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Recipient of Padma Bhushan 2022, Madhur Jaffrey has authored thirty bestselling cookbooks, hosted cookery shows, and made Indian food global.
Global IndianstoryCelebrating 50 years: Madhur Jaffrey’s culinary legacy
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Celebrating 50 years: Madhur Jaffrey’s culinary legacy

Compiled by: Amrita Priya

(January 16, 2024) Renowned for securing the best actress award at the 1965 Berlin Film Festival for her portrayal of a pompous Bollywood star in Merchant Ivory’s film ‘Shakespeare Wallah’,  Madhur Jaffrey is a trailblazer in the culinary world. She has brought the delights of Indian cuisine, along with its diverse regional nuances, to successive generations of Western cooks. Recently, the 50th anniversary edition of her debut cookbook ‘An Invitation to Indian Cooking’ got released by the publishing group, Knopf. With its original edition 50 years back, the book had announced the arrival of a culinary star.

2023 also saw the release of the 40th anniversary edition of Madhur’s another popular cookbook, ‘Indian Cookery’, updated with 11 new recipes. The first edition of the book was groundbreaking, coinciding with a BBC series of the same name featuring Madhur, and it went on to sell lakhs of copies. Madhur has authored more than 30 cookbooks in her illustrious career. At 90, the workaholic is far from slowing down. One of the biggest living authorities on Indian cuisine, Madhur keeps herself busy by educating Gen Z and Gen Alpha through her Masterclass on digital media. “Nobody knows spices like we do, we are masters,” she announced proudly in its trailer.

Indian Cuisine | Madhur Jaffrey | Global Indian

Madhur’s debut cookbook is celebrating its 50th anniversary edition

“When my programme came on air, there weren’t any Indian cookery shows, it was an immediate hit,” Madhur Jaffrey told the BBC, talking about her ground breaking cookery programme that premiered in the United Kingdom 40 years ago.

The Padma Bhushan 2022 awardee grew up in Delhi and left for London in her 20s to study at The Royal Academy of Dramatic Art. She became an actress and later, turned to writing cookery books and presenting cookery shows. Little did she know that this career transition would turn out to be a significant step towards introducing India’s soft power to the western world.

Indian Cuisine Madhur Jaffrey

Madhur Jaffrey

Indian food is a magical world where the art of using spices is so advanced that we’ve created a cuisine that exists nowhere else in the world!

Her debut cookbook, an Invitation to Indian Cooking (1973) introduced Indian food to western hemisphere for the first time. It was later inducted into the James Beard Foundation’s Cookbook Hall of Fame in 2006.

When she was hired by BBC to present her cookery show – Madhur Jaffrey’s Indian Cookery, it was meant to be an educational programme. The aim was to make people learn about Indian culture by introducing them to authentic food cooked in different regions of India. The show mesmerised people so much that Madhur soon became known as ‘spice girl’, thanks to the plethora of South Asian spices she introduced to the western homes. She was popularly called ‘the actress who can cook.’

Building respectful image of South Asians

“Until then, the South Asians were not represented the way they would have loved to see themselves on the television and cinema,” she said, in the interview with BBC.

Madhur Jaffrey

Madhur Jaffrey

Madhur’s career transition had filled in the much-desired space with elan. Her show was the first mainstream series about Indian food to be broadcast in the UK and also the first one to be presented by an Indian.

Characteristically dressed in a crisp cotton saree, Madhur Jaffrey became the face of the South Asian diaspora in the UK. She knew this, tailoring her image to that of an attractive Indian who is modern, yes, but remains tied to her roots. That was the pre-internet era, so Madhur used to get flooded with letters of appreciation from her fans.

Ruling the supermarkets

If Madhur was exotic, the food she cooked seemed even more so to the uninitiated Western audiences. In fact, her recipes became so popular that Indian food was “tried by everybody all over England and beyond’. “The day I cooked chicken with green coriander, they ran out of green coriander in Manchester,” laughs the food expert.

The demand for Indian spices and ingredients grew so much that supermarkets started overstocking the ingredients that the Global Indian used in her cookery show.

Indian Cuisine Madhur Jaffrey

Madhur Jaffrey presenting her cookery show on BBC in 1980s

The spice girl from India

In the introduction to her cookbook, At Home with Madhur Jaffrey, she writes, “The techniques used in Indian cooking are not any different from those used the world over: roasting, grilling, steaming, frying, stewing, braising and so on.” Yet it is distinct she emphasises.

What gives Indian cuisine its uniqueness, its tingling excitement, and its health-giving properties is the knowledgeable use of spices and seasonings, ancient in its provenance.

The food expert has authored close to thirty bestselling cookbooks on Indian, Asian and world vegetarian cuisine, and has appeared in several related television programmes. Apart from Madhur Jaffrey’s Indian Cookery that premiered in 1982, she presented Madhur Jaffrey’s Far Eastern Cookery (1989) and Madhur Jaffrey’s Flavours of India (1995).

Indian Cuisine | Madhur Jaffrey | Global Indian

Madhur Jaffrey

What made her shows and books relevant for decades was the fact that she adapted to the time constraints of her fans. In one of her book introductions, Madhur shared, “My own cooking has changed over the years. I am often as rushed for time as perhaps you are. I am often asking myself is there an easier way to do this?”

Madhur made sure, therefore, to simplify her cooking to match with the times.

I now try to reach real Indian tastes by using simpler methods and fewer steps

The seven times winner of James Beard award wrote in one of her books.

As she made a huge name for herself in the traditional yet novel segment, Madhur went on to associate herself as food consultant of one of the most popular Indian restaurants in New York City – Dawat.

Madhur has also written three children’s books and two memoirs – Sweet Memories (2002) and Climbing the Mango Trees: A Memoir of a Childhood in India (2006).

Strengthening cultural relations between continents

Before becoming a television personality and delving into the domains of food and travel writing, Madhur had made a mark for herself as an Indian-British-American actress, starting with minor acting roles on BBC television and radio. One of her notable works is the film, Shakespeare Wallah (1965) for which she won the Silver Bear for Best Actress award at the 15th Berlin International Film Festival.

 Madhur Jaffrey Global Indian

Madhur Jaffrey in one of her television shows

During the course of her acting career, she enthralled audiences with her performances in television, films, radio and theatre. Perhaps this background contributes to her eloquence as a food presenter.

Her cookery shows have always been lively with powerful punchlines like:

Each grain of rice should be like brothers, close to each other but not stuck together.

After a divorce from Sayeed Jaffery, the notable actor who is father to her three daughters, Madhur married an American violinist. The couple have now been together for 56 years.

 

In recognition of her contribution to cultural relations between the UK, India and the United States, through film, television and cookery, Madhur was named the honorary Commander of the Order of the British Empire (CBE) in 2004. Padma Bhushan 2022, the third highest civilian award from the Government of India, is a testament of her service to Indian culinary art.

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Nishant Malhotra: Reviving GI-tagged textile heritage and celebrating artisans with WeaverStory

(August 13, 2024) “As children of the pre-digital era, we have all grown up in homes and environments that have been driven by tradition. From food to craft and clothing, everything had a story and was a hand-worked skill passed through generations, be it the chutneys that were made at home or the sweaters that were knit. So there always was an inclination towards culture and the traditions of the past,” Nishant Malhotra reminisces as he connects with Global Indian.  Although he was always fascinated by India’s luxurious heritage and traditions, he had never imagined that he would one day work with it. After spending several years in the banking and finance sectors, Nishant Malhotra founded WeaverStory nine years ago, finding both purpose and an avenue for social impact.  [caption id="attachment_53617" align="aligncenter" width="482"] Nishant Malhotra at WeaverStory curated runway show at BNI4M2024 event[/caption] Led by artisans  The craft-led textile brand has come a long way. Launched with just five sarees on a Facebook page, WeaverStory has grown into a 30-member team working with over 400 weavers from 10 different weaving clusters. “This transformation has significantly improved the lives of weavers and their families and enhanced the experiences of our customers

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gn="aligncenter" width="482"]Indian Art and Culture | Nishant Malhotra | Global Indian Nishant Malhotra at WeaverStory curated runway show at BNI4M2024 event[/caption]

Led by artisans 

The craft-led textile brand has come a long way. Launched with just five sarees on a Facebook page, WeaverStory has grown into a 30-member team working with over 400 weavers from 10 different weaving clusters. “This transformation has significantly improved the lives of weavers and their families and enhanced the experiences of our customers spread across more than 20 countries," tells the entrepreneur. 

Whether it is the famed yarns of Banaras, the vibrant hues of Gujarat, the ethereal threads of Chanderi, intricate works of Kashmir, poetic weaves of Bengal, or resplendent silks of Kanchipuram - WeaverStory has been championing authentic handmade products like luxurious sarees and fabric, bespoke occasion wear, bridal couture and accessories blending tradition with modernity. 

GI certified handloom  

The textile brand’s products are silk mark and craft mark-certified with GI tags. It has been participating in the Government of India’s ODOP (One District One Product) initiative which aims to promote indigenous and specialised goods and crafts distinct to various districts across the country. “WeaverStory sources 350 products from over 19 Geographical Indications (GIs), thus ensuring genuine handloom apparel from the craftspeople who bring them to life.” 

The hand weaved textiles are delivered through retail stores in Delhi and Hyderabad and the brand’s website. It also retails online through domestic and international marketplaces such as Pernia’s Pop Up Shop, Aza, Aashni + Co., Nykaa Fashion and Etsy. 

[caption id="attachment_53634" align="aligncenter" width="720"]Indian Art and Culture | Nishant Malhotra | Global Indian One of the WeaverStory stores[/caption]

The journey of transition 

As a banking and financial services professional, Nishant often travelled to rural areas and smaller cities in India, working on financial inclusion projects. These experiences exposed him to not only the challenges faced by the local population but also to the complexities of implementing programs to benefit them. 

“I realised that even small steps could have a significant impact on their lives and it was this thought that drove me to start WeaverStory after a trip to Banaras that proved pivotal in the transition,” tells the Delhi based entrepreneur. 

Starting small 

In Banaras, Nishant met a weaver who had been forced to quit his craft due to low income and the pressure of supporting his family. Instead of engaging in his creative work, the weaver was folding sarees at a retail shop. This deeply moved Nishant. Upon his return to Delhi, he began conversing with others to understand the market need for Indian handlooms – the artistic heritage of India. 

“I discovered that there was a demand for handloom products, but people were unaware of authentic sources,'” he says. This realisation led him to start a small initiative by creating a Facebook page, where he showcased five well-crafted saris by a weaver of Banaras to help people appreciate the value of craftsmanship of the weaving community. 

Within months, his initiative started gaining recognition, motivating Nishant to leave his job and pursue social entrepreneurship. He had found the purpose of creating better opportunities for the artistic weavers of India and making a difference in their lives. 

[caption id="attachment_53625" align="aligncenter" width="687"]Indian Art and Culture | Nishant Malhotra | Global Indian WeaverStory team[/caption]

“It started as a mere passion project with no intention of launching a full-fledged brand. However, that small step transformed everything, leading us to where we are today,” says Nishant who had over 15 years of corporate experience with Fortune 500 companies and biggest conglomerates like the TATAs and Reliance group at the time of stepping into social entrepreneurship. “Through WeaverStory my attempt has been to bridge the gap between true fans of original Indian handlooms and those with a century-long lineage in this artistic heritage. We work towards preserving our heritage and enabling weavers to become financially successful,” he says. 

Rising above challenges and earning trust 

In the initial days of his venture gaining the trust of the weavers was a challenge. “Coming from a banking background with no experience in textiles, I wasn’t attempting to become a designer. My goal was to create an ecosystem around handlooms. However, understanding the craftsmanship, the uniqueness of handwoven fabric, and effectively communicating with the weavers required substantial knowledge,” Nishant mentions. 

When he approached weavers, they were sceptical. “They doubted my understanding of their craft and feared their products would be rejected after completion.” An online brand, was an unconventional idea in 2015, especially for the rural weavers for whom trade meant an offline activity. 

To alleviate their fears Nishant started work on the model of buying products outright from the weavers addressing their concerns. “By ensuring immediate and fair compensation, we gradually earned their trust and overcame their initial resistance,” he says. 

[caption id="attachment_53624" align="aligncenter" width="523"]Indian Art and Culture | Nishant Malhotra | Global Indian A Madhubani artist associated with WeaverStory[/caption]

Assuring quality 

Earning the trust of the weavers was just one side of the story. Nishant highlights that when purchasing a premium product like a handwoven saree, customers seek assurance about their investment. Therefore, early in their journey, the WeaverStory team began conducting video calls with customers to showcase the products in detail, thereby earning their trust as well. 

“At WeaverStory, our values of purity, pride, and intention have always been at the core of everything we do. We have consistently strived to present our customers with a curated collection of authentic weaves in pure fabrics that best represent India’s textile heritage and the skills of our weavers,” the entrepreneur mentions. 

Weaving stories 

To bring the stories of the rural weavers to the forefront and change the narrative in their favour Nishant Malhotra and his team does not just look at them as mere suppliers of products that they are marketing but provide the weaving community a sense of close collaboration. “This outlook is one of the major factors contributing to our growth story,” says Nishant. 

“Our product curation and storytelling are deeply influenced by the intentions and narratives of the weavers, and we make it a point not to interfere with their stories. The authentic stories behind each weave is what attracts our customers; and they want to buy, own, and cherish these unique pieces of art.” 

https://www.youtube.com/watch?v=L_QW-F7l3Yk

WeaverStory Foundation 

Recently, the entrepreneur has started the WeaverStory Foundation, which will undertake projects aimed at providing sustainable livelihoods and skill development for weavers, with a special focus on women artisans. “We are actively seeking and collaborating with like-minded partners to further this mission,” Nishant points out. 

Awards galore 

The textile brand has instituted several reward and recognition programs, such as Kala Nishtha, Kala Samridhi and Craftales to encourage lesser-known and new weavers to look at their skills with more optimism and be part of the WeaverStory network. 

“These initiatives help create visibility for them, especially among their peers and within their communities, where weaving is often seen as a low-paying job.”

In the WeaverStory model, the products are purchased outright from the weavers. “WeaverStory ensures that weavers are paid fair market prices that account for the scale and input while keeping the product competitive. This approach rewards the weavers for their skill, time, and labour,” Nishant says. 

[caption id="attachment_53627" align="aligncenter" width="723"]Indian Art and Culture | Nishant Malhotra | Global Indian Naseem Bano (extreme right) is one of the weavers that WeaverStory works with to upskill village women artisans[/caption]

New Initiative - Revival collection of Venkatagiri sarees 

On the occasion of National Handloom Day which falls on 7th August and coincides with WeaverStory’s foundation day, the textile brand launched a revival collection of Venkatagiri Sarees. 

“Venkatagiri was once known for its fine-count cotton sarees with gold khaadi borders woven on a traditional pit loom. It held a place of pride in Andhra’s handloom traditions. However, with the advent of the power loom, the decline in the value of cotton, and a shift in market demand that leaned towards Banarasi, Kanchipuram and Paithani styles, the weavers of Venkatgiri lost touch with their traditional design language and eventually met with flagging patronage and diminished popularity,” informs Nishant. 

For the past several months, WeaverStory has been working with Tata Trusts’ Antaran to revive the lost designs of the Venkatagiri cluster. The textile brand has launched a collection of sarees with four archival designs that have not been woven in over 70 years. “The aim is to rekindle significant market interest in this historic craft and give saree connoisseurs across the world a piece of heritage to own,” says the entrepreneur who works with the vision of promoting the exquisite craft of handweaving, ensuring its legacy continues to thrive.

[caption id="attachment_53637" align="aligncenter" width="722"]Indian Art and Culture | Nishant Malhotra | Global Indian Nishant Malhotra with Mridula and Parvez Alam from Tata Trusts during the unveiling of Venkatagiri Revival Project[/caption]

 

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Chef Avin Thaliath: Transforming India’s baking landscape, one pastry at a time

(November 17, 2024) Dr. Avin Thaliath is redefining India's baking landscape with a blend of science, culture, and artistry, transforming baking from a foreign concept to an accessible art. His journey began in the aromatic kitchens of Kochi, but it was his studies in pastry-making in France that became a turning point. Trained in traditional French techniques, Avin returned to India with a bold vision: to bring world-class pastry education and innovation to the country. Co-founding the Lavonne Academy of Baking Science and Pastry Arts in Bengaluru, he set out to blend European precision with Indian flavours and conditions, inspiring a new generation of bakers. At Lavonne, Avin combines hands-on practice with deep culinary science, introducing students to techniques like autolyse and sourdough fermentation, and teaching them not just how to bake, but why each technique works. His dedication to creating an inclusive baking community and educating future chefs is paving the way for a uniquely Indian take on the art of pastry-making. [caption id="attachment_60121" align="aligncenter" width="547"] Chef Avin[/caption] His culinary journey began long before he ever donned a chef’s apron. It started in the kitchens of his childhood summers in Kochi, where he spent countless hours watching his mother

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> Chef Avin[/caption]

His culinary journey began long before he ever donned a chef’s apron. It started in the kitchens of his childhood summers in Kochi, where he spent countless hours watching his mother and grandmother cook. “I discovered early on that I had a peculiar nose for flavours,” Avin tells Global Indian. “I could pick out subtle differences in the same dish served twice. The sensitivity, along with the rich textures and tastes I experienced in their kitchens, laid the foundation for my future as a chef.”

These early encounters ignited Avin's passion for food, but it wasn’t just about nourishment—it was about memories. For him, food became synonymous with emotion, a connection which continues to influence his approach to cooking today. “Flavours have the power to evoke memories and emotions,” he says, of the principle central to his work as both a chef and educator. Having worked with two of the country's largest hotel chains, the Taj and the Orchids, he was part of the team which catered to dignitaries like Dr. A.P.J. Abdul Kalam and President George W. Bush.

Discovering His Passion

Interestingly, Avin Thaliath didn’t set out to be a baker. While he had always enjoyed food, it wasn’t until a scholarship took him to France that he found his true calling. “I didn’t have the skills of a baker yet,” he admits, “but it was in France, during my internship, that I formally trained and fell in love with baking.”

Chef Avin | Global Indian

Working alongside a seasoned French chef who recognised his potential, the 39-year-old was handling intense shifts on his own. It was here, he baked his first baguette, an achievement he remains proud of. “I have an entire film roll of photographs of it,” the chef recalls with a smile. This experience marked the beginning of his lifelong fascination with the science of baking—a journey which has taken him across kitchens and classrooms, from Europe to India.

Avin’s approach to baking is unique, combining a deep understanding of the science behind ingredients with a respect for cultural traditions. “Baking is more than just mixing ingredients,” he explains. “It’s about understanding how those ingredients interact on a molecular level.”

His experiments with techniques like sourdough fermentation and the autolyse method have allowed him to refine not only European breads but also Indian breads. “Autolyse, where you let flour and water rest before kneading, can save up to 80 percent of the usual time required for gluten development,” he shares.

 

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A post shared by Dr. Avin Thaliath (@chef_avin)

Blending Ideas

Upon his return to India, Avin Thaliath found no place where he could practise the techniques he learned abroad. This led him to start Lavonne Academy in 2012, India's first international baking sciences and pastry arts academy, where he teaches aspiring bakers by blending his scientific knowledge with cultural context. “I want my students to understand not just the ‘how,’ but the ‘why’ behind traditional and modern techniques,” he says. This philosophy allows him to introduce his students to the complexities of baking, while also encouraging them to innovate and create new flavours reflecting their unique backgrounds.

Baking in India presents its own challenges, from the varying quality of flour to the impact of humidity and heat on the baking process. “Flours like T-55 or T-45 don’t have direct equivalents in India, so we have to adapt,” he explains. Success, he believes, comes from knowing how to ‘tame’ these ingredients. “Fifty percent of the battle is understanding your ingredients,” he says, noting how climate and local conditions play a crucial role in shaping the final product.

From Teaching to Writing

For the baker, one of the high points of his career has been the opportunity to return to Christ University, his alma mater, as a professor. “It’s rewarding to give back to the same institution where I nurtured my talents,” he says.

Now, Avin Thaliath is focused on passing the knowledge he has gained to the next generation of chefs. His new book, A Baker’s Journey, is his way of giving back to the culinary community.

The book explores the science and art of baking, explaining how ingredients like flour, yeast, and eggs interact to create flavor and structure. It emphasizes the importance of precision, blending traditional techniques with modern innovations. The book aims at making baking accessible for both hobbyists and professionals.

“I realized there was a gap in the literature,” he explains. “No one has yet attempted to combine the three crucial aspects of baking I focus on: the science, the art, and the anthropology. As an Indian chef, I felt it was important to contribute this perspective to the global culinary dialogue, as no Indian author has previously undertaken such a comprehensive exploration of baking”

Avin’s philosophy is grounded in hard work and resilience, qualities that have carried him through the toughest challenges. “There’s no substitute for hard work,” he tells his students. “It’s what will carry you through the toughest challenges. Smart work comes later, but the foundation of hard work is what matters.”

The Legacy of a Baker

The baker’s journey is far from over, but he has already achieved what many only dream of—success in his field, the ability to pass on his knowledge, and the chance to give back to the community which shaped him. For Avin Thaliath, it all comes back to his roots. “This book is inspired by my mother, Pauly Mathew, and my grandmother, Mary Paul Vithayathil. They were the ones who first showed me the magic that happens in the kitchen,” he notes.

Chef Avin

When he’s not teaching or writing, Avin enjoys experimenting with new ingredients and thinking about how he can make baking accessible to everyone. “My goal is to simplify baking for the everyday home baker,” he says, “to make it something anyone can enjoy, even if it’s their first time.”

Dr. Avin Thaliath’s story is one of innovation and following his passion. “There’s something truly special about creating food and bringing people together,” he reflects. And with his new book, he hopes to inspire others to embark on their own culinary journeys—guided by the same love for flavours and the art of baking that has shaped his life.

QUICK TAKES

Favourite dessert? Crème caramel – the most difficult dessert to make
A baker you look up to? Chef Antonio Bachour, Chef Carlos Mampel and my mother
One dish you haven’t ever cooked and why? I’ve never cooked something without involving heart and soul.
Patisseries you like eating at: A small little bakery in Turkey where I ate simit, at Café Nantes, a bakery where I discovered the best bagels and Lavonne Café.

  • Follow Chef Avin on Instagram

 

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Tree to bar: Meet the couple elevating Indian cacao at Bon Fiction

(June 22, 2024) How many of us haven’t eagerly heralded the arrival of our cousins from the US, especially for the chocolates they brought with them? All  90s kids would definitely relate to the experience. However, if there is one major shift in recent years, it is the rise and rise of Indian chocolatiers. Ready to experiment, and armed with the best knowledge in the industry and equipped with the correct resources, these Indian brands have reversed the trend in the chocolate industry. One such brand that is making waves with its rich flavors and premium offerings is Bon Fiction. In an area where coconut, prawns, and paddy are famous, Akhil and Prathina Grandhi grow cacao that is hand-picked from their farms in the Godavari region of Andhra Pradesh, creating premium chocolate that is becoming a cult favorite. Since being launched, the brand has won multiple awards over the years, including at the prestigious UK Academy of Chocolate. Both certified chocolate tasters, the duo have broken many myths that regarded Indian chocolates as inferior in their six-year journey. The gift of the Godavari The husband and wife duo has always had a penchant for business and is keen on making

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The gift of the Godavari

The husband and wife duo has always had a penchant for business and is keen on making inroads in the agro-processing industry. Akhil had explored the challenge of setting up a pineapple plantation in Uganda, while Prathina had been working at the family hospital, where she spearheaded vital managerial and administrative changes.

“We often found ourselves only able to enjoy good dark chocolate when we traveled abroad or when friends and family brought it back to India,” recalls Akhil.

Recognizing a gap in the market for quality dark chocolate in India, they began experimenting with cacao on their family farm in early 2019. They made micro-batches of chocolate and realized the potential for high-quality craft chocolate from the cacao beans of the Godavari region.

The fertile land surrounding the river Godavari has been considered a vast gold mine of agricultural abundance since time immemorial. Cacao or cocoa pods are one such abundant yield in the region. Akhil and Prathina were curious why so much cacao was grown in and around Rajahmundry, yet all Indians unequivocally could never hope to eat good chocolates unless they were imported or bought by someone from Europe.

The ones that were made locally were either really bitter or lackluster in taste as compared to their foreign counterparts. In a bid to bridge the gap between raw materials and a stellar end product, the two set off on a deliciously fulfilling journey of experimenting with chocolate.

Bon Fiction | Global Indian

Prathina adds, “This inspired us to set up our production facility, aiming to develop chocolates that appeal to the Indian palate while introducing unique flavor combinations.”

It took them around 300 trial chocolate batches to reach the final 14 flavor variants. The products are all vegan, and their flavors range from their unique ’Mango Menace’ (mango chilli dark chocolate) to another best seller, ‘Roasted Almond Revival’.

Coming of age

The entrepreneurs craft chocolates that are low in acidity, astringency, and bitterness while retaining the unique flavors of the cacao from the Godavari region. Their efforts have been recognized through various platforms and have won awards in international competitions. This indicates that Indian chocolates are indeed coming of age.

The duo had to counter many challenges along the way. Akhil reflects, “Initially, it was challenging to educate customers about the differences between craft chocolate and commercial chocolate, emphasizing the benefits of consuming chocolate made with only real ingredients and no chemical treatments.”

The founders work closely with the local farmer community and use their knowledge of indigenous farming practices to foster the ecological well-being of the farms. They emphasize on  sustainability and minimizing waste in varied practices on their plantations. These include using dried cacao as mulch in the plantations, which increases water retention and doubles as a natural weedicide. The crushed pods are used as vermicompost to help assist sapling growth in the nurseries. Ethical farming practices are at the heart of their work.

A bouquet of flavours

Building awareness and educating the market became a significant part of Bon Fiction’s marketing strategy. Over time, they have seen Indian consumers become more knowledgeable about the importance of quality chocolate, mirroring a revolution similar to what coffee experienced in the 90s.

The philosophy was to create a wide variety of flavors to cater to diverse customer preferences. Given that Indian consumers are not accustomed to bitter and astringent foods, the twosome invested significant time and efforts in R&D to reduce these factors and make the chocolate enjoyable.

Prathina, with her exceptional instinct for flavors, has been instrumental in developing unique flavor combinations. She explains, “We take inspiration from the Indian palette and use ingredients that are universal as well as reminiscent of Indian flavors like mango and chilli and rose and pistachio. Some flavors we’ve created for pure indulgence that they are and how these flavors have captivated us since our childhood, like in the case of the white chocolate bar, The White Paradox.”

Today, Bon Fiction offers 21 variants, ranging from 35% white chocolate to 99% dark chocolate. In 2022, they received two bronze awards for their mango and chili bar, "The Mango Menace," and the 73% dark chocolate, "Out in the Dark.” from the Academy of Chocolate, UK.

Elevating Indian cacao

Their roles at work are clearly demarcated so that they work to the best of their abilities. Prathina handles R&D and product quality during production, while Akhil manages post-harvest processing, production planning, and marketing.

As the chocolate industry in India comes of age, with multiple players making their mark, how is Bon Fiction staying ahead of the curve? “The Indian consumer is now well-informed and conducts thorough research before purchasing. Despite intense competition, our unique products and flavors have attracted customers organically, allowing us to carve out a niche in the market,” states Akhil.

The entrepreneur’s future plans include spreading awareness and ensuring that more people across the country experience and enjoy their chocolate. “We want to highlight that chocolate made with real ingredients, without any flavoring agents, preservatives, or chemical treatments, can be delicious and beneficial to consume,” signs off Akhil.

Committed to continually creating exceptional chocolate and putting Bon Fiction on the world chocolate map, these young minds are also making the world sit up and recognize the quality of cacao from the Godavari region. As they continue to craft exceptional chocolates, they not only put India on the world chocolate map but also remind us that sometimes the sweetest surprises come from home.

Explore Bon Fiction chocolates on their website.

Story
Jayshree Seth: 3M’s Indian-origin chief science advocate who also holds 72 patents

Surround yourself with those unafraid to ask questions, solve problems, and dig deeper. That’s been the mantra for Dr Jayshree Seth, corporate scientist and chief science advocate at US-based 3M. The Indian American, originally from a Rajasthani Marwari family, has 72 (and counting) patents to her name. She is at the highest technical designation within the $32 billion company and the first female engineer to get there. She juggles multiple hats - works with other engineers and scientists to find solutions to complex problems in 3M’s adhesives and tapes division, besides advocating the importance of science in people’s lives. The girl who grew up thinking science and engineering were not for her, recently won the Society of Woman Engineers (SWE) Achievement Award 2020 (SWE’s highest accolade). Quoting from 3M’s State of Science 2021 report, Seth took to LinkedIn recently and wrote,   “If the virus is the villain, science can be called the hero. In 2021, 85% say that science will save us from the COVID-19 pandemic.”   Love for problem-solving   Even as a child, Seth had an insatiable urge to solve problems. It helped that she and her brother were nurtured under the scientific mind of a father who did his Ph.D. on a Commonwealth Scholarship at the University of Manchester in England.

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“If the virus is the villain, science can be called the hero. In 2021, 85% say that science will save us from the COVID-19 pandemic.” 

 Love for problem-solving  

Even as a child, Seth had an insatiable urge to solve problems. It helped that she and her brother were nurtured under the scientific mind of a father who did his Ph.D. on a Commonwealth Scholarship at the University of Manchester in England. As a child, Jayshree found herself in the august surrounds of IIT Roorkee where her father was a professor in civil engineering (later he retired as director at National Institute of Hydrology). “I am a beneficiary of visionary parents,” she told Global Indian. 

Seth followed her parents’ advice and tried for IIT Roorkee. She didn’t get through and instead went to the National Institute of Technology, Tiruchirappalli. Later, she went to graduate school at New York’s Clarkson University. 

In a write up for British Science Week, Seth wrote: “It was actually at university, when I started doing experimental work on hard coatings to protect surfaces, that I realized for the first time how excited I was to plan my experiments, conduct them and write up the results to communicate in an understandable way.” 

Computers to chemicals 

[caption id="attachment_4051" align="alignnone" width="1005"] She has worked at 3M for 28 years.[/caption]

At Clarkson, she had to take her life’s first major decision on her own. While working on computer modeling for her masters, an incongruity hit her hard: Her desire was to make the world a better place but she was pursuing something unrelated.

“I thought ‘is this what I want to do in life? I made the scary decision to switch topics for my Ph.D.,” she adds. 

While still a Ph.D. candidate, 3M came knocking with an internship and that put her on a path to conquering the mercurial and invigorating yet gender-biased world of science. She has been with the same company for 28 years.  

[caption id="attachment_4066" align="alignnone" width="425"]Jayshree Seth with Indian-origin teen innovator Gitanjali Rao Jayshree Seth with Indian-origin teen innovator Gitanjali Rao in 2018.[/caption]

Patents for diapers 

Many of her early patents were on closures for disposable diapers, although she had never seen a diaper before joining 3M.  

Ask her if she has any favorite patents and pat comes the reply: “They were all equally rewarding because of the journey, and the people I got to brainstorm with and learn from.” 

She also shares a patent with her husband, (a fellow 3Mer with a PhD in Chemical Engineering) on window films. The mother of two, a boy of 23 and a girl of 19, feels her children are an inspiration who have taught her the importance of having an open mind.  

Scholarships for under-represented communities 

[embed]https://twitter.com/jseth2/status/1403121841804173312?s=20[/embed]

In December 2020, she created an anecdotal compilation of her journey in a book ‘The Heart of Science - Engineering Footprints, Fingerprints & Imprints.’ Proceeds from its sales are going towards a scholarship for under-represented minorities in science, technology, engineering and mathematics, administered by the SWE. Today, Seth also mentors and encourages girls in STEM. It’s almost unreal to hear her admit that she was not the “science type.” She reiterates that it is possible to carve out a path to success even if you aren’t as smart as some of the others. She calls out to girls who are missing out on science because of the way the world “talks, teaches, trains, tracks and typifies education, career and success – very male-centric.” Her journey, she hopes will inspire change in STEM for girls. A song she had written and put to music raised funds for United Way, one of the US’ largest non-profits.  

[embed]https://twitter.com/jseth2/status/1391582848763654149?s=20[/embed]

Gender bias in science 

She has battled the science industry’s legacy of bias and admits to feeling a lack of self-assuredness which fuels her to gain knowledge.

“You have to discover your ‘virtuous cycle’ that allows you to be authentic. Understand that the typical male projection of outward confidence may not be the only indicator of talent and skills," she adds.   

Reading Time: 5 mins

Story
Rashmi Bhatt: The Indian percussionist who is making waves across the global stage  

(September 21, 2021) Reputed world-class percussionist, Rashmi Bhatt is an amalgamation of many different strands that make us who we are in an all-encompassing way. He is an art director of international music festivals, an actor, and a performer. A famous percussionist in Europe, Bhatt has been creating waves in the music fraternity with his collaborations with global music artistes such as Kenyan singer Ayub Okad, English singer Sting, and German trumpet player Marcus Stockhausen.   A man of many hats, Bhatt has also acted in a few popular Italian soap operas alongside Kabir Bedi and also collaborated with Oscar winning director Bernardo Bertolucci for a short film. As he continues to juggle his many avatars, this Gujarat-born artiste and Cultural Ambassador of India in Italy in an exclusive interview with Global Indian, says that he is now a transformed citizen of the world.   [embed]https://www.youtube.com/watch?v=kLGiYjWCH8c[/embed] Rooted in Indian culture  Born in Gujarat, Bhatt spent his growing up years in Pondicherry studying at Sri Aurobindo International Centre of Education where the seeds of Indian culture were sown deep into the youngster. The experimental nature of Auroville fosters creativity in every sphere of life, and encourages a multitude of artistic expressions. Here, the artistic and cultural life is so intense

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Rooted in Indian culture 

Born in Gujarat, Bhatt spent his growing up years in Pondicherry studying at Sri Aurobindo International Centre of Education where the seeds of Indian culture were sown deep into the youngster. The experimental nature of Auroville fosters creativity in every sphere of life, and encourages a multitude of artistic expressions. Here, the artistic and cultural life is so intense that one has always a large choice for music, art and culture. That is precisely what drove Bhatt to pursue the art of Tabla under the tutelage of Sri Torun Banerjee. 

After completing his Masters in French Literature, Bhatt won a prestigious scholarship to study Italian Art History in Florence. Following this, he did his Doctorate in the same subject and eventually settled down in Italy. 

 

[caption id="attachment_10819" align="aligncenter" width="480"]Indian Music | Rashmi Bhatt | Cultural Ambassador of India | Global Indian Rashmi Bhatt with Zakir Hussain[/caption]

Having spent the last three decades in Italy, he says, "I am now a transformed citizen of the World while my cultural roots continue to be deeply buried in India. From Indian classical music I have transitioned to World Music collaborating and experimenting fusion between different ethnic groups and their musical languages. Music everywhere is believed to affect our emotions, to involve some kind of arousal. Music is a language that is universal and can evoke many nuanced emotions.” 

A global music artiste 

Bhatt is now one of Europe's most famous percussionists and has successfully collaborated with several global music artistes. From Kenyan singer Ayub Okad, German trumpet player Marcus Stockhausen to Canadian music producer and guitarist Michael Brook, and also Pakistani singer Nusrat Fateh Ali Khan, Bhatt has performed alongside them all. He has also been on tours with Colombian singer and songwriter Shakira and English musician and actor Sting. 

Apart from being a percussionist, composer and art director of international festivals, Bhatt is also an actor. He has acted in several Italian soap operas with Kabir Bedi apart from his collaboration with Bernardo Bertolucci. 

[caption id="attachment_10820" align="aligncenter" width="720"]Indian Music | Rashmi Bhatt | Cultural Ambassador of India | Global Indian Rashmi Bhatt performing with Sting[/caption]

The cultural ambassador 

It has been quite an illuminating experience for him to be able to integrate in the country of his choice with roots established in India. For his outstanding contribution to world music the Indian Embassy in Italy conferred on him the title of Cultural Ambassador of India. He was requested to be the representative of the cultural wing of the Embassy. The Ministry of External Affairs had started the Pravasi Bhartiya Divas to connect India to its vast overseas diaspora and bring their knowledge, expertise and skills on a common platform. Bhatt was invited twice as a part of the delegation. 

Bhatt now spends lot of his time devoted to WOMEX, mecca of the global music scene bringing together a spectrum of artistes. He promotes the diverse performing arts of South East Asia, and now ventures out to discover the beauty of other rich musical traditions, like the Arab, Persian, the Brazilian, West African, Jazz, and Pop. He has also collaborated with several artistes from India, Iran, Vietnam, China, Japan, Korea in concerts with masters such as Guru Kelucharan Mohapatra, Pandit Ravi Shankar, Zakir Hussain, Nusrat Fateh Ali Khan, Pandit Kamalesh Mitra, Debiprasad Ghosh, Hariprasad Chaurasia, Pandit Arvind Parikh, Ustad Mohammad Iqbal, and Majid Derakhshani.  

Bhatt’s music has led him to perform across several countries such as France, Switzerland, Germany, Denmark, Sweden, Spain, Italy, Dubai, Morocco, and Tunisia. The aritste is fascinated by the possibility of experimentation and fusion between different ethnic groups and their musical languages. 

[embed]https://www.youtube.com/watch?v=L1OOHZwWtrs[/embed]

Spreading the knowledge 

In November 2021 Bhatt has been invited by the University of Calgary, Canada, for a lecture on History of Indian Music and a Workshop on Structures of Indian Scales and Rhythms with Tabla and Sitar. He will also be talking about Dante, the medieval Bard and his influence on Indian poets and writers. 

Talking about how the world of art and music was affected by the pandemic, he says, "The pandemic was and is obviously bad for all of us but it brings out the good too especially if you try to look at the brighter side of things. The world of music has transformed due to the pandemic. The thoughts of artistes have transformed.” However, this musician who divides his time between Rome, Italy and Pondicherry says, that in the long-term the core value chain of the music and art industry is likely to remain largely unchanged.  

Music, dance, and art have given the world a sense of self-awareness, community, identity and solidarity. “We, the people of the world, have a song for every occasion. Flipping through the pages of world history, one finds that music and disease have always been joined at the hip. We will come out of this maze. Just hang in there," he signs off. 

 

Reading Time: 5 mins

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About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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