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Global IndianstoryArt for the greater good: British Indian artist-activist Harky Kalsi on designing campaigns for the NHS, London Marathon, NBA
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Art for the greater good: British Indian artist-activist Harky Kalsi on designing campaigns for the NHS, London Marathon, NBA

Written by: Darshana Ramdev

(July 4, 2024) When she thinks of her art, Harkiran ‘Harky’ Kalsi remembers a quote by singer Nina Simone, “An artist’s duty is to reflect the times.” Harky lives by her ideal – the 37-year-old Indian-origin artist-activist has worked with some of UK’s largest charity initiatives, including Comic Relief, Children in Need and Sports Relief and designed sculptures for a social campaign thanking the NHS for their work during the pandemic. A client list that includes NBA, Lululemon, Footlocker, Vintage Books and the London Marathon, with each project, she raises her voice for a social cause. The fact that “south Asian artists are so rare,” only makes her efforts more pertinent. “This is my effort for the Indian community,” Harky says in an interview with Global Indian. “Who knows how many Indian girls will see my work and think, ‘hey, I want to do that too?’”

Growing up in UK’s Midlands, she is no stranger to racism- of clerks treating her mother poorly over an Indian lilt, only to change when Harkiran walked in with a Brit accent. She even dismissed her roots of being a Punjabi Sikh, of feeling ashamed when her mother cooked a tadka, afraid the smell would stick to her clothes. And merely standing helpless as a person was discriminated against for the colour of their skin.

artist-activist | Harkiran Kalsi | Global Indian

Harkiran Kalsi

It was Charlie Dark, founder of the Run Dem Crew, who gave her a valuable piece of advice. “You’re an artist,” he told her, “Put together a work of art that expresses your message.” So she did. Before she knew it, the work was getting scores of downloads across the UK. “This is what my work needs to do,” she declared.

The early days

Harky’s earliest memories are of drawing at seven or eight, or even earlier. Her mother moved to England from Punjab when she married, and was creatively inclined too, “I remember art as being my entire life, I have never done anything but create it.”

She dreamed of being an illustrator. Yet life ensured her path to being an artist was riddled with obstacles. She failed art and design in her ‘A’ levels, coming away devastated when a teacher said, “You will never amount to anything as an artist.” Her mother, who had been a teacher in India, simply said, “Don’t panic. It doesn’t mean you’re stupid, it just means you have a different way of thinking.”

artist-activist | Harkiran Kalsi | Global Indian

At Coventry University, an art foundation course opened the doors to a wealth of new options. Finding herself inclined towards illustrations, next came a graphic illustration course. “I put down the wrong course, though,” Harky exclaims. “I ended up in graphic design instead.”

After college, acting on the advice of an uncle, Harky Kalsi found work resizing artwork for pubs and hotels. The next four years were spent on graphic design work, hoping to find her space in London someday.

“It was a struggle,” Harky remarks, adding, “Just a series of rejections.” Household expenses, supporting her mother and sister were her priority. Rejected constantly, not told why – she was headed for a breakdown.

 The Secret 

artist-activist | Harkiran Kalsi | Global Indian

The I Am Thankful For series

Then in 2013. Harky Kalsi remembers, “crying her eyes out.” Her lowest point yet, Harky remarks, “I couldn’t just give up and quit, could I? I had to change something about myself.”

That’s when her sister gave her The Secret  by Rhonda Byrne. “I realised I was living in a state of mind where I felt like everything was against me,” and she soon discovered ideas like manifestation and gratitude. “Another book The Magic recommended thinking of one thing you’re grateful for, every night before you sleep,” she says.

It helped her understand what she needed to do. Weeks later, she got an interview for BBC Worldwide. First round checked, turned down in the second, she suddenly felt it was okay. A few hours later, she spotted another opening at the BBC – this time with Children in Need. “I took my mother with me for the interview,” she smiles. She finally landed that job in 2014, at 29, and London came calling. She was jubilant.

London calling 

artist-activist | Global Indian

When Children in Need moved to Manchester, she found work with Comic Relief with passion projects on the side. One such personal project was, “I’m Thankful For.” As the days rolled by, Harky saw a typographical style beginning to appear. “I was always interested in typography but never thought it would become my actual style,” she explains. Soon, people started contacting her to create prints. Harky was on her way.

Finding freedom 

When Comic Relief announced that the team was being made redundant, again at familiar crossroads, Harky Kalsi toyed with starting out on her own. In 2017, she finally did, giving herself two weeks to find work.

“I was doing graphic design and my personal illustrations. It has been incredible ever since,” she says. “I genuinely believe that if I hadn’t made that change in my mindset in 2013-14, and learning to take rejection in my stride, none of this would have happened. The rejections simply guided me towards the path on which I truly needed to be.”

“I’m at a 50-50 balance now,” says Harky exploring what it means to be South Asian, Indian and a woman living in the UK. She had earlier moulded herself to fit, “into this white, British way of being. It took me years to learn to love who I am,” she readily admits.

artist-activist | Harkiran Kalsi | Global Indian

The artist’s duty 

All her projects have a strong social message – a voice against social, racial and political injustices. With her bright colours and bubble letters, she’s currently standing up against the conflict in Ukraine.

A passionate marathoner, Harky’s clients include the London Marathon, sports apparel brand Lululemon, Footlocker and the NBA. In 2021, Harky became part of The Stolen Starts, a global running community that comprised 10 women from major cities (New York City, LA, London, Paris and Tokyo, etc). She designed race kits for Stolen Starts’ members who competed in the 2021 New York City Marathon.

Harky Kalsi has lent her voice – and art – to the Stop Asian Hate movement and for women’s rights. Her Instagram following has grown. After the pandemic, she took a project to create three sculptures that would be taken around the UK, a tribute to the NHS, whose workers had been on the frontlines of the pandemic.

One day, she was approached by Vintage Books and asked to illustrate a response to a quote by Kamala Harris, from her New York Times bestseller, The Truths We Hold. “This was part of a campaign to coincide with the inauguration in January 2021,” smiles the artist of the video that received 20,000 views on Vintage’s platform.

artist-activist | Global Indian

Her voice only grows louder – and bolder. “Lettering isn’t just lettering, you know?” she avers. “Words are so powerful. And art must make an impact or make people think. I don’t care if people agree with my work or like it, but if I can get them to have a dialogue, to think, then my job is done.”

  • Follow Harkiran on Instagram

 

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  • BBC Children in Need
  • Comic Relief Comic Relief
  • Coventry University Coventry University
  • graphic design graphic design
  • Indian origin illustrator
  • London Marathon London Marathon
  • Lululemon Lululemon
  • NBA Footlocker New York City Marathon
  • NHS

Published on 04, Jul 2024

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Saurabh Nimsarkar: The designer behind LA’s first Transportation Technology Innovation Zone

(December 22, 2023) It was in 2020 that the Mayor of LA, Eric Garcetti, announced the city's first official Transportation Technology Innovation Zone whose pilot project intended to be a zero emission, last-mile delivery service to aid in connecting residents confined to their homes with food from local businesses during the pandemic. Nagpur-born and California-based design strategist Saurabh Nimsarkar took it upon himself to structure LA's first Transportation Technology Innovation Zone. "The brief given to me was to reduce the car usage in LA and at the same time, improve the connectivity of the people living in LA," he tells Global Indian. Calling it a "work in progress", Saurabh underlines the impact that the transport technology zone created, especially in the middle of the pandemic. "We emphasised optimising last-mile delivery, specifically addressing the challenge of bringing groceries, food, and essential items directly to people's doorsteps. The solution came in the form of autonomous delivery bots, which played a crucial role in ensuring the delivery of food to underserved communities," says the transportation designer, who is currently working on autonomous air taxis. [caption id="attachment_47705" align="aligncenter" width="643"] Saurabh Nimsarkar[/caption] Curiosity led to creativity Having grown up at his grandmother's farm for the

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43"]Saurabh Nimsarkar | Global Indian Saurabh Nimsarkar[/caption]

Curiosity led to creativity

Having grown up at his grandmother's farm for the first six years of his life, Saurabh spent most of his time catching insects, making sand castles, and picking mangoes. "That made me a curious person as I didn't grow up in a traditional education setup where you attend school till 3 pm. Instead, I spent a lot of time playing around the villages. This curiosity translated into the person I have become," says the designer, who picked up sketching landscapes at a very young age. "I would pick up my sketchbook, and graphite pencils and move to the fields where I would sketch small insects and birds. That's when I started gravitating towards my artistic instincts. Slowly, the hobby translated into a passion and I started sketching portraits and became good at it with every drawing."

He had the skillset but didn't know what to do with it. So, like every 90s kid, he took up engineering and enrolled in Visvesvaraya National Institute of Technology for Metallurgy and Materials Engineering. "Those years at the engineering college established the groundwork for my journey as a designer." Dissatisfied with his course, which he believed was only relevant to a select group of scientists, he found solace in dedicating time to sketching. Despite initially taking on a role as a software developer at Wipro, this experience broadened his perspective on design. "Even during my tenure as a software developer, my passion for design persisted. I spent time in the company's library, immersing myself in design literature. This exposure fuelled my interest in pursuing design as a career. After thorough research, I decided to take the IIT-Bombay exam and successfully cracked it," he elaborates.

Saurabh Nimsarkar | Global Indian

Saurabh dedicated two years to pursuing his master's degree in mobility and vehicle design at IIT-Bombay, an experience which he says was nothing short of being in an army camp. "We went days without sleep to meet project deadlines. The program demands intense effort because you not only acquire new skills but also have to unlearn the logical thinking ingrained in engineers. As a creative individual, forging your path becomes essential," he explains, emphasising the invaluable lessons learnt at IIT-Bombay, not only in the professional field but also in understanding the cultural aspects of design from professors and experienced designers. "I still try and use that knowledge in my work."

The Global Indian journey

Armed with a new set of knowledge, he worked with Godrej for three years before flying to the US for his second master's. He joined ArtCentre College of Design in California where he specialised in Transportation design. "I initially believed that design education in the US was exceptional, and I expected designers here to be at an unparalleled level. However, my perception changed when I realised that designers in India produce superior work. The disparity lies in our approach to publicising and branding our work; as Indians, we tend to lag in that aspect. Nevertheless, when it comes to skill sets and education, we are on par with our counterparts in the US."

Moving to another country as a designer comes with its own set of parameters - one has to submerge in the culture and think about different social dynamics, before providing a solution. "I even had to learn the history of transportation and how it evolved in LA. The car culture is big in LA, each year they have car rallies. It's a big part of their culture something that I learnt after coming here. It has been a rich experience for me as a designer."

Saurabh Nimsarkar | Global Indian

The project that changed it all

However, it was Los Angeles's first transportation zone that put Saurabh Nimsarkar in the spotlight. He calls it serendipity as the Nagpur lad, who was then working with Honda R&D, found himself at a conference where a chance encounter with individuals from the Mayor's office led to a conversation that eventually resulted in a job offer. Seizing the opportunity, he joined as a design strategist for LA's pioneering transportation innovation zone.

Nimsarkar | Global Indian

"I formulated a design research workshop that brought together participants from LA, local government entities, and technology providers. Uniting them under one roof, I outlined a workshop strategy aimed at devising solutions with a focus on people. I gave them canvases to work on. It enabled the creation of nearly 200 ideas, culminating in the issuance of a Request for Information (RFI). The insights gathered from the RFI process ultimately paved the way for the establishment of LA's inaugural technology innovation zone, inaugurated by Eric Garcetti, the then Mayor of LA."

Shaping the future

Having lived in California for six years now, Saurabh saw the rising number of recreational vans (RVs) on the road, owing to the high rents in the state. This led to the concept of ModLiv, an autonomous RV that will change the way people live in the future. "The RV concept is huge in California as most people cannot afford the steep rents. In San Francisco, the average rent is around $5000 per month while the average salary of a software engineer is $7000. Second-hand RVs, on the other hand, cost $10,000 which is a one-time investment and also provides mobility. This led to the premise of ModLiv as how people will navigate the space with their changing lifestyles and work from home in the future." What sets it apart from other RVs is the novelty of being autonomous. "I plan to use it as a service through government initiatives and not a product, as homelessness is a huge problem in California."

[caption id="attachment_47706" align="aligncenter" width="743"]ModLiv ModLiv[/caption]

In these years in the US, Saurabh has become more open-minded and has learnt to have a beginner's mind in every approach. "Solving the right problem is important to me. Also, do not have a cursory glance at the solution but understand the background and context."

The designer is currently working for Wisk Aero, a company that's making a four-seater autonomous passenger aircraft. "The USP of this is that you can use the third dimension - air - to transport people from point A to B in an efficient way. It's like a passenger air taxi, and it's going to be autonomous and one can roughly travel 50 miles in 20 mins. Autonomous is very specific to our company and that's our USP." He adds that the system is designed to be safer, eliminating the possibility of human error. While not fully autonomous, it incorporates human supervision for added security. "We are working on it, it's a long way as it involves certain levels of regulation."

As a transportation designer, who is into psychogeography, he calls advanced air mobility the future of aviation. "As for transportation, the future should be carless. However, people should be provided with alternate modes of public transportation equitably, of course, economics and sustainability factors to it."

  • Follow Saurabh Nimsarkar on LinkedIn

Reading Time: 6 min

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Sharad Vivek Sagar: The Harvard and Tufts alumni is in Michigan University syllabus for building future of Indian youth

(October 25, 2022) “Whenever people at Tufts asked me what were my plans after studying on such an expensive scholarship, I always answered that I would take the first flight to India on the very last day of my graduation to make a difference there.” Sharad Vivek Sagar kept that promise. When the fresh graduates were partying away at Tufts on their graduation night, Sharad took the flight to India, came to Patna and resumed work at his organisation, Dexterity Global. The organisation currently reaches seven million people in India’s remotest towns and villages, helping youngsters find opportunities in education, upskilling and building local community role models.   [caption id="attachment_30947" align="aligncenter" width="796"] Posing near Harvard University[/caption] Early struggles to making it big  The alumni of two of the most famous universities of the world, Sharad did not go to school until class four. His father, a State Bank of India employee, was often posted in rural areas. The six villages in which Sharad and his siblings grew up were in such utterly remote regions of Bihar that there were no schools around. Home schooling was the only option.   However, the youth icon, and the founder of Dexterity Global, not only went

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"font-weight: 400;">The alumni of two of the most famous universities of the world, Sharad did not go to school until class four. His father, a State Bank of India employee, was often posted in rural areas. The six villages in which Sharad and his siblings grew up were in such utterly remote regions of Bihar that there were no schools around. Home schooling was the only option.  

However, the youth icon, and the founder of Dexterity Global, not only went on to study in the world’s most renowned institutions – Tufts University and Harvard - he has even visited the White House. Upon the invitation of former President Barack Obama in 2016, Sharad was among a special gathering of young leaders, spending nine hours inside, at the most famous address in the world. Another coveted invitation that the social entrepreneur got was from the Nobel Peace Centre to attend the Nobel Peace Prize Ceremony, which he did. 

[caption id="attachment_30952" align="aligncenter" width="1060"] Receiving the Tufts Senior Award in 2016[/caption]

“At Dexterity Global we teach humility to children, I don’t feel right talking about myself or my achievements in interviews,” the changemaker says humbly, as he talks to Global Indian.

Starting young 

Sharad forayed into social entrepreneurship to uplift the lives of young people in remote areas when he was just of 16, and managed Dexterity Global’s activities remotely while pursuing his bachelors at Tufts University, where he exceled in both academics and sports. For his impactful work, he has been recognised as 100 Next Century Innovators in the centennial list by Rockefeller Foundation, and listed in Forbes 30 Under 30 while he was still a student at Tufts. The grassroots hero of Bihar has even enjoyed a place in Queen of England’s Young Leaders list.  

[caption id="attachment_30955" align="aligncenter" width="1084"] With tribal kids of Odisha[/caption]

Dexterity Global’s impact  

Whether they are tribal kids from the East Khasi Hills in Meghalaya, flood-stricken districts of Bihar or far-flung areas of Andhra Pradesh, Dexterity Global works with the focus to build grassroots leadership in remote corners of the country. It has expanded its reach to some parts of South Asia as well.  

If you want to make a difference to the world, your focus should be on your own self-transformation. You should regulate your thoughts in such a way that as nation builders, together you can bring about a change as scientists, innovators and change makers, making India the greatest country on the planet.

[caption id="attachment_30951" align="alignnone" width="1440"] Addressing audience at one of the events[/caption]

We connect kids with opportunities, help them build their skill sets by developing their critical thinking, research, communication and leadership skills, and enable their transition from high school to top universities of the world.

Says the Tufts alumni, who received a full scholarship amounting to ₹ 4 crore. 

It was a matter of great pride for Sharad in the final year of Tufts University when a youngster from the Dexterity Global network joined the institution as a freshman.

[caption id="attachment_30956" align="alignnone" width="1268"] With Anthony Monaco and senior members of Tufts University at Presidential Award Ceremony[/caption]

From then to now 

“The first time that I saw a school was when I was in grade four. Until then I had only imagined what it looked like,” says Sharad. Patna, the town where he joined school, was the biggest city that he had seen until then.  

The name that his parents chose for him when he was born connotes three significant things, Sharad stands for the autumn season, Vivek has been inspired by Swami Vivekananda, and Sagar by Ishwar Chandra Vidyasagar.  

True to his name, Sharad identifies with the principles of Swami Vivekananda greatly, and considers himself his dedicated worker. He gave such a powerful speech at the Vivekananda Memorial in Baroda that Sharad was fondly dubbed the Vivekanand of 21st Century by the local media.  

Sharad’s organisation, Dexterity Global, has successfully reached out to more than 7 million young people across remote towns and villages, connecting them with opportunities to study and upskill themselves. They are taught to develop a mindset geared to solve 21st century problems and many become community role models in their villages. 

[caption id="attachment_30961" align="aligncenter" width="1115"] Invited at Kaun Banega Crorepati as one of the experts[/caption]

Crossing boundaries  

“I was an outstanding student,” he jokes. “Since I loved talking to my classmates, I was made to stand outside the class many times.” The talent of effective communication led him to win more than 200 local, national and international debate and quiz competitions while he was in school. He represented India at intergovernmental and UN platforms in six different countries as a high school student. 

[embed]https://twitter.com/SharadTalks/status/1564134729401909250?s=20&t=8dVOvYsAyGEGivtUB5DcjA[/embed]

 

While Sharad was being celebrated in his school and city, one thought that kept him restless was that ‘how kids with the same amount of passion, dream and talent as him were disconnected from the possibility of going far due to lack of opportunities’. This restlessness led him to start Dexterity Global.

Breaking records  

Sharad has broken major records in both prestigious universities. He became the first Indian to be selected as the Graduation Speaker at Tufts University in 2016, and also became the youngest in the 160 years of the university’s history to receive the Alumni Achievement Award. He graduated with a major in international relations. 

https://www.youtube.com/watch?v=P56VJKj4tPw

 

At Tufts, Sagar was the first freshman to win the $100,000 Entrepreneurship Challenge and the only one to win the competition twice. For his path breaking work in the field of education, he became the youngest recipient of the University's Paul and Elizabeth Montle Prize for Entrepreneurial Achievement. 

Though an offer to do his masters from Harvard University awaited him, he chose to focus, for the next five years, on reaching the remotest corners of India. It was in 2021 that he went to Harvard on scholarship for a one-year post graduation programme, participated in the election for the university’s student body president and became the first Indian to be elected for the post. 

[caption id="attachment_30949" align="alignnone" width="821"] Speaking at Harvard[/caption]

Powerful role model  

Rising from a nondescript village, Ziradei, Bihar, where he was born to climb the global education ladder and becoming a part of the syllabus on social entrepreneurship at Michigan State University is no mean feat, but there is more to the hero of Bihar. 

IIM-Nagpur prepared a case study on Dexterity Global, the Govt of Taiwan quoted Sharad on their Social Impact Agenda at World Forum in Milan, Italy, and the Development Bank, Singapore quoted him in their annual report. 

[caption id="attachment_30958" align="aligncenter" width="1051"] With Amartya Sen and friends[/caption]

With the pioneering financial aid model of Sharad Vivek Sagar, the youngsters supported by Dexterity Global have won major national and international awards, started their own initiatives and have received more than 720 million rupees in scholarships from topmost colleges of the world. 85 percent of these kids come from low-income families. “My story is the story of thousands of underprivileged kids,” says the social entrepreneur, who remains firmly committed to nation building and public service.

  • Follow Sharad Vivek Sagar on LinkedIn, Facebook and Instagram 

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Eagle-eyed Indian American angel investor with a heart of gold

(Sarbani Sen, May 5) When Kanwal Rekhi, a fresh-faced graduate from IIT-Bombay, got off a bus and walked into the imposing Michigan Tech, he had butterflies in his stomach. He wasn’t sure if he was up to the task. But it didn’t take long to find his footing. “The US was at the top of its game and India was really at the bottom of its game. IITs were not established as top-notch schools. We (Indians) were very humble and assumed that we were not as good as them. It was just a matter of weeks, I realized I was as good as any of them,” says Rekhi in an interview with Global Indian. That was in 1967. The humbleness remains even after 50 years, but Rekhi’s imposing presence as a Silicon Valley-based entrepreneur and identifier and funder of great ideas is undisputed. He has financed over 50 startups, and new entrepreneurs talk of his incisive questions and candor-filled assessment of their ideas. He looks for more than just an excellent idea. He likes originality. “I like entrepreneurs who are not repeating what others have done: like I am Uber of this or that or I am yet another e-commerce site,”

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of this or that or I am yet another e-commerce site,” he says.

Most prominent Indian American investor

Rekhi, 76, is perhaps the most prominent US-based Indo-American entrepreneur and investor. He became the first founder and CEO to take a venture-backed company public on the NASDAQ in the late 90s. He is the co-founder of TiE (The Indus Entrepreneurs), a global networking platform for Indian entrepreneurs. Rekhi co-founded Inventus Capital Partners in 2008. As the managing director at Inventus, he primarily invests in technology-based startups.

Becoming an entrepreneur was not top of his mind when he first started working. Just like many Indians who went to the U.S, Rekhi was happy doing a 9-5 job, but life threw a few curveballs. Losing his job thrice, despite being good at what he was doing, convinced him that he had to upskill.

[embed]https://twitter.com/kanwal946/status/1389633090104938496[/embed]

“I was a hardware engineer, so I took courses in software. I also took courses in business and law during that time,” he remembers.

With no family history in business, it took a while for Rekhi to motivate himself to become an entrepreneur. “Indians in America were mostly professionals. It was a long leap for me, but by that time I was convinced that I was ready for anything.” There has been no looking back.

He is worth hundreds of millions of dollars, but a unique idea will have him excited and restless. A seed-level investor, Rekhi is always in support of fresh Indian entrepreneurs. But unless an idea excites him, and he sees the fire in the new entrepreneur to succeed, he is unlikely to bite the bait.

Donations to alma mater

Since it is education that has brought him this far, Rekhi never forgot his alma maters. His generous donations have led to Kanwal Rekhi Schools of Information Technology at IIT-Bombay and Michigan Tech. He has also funded various other educational institutions. “I am a strong believer in education as a great equalizer. Most of my charitable work is around education,” he says. He applies lessons he has learned over the years and is very aware of the changing nature of technology and markets. “I keep learning new things,” he says, and is always on the lookout for young entrepreneurs who are “a bit crazy to risk everything.”

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From Singapore to the world: Carnatic singer Sushma Soma’s ragas ring out loud

(April 26, 2022) One of her earliest memories of music is listening to her now 92-year-old grandmother singing as she was fed. Today, the award-winning 35-year-old Carnatic singer, Sushma Soma, enthuses about how music was always her passion. Kicking off her journey as a singer at just four, the Singapore-based artist has under her belt an impressive repertoire of performances at several prestigious venues – such as the Indian Embassy Brussels, the Bhavan London, and the Madras Music Academy in Chennai. In 2021, Soma collaborated with Bharatanatyam exponent Mythili Prakash at the Reflektor Festival, Hamburg curated by Anoushka Shankar as vocalist and co-composers. “My most precious childhood memories were listening to Tamil songs on my grandfather’s transistor radio, and waking up to the sound of MS Subbulakshmi’s morning prayers. My grandmother would sing, in fact she still sings so sweetly. I started training at a young age, all this shaped my path,” shares Sushma during an interview with Global Indian. [caption id="attachment_39147" align="aligncenter" width="645"] Sushma with her gramdmother[/caption] Her recently released second album, Home, incorporates environmental issues and raises awareness about sustainability through her music. Sushma created the album along with Aditya Prakash. “Home combines my Carnatic sensibilities, and my

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t="860" /> Sushma with her gramdmother[/caption]

Her recently released second album, Home, incorporates environmental issues and raises awareness about sustainability through her music. Sushma created the album along with Aditya Prakash. “Home combines my Carnatic sensibilities, and my passion for the natural world. The starting point was a series of incidents that left me feeling gutted; from the pregnant elephant in India who tragically died when she fed on a pineapple stuffed with explosives, to the loss of indigenous plants and wildlife in the Amazon forest fires. This album is special as it stems from so many things I care about - forests and wildlife,” shares the Carnatic singer, who has won several awards in her career, including the Young Artist Award by the National Arts Council Singapore, 2020.

Her archival work with the National Archives of Singapore was also given a special mention at the Singapore Parliament in March 2019.

The Land of Lion

A Tamilian from Chennai, Sushma was hardly 41 days old, when her parents shifted to Singapore (1980s). Growing up, she felt like a minority in Singapore. “Back in the day, Indian expats were not a common sight in Singapore. I grew up around kids who would talk in Chinese or English. While I knew the language, I was deeply connected to Tamil, which we spoke at home. That’s why I loved visiting my cousins in Chennai on vacation,” shares the Carnatic singer.

At four, Sushma started learning the basics of Carnatic music from a teacher who lived right across the street. Being around her teacher, Sushma shares, made her fall in love with music. “She used to perform at temples and would take me along. So, I have been performing on stage since four. During many events, my parents would come back stage to take me home. But I would stay back, because I just loved being around my teacher,” Sushma reminisces.

https://www.youtube.com/watch?v=caa9qcrddXE

A diploma in Carnatic vocals at Singapore Indian Fine Arts Society (SIFA) in 1993, although she loved to perform, she continued to pursue a traditional career. A mathematics lover, she was obsessed with books growing up. The artiste attained a degree in accountancy from Nanyang Technological University, and a job at one of the Big Four accounting firms. However, it was not long before she realised that her heart was not in her work and she felt a “growing obsession” for music.

 

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A post shared by Sushma Soma (@sushmasaurus)

When she said as much to her father, a chartered accountant, he was shocked. “He freaked out that his daughter was leaving a set career for music. However, he never stopped supporting me,” says the Carnatic singer.

A musical journey...

Not long after leaving her job Sushma shifted to Chennai in 2009, where she lived with her uncle and grandmother. She started training under well-known artiste Lalita Sivakumar, an experience she defines as “a blessing.” Over the course of the next decade, back in Singapore, Sushma performed solo and in collaborations across the world - London, Luxembourg, Brussels, San Diego, Los Angeles, Kuala Lumpur, and Singapore just to name a few.

[caption id="attachment_23468" align="aligncenter" width="5081"] Sushma during 2017 Wandering Artist concert[/caption]

"I constantly find myself seeking that one moment during my performances, where it is just me and my music. These moments are fleeting, and rare, but I keep chasing them. For the past five years, I have been trying to express my emotions through music, and that is very liberating and empowering,” shares Sushma, who is currently student of RK Shriram Kumar, a leading Carnatic musician and musicologist.

Actively engaged in the arts as a researcher, educator and writer, Sushma shares that she always reads up about the theme of her songs. “I think that is something that my husband instilled in me - to research about anything before making a song about it,” she laughs sharing, “My husband, Srinivas, is one of the first I share my songs with, and only when he likes it, I finalise it.” Sushma’s husband is an IT professional, working in Singapore.

[caption id="attachment_23465" align="aligncenter" width="638"] Sushma with her co-creator and best friend, Aditya Prakash[/caption]

Busy with rehearsals and events, Sushma shares that she enjoys long walks which are “like meditation. But, of late I have started listening to podcasts on human behaviour to understand our psychology,” shares the Carnatic singer, who loves to bake.

  • Follow Sushma Soma on LinkedIn, Facebook and Instagram

Reading Time: 7 mins

Story
Radhika Jones: The Indian-American editor giving voice to issues that matter 

(December 17, 2022) "When the Dobbs decision came down in June, I felt the urge to speak to people who had fought so hard for abortion rights before 1973 - those who first envisioned an American in which abortion access was a federal protection," Vanity Fair's Radhika Jones writes in the editor's letter of the October issue. The 49-year-old Indian American met activist Gloria Steinem to highlight the artists and advocates "across generations who fight on the new front lines of reproductive justice, who advance feminist causes through their work, and who by their own sheer excellence carve out indelible space for women’s voices in American culture." This is exactly what makes Radhika Jones different from any other Vanity Fair editor-in-chief ever. For the last five years, she has been consciously curating the covers and stories for each edition of the magazine, making sure to put the spotlight on issues that matter.   View this post on Instagram   A post shared by Radhika Jones (@radhikajones) In December 2017, Radhika took off the dusty sheets of the age-old formula that had high-octane gloss, glamour, nostalgia, and polarisation at the very centre of Vanity Fair. Stepping in as the editor-in-chief of

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A post shared by Radhika Jones (@radhikajones)

In December 2017, Radhika took off the dusty sheets of the age-old formula that had high-octane gloss, glamour, nostalgia, and polarisation at the very centre of Vanity Fair. Stepping in as the editor-in-chief of Vanity Fair after Graydon Carter's retirement and being the first woman of colour to achieve that feat, the Harvard graduate has proudly infused inclusivity, representation, diversity, culture, and aspiration into the world of the celebrity-society magazine.

Her first cover featuring producer-writer Lena Waithe in April 2018 issue turned out to be a game-changer and caused seismic shifts in America's culture. By putting a Hollywood up-and-comer and a queer person of colour on the cover, Jones set the ball rolling. "What I realized when I took the helm at Vanity Fair is that I wanted to prioritise putting people on the cover who hadn’t been on the cover before," she told Los Angeles Times.

Inclusivity and giving a voice to events and people who needed to be heard the most became Jones' mantra. Since then, every cover story of Vanity Fair speaks volumes about her clarity of vision and her choice to represent the unrepresented. "It's our mission at Vanity Fair to take the pulse of the culture - high and low. It comes with tremendous opportunity: to draw attention to the people who are on the culture's cutting edge and whose talent and creative vision transform the way we see the world and ourselves," read her first editor's letter.

[caption id="attachment_32916" align="aligncenter" width="610"]Indian American Radhika Jones Radhika Jones is the editor-in-chief of Vanity Fair[/caption]

It's her upbringing and background that can be partially credited for the success of Vanity Fair.

Foray into journalism 

Born to Robert L Jones, an American folk musician, and an Indian mother, Marguerite Jones, Radhika was raised in Connecticut surrounded by music. Her dad was a prominent figure in the American folk scene in the 50s and 60s, and she often accompanied him to music festivals. When he travelled less, she sold T-shirts and worked at the box office at many events that her father helped produce. "One thing I really learned from my father was the kind of excitement and rush of discovering new talent and keeping an open mind to new voices and bringing artists together," the Global Indian added.

While she loved the vibe of the music, it was books that attracted her. A bibliophile, Jones studied English Literature at Harvard University, but it was her love for storytelling that pulled her into journalism, and she began her career with the Moscow Times in the mid-90s. She moved up the ladder as she started working at Art Forum, and later ended up at the Paris Review as the managing editor. In 2008, she joined TIME magazine as an arts editor and moved up the ranks to the role of deputy editor.

[caption id="attachment_32917" align="aligncenter" width="694"]Radhika Jones Radhika Jones has transformed Vanity Fair and how![/caption]

TIME turned out to be a gamechanger for Jones as the place exposed her to a variety of journalism. From hard news to investigation to art criticism, Jones immersed herself deeply into the know-how of every aspect of magazine making. Learning the ropes from the best, she later joined New York Times as the editorial director of the books department.

The beginning of a new era 

A year later, when Graydon Carter stepped down as the editor-in-chief of Vanity Fair, Jones made history by becoming the first Indian-American to head the magazine. However, her entry into Vanity Fair was met with surprise and suspicion because of her background in academia. It was speculated that she wouldn't be a good fit for the role as it required networking, and someone in the public eye would be a better choice.

In no time, Jones shut her naysayers when she transformed the image of the magazine by starting a conversation with truly diversifying covers and amplifying the voices of people of colour.

An ambassador of inclusivity and representation 

Jones signalled her arrival at Vanity Fair with Lena Waithe's cover in April 2018. For a magazine whose covers had been glossed with glamour and high-profile celebrities for many decades, this was an avant-garde moment. Jones put an Emmy winner, a queer, and a woman of colour on the cover because she had a story to tell. "When I thought about the kind of person, I’d like to see on the cover of Vanity Fair, I thought about Lena Waithe—a member of the new creative elite remaking entertainment for her generation," wrote Jones in Vanity Fair.

 

View this post on Instagram

 

A post shared by Radhika Jones (@radhikajones)

With each passing month, Jones put across stories that mattered. She was a woman on a mission—to start a dialogue.

Only Jones could have put a portrait of Breonna Taylor, a 26-year-old African-American woman who had been brutally and wrongfully killed by the police at her apartment in March 2020, on her cover. Paying a tribute to a life that mattered and giving voice to the Black Lives Matter protest is what made Jones an editor-in-chief different from the rest. The cover later received three National Magazine Award nominations—for single-topic issue; for Jesmyn Ward's essay "Witness and Respair"; and for coverage of race in America.

 

View this post on Instagram

 

A post shared by Radhika Jones (@radhikajones)

In 2020 with the Black Lives Matter campaign in full swing, Vanity Fair created history when it hit the stalls with a powerful image of Oscar-winning actor Viola Davis shot by photographer Dario Calmese, making him the first black photographer to shoot a front cover for the magazine. In the same issue, Jones revealed that only 17 black people made it to the cover of Vanity Fair between 1983 and 2017, and the Indian American was determined to change that.

She went on to publish 11 solo covers featuring black people in the last three years and also started a dialogue around important events: Jones signalled the beginning of a new era.

Jones has become a visionary and champion of talent and cause, and Lena Waithe's tribute is a testimony to it. “Radhika, Today, I honour you. For the contributions, you’ve made to entertainment and the world. By putting someone who looks like me on the cover of Vanity Fair you said to the world: Women like me matter. Black women matter. Gay black women matter. Masculine-presenting black women matter. A girl raised by a single mother on the South Side of Chicago matters. Thank you for forcing the world to hold my gaze."

  • Follow Radhika Jones on Twitter and Instagram

Reading Time: 6 min

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About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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