are well-positioned to navigate these challenges. Harold D’Souza’s story of overcoming adversity and advocating for those trapped in exploitation serves as an inspiration. His work demonstrates that, even in challenging times, the human spirit’s resilience can thrive across borders, turning personal trials into powerful missions for change.

On the other hand, Narendra's mentorship of minorities in the U.S. exemplifies the supportive networks that empower immigrant communities, offering hope and guidance as they adapt to shifting policies and pursue their American dreams.

To conclude, Trump’s victory brings complex implications for Indian workers, especially in fields where they have long contributed to the American economy. While the road ahead may pose additional hurdles, figures like Harold and Narendra remind us that the pursuit of justice, economic strength, and dignity in labour, regardless of immigration policies, continues to be a shared mission. Indian workers in the U.S. and those in India looking to make their mark abroad face an evolving landscape.

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Shweta Gulati: The photographer capturing the world on her lens

(January 1, 2023) A study estimates that in 2023, globally, people took around 54000 images per minute, which amounts to a mammoth 1.81 trillion for the year. In this sea of images that we are flooded with, how can a photograph make an impact any longer? "A compelling image is one that evokes an emotional response," shares Shweta Gulati. A photographer par excellence who works as a video producer and editor on the immersive experiences team at National Geographic, she creates content across various platforms, including Instagram, TikTok, and the Nat Geo website, sharing powerful images that leave an impact. Shweta consistently pushes boundaries with her powerful story telling. Spearheading some of Nat Geo's more complex visual-led digital interactives, she was the producer for a short film about a high school graduation during the COVID-19 epidemic (Class of 2020 Says Goodbye) which received the third place at the Pictures of the Year Awards International, and third Place at the NPPA Awards in 2021. She also produced and edited the award-winning project for Instagram by NatGeo Explorer Michele Norris Race Card, that won the First Place Award at the National Press Photographers Association and chronicled the story of race through the

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e Norris Race Card, that won the First Place Award at the National Press Photographers Association and chronicled the story of race through the eyes of over half a million Americans.

[caption id="attachment_47915" align="aligncenter" width="613"]Shweta Gulati | Global Indian Shweta Gulati[/caption]

Steadfastly creating a body of work that is winning accolades by the day, this Global Indian's secret sauce for success is simple. "For me, it's about eliciting an emotional response from my work, not just documenting the scene and relying on a caption to convey the complete story," she smiles.

Shifting gears

After completing her undergraduation from NIT Surat, the 35-year-old relocated to Cyprus to work as a software engineer for Amdocs. "It was a picturesque place with beautiful beaches, and during my free time, I casually took travel photos, though nothing extraordinary," she recalls.

The turning point came when she moved to the US for graduate school, and while pursuing her Master's in Computer Science at the University of Texas in Austin, stumbled upon the college newspaper, The Daily Texan, and decided to try out as a staff photographer. And she never looked back.

[caption id="attachment_47911" align="aligncenter" width="762"] "My father taught me to cultivate corn at a young age, my father planted lots of corn, so that mom can make tortillas for the family," - A photo by Shweta Gulati[/caption]

For The Daily Texan, Shweta captured moments at comedy and music festivals and photographed college sports, as well as various political events. She recounts, "One notable highlight was seeing one of my photos from a story about the Texas G.O.P. published in The New York Times — that was a truly gratifying experience!"

Henri Cartier-Bresson once said, "Your first 10,000 photographs are your worst." And Shweta believed it maximum during her initial days of learning photography.

After her graduation, Shweta took on a role as a site reliability engineer at eBay in California, however, on weekends, she started freelancing for newspapers like the San Francisco Chronicle and SF Examiner. "Eventually, I decided to follow my passion wholeheartedly. I quit my job and applied for a Master’s program in the Multimedia, Photography, and Design (MPD) department at the Newhouse School, Syracuse University," she adds.

Dreaming big

What Shweta brings out through her stunning images is a unique blend of technical and creative skills as she not only has a keen eye but also empathy for her subjects.

Shweta Gulati | Global Indian

"When connecting with people through photography, I’m focused on telling their stories effectively. In my journey as a photographer, I've developed a keen interest in documentary-style photography—crafting a body of work that tells a narrative. My goal is to make viewers care," she states.

We are now living in an era where photography has become extremely accessible, thanks to the smartphone. While Shweta believes it to be a good phenomenon, she says the onus still remains on the skill. "The principles of telling a story and creating a technically sound image—such as composition and lighting—are not determined by the equipment you use but by your eye," she explains.

The photographer thrives on experimentation; she enjoys creating mixed-media work — whether it involves audio, video, immersive, graphics, or any medium that enhances the storytelling and moves it forward. "During my graduate school at Syracuse University, I worked on a documentary photography project titled ‘La Hermosa Libertad’. The project delves into one family’s separation across the US-Mexico border and is an ode to memory. I made a photobook that provides a nuanced account of the complexity of nostalgia and offers a glimpse into the depth of a migrant’s fragmented life," she adds.

Shweta’s images have a stoic and lyrical quality to them. Her lens captures the nuances of people and places with an unerring sense of the subject’s setting. It is this finesse that lends the images an ethereal quality and speaks to others. It is little wonder that her work at National Geographic has been recognized by Pictures of the Year International, Webby Awards, The Society of Publication Designers, and NPPA Best of Photojournalism awards.

[caption id="attachment_47913" align="aligncenter" width="650"]Shweta Gulati | Global Indian A workshop by Shweta Gulati[/caption]

A storyteller par excellence

While most photographers first fall in love with visuals as a photographer, she delved into photo editing with an interest in elevating her creative work. She started out as a photo-editing intern in 2018 and was then hired as an associate photo-editor for the National Geographic magazine where she focused on photo research and commissioned photographers for still-life and portraiture assignments.

At National Geographic, Shweta worked across various visual storytelling mediums, first as a photo editor for the magazine and now creating short-form video content for a growing 700 million+ audience across all social platforms. Her background in technology has helped her along the way.

Shweta works on stories that lie at the intersection of natural history, conservation, archaeology, and scientific discovery. She elucidates, “It was a lot of experimentation, but I’m able to bring my storytelling skills to the core areas of National Geographic. With a very low attention span on social media, it is an exciting challenge to envision how science stories can live on these platforms while at the same time engaging and informing people.”

What is the process of making a good picture? Shweta pauses and ponders before answering, “For me, connecting with the story and the person I'm photographing is crucial before capturing an image. Before even bringing out the camera, establishing trust with the people I'm photographing is of utmost importance.”

In a brief span, social media has revolutionised the media industry and has become the primary driver of audience engagement. With photography as its premise, the app has been both a boon and a bane, especially for legacy publications. The photographer, however, sees an opportunity in it. “For publications like National Geographic, it helps to maintain ties with both traditional readership and to cultivate a new audience whose primary interaction with the brand occurs through social media. I genuinely believe that social media is the perfect tool for engaging audiences and making content more accessible.”

Committed to leveraging innovation in visual media and embracing emerging technologies to elevate the quality and depth of her stories, Shweta is looking forward to teaching at the International Center of Photography teen academy course on The Art of Mobile Visual Storytelling this Spring. When not shooting with her lens, the photographer loves doing standup comedy in her free time and performed her first ever stand-up show at DC Improv, Washington DC in 2022.

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Aishwarya Sridhar: The 24-year-old documentary filmmaker who became the first Indian to bag the Wildlife Photographer Award

(October 24, 2021) The wilderness is her office, Nature, a constant companion. The first Indian to win the coveted Wildlife Photographer Award in 2020 for her photograph on fireflies Lights of Passion (chosen from 50,000 entries from 80 countries) Aishwarya Sridhar’s entry held pride of place in the august halls of the National Museum of History in London at one time.  For a girl who grew up in the hustle and bustle of Panvel, the outdoors entranced her as she pranced along with her father on treks – who as a life member of the Bombay Natural History Society instilled a love for wildlife in her. Spotting a colourful dwarf Kingfisher or awed at the luminous glow of fireflies flitting in the Western Ghats, Sridhar found the power of the medium, with a conservationist spirit.  “Every day is a new adventure. I look forward to spending time in the wilderness,” says the preservationist, who cherishes all those moments in verdant landscapes but feels most fortunate to have seen a tigress training her cubs to hunt in the wild. Sridhar is also the winner of Sanctuary Asia’s Young Naturalist Award, the Princess Diana Award, and is a Jackson Wild summit fellow

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s a life member of the Bombay Natural History Society instilled a love for wildlife in her. Spotting a colourful dwarf Kingfisher or awed at the luminous glow of fireflies flitting in the Western Ghats, Sridhar found the power of the medium, with a conservationist spirit. 

“Every day is a new adventure. I look forward to spending time in the wilderness,” says the preservationist, who cherishes all those moments in verdant landscapes but feels most fortunate to have seen a tigress training her cubs to hunt in the wild. Sridhar is also the winner of Sanctuary Asia’s Young Naturalist Award, the Princess Diana Award, and is a Jackson Wild summit fellow (considered the Emmy of wildlife filmmaking). 

[caption id="attachment_13810" align="alignnone" width="1080"]An eagle An eagle clicked by Aishwarya Sridhar.[/caption]

The intuitive soul 

This Global Indian is now working on a two-part TV series showcasing the survival stories of the seven endangered primates of India and the folk that protect them. 

Each project engulfs Sridhar into a verdant world and its creatures. Straddled with a Canon 1Dx mark ii and Canon 5d mark iii, she sees wildlife with an intuitive soul. Queen of Taru, a film she researched, scripted and directed started off as a passion project in pursuit of the wild Bengal Tigress Maya in the forests of Tadoba, and her struggle of survival in a male dominated world. “After six years of tracking her, I finally gave her a celluloid salute. I learnt that animals are capable of strategy just like humans, and they are capable of feeling emotions, When I got to know that Tiger Queen of Taru would be airing on Nat Geo WILD, that felt fulfilling, I was grateful,” says Sridhar. 

[caption id="attachment_13805" align="alignnone" width="1080"]Maya A tiger in the wild.[/caption]

Art with a cause 

Going into unexplored territory led her to Panje, a wetland she has been visiting since childhood. Witnessing a gradual loss of habitat at Uran, her connect with the local fishing communities helped her in research which she presented in a 14-minute documentary on DD. “The most interesting finding was that the so-called ‘illiterate’ (local tribals) know the value of our ecosystem and its role in our survival more than the educated who so easily give orders for destruction. The film and photo-story helped bring a Bombay High Court Order protecting Uran, thus saving the livelihoods of around 2,500 fishermen. The Panje wetland is now recognised as a satellite wetland, and will soon receive the status of a ‘conservation reserve’,” says the eco warrior, who is also an emerging fellow at International League of Conservation Photographers, working towards policy-level protection for the wetlands in Mumbai. 

Sridhar was selected to feature on My Place on Earth – a digital series by BBC Earth in 2021, and is ecstatic about the episode filmed online with some on-field content pre-shot by her. A self-taught photographer, her initiation with the camera began with her father showing her the basics. A course by acclaimed wildlife photographer Sudhir Shivaram added context, though she giggles saying, “every trick I have learnt is from YouTube and by experimenting.” 

[caption id="attachment_13808" align="aligncenter" width="442"]Aishwarya Sridhar Aishwarya Sridhar[/caption]

A multi-hyphenate 

Even with filmmaking, Sridhar learnt by watching films on National Geographic, Discovery and Animal Planet. She has since self-taught, edited, presented, and directed an eight-part web series for World Wildlife Fund India. She also did a film for the state forest department and the Deccan Conservation Foundation on the unique and endangered wildlife of the Deccan Plateau. “During the lockdown, I ideated on inculcating the love for Nature in children using origami for WWF-India. I brought Nature indoors with the series titled Fun-Crafts with Aishwarya (digital),” says the shutterbug, whose series helped further with a collaboration with Discovery Channel. It partnered in another unique live show that focused on spotlighting endangered species in India through interesting conversations with India’s top wildlife photographers, filmmakers, and scientists. “I am one of the youngest presenters to have hosted a live show on Discovery,” says the girl, who loves to write poetry in her free time, no doubt inspired by her lush office. 

Her upbringing has instilled a deep conservation mindset with focused hard work. “From the age of eight, I have explored India’s wilderness. My parents have always encouraged my curiosity, and raised me with a lot of outdoor exposure which helped immensely,” she says, thrilled that she finally has incredible mentors. 

[caption id="attachment_13807" align="alignnone" width="1080"]Wasp A wasp clicked by Aishwarya Sridhar[/caption]

Believing staunchly in the power of self, her transition from photography to filmmaking was game-changing. “I never thought of becoming a wildlife filmmaker initially. As I got older, I knew I would never be happy at a desk. So, I chose mass media for graduation though Mumbai University doesn’t offer any filmmaking specialisations. It was daunting. But I worked on myself every day, and still do so,” says the filmmaker, who now wants to try filming with 360-degree VR. 

A path peppered with milestones 

Each award is a milestone leading her to the next. For instance, for the “BBC Wildlife Your Shot Competition, the pictures of a bonnet macaque alpha male, flamingos in Navi Mumbai and a baby lion-tailed macaque with its mother were winners. Each picture is special, and documents a moment in nature that is otherwise overlooked”, she explains. 

A part of the award-winning podcasts Eyes on Conservation now titled Earth to Humans, by the Wild Lens Collective, connecting with natural history storytellers from around the globe enthuses her. “I hope to start my own natural history media outlet in India in the next decade,” says the 24-year-old, who is hugely inspired by award-winning filmmakers Beverly and Dereck Joubert, whose Big Cats Initiative and films have her enthralled. 

[caption id="attachment_13806" align="alignnone" width="1080"]Flamingoes Flamingoes of Mumbai, clicked by Aishwarya Sridhar[/caption]

Even though the pandemic has upended much travel, it is slowly opening up. Back to her wilderness address, Sridhar has some great filmmaking projects in the pipeline. She feels travel and Nature teaches one adaptability and patience. “With every animal/bird you photograph the strategy changes. You should be able to adjust to extreme weather conditions and be physically fit to get the maximum out of your trip. Being a Gen-Z kid, I expected instant gratification, but wildlife photography teaches you persistence. There may be times when you don’t see the animal/bird, and you may not get the photograph you have in mind, but it’s important to never lose your calm in these situations,” she advices. 

Mother Nature has been her constant teacher, and she hopes humans learn to protect their habitats. “Whenever Nature gets hurt, she repairs herself and continues on. In the same way, I try to be positive and keep working hard,” she says. 

Follow Aishwarya Sridhar on Instagram

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About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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