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Global IndianstoryFire ants and curd-rice jelly: Chef Johnson’s organic, molecular gastronomy experience at Farmlore
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Fire ants and curd-rice jelly: Chef Johnson’s organic, molecular gastronomy experience at Farmlore

Written by: Minal Nirmala Khona

(October 01, 2023) His food philosophy is a dramatic showcase of locally sourced organic produce and molecular gastronomy. Meet Chef Johnson Ebenezer of Farmlore in Bengaluru where fire ants are a signature dish. 

The restaurant (though it is more of a gourmet experience centre) only serves 18 guests per meal – lunch and dinner. It is closed two days in a week so everyone has time to recharge. And the man behind this avant garde gourmand dining experience is Chef Johnson Ebenezer. He loves molecular gastronomy and all its accompanying drama like firing up a dish at the table and liquid nitrogen. But he follows the principle of locavore — cooking what grows within a 100-mile radius of where he is based; and can even make curd rice a piece of art in the five and ten-course meals he serves.  

Chef Johnson Ebenezer | Global Indian

Chef Johnson Ebenezer of Farmlore in Bengaluru.

Johnson, who started his career with The Taj Group of Hotels, worked on a cruise liner and set up the Michelin guide listed restaurant Nadodi in Kuala Lumpur, Malaysia. He recalls in an exclusive with Global Indian, “Nadodi, which means nomad or gypsy, served three cuisines, that of Sri Lanka, Tamil Nadu and Kerala. They are interlinked to some extent and I was instrumental in establishing the brand. I created the menu and added the biryani to it. Even now, years after I have left, the biryani remains a constant.” 

Gastronomic Delights 

On his return to India he met with Kaushik Raju, the investor on whose land the restaurant now operates. The idea was to create an organic, yet exclusive dining venue, and it grew, over time, into Farmlore. Located in Yelahanka, it’s a 30-minute drive from the Bengaluru airport.  

At Farmlore, the sky is the limit when it comes to experimentation. The food is certainly not for those who like it traditional. He says, “I cook for those who want to know about the creative process that has gone into preparing the food. I enjoy molecular gastronomy as it helps me improvise. I can experiment with my ingredients and harness my creativity. I like to work with sensory perceptions around food and its purpose. It is an eclectic approach to locavore ingredients, using modern techniques.” 

Farmlore’s fire ants are a signature dish.

Speaking of local ingredients, one unusual item served is the fire ant. These ants, which are part of the Kodagu or Coorgi cuisine, are pounded into a chutney by the local tribals or Badagas. They are high in protein and Johnson serves these ants, which are the signature dish at Farmlore, in various forms. A meringue or sorbet, on a canape or in a salad, he even has his vegetarian guests willing to try them. Depending on the trees they are collected from – lemon or mango – they echo the citrusy or mangoey flavour respectively. He reveals, “I tell stories through my food. I use all the senses – of sight, smell and taste. In fact, we have even developed a process to capture petrichor – the smell of the first rain when it hits the earth. We spray it to add to the ambience.” 

Another signature dish always on the menu is the alcohol-based Trippy Gummy Bears; a favourite with guests.  


Modern Avatars, Traditional Ingredients 

Also relying on the principle of umami, the fifth taste, he experiments with much-loved, universally popular dishes. He says, “For example, most people like to eat rasam when it is raining; we have given it a spin to make variants of rasam in different flavours; it won’t look like rasam but the taste is reminiscent of it. Similarly, we make a sorbet out of popcorn.”  

Johnson is a firm believer of transforming an ingredient or dish into hitherto unimagined avatars. When served in their exquisitely plated version as one of the five courses – they are reminiscent of what their traditional form is when you taste them; like the Tair Sadam is served as a chilli jelly but the taste is of curd rice. Under their creative experiments, traditional ingredients are metamorphosed into modern gastronomical wonders by the creativity of Johnson and his head chef Maitreye Iyer.  

The dining experience at Farmlore is unlike that of other exclusive food venues. Each course is different, the menu is not announced in advance and the five-course meal costs Rs 3500 on weekdays and the ten-course one on weekends costs Rs 5500, including taxes. Well-heeled guests have been known to book the entire 18 seats for a private meal or a romantic proposal after which they fly off to distant foreign lands. Others fly in from Mumbai and Hyderabad just for dinner. Some of his regular clients are the VIPs of the country and for reasons of privacy, Johnson cannot reveal their identities.  

Locavore to Farmlore 

The website states that they serve what they grow and follow traditional and ethical principles including cooking on fire with wood procured from the mango trees growing on their 35-acre farm. Their produce, poultry and meat are organically cultivated at the farm itself, and includes moringa, pumpkins, lemons, mango, duck, quail, prawns, horse gram, jackfruit, ice apples, etc. They use organic compost, where the urine of the cows released at four in the morning is collected, mixed with mulch and fermented with jaggery and neem to make fertiliser. They also have 22 of the local breed of cows and the ghee, butter, cheese, dahi and ice cream is all made from the milk of these cows. Solar panels for lights and wood fire to cook make it an organic, back to roots, self-sustaining enterprise through and through. 

Johnson can experiment with any food item and transform it to a contemporary bite sized portion. Jamun with salt and chillies shows up as a jamun popsicle on his menu. Ridge gourd, breadfruit, raw jackfruit, parsnips, asparagus and rainbow carrots, nasturtiums, purple cabbage – he plays around with them all. His favourite ingredient to work with though is salt. And not just any salt, he procures the mineral-rich Sannikatta salt from Gokarna in coastal Karnataka and has been using it ever since he got to know about it. He says, “It is like black salt, but more earthy and potent and one has to intuitively gauge how much to use. I also use liquid jaggery called joni bella, which I source from Northern Karnataka. It doesn’t solidify and I don’t use processed sugar or iodised salt at all.” He also likes to cook different kinds of rice – ambemohr, gobindbhog, jeerakshala, arborio, kesar kollam etc. He says, “Each strain cooks differently and they all have different flavours so it becomes very challenging.”  

With the country’s top celebrities as his clients, and his own global exposure to food trends, what does he see as the next gastronomic practice everyone might follow? He says, “Mock meat is a trend right now, it is a mainstay for vegans. Open fire cooking is also becoming a trend in the West. Barbecued and grilled food and oats are making a big comeback.”   Someday, he plans to write a cookbook, though his will be remarkably different, with illustrations drawn by his children. Till then, experimentation is the order of the day for Johnson.  

 On his travels, Chef Johnson likes to eat at:

  • Singapore: Tian Tian; Hainanese Chicken Rice; my all-time favourite
  •  Cheek By Jowl by Sri Lankan Chef Rishi Nalendra. I loved his flavours 
  • Chennai: Buhari, Mount Road. Patti Samosa. Sheer nostalgia for me
  • Chicago: Alenia, by Chef Achatz. This one is always on my list; someday I would want to visit this place because to me that was the first cookbook which I got for myself and ever since then it has grown on me
  • Follow Chef Johnson on Instagram
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Ag Surendaran
Ag Surendaran
October 3, 2023 7:09 am

Chef Johnson is a gem of a person.
He has a deep knowledge in his trade.

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  • Alenia
  • Bengaluru
  • Buhari
  • Cheek By Jowl
  • Chef Achatz
  • Chef Johnson Ebenezer
  • Chennai
  • Chicago
  • chilli jelly
  • cookbook
  • Coorgi cuisine
  • curd rice
  • Farmlore
  • Gokarna
  • Instagram
  • Kodagu
  • Kuala Lumpur
  • locavore
  • Maitreye Iyer
  • mock meat
  • molecular gastronomy
  • Mount Road
  • Nadodi
  • organic farming
  • Sannikatta salt
  • Singapore
  • Tair Sadam
  • Trippy Gummy Bears
  • umami

Published on 01, Oct 2023

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Meet Bulu Imam, the archaeologist who is protecting tribal art

(March 23, 2024) He dedicated his youth to conserving the tribal art and thick forests of Jharkhand. Now 79 years old, Padma Shri Bulu Imam lives in a colonial house nestled in a grove of tall trees and lush bushes, in Hazaribagh, Jharkhand. The hunter-turned-environmentalist and archaeologist who revives tribal paintings, Bulu currently runs an art museum, The Sanskriti Centre. He is also the author of several books and was awarded the International Peace Award by the Gandhi Foundation for his humanitarian work. [caption id="attachment_24269" align="aligncenter" width="550"] Bulu Imam receiving the Padma Shri from President Ram Nath Kovind, in 2019[/caption] "Our museum is home to old rock paintings that are about 10,000 years old. They belong to the Mesolithic, Chalcolithic, and Neolithic eras," shares the archaeologist during an interaction with Global Indian, adding, "This land of coalfields has been home to millions of tribal people, who lived there for centuries. The coal mining here was not only destroying the beautiful jungles of the land but also affecting the megaliths, some even dating back to before 2000 BC." Son of the forest The grandson of Indian High Court judge and India’s Congress President Sir Syed Hasan Iman, Bulu was born in

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nd but also affecting the megaliths, some even dating back to before 2000 BC."

Son of the forest

The grandson of Indian High Court judge and India’s Congress President Sir Syed Hasan Iman, Bulu was born in the lap of luxury. Like his father, the archaeologist was a big-game hunter and would animals that posed threats to human life. "My mother was of French ancestry, whereas my father was of Arab ancestry. My father was very fond of big-game hunting and as a child, I would accompany him on several hunting trips. I grew up surrounded by forest and tribal people, which is why I believe I feel so strongly in them," shares the conservationist.

Unusually, Bulu did not receive any formal higher education. "I have studied till standard XII in St. Xavier's School, Hazaribagh. My entire family has studied at Oxford and Cambridge. But my uncle, who was an Aurobindo-man had his own ideas about education. Upon his suggestion, my parents didn't send me to any school or college. And I feel, had my uncle not taken that stand, the world would not have seen the Sohrai and Khovar paintings," laughs the archaeologist.

Archaeologist | Bulu Imam | Global Indian

Growing up, Bulu was fond of painting, reading, and writing poems. However, hunting was his passion. "I loved to go on hunting trips, but we never killed the animal for pleasure. During the ’60s and ’70s, I hunted 19 elephants and many man-eating tigers most of my early adulthood was spent organising tiger hunts with my father in the region of Jharkhand," the archaeologist shares.

ALSO READ | Meet Dr Masooma Rizvi, the art curator for Ayodhya International Airport

Turning point

It was a hunting trip that would be a turning point in the archaeologist's life. In 1979, when the conservationist was on a journey around the state with British traveller-writer Mark Shand and his elephant, he saw the destruction of thick forest for coal mining by the state for the first time. "I was shaken by the mass-scale destruction of the forest," share Bulu. Upon approaching the forest officials, learned that the Central Government had allotted contracts to mine six million tonnes of coal at 30 sites in Damodar Valley. "That was when I decided to oppose the decision and spearheaded a movement," he recalls.

[caption id="attachment_24267" align="aligncenter" width="551"]Archaeologist | Bulu Imam | Global Indian Bulu's daughter, Juliet Imam, making a tribal art[/caption]

Coal mining in the area was also displacing the local tribal community and affecting their livelihoods, which depended on the forest. Eventually, the Global Indian became a strong propagator for tribals and wildlife in the North Karanpura Valley against open cast mining. He also brought attention to the need to protect elephants and tigers' corridors to have distinct habitats.

Tracing the tribal past

After five years of fighting with the authorities to prevent the destruction of local culture, biodiversity, and distinct animal habitats, Bulu became quite well-known in the country. However, not much came out of his protests against the government. "The coal mining didn't stop in the area," shares Bulu, who wasn't disheartened and continued to raise his voice against the mining.

[caption id="attachment_24264" align="aligncenter" width="551"]Archaeologist | Bulu Imam | Global Indian Bulu Imam, Tarshito, Erwin Neumayer, and Philomina painting in Vicino Lantano Festival[/caption]

In 1986, the archaeologist explored the Adivasis's identity and was chosen as regional convenor for INTACH, a Delhi-based NGO. In the following years, the conservationists conducted various campaigns to stop the mining activities from Damodar Valley to Hazaribagh. And around the same time, he discovered ancient art that helped him save the local traditional culture.

"One evening in 1991, an Australian Jesuit priest, Father Tony Herbert - who ran a night school for the children in Barkagaon Valley adjacent to Hazaribagh - approached me with the news of some red markings found in one of the caves in the mining area. I was intrigued and decided to visit the site. I realised that those markings were ancient rock art and knew we had discovered something significant,” the archaeologist says.

[caption id="attachment_24266" align="aligncenter" width="552"]Archaeologist | Bulu Imam | Global Indian Bulu still likes to sketch whenever he finds some free time[/caption]

The paintings discovered were a dozen prehistoric rock art sites more than 5,000 years old. During the same time, Bulu also found palaeoarchaeology sites associated with Mesolithic rock art, ancient megaliths, and Buddhist archaeological sites. These sites were acknowledged by the Archaeological Survey of India, enriching the cultural tradition of the region.

"I was able to find a link between these prehistoric art paintings to the paintings Adivasi women draw on the mud walls of their home. The painting style can be distinguished into Khovar and Sohari. The local women paint their homes inside and out, twice a year, celebrating harvest and marriage time," Bulu explains.

ALSO READ | Revati Singh is crafting artistic narratives that transcend boundaries

The road ahead

Married to two Adivasi ladies, the archaeologist lives in Hazaribagh with his son Gustav Imam. The father-son duo runs the Tribal Women Artists Cooperative (TWAC), to empower and encourage Adivasi women to continue painting. To help raise funds for the tribal community, Bulu has been putting these paintings on canvas and cloth and exhibiting them all around the world. TWAC has held more than 50 worldwide exhibitions so far

"These mud wall paintings are not new but have been in existence since the Chalcolithic and Iron Age period. I didn't just want to protect this culture but collect and showcase them. So, I started collecting such stone tools in my museum and it is one of the recognised museums by the government," shares the archaeologist.

[caption id="attachment_24270" align="aligncenter" width="553"]Archaeologist | Bulu Imam | Global Indian Bulu with his son, Gustav Imam[/caption]

Gustav has been instrumental in documenting the artefact present in the museum which could be used by further researchers, academicians, and students. "Sanskriti museum is a result of 30 years of research. Each artefact or stone tool present in this museum has a story behind it linked to human evolution. I really hope that these documents will help the future generation of researchers," concludes the archaeologist, with a smile.

  • Follow Bulu Imam on his website

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Mastercard’s Raja Rajamannar named among Insider’s world top 25 CMOs

(July 11, 2023) With the continuous evolution of technology over the past few decades, marketing has undergone significant transformations, progressing through four distinct stages that have built upon the strategies and tools of the preceding eras. While the world is trying to figure out ways to tackle the fifth stage of marketing, one man seems to have it all figured out. Indian-American business executive and the Chief Marketing Officer of Mastercard Raja Rajamannar, who is not afraid to experiment and push the brand into new frontiers. The business executive, who recently spearheaded a unique web3 music-focused program as part of his strategy to engage consumers with their passions via multi-sensory marketing, was listed among the Insider magazine’s most innovative CMOs of 2023, a list of 25 top marketers who are 'confronting big challenges' including 'volatile economy, and testing generative AI', and are 'pushing the marketing discipline into new technologies'. "One of the things that technology does is gives you a new kind of enablement," the Global Indian had said during the latest interview about technology-driven business strategies, adding, "I help you analyse mountains of disjointed data and come to insights in an unbelievable fashion. It just happens almost in real-time,

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ef="http://stage.globalindian.com" target="_blank" rel="noopener">Global Indian had said during the latest interview about technology-driven business strategies, adding, "I help you analyse mountains of disjointed data and come to insights in an unbelievable fashion. It just happens almost in real-time, and that can change marketing to the most appropriate fashion, based on the context in which the consumer is. So your effectiveness will go up. Your return on your marketing investment will go up."

Young boy with big dreams

Hailing from Hyderabad, Rajamannar earned his undergraduate degree in Bachelor of Technology degree in Chemical Engineering from Osmania University. He later received a Master of Business Administration degree from the Indian Institute of Management, in Bengaluru. Eager to start working, the business executive joined Asian Paints in 1985 and had a fantastic time there. "The company didn’t have a marketing department when I joined, so part of my role was to build out the department," Rajamannar shared, "As somebody who loves to learn, it was a phenomenal experience for me. I studied marketing, I meticulously examined how other companies approach marketing and I brought those learnings in and uniquely tailored them for Asian Paints."

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His experience at the company imparted a valuable lesson that continues to resonate, highlighting the fact that every company maintains its distinct interpretation of marketing. "There is no one-size-fits-all template. Marketing manifests differently for each organization based on its unique needs and a leader’s role is to be able to deploy a distinct plan that works best for the organisation," Rajamannar recalled.

Eventually, the business executive joined Hindustan Lever Limited in 1988. He continued to work in the country until an opportunity at the Citi Bank took him to Dubai in 1994 - a job that took him to New York, USA as a Senior Vice President.

The world of marketing

With over three decades of experience as a global executive, Rajamannar has occupied various C-level positions at companies including Anthem and Humana. The business executive joined Mastercard in 2013 and has successfully guided Mastercard's transformation into a digital-era identity, overseeing the development of Priceless experiential platforms and marketing-driven business models.

[caption id="attachment_41432" align="aligncenter" width="647"]Raja Rajamannar | Global Indian Rajamannar with Natalie Portman during an interview[/caption]

Speaking about who has had the biggest influence on him, Rajamannar said, "Mastercard’s former CEO Ajay Banga. All in all, across companies, he was my boss for nearly 25 years. If you don’t know Ajay personally, then I can tell you that he is both an extraordinary professional as well as a wonderful human being. Truly inspiring. Through his words and his actions, he has underscored that companies in general and marketing, in particular, can and should be both a force for growth and a force for good."

Rajamannar's tech-savviness as a CMO has earned him recognition from Adweek, ranking him among the industry's most technologically adept executives. Forbes has also acknowledged him as one of the world's top five most influential CMOs, while Business Insider has listed him among the top ten most innovative CMOs worldwide. The business executive launched the accessible card—Touch Card, for blind and partially sighted people. And before that, he rolled out the True Name card initiative to support transgender and non-binary communities.

"So many people have come back to me personally showing their appreciation for this product. It has got a positive ripple effect. It cascades eventually to business and brand results but most importantly, you're creating the right social impact. That to me, and my whole team, is hugely gratifying because it's not always about chasing the corporate objectives but also about leveraging the power you have—the financial resources, the network resources, and the creative and communication assets," Rajamannar said during a recent conference.

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The business executive, who has been honoured with the title of Global Marketer of the Year by the World Federation of Advertisers and received the Marketer of the Year award from the ANA Educational Foundation, has been the subject of case studies at esteemed institutions such as Harvard Business School and Yale School of Management, where his work has been taught at over 40 prestigious management schools worldwide. "Sometimes the best ideas collapse," the business executive said during one of his talks to the students, "Not because the competition is intense or the market conditions are not appropriate, but because of internal politics. This is why getting your colleagues across the company involved and aligned is essential."

  • Follow Raja Rajamannar on LinkedIn, Twitter and Instagram

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Worldly moves: Vrinda Chadha’s Odissi odyssey

(December 20, 2023) Odissi exponent Vrinda Chadha was only a teenager when she began traveling the world for her performances. Vrinda, who was introduced to the ancient dance form at the age of 13, began accompanying her Guru, Padma Shri Ranjana Gauhar, as she performed across India and around the world. Vrinda has been part of her guru’s ensemble and a solo dancer in her own right, gracing stages in Spain, Argentina, Korea, Japan, China, Singapore, the United Kingdom, Madagascar, and Seychelles. With a vast repertoire of work, the former member of the International Dance Council UNESCO in Paris and a Teach for India fellow, Vrinda has earned numerous awards. [caption id="attachment_47659" align="aligncenter" width="548"] Vrinda Chadha[/caption] In 2020, during the pandemic, Vrinda launched 'Imagine,' a video project aiming to uplift the prevailing sombre mood by blending music and dance across genres. “The video, initially created just for social media platforms, gained instant popularity. Later, to our delight it was selected to be featured at Chicago’s In/Motion International Dance and Film Festival in 2022,” Vrinda tells Global Indian. “Curated by DanzLenz - Kri Foundation's dance and camera vertical, the festival was dedicated to South Asian dance films made by dancers and dance filmmakers

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nt popularity. Later, to our delight it was selected to be featured at Chicago’s In/Motion International Dance and Film Festival in 2022,” Vrinda tells Global Indian. “Curated by DanzLenz - Kri Foundation's dance and camera vertical, the festival was dedicated to South Asian dance films made by dancers and dance filmmakers of India, Pakistan, Bangladesh and Sri Lanka, and their diaspora from across the world.”

‘Imagine’ with a vision 

As artists took to online platforms to stay connected to their craft during the lockdowns in 2020, Vrinda’s project ‘Imagine’, was aimed at bringing cheer during times of uncertainty. “What started off just on a whim became a virtual performance by 13 ace vocalists, on whose songs I performed on my own choreography,” she tells. The team of musicians sang an a Capella cover of John Lennon’s iconic anthem, Imagine, to which Vrinda created a beautiful fusion choreography with Odissi movements and expressions to it. “All the contributing artists worked from home. Our aim was to just bring people together and spread a message of peace, hope and love,” she says.

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As Vrinda and her collaborators revelled in the success of their heartfelt creation, they were pleasantly amazed when it was chosen to be showcased at the Chicago’s In/Motion International Dance and Film Festival. This global event aims to foster collaboration among artists advocating for social equality and serves as a platform for discussions on sustainable artistry.

The festival was organised by Amy Wilkinson, a leading expert in innovation and entrepreneurship, along with Aaron Greer, a film and media arts professor at the University of Wisconsin-Madison, Sarah Cullen Fuller from Loyola University Chicago's Dance Program, and the dancer/choreographer Sarah Fluegel.

Vrinda’s artistic path 

“I have always loved dancing. It allows me to express myself more than words can," Vrinda shares. Her parents had noticed this passion in their daughter when she was a school student studying at Modern School in New Delhi, and took her to Guru Gauhar who lived in their neighbourhood. Recognising Vrinda's talent, she agreed to be Vrinda’s teacher and has been guiding her disciple’s dance journey ever since, both in India and abroad.

[caption id="attachment_47658" align="aligncenter" width="594"]Indian Art and Culture | Vrinda Chadha | Global Indian Vrinda Chadha[/caption]

"Guruji noticed my potential, nurtured my natural interest in dance, and provided the guidance it required. Finding the right mentor is key for anyone pursuing an art form. I feel fortunate to have been trained under her," Vrinda says, highlighting that her family had no prior professional ties to the art world before she started learning Odissi.

When Vrinda embarked on her dance journey, she had limited knowledge about the different dance forms. Yet, it seemed as if Odissi was destined to become an integral part of her identity. "I didn't even realise how deeply it intertwined with my personality," remarks the dancer, who alongside her training in Hindustani classical music and yoga, acknowledges their substantial role in enriching her dance performances.

“Now, after so many years of my association with Odissi, it's challenging to distinguish between myself and my dance," tells Vrinda who has been the recipient of the Nalanda Nritya Nipuna Award in Mumbai, the Young Talent Award by the International Academy of Mohiniyattam in Delhi, the prestigious title of Odissi Ratna in Bhubaneswar, and the Kameshwari Award in Guwahati.

Giving back  

Apart from performing and serving as a faculty member at 'Utsav', her Guru’s, dance academy, Vrinda teaches across government schools in Delhi.

[caption id="attachment_47662" align="aligncenter" width="526"]Indian Art and Culture | Vrinda Chadha | Global Indian Vrinda Chadha with her guru Padma Shri Ranjana Gauhar[/caption]

“Performing artists and their audience are privileged to have access to art but art seldom reaches the underprivileged, “she remarks, adding “With this in mind, I took up the Teach for India fellowship to introduce dance and music to the lesser privileged. The idea is not to make these kids experts in Odissi, rather enhance their self-expression and emotional literacy through the medium. Through my art I hope to continually spread love, peace, and consciousness."

Dance and beyond 

 "Dance isn't solely about performing; there are other dimensions to it," explains Vrinda, who deeply soaks herself into research and study of Odissi when she is not performing or teaching. “My future plans include taking the legacy of my Guru's teachings forward and spreading this art further to the best of my capacity, she tells.”

Apart from her passion for dance, Vrinda cherishes exploring nature, frequently embarking on solo journeys to scenic destinations like Himachal for hiking and climbing.

[caption id="attachment_47661" align="aligncenter" width="457"]Indian Art and Culture | Vrinda Chadha | Global Indian Vrinda Chadha[/caption]

“As an Odissi dancer I have always valued the ability to express and connect with one's innermost being through the medium of art. The liberation and joy of surrender in such an experience is unparalleled. It helps me to not just my audience but my own soul. My art empowers and frees me both on and off stage. It is my identity,” she signs off.

  • Follow Vrinda Chadha on LinkedIn, Instagram and Facebook

What’s your Global Indian story? Write to us at editor@globalindian.com

Reading Time: 5 mins

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The Asian God: Following the trail of Lord Ganesha

(August 31, 2022) Java 2019: He had almost finished ploughing half of his paddy field. The plan was to finish the rest of the land before breaking for lunch. But just as he moved ahead, the machine got stuck and refused to budge despite several attempts. What he initially thought to be a big rock turned out to be a 140 cm high and 120 wide Lord Ganesha statue which took four days and 300 men to be excavated. Made of andesite, this 700-year-old headless and armless statue is one of the largest in the world. [caption id="attachment_28745" align="aligncenter" width="700"] Ganesha statue unearthed in Java[/caption] This is one of the many incidents where archaeologists have excavated full or parts of Lord Ganesha's statues in various parts of the world. From far eastern Japan to Central America and South-East Asian island countries to Afghanistan - the trail of the elephant god can be traced back to about 2500 years. Interestingly, the god who is today revered before any auspicious event in Hindu households, first emerged only in the sixth century CE and was considered to be 'Vighnakarta' or the creator of obstacles. However, over time, he evolved into ‘Vighnaharta’ or the

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vent in Hindu households, first emerged only in the sixth century CE and was considered to be 'Vighnakarta' or the creator of obstacles. However, over time, he evolved into ‘Vighnaharta’ or the remover of obstacles, who is revered to by the followers of many religions - including Buddhism, Jainism, Shinto and even Aztec.

[caption id="attachment_28746" align="aligncenter" width="466"]Lord Ganesha | Global Indian Tibetan Ganpati[/caption]

Global Indian sheds light on some uncovered trails of the god, who symbolises the universal concepts of knowledge, strength, and reverence.

From India to the far eastern shores

Way before the Europeans began their sea explorations, several empires in the Indian subcontinent had already established sea routes to various far eastern countries. Many merchants and scholars from these countries arrived on the Indian shores in search of wealth and knowledge. One such person, who came to the Kalinga Empire (present-day Odisha) in 8th Century CE, was a Japanese scholar named Kukai, who was keen to learn the secrets of Tantric Buddhism.

[caption id="attachment_28748" align="aligncenter" width="548"]Lord Ganesha | Global Indian Japanese god, Kangiten[/caption]

During his stay in Kalinga, Kukai met the noted Gandharan Buddhist scholar Pranja, who introduced him to various Hindu deities, some of whom later became a part of Shingon Buddhism in Japan. While most of these deities disappeared over time, only one survived over centuries and is still worshipped in over 250 temples across Japan. Named Kangiten, this god is depicted to have a head of an elephant and is otherwise famous among the locals as Lord Ganabachi or Binayaka Ten.

[caption id="attachment_28749" align="aligncenter" width="488"]Lord Ganesha | Global Indian A 12th Century stone sculpture of Ganesha found in Cambodia[/caption]

It is no secret that Thailand, Myanmar, and Indonesia is home to several temples that are dedicated to various forms of Lord Ganesha, but very few know that China is home to one of the oldest Ganesha statues in the world. Tucked away in the lush green forests of Kung-sin province, inside a Buddha temple is a rock-cut statue of Lord Ganesha, with the inscription 531 - referring to the year it was made in.

Land of the Méxica

When world-renowned European anthropologist Alexander Von Humbolt first postulated that the Aztec people worshipped a human deity, whose head resembled an elephant, many thought it to be a whimsy of a brilliant mind. The theory of Aztec symbols having any connection with an Indian deity then seemed unlikely to many as first, there were no sea routes connecting the two worlds, and second, elephants are not common in Central America.

[caption id="attachment_28750" align="aligncenter" width="457"]Lord Ganesha | Global Indian The Aztec elephant god[/caption]

However, later researchers found that Aztec depictions of the elephant had some religious significance. While it still remains unclear, the papers of prolific historian Donald Alexander Mackenzie (1873-1936) does throw some light on the connection between Central American and South Asian civilizations, and the possible exchange of cultures.

The Roman connection

In the 18th century British philologist, Sir William Jones drew close comparisons between the two-headed ancient Roman god Janus, and a particular form of Lord Ganesha, known as Dwimukhi-Ganesha. Calling Lord Ganesh the "Janus of India", Sir Jones felt that there was a strong resemblance between the elephant god and the Roman god of beginnings.

[caption id="attachment_28751" align="aligncenter" width="577"]Lord Ganesha | Global Indian
Two-Faced Janus at the Vatican Museum[/caption]

Interestingly, the speculation was repeated by Volney in his 1791 publication, Meditation on the Revolutions of Empires, in which he pointed out the phonetic similarity between the names "Ganesha" and "Janus". Later in his 1810 published book The Hindu Pantheon, Moor too expanded the claims of an association noting that Janus, just like Lord Ganesha, was invoked at the beginning of any undertakings.

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Shauraya Bhutani: The VC entrepreneur driving tech investment across SE Asia and India

(November 24, 2023) Shauraya Bhutani functions at the nerve centre of tech investment and advisory across two of the world’s largest growth markets, SE Asia and India. The co-founder of Capital Connect Advisors, Bhutani, who is based out of Singapore and India, advises growth-stage companies (Series B+) in SE Asia and India on M&A and private placements and invests in early-stage companies in India. Named to Forbes Asia’s 30 Under 30 list in 2023, Bhutani has played a key role in over 20 capital raising and M&A transactions. In 2021, he contributed to the trade sale of Bizzy Digital to Warung Pintar in Indonesia, and one year prior, was part of Fabelio’s $10 million Series C fundraise. In 2019, he was involved in the strategic 2019 merger between Vimo and mPos, leading to the establishment of Vietnam’s NExtPay. The twenty-eight year old, who is based out of Singapore, has been identified as one of the top 50 emerging thought leaders in the tech startup ecosystem of Southeast Asia by e27. His contributions have been featured in leading publications such as Business Times, e27, YourStory, Entrepreneur Magazine, The Financial Express, Inc42, and TechInAsia. Notably, Bhutani authored Southeast Asia’s first YC-style fundraising

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e been featured in leading publications such as Business Times, e27, YourStory, Entrepreneur Magazine, The Financial Express, Inc42, and TechInAsia. Notably, Bhutani authored Southeast Asia’s first YC-style fundraising playbook for founders, a co-publication with e27, garnering attention in the Masters of Cashflow Podcast.

Early days

Bhutani comes from an ‘out-and-out Delhi upbringing’, spending his formative years studying at Modern School in South Delhi till he was 18 years old. “I got by well in school in terms of academics, but the real learning for me was always outside – seeing my parents build their businesses, the interactions I had with my friends, and all that that comes with growing up in Delhi,” he recollects. Having watched his parents work hard to build their own businesses, he understood early on that while it was tough, it was also greatly rewarding. “Quite early on, when I was 15 or 16 years old, I was fascinated by the finance world – the lifestyles of the people working in investment banking, the work they did, and the influence they wielded,” he explains.

Career strategy

Heading abroad to Singapore Management University for his undergraduate degree became a defining experience for Bhutani. The university offered a career-oriented curriculum and Bhutani made the most of it, seeking internships to get real world exposure. He interned at KPMG India as a forensic analyst and then at BNP Paribas India, getting his first feel of office culture. “My most impactful internship was at a boutique investment firm, Asia Green Capital in Singapore, where I learnt from the best in the business,” he tells Global Indian. He learned how to pay attention to detail, draw rough conclusions and act on them and how to conduct himself in meetings. He stayed there for a year and a half before joining a boutique investment bank, North Ridge Partners, where he joined as an analyst in the team and leaving as a director five years later. This was where he established his career as an investment banker, learnt the ropes of tech investment and funding, and built goodwill among a high-value network across Singapore and SE Asia. At the end of his stint with North Ridge, he took the leap into entrepreneurship, setting up his own boutique investment firm, Capital Connect Advisors, along with some ex-colleagues. Cap Connect is now one of the most active boutique investment banks in the technology sector across SE Asia and India.

Shauraya Bhutani | Global Indian

Venturing ahead

In 2022, he teamed up with longtime associates to create Breathe Capital, a micro-venture capital firm supporting promising entrepreneurs in India. The ventures he's involved with, Cap Connect and Breathe Cap, “are a synthesis of my formative years growing up in Delhi, my time at University and of course my investment banking career in Singapore,” Bhutani says. These are still early days for Breathe Capital, and Bhutani divides his time between building he business and operations, While still early in the journey with Breathe Capital, he dedicates time to various aspects, from evaluating investment pitches and assisting portfolio founders to refining strategies based on market trends, managing investor relations, and dealing with regulators.

Technology is at the epicentre of his business – they they leverage tools like DealCloud for CRM to handle investor, startup, and stakeholder data, Asana for project management and Eillia AI for repetitive tasks like research queries. As a young founder in financial services, he faces unique challenges, given the dominance of older CEOs with decades of experience. Despite grappling with "imposter syndrome," he focuses on delivering outcomes and transparently showcasing the value he brings, fostering trust among the founders he works with. “It has been an uphill battle for me,” he admits, in “trying to establish my own arena and my own track record.” The key is building trust amongst his founders, “really the only people who matter.” This he does by remaining outcome-focused and upfront  in terms of value proposition.

Shauraya Bhutani | Global Indian

Striking a balance

Quiz him on how he maintains work-life balance, he admits that this is something that is always at odds with each other. “For me work life balance is a false choice. I don’t see how one cannot call work where you spend at least eight hours every day or 50% of your waking hours not life.” Bhutani’s way around this is to find the one thing that does not feel like “work,” which fuels an overarching purpose. “If you are unable to do that still, don’t worry too much about this early on in your career. Rather focus on building something sustainable so that, later, you can spend time as you like.” Personally, he enjoys any time he can get with his family and friends, play a bit of sports, and take short vacations now and then.

Lessons learnt

Having worked for a while, Bhutani says that the single most important insight he has for a young person is always optimise for the upside rather than the downside. “As young people, we are presented with so-called ‘safer options’, which are paths with a limited upside and are typically mind numbing.” While this can alleviate one’s immediate fears, it might not be mentally engaging or purpose-driven. And over time, this begins to tell. “Your personal development will stagnate and there is nothing more tragic than that. Always remember there is always a downside whether you see it or not or, rather, whether they show it to you or not,” he avers. Looking ahead he wants to build an organisation that can serve founders at scale, who are in turn building solutions for the 2.1 billion people across India and SE Asia.

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About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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