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Baljeet Kaur | Global Indian
Global IndianstoryBaljeet Kaur: Meet the first Indian mountaineer to summit seven 8000m peaks
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Baljeet Kaur: Meet the first Indian mountaineer to summit seven 8000m peaks

Compiled by: Charu Thakur

(January 19, 2024) “Mountaineer Baljeet Kaur dead”, a headline that went viral in the spring of 2023 when the Indian mountaineer went missing for more than 18 hours during one the most dangerous treks in the world – summiting Mt Annapurna I. With no oxygen support, her chances of survival in -50°C at almost 7000 metres above sea level were so bleak that the news of her death spread like wildfire. But the mountains saved her and she was found alive, which was nothing short of a miracle. “The mountains wanted me to live. So I am alive today,” she said upon her return.

Baljeet Kaur | Global Indian

Baljeet is the first Indian woman to scale seven 8000-metre peaks – Mt Everest, Mt Annapurna, Mt Kanchenjunga and Mt Lhotse – in Nepal in one season in 2022, and later added three more peaks, making it a total of seven 8000m peaks. In the last few years, Baljeet has undertaken many challenging summits but it was Mt Annapurna that tested her the most. Things started going downhill after she went missing near Camp IV of Mt Annapurna while descending from the summit point. With no oxygen support, Baljeet soon started showing signs of AMS (Acute Mountain Sickness), and started hallucinating. “My mind was manipulating me. When I reached the summit point, I started seeing people who didn’t exist. I saw oxygen plants. I slapped myself multiple times, started motivating myself, and somehow mustered the courage to move forward,” she reminisced in another interview, adding, “Every 15-20 minutes, my mind would imagine something and I’d regain consciousness for five minutes. My life depended on decisions I took in that time frame.”

As the night faded into the light, she was able to send a SOS message and was airlifted aftere being stranded for nearly 18 hours right below one of the deadliest peaks in the world and for 48 hours above 7000m. “I have always trusted the mountains and respected them. I save them by keeping them clean, so they look out for me. But, in this case, I think I survived because I was self-motivated. That’s my mantra,” she added.

A village girl becomes a mountaineer

Coming from a humble background in Himachal Pradesh, her mother is a homemaker while her dad works as a bus driver for the Himachal Road Transport Corporation. Growing up in a village, girls were expected to take care of household chores and get married. But Baljeet’s mom wanted her daughter to pursue her dreams. “My mom wanted to join the police. But she couldn’t. However, she pushed me to follow my passion, and live an extraordinary life,” Baljeet said at TEDx.

 

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A post shared by Baljeet Kaur (@mountain_daughter_baljeet)

It was during a NCC camp that Baljeet had her first taste of mountaineering when she was chosen for an excursion to Mt Deo Tibba at the age of 20. That was the beginning of a life of adventure. She loved scaling peaks, and soon joined a team of ten NCC mountaineers for an adventure to the 7,120-meter-high Mt Trishul. However, the team could only reach 6350m as the climb was cut short due to bad weather. A year later, she found herself as a part of another NCC mission to Mt Everest, this time reaching 8,548 metres before she was taken back to the base camp by her Sherpa. “Some 300 meters before, my oxygen mask stopped working, and I fainted. Seeing my condition, the Sherpa asked me to return. But I was inconsolable, and promised to return in 2020,” she added.

 

View this post on Instagram

 

A post shared by Baljeet Kaur (@mountain_daughter_baljeet)

Scaling to the top

With the taste of adventure in her mouth and the sunburn on her skin, she knew she had found her calling. But she knew she needed the kind of preparation that takes her to the top of the peaks, and spent the next few years doing mountaineering courses, learning skiing, snowboarding. Now, she was ready for the opportunity and it came knocking on her door in the form of Everest expedition by Indian Mountaineering Foundation, which included scaling four peaks. However, it dawned upon her that if she is running after making records, she will never be able to achieve it. “The mountains wanted me to scale them selflessly. I did that when I scaled Mt Pumori (7161m) in 2021, and I became the first Indian woman mountaineer to achieve the feat,” she revealed, adding that it gave her the confidence to scale other peaks now. In 2022, she became the only Indian mountaineer to scale four 8000m peaks in less than a month.

Baljeet’s emergence from the brink of death during the Mt. Annapurna summit stands as a testament to the indomitable spirit of human perseverance. Her unwavering belief in herself and her unyielding determination allowed her to conquer not only the peaks but also the depths of fear that gripped her. Her journey serves as an inspiration to all, showcasing the extraordinary feats that can be achieved when one confronts their fears with resilience and self-belief.

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  • Acute Mountain Sickness
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Published on 19, Jan 2024

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Ex-NRI Nasar Thootha’s wedding dress bank is a boon for brides from poor families

(May 13, 2022) Nasar Thootha, a taxi driver from Thootha village in Perimantthalmanna in Malappuram district, Kerala, has been running a wedding dress bank since the last two years to help underprivileged girls experience dream weddings. The philanthropist, who formerly worked in a supermarket in Saudi Arabia, has helped more than 350 brides and families from Kerala, Tamil Nadu, Karnataka, and Andhra Pradesh with wedding dresses that the poor families cannot even dream to afford. “Women from affluent backgrounds use their wedding dress for a few hours on their wedding day and never touch it again. I was able to convince many of them to donate their dresses as they could make such a difference to the weddings of the poor,” Nasar tells Global Indian. His brother, Shanu Thootha, acts as interpreter. “We have even provided a dress to an underprivileged bride from UP,” Nasar adds.   The calling came ten years ago when Nasar met a woman who was struggling to put money together for a wedding dress for her daughter. Most were out of her price range.  Nasar, who is no stranger to philanthropy, was moved by her plight and arranged the money for the woman to buy her

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alt="Philanthropist | Wedding Dress Bank | Nasar Thootha | Global Indian" width="615" height="618" />

The calling came ten years ago when Nasar met a woman who was struggling to put money together for a wedding dress for her daughter. Most were out of her price range.  Nasar, who is no stranger to philanthropy, was moved by her plight and arranged the money for the woman to buy her daughter the dress she wanted.

Building the bank  

When he started out, well-wishers donated their wedding clothes as he built his ‘dress bank’ at home. Word spread quickly and the media came calling. News of the ‘Nasar Thootha Dress Bank’ travelled across the state and outside it as well. The dress bank now has close to a thousand dresses with a price range of ₹5000 to ₹40,000. Several donations have been made by women living not only in India, but also in the USA and the Gulf countries.  

As the size of his bank grew, Nasar’s house was soon too small to hold them all and he rented a place nearby. Now, would-be brides have a wide selection of dresses to choose from, as well as a variety of styles suited to customs of all religions.  

https://www.youtube.com/watch?v=3ppzhbCdleQ

 

“Picking up dresses from nearby places is not an issue as I do that while I drive my taxi. Many dresses are couriered as well,” says he adding that “those who want to collect the attire come to my dress bank and choose. Though we do not tell them to return the clothes, some do so after the use.” The philanthropist has been touching lives of not only people who are getting married but the entire family, given that weddings are a family affair in which the happiness is shared by all. 

Talking about the plight of a family, he says, “I was moved to tears when a visually-impaired girl visited the dress bank for her sister’s wedding. The financial condition of the family filled me with sadness.” He is happy that the local government has showered him with moral support and encouragement for his initiatives.  

Caring for all...

Growing up in Thootha with six brothers and a sister, Nasar would see his mother go out of her way to lend a helping hand to those in need. His sister, who was struck by polio, is differently-abled and struggles to move or sit. Living under the same roof with her has opened Nasar’s eyes to the suffering of others and motivates him to stand by them.  

This spirit of generosity spills over – Nasar always feels a tug when he sees the homeless and the hungry, wandering around in the shabby tatters, not having cleaned themselves for months. He helps them with a complete makeover, ensuring that they are bathed, provided clean clothes and given a meal. His friends and family are supportive and help in any way they can. 

https://www.youtube.com/watch?v=WX-GJVHFOmk

 

During the pandemic, he converted his taxi - SUV Tavera into an ambulance helping people around to reach to health centres for immediate intervention. On the second anniversary of the dress bank, he laid the foundation for his latest project, Sukritam, to provide facilities like wheelchairs, airbeds, walking sticks and oxygen cylinders to people who are bedridden or who struggle to walk, like his sister. A new ambulance is part of the project with donations from several people. 

Nasar now plans to open a second dress bank in Bengaluru. An entrepreneur from the city has offered him assistance.  

Present and Future  

The philanthropist stays with his mother, sister, wife and four school-going kids. “Two or even three poor girls can be married with the amount that is spent on a single wedding in an affluent home,” he says.

[caption id="attachment_24440" align="aligncenter" width="435"]Philanthropist | Wedding Dress Bank | Nasar Thootha | Global Indian Nasar Thootha with his wife[/caption]

After working in Saudi Arabia for seven years, he no longer felt like leaving his homeland and chose to settle in his village instead, buying a taxi from his savings and trying to make a difference to the lives of his fellow villagers.

“The Samaritan is also an exemplary goal keeper who shines in all local football tournaments,” signs off Shanu Thootha, his doting brother and interpreter. 

  • Follow Nasar Thootha on Facebook 

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Sunny Jain: Brooklyn-based dhol player celebrating diversity through Red Baraat

(March 16, 2024) Each year, as the spirit of Holi permeates in springtime, life is a whirlwind of activity for Indian American dhol player Sunny Jain and his band, Red Baraat, as they embark on their annual ‘Festival of Color’ tour. 'This is how we do it. Bhangra Boom gonna make you go dhoom dhoom. We're starting in Philadelphia next week and heading to NYC, DC, Boston, SF, San Diego, and more this March! Come dance with us,' shared Red Baraat on its social media handles. The band has been celebrating Holi for the last 12 years, and this year, their 13-city Holi tour is already sold out. [caption id="attachment_50069" align="aligncenter" width="815"] Photo Credit: Red Baraat[/caption] Conceived by dhol player, drummer and Indo jazz composer Sunny Jain, Red Baraat is a one-of-its-kind band that has drawn worldwide acclaim for merging the energy-soaked Indian bhangra with powerful rhythms of hip-hop, jazz, and rock. “Created with no less a purposeful agenda than manifesting joy and unity in all people, Red Baraat’s spirit is worn brightly on its sweaty and hard-worked sleeve,” mentions the Brooklyn-based band’s website. Sunny Jain has trailblazed the introduction of the north-Indian instrument, dhol to the western audiences with

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k. “Created with no less a purposeful agenda than manifesting joy and unity in all people, Red Baraat’s spirit is worn brightly on its sweaty and hard-worked sleeve,” mentions the Brooklyn-based band’s website. Sunny Jain has trailblazed the introduction of the north-Indian instrument, dhol to the western audiences with elan.

Red Baraat

Founded in 2008, Red Baraat has performed across the globe including prestigious venues like the White House, London Olympics, Padma Lakshmi’s Blossom Ball, TED, Austin City Limits, Bonnaroo, Luxembourg Philharmonic, and Peter Gabriel’s WOMAD festivals (Australia, New Zealand, Spain, UK).

“Red Baraat comes from the Indian brass band tradition, but it’s not just trying to replicate that sound,” Sunny said in an interview. “It’s more like a South Asian-American experience with a fusion of jazz, hip-hop, and rock with a massive amount of energy,” he added.

The band has seen the crowd go berserk with excitement from the stages of festivals like the Quebec City Summer Festival, Chicago World Music Festival, Lincoln Center, The Kennedy Center, Madison World Music Festival, New Orleans Jazz Festival, SXSW Music Festival, Pori Jazz Festival (Finland), Molde Jazz Festival (Norway) and Chicago Folks & Roots Festival, GlobalFEST, and Montreal Jazz Festival amongst others.

https://www.youtube.com/watch?v=lgmw41CY1Fo&list=PLA442F1BA9D8C260C&index=2

Sunny Jain – soaking the world in the energy of Bhangra

Indian origin Sunny Jain is popular as one of the foremost South Asian-American jazz musicians, making an innovative blend of the cultural sounds of north Indian music, jazz, and various other musical influences. His albums have garnered global praise. Currently serving as the 2023-24 artist in residence at Wesleyan University, he is diligently working on his inaugural music theatrical production, 'Love Force'.

 The dhol player has authored two instructional drum books, ‘The Total Jazz Drummer’ and ‘Drum Atlas: India’, both published by Alfred Publishing. With a career spanning close to three decades, Sunny has received numerous accolades. In 2007, he became the first artist endorser for India's oldest and largest musical manufacturer, Bina Music.

 Sunny had also played dhol in the first Indian Broadway show, ‘Bombay Dreams’ in 2004, and made his Hollywood debut playing dhol in the movie The Accidental Husband, starring Uma Thurman, Colin Firth, and Isabella Rossellini.

[caption id="attachment_50070" align="aligncenter" width="1024"]Indian Musicians | Sunny Jain | Global Indian Photo Credit: Red Baraat[/caption]

In 2002, he was honoured as the Jazz Ambassador by the U.S. Department of State and the Kennedy Center, which led to extensive tours throughout West Africa.

“If we can unite people of all backgrounds and ethnicities to partake in the exuberance of life through the universal language of music, then life is much sweeter,” Sunny remarked in an interview. 

Illustrious musical associations

While being actively engaged with Red Baraat, Sunny was also the drummer for the acclaimed Sufi rock band Junoon for several years, performing at the Nobel Peace Prize concert in 2007, Srinagar University in Kashmir in 2009, and the General Assembly of the United Nations in 2009. During the time, he had also recorded the single ‘Open Your Eyes’ with Peter Gabriel.

Sunny Jain is currently associated as band leader and drummer of ‘Wild Wild East’. Their first album was released in 2019 by Smithsonian Folkways. The musical group had made headlines with its outstanding performance at the renowned Smithsonian Folklife Festival at the National Mall in Washington D.C.  The band recently performed at Tiny Desk Concert for NPR in 2024.

Man of milestones

Sunny has received grants for his compositions and performances from various organizations such as the Aaron Copland Music Fund, Chamber Music America, Mid-Atlantic Arts Foundation, and GlobalFEST. He was also honoured with the Arts International Award in early years of his career, which supported his jazz group, 'Sunny Jain Collective', during tours in India.

[caption id="attachment_50068" align="aligncenter" width="807"]Indian Musicians | Sunny Jain | Global Indian Red Baraat's Festival of Colors at the Bowery Ballroom in 2019 | Photo credit: Sachyn Mital.[/caption]

Much recently, in 2022, Sunny played alongside drumming legends Mickey Hart, Zakir Hussain, and Giovanni Hidalgo in Planet Drum's first show in 15 years.  In 2023, he served as the music producer for Mira Nair's 'Monsoon Wedding, The Musical' based on the director’s widely acclaimed 2001 movie.

A few years back he had donned the hat of the musical director for the OBIE award-winning show, 'The Jungle', and had directed music for Lincoln Center’s 60th Anniversary celebrations.

ALSO READ | Charu Suri: The Indian pianist and composer making jazz raga popular globally

Merging innovation with heritage

“My parents were immigrants – I was born and raised in Rochester, N.Y. where I had a healthy dose of a little bit of everything – Bollywood classics from the 50s through the 80s, devotional songs of Jainism through both my parents, and then some Hindustani classical. I was getting all the Western music, like Casey Kasem’s Top 40, from my two older siblings,” Jain shared in an interview.

He went on to study jazz, and was inspired by greats like Elvin Jones and Max Roach but chose to create his own music by blending jazz with South Asian tunes. People loved his innovative music and Sunny started making a name for himself with packed night-club performances that eventually led to prestigious collaborations and assignments.

Later, in the 'Sunny Jain Collective', he explored how Indian classical music could influence jazz, working with artists like Rez Abbasi and Samita Sinha. With 'Tongues in Trees', a trio including Sinha and Grey Mcmurray, he combined indie-pop with Indian rhythms. Alongside Pakistani musician Ali Sethi, Jain formed Resident Alien, focusing on the theme of migration.

https://www.youtube.com/watch?v=Z9oQIqYObug&list=PLA442F1BA9D8C260C&index=14

Giving back

Sunny Jain has always tried to merge his music with purpose. At the beginning of his career, through his project, ‘Taboo’, he had addressed social justice issues affecting the South Asian community, drawing from ancient poetry to tackle modern problems like sexual identity and domestic violence.

During his association with the band ‘Junoon’, he had used musical performances to raise awareness and funds supporting flood victims of Pakistan and Pakistani refugees in the Swat Valley.

During the pandemic the dhol player and jazz composer had released ‘Phoenix Rise’, a collaborative album featuring over 50 artists, along with a 72-page book promoting social justice.

  • Follow Sunny Jain on Instagram, Twitter, Facebook and YouTube
  • Follow Red Baraat on Instagram, Twitter, Facebook and YouTube

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The Asian God: Following the trail of Lord Ganesha

(August 31, 2022) Java 2019: He had almost finished ploughing half of his paddy field. The plan was to finish the rest of the land before breaking for lunch. But just as he moved ahead, the machine got stuck and refused to budge despite several attempts. What he initially thought to be a big rock turned out to be a 140 cm high and 120 wide Lord Ganesha statue which took four days and 300 men to be excavated. Made of andesite, this 700-year-old headless and armless statue is one of the largest in the world. [caption id="attachment_28745" align="aligncenter" width="700"] Ganesha statue unearthed in Java[/caption] This is one of the many incidents where archaeologists have excavated full or parts of Lord Ganesha's statues in various parts of the world. From far eastern Japan to Central America and South-East Asian island countries to Afghanistan - the trail of the elephant god can be traced back to about 2500 years. Interestingly, the god who is today revered before any auspicious event in Hindu households, first emerged only in the sixth century CE and was considered to be 'Vighnakarta' or the creator of obstacles. However, over time, he evolved into ‘Vighnaharta’ or the

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vent in Hindu households, first emerged only in the sixth century CE and was considered to be 'Vighnakarta' or the creator of obstacles. However, over time, he evolved into ‘Vighnaharta’ or the remover of obstacles, who is revered to by the followers of many religions - including Buddhism, Jainism, Shinto and even Aztec.

[caption id="attachment_28746" align="aligncenter" width="466"]Lord Ganesha | Global Indian Tibetan Ganpati[/caption]

Global Indian sheds light on some uncovered trails of the god, who symbolises the universal concepts of knowledge, strength, and reverence.

From India to the far eastern shores

Way before the Europeans began their sea explorations, several empires in the Indian subcontinent had already established sea routes to various far eastern countries. Many merchants and scholars from these countries arrived on the Indian shores in search of wealth and knowledge. One such person, who came to the Kalinga Empire (present-day Odisha) in 8th Century CE, was a Japanese scholar named Kukai, who was keen to learn the secrets of Tantric Buddhism.

[caption id="attachment_28748" align="aligncenter" width="548"]Lord Ganesha | Global Indian Japanese god, Kangiten[/caption]

During his stay in Kalinga, Kukai met the noted Gandharan Buddhist scholar Pranja, who introduced him to various Hindu deities, some of whom later became a part of Shingon Buddhism in Japan. While most of these deities disappeared over time, only one survived over centuries and is still worshipped in over 250 temples across Japan. Named Kangiten, this god is depicted to have a head of an elephant and is otherwise famous among the locals as Lord Ganabachi or Binayaka Ten.

[caption id="attachment_28749" align="aligncenter" width="488"]Lord Ganesha | Global Indian A 12th Century stone sculpture of Ganesha found in Cambodia[/caption]

It is no secret that Thailand, Myanmar, and Indonesia is home to several temples that are dedicated to various forms of Lord Ganesha, but very few know that China is home to one of the oldest Ganesha statues in the world. Tucked away in the lush green forests of Kung-sin province, inside a Buddha temple is a rock-cut statue of Lord Ganesha, with the inscription 531 - referring to the year it was made in.

Land of the Méxica

When world-renowned European anthropologist Alexander Von Humbolt first postulated that the Aztec people worshipped a human deity, whose head resembled an elephant, many thought it to be a whimsy of a brilliant mind. The theory of Aztec symbols having any connection with an Indian deity then seemed unlikely to many as first, there were no sea routes connecting the two worlds, and second, elephants are not common in Central America.

[caption id="attachment_28750" align="aligncenter" width="457"]Lord Ganesha | Global Indian The Aztec elephant god[/caption]

However, later researchers found that Aztec depictions of the elephant had some religious significance. While it still remains unclear, the papers of prolific historian Donald Alexander Mackenzie (1873-1936) does throw some light on the connection between Central American and South Asian civilizations, and the possible exchange of cultures.

The Roman connection

In the 18th century British philologist, Sir William Jones drew close comparisons between the two-headed ancient Roman god Janus, and a particular form of Lord Ganesha, known as Dwimukhi-Ganesha. Calling Lord Ganesh the "Janus of India", Sir Jones felt that there was a strong resemblance between the elephant god and the Roman god of beginnings.

[caption id="attachment_28751" align="aligncenter" width="577"]Lord Ganesha | Global Indian
Two-Faced Janus at the Vatican Museum[/caption]

Interestingly, the speculation was repeated by Volney in his 1791 publication, Meditation on the Revolutions of Empires, in which he pointed out the phonetic similarity between the names "Ganesha" and "Janus". Later in his 1810 published book The Hindu Pantheon, Moor too expanded the claims of an association noting that Janus, just like Lord Ganesha, was invoked at the beginning of any undertakings.

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A-Zal on composing music for Ms Marvel: It’s the biggest authority stamp you could ask for

(July 22, 2022) Who could have thought that one day, MCU fans would watch an heirloom bangle open an alternative dimension Noor in Marvel Studios' latest offering Ms Marvel? But it's happening and how! The world is in awe, seeing the very first Muslim South Asian superhero finding befitting representation in MCU. In between the buzz that surrounds Ms Marvel is Indian composer A-Zal whose songs Dheemi Dheemi and Aye Khuda have amped up the soundtrack of the much-talked-about series, exactly a year after serenading the global audience with his track Adhaan Maghbiri in Marvel's Loki. Composing music for Marvel Studios has changed A-Zal's life big time - as an artist and a music composer. "Ms Marvel is being received so well across the globe, and making music for such projects does add a big feather to your cap," he tells Global Indian over a video call from NYC. Ask him if it's the perfect validation for all the years of hard work, and pat comes the reply, "It's the biggest authority stamp you could ask for." [caption id="attachment_27206" align="aligncenter" width="522"] A-Zal[/caption] Starting his journey from making music for Bollywood to finding his feet in Hollywood, A-Zal calls it a

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t_27206" align="aligncenter" width="522"]Composer | A-Zal | Global Indian A-Zal[/caption]

Starting his journey from making music for Bollywood to finding his feet in Hollywood, A-Zal calls it a long struggle. Working back home in an industry that made him "feel like a nobody" to "feeling like a lost kid" during his struggling days in the US, A-Zal had to work his way up. "I'm not glorifying my struggle. I have earned this, I deserve to be working with Marvel," adds A-Zal who believes that representation is catching up. "You have to be talented enough to break the clutter."

Corporate job to full-time musician

The Mumbai-born spent a considerable part of his childhood in London, thanks to his dad's job in the aviation sector. The eclectic city introduced him to British pop in his formative years, which helped him form a deep connection with music. He didn't begin training until the age of 10, however, when he first picked up a mouth organ. "One of my school friends used to play it so I asked him to train me. I could easily slide in my bag and play it whenever I wanted," says the composer who graduated to playing the guitar, piano and later learned Hindustani classical and Carnatic music. While he excelled in his studies and even completed a degree in engineering, his love for music evolved into a concrete passion only after he stepped into the corporate world with KPMG. "It was an amazing start but I soon realised that I can either have a great bank balance in the near future or make my soul happy and have a profession where I look forward to every day, including Mondays," he smiles. "It was there that I realised my love for music and how I was ready to make efforts to do anything to make my name in the world of music."

That's when he put a screeching halt on his short stint in the corporate world and dived into making music full time. With no godfather in the industry, he went through a phase "full of uncertainty." But A-Zal continued upskilling himself with each passing day. "I learnt how to play almost every instrument - flute, violin, mridangam - so that when I am composing, I can instruct a flautist as to what I exactly want." The initial two years were full of struggle where A-Zal says he was often "taken for a ride” thinking he was a young kid on the block. “I didn't earn a single penny in those years, and used up all my savings." Undeterred, he kept at it and found his first big break with the 2013 film Prague, which took him to the Cannes Film Festival. This international exposure landed him his second film Monsoon Shootout, as a composer. "The film made it to many international film festivals, and I realised my work was getting recognised internationally. I bagged a German film and a British documentary."

Composer | A-Zal | Global Indian

The world is his stage

A-Zal calls 2014 a "turning point" in his life as the international exposure nudged him to "explore the world market." "I told myself I need to win a Grammy or an Oscar one day, and Hollywood was the place to be for that." He would visit the US twice a year to network more. From attending AFI Festival to making an appearance at Golden Globes screenings, Zal pulled every string to get in touch with the right people. One such visit got him to the door of Remote Control Productions to have an interview with Hollywood's renowned film composer Hans Zimmer. Despite cracking two-three rounds, A-Zal lost the chance to work with Zimmer because he didn't have a work visa. "That's when I started working on my US work visa, and simultaneously did independent projects for New York University." Starting afresh in a new country wasn't easy, as A-Zal recalls he "felt like a lost kid." "I was already doing good work back home and getting recognition. And I decided to swap that for a career in the US because I knew if I didn't leave right now, I would be consumed by more projects."

This conviction translated into fruitful results when America's leading TV network CBS reached out to him for composing some music pieces for its action series NCIS: Los Angeles. "It changed things for me." The show turned out to be a perfect opportunity in cementing his position as a composer to look out for, and he soon saw himself making music for another popular show, The Twilight Zone.

Marvel-ous inning

Impressed by his body of work, Marvel Studio approached him to prepare a music piece for the Loki Series. In keeping with the confidentiality terms of the project, Marvel only divulged a synopsis of the scene and A-Zal had to compose from this limited information. But he proved his mettle with the track Adhaan Maghbiri which took the climax to a crescendo. And now, he is once again making headlines for belting out songs - Aye Khuda and Dheemi Dheemi - for MCU's Ms Marvel. Does he feels the pressure every time he composes for Marvel? "I don't. These projects get me super excited. I can't give them anything good, it has to be the best. While working with Marvel, you work like a marvel."

https://www.youtube.com/watch?v=m9EX0f6V11Y

Although Marvel likes to keep a lid on every project before its official announcement, A-Zal found a very clear brief to help him navigate, and compose music for the series. "Aye Khuda is an important song that establishes the relationship between Kamala and Kamran in the film. I was told to bring the essence of their origin and include a Sufi touch to the song," reveals A-Zal who initially found it tough to blend such a melody for a young character like Kamala. But he loves a challenge and ended up sending around 14-15 tracks to Marvel, among which Aye Khuda made the final cut - a song that took three months to complete.

The film composer, who is keen to create a legacy of work that identifies with him, is looking forward to releasing his upcoming album 17 & 11 Nights. "For the longest time, I have composed music according to others' briefs. But now I want to tell my own stories, where I am the character, I am the voice and I am the words," says A-Zal who now wants to make music as a form of self-expression. As an artist, he believes his "scores are experimental and ahead of time, and that's how I want to be identified as a composer." For the Mumbai born, working in America has been a learning curve. From producing music that has "no rough edges" to taking no shortcuts while writing or producing music, A-Zal had to unlearn and relearn a lot.

 

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Many years ago, AR Rahman won the world with Jai Ho, a song that put India on the global map. And now A-Zal is attempting to bring the South Asian flavour into the mainstream with his work. The Indian composer is happy that the music scene is evolving, and there is more inclusivity and diversity. "In the US, you would find more of browns and blacks on television than whites. That's how conscious the brands are right now. But there is more to it," he says, adding, "With digitisation, you don't have to depend on the records, instead you can showcase your talent on YouTube. It can help start a dialogue and initiate a conversation." He is ecstatic that representation is at the forefront as it "propels your exposure" but more than that he is delighted about the "acceptance". "People are now embracing world music." Recalling his struggling days in the US, A-Zal says "things were much easy in the US as it's a country of immigrants. They embraced my music for which I am thankful." It's a lesson that A-Zal carries with him, and has made him humble. "It becomes a part of you."

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Master commander Suneha Gadpande, first to captain an all women officers’ ship

(March 27, 2022) She steers a mammoth ship. On the deck, vigilant, observant, she stands tall, dressed in her smart Navy whites. Captain Suneha Gadpande has navigated through cyclones like Tautke, carrying cargo, ensuring safe passage of both cargo and crew. During the pandemic too, it was business as usual as master and commander sailing across China, Korea, Japan, West Africa and Somalian waters. “Throughout the pandemic, every shipping company worked while the world stayed home. Everything was shut except world shipping,” explains Suneha, the first Indian woman to be promoted to the rank of captain at an MNC, “If we had stopped, everything would have stopped.” To grasp her achievement – mull over this - Men have been voyaging since the 1700s, yet Captain Anna Ivanovna Shchetinina, a Soviet merchant marine, was the world’s first woman captain of an ocean-going vessel at 27 (1935). Over two centuries later. Being a ship’s master-commander is a male bastion, so Indian seamaster Captain Suneha Gadpande’s entry into this lonely male citadel, is an achievement. “The word promoted is important as girls were not hired in the merchant navy. I created a path others can follow,” smiles the effervescent Suneha Gadpande in an

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vescent Suneha Gadpande in an interview with Global Indian. Among the first girl nautical cadets, she also went on to captain at Danish shipping company, the 132-year-old Torm as its first Lady Captain from India.

[caption id="attachment_22061" align="aligncenter" width="438"]Master commander | Capt Suneha Gadpande Capt Suneha Gadpande[/caption]

Behind these achievements is a straight talking no-nonsense mind. As warm and sparkly-eyed she is, there lies a staunch, stern and resolute commander inside. “I am not this friendly on a ship, I have to be aloof,” chuckles Suneha. Among India’s 100 women achievers honoured by late President, Pranab Mukherji (2016), the years of toil and tears saw this Bhopal girl prove her mettle every step of the way. Today, proud, her spiffy crisp Navy whites shine as does her conviction, work ethic and extraordinary attitude.

Steely determination saw this outspoken, tad rebellious girl create maritime history – she is also the first Indian captain to command an all-women officers' tanker, MT Swarna Krishna, for Shipping Corporation of India.

Courage of conviction

The Maharashtrian Bhopal-born tomboy had her sights set on the Navy. “In my eighth, I realised that in the Indian Navy, girls cannot join after 12th like the NDA - you had to graduate to undergo training,” she says. Her mother worked in admin at the Bhopal police HQ, and her father retired as a manager from RBI, thus a sincere work ethic was inculcated early on. Her father was shell-shocked at her joining the merchant navy, “Kya tum pagal ho gayi ho? (Are you mad?),” he asked. The rebellious Suneha stood unabashed. And the rest, as they say, is maritime history!

Master Commander | Suneha Gadpande

Sheepishly, she admits that her brother and sister were “ideal” children, she an upstart, who left Bhopal to live in Mumbai. Even today, her father keeps her rooted amid the honours pouring in. “He is unable to comprehend what the big deal is,” she adds. The brilliant mind would often have her parents on edge – wondering, ‘what will Suneha do next?’

Studying mechanical engineering from NIT Bhopal, with Navy on her mind, her IIT ranking saw SCI call her for an interview. Among the first batch of girls to join SCI (2003), her graduation forgotten, time was of the essence. Soon, she became batch commander, best cadet, and after four months pre-sea training at Maritime Training Institute, Powai, Suneha was ready to sail on the high seas.

Working in a man’s world

Eyeing a foreign post, she was shocked that no Indian girl had ventured so far. Nationally too, women were not preferred.  “I was asked, ‘Is it for your brother or husband?’ – and then, ‘We don't recruit women.’”

Master Commander | Capt Suneha Ganpade

By 2011, maxing exams, working tirelessly, she was set to take up command at SCI. A job offer from NYK, a Japanese company saw her shift overseas. “I left SCI just when I was to get command. I was the only Indian woman with the highest certification of a master then,” says the lass, who delayed her own command for better pay, career prospects. Is she chuffed? Brutally honest, she says, “I haven't done anything different. Yes, it was not expected a woman could do it. The opportunity helped me clear the path for others.” The twinkly-eyed commander has also been mentoring women to break the shackles of societal expectation. The would-be captain was thrilled when SCI came knocking on her doors again, to command an all-women ship. The idea stalled, but in March 2021, it was all systems go. “No better way to give it back to your parent company. Taking up command made me feel empowered. But to feel it, society has to give you powers,” she avers. She had 14 women officers, and helmed the Indian Oil Corporation time charter.

“Imagine carrying cargo valued at millions of dollars. One mistake, and it’s a live bomb. You have to be mentally present, and cannot afford a single mistake, and work as a team,” says Suneha. The warm and bubbly Suneha soon transformed into a master-commander with aplomb. “Taking up command meant – you are given full ownership. However, the merchant navy is not glamourous. There is only one captain responsible for the safety of cargo and crew. In a rude way, we are like truck drivers,” rues this changemaker who has battled harassment and fought against decades-old stigma.

Master commander | Suneha Gadpande

 

She loves her international stints but the stigma in India is unrelenting, and unsurprisingly less work related, more people specific. “Once you become a captain, there is no growth. Once a captain, always a captain,” she says. Signing up with Danish company Torm saw her get the moniker of the first Indian woman to captain an international merchant navy ship. Now, in between projects, she will take up a shore opportunity in Singapore as a permanent marine superintendent in Danish company, Hafnia tankers (BW Group).

Oh captain, my captain

Yes, she will miss sailing immensely. Unlike Navy, with over 150-odd crew, merchant navy has 20-25, and a strenuous 24-hour work day. “We have to be ‘jack of all trades,’ - plumber, carpenter, mechanic, or cook.” The ‘jill’ of all trades has been lauded for her work, and over the years, she has learnt to put her game face on, use subtle firmness to be respected among men. “As a captain, if you say juniors are misbehaving, it will be seen as the lady or captain is unable to command,” she adds. Privy to dangerous situations, she manoeuvres it all, “While docking, a ship’s speed is lesser as it does not have a break - the effect of the water is greater. It is not difficult but one needs immense skills. You navigate - through storms, tricky situations, and know how to get out. You are taught to be in command.”

Master Commander | Suneha Gadpande

The dream of being a single mom

Commanding a ship takes years, and for this reason, Suneha put her personal life on hold. The 37-year-old decided to freeze her eggs so she could concentrate on her career. “I am planning to be a single mom. I knew my command was taking time, and I couldn't afford a minute’s break. If you take a break from sailing, it's tough to get back,” reveals the master-commander.

Her remarkable ability to spring back, after wiping away tears shows great fortitude. Was training difficult? “That’s a tricky word. It's relative. If you see a situation as difficult, it becomes difficult. Once you begin doing it, it is a piece of cake,” she smiles.

 

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A lone woman standing against the tide through brickbats, she advices, “You have to train the mind, aap ko ek box bana lena padta hai mind mien (you have to make a box in your mind), the ignore box. If I like something, I’ll listen, smile. If I don’t, I’ll smile but it goes straight into the ignore box,” smiles the unrepentant captain, who adds, “Learn to say no,” she chides, “as men are unused to hearing it.”

After 18 years of her goals, she now strategises, chooses her battles, and is an amateur psychologist to understand her crew. Her next 18 will be of consolidation. The naturopath does yoga, occasionally signs up at Jindal Bangalore for detox.

To sail, or swim, that is the question

The master commander is, admittedly, wait for it, “shit scared of water.” Surely a prerequisite to life at sea? “Yes, I have done 12 weeks swimming training, and can jump 60-50 feet with a life jacket,” cheekily adding, “I don’t know swimming.”

Master Commander | Suneha Gadpande

She takes great pride in her navy whites though work is in boiler room overalls, with grease and muck. The roadie loves her X3 BMW, giggling, “I love driving – I drove from Mumbai to Bangkok,” she laughs modestly.

A Buddhism follower, Suneha does Vipassana, mediates, and advises, “empty the mind, and be in the moment.” And marriage? “Since I was a child, I wanted to run away and get married. I have my Sabyasachi lehenga and jewellery ready. Just waiting for a boy that is worth it.” Aye, aye captain.

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Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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