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Indian Actor | Anupam Tripathi | Global Indian
Global IndianstoryAnupam Tripathi: Korea’s Squid Game star debuts in Indian series on Kandahar hijack
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Anupam Tripathi: Korea’s Squid Game star debuts in Indian series on Kandahar hijack

By: Amrita Priya

(November 14, 2024) When Anupam Tripathi left New Delhi for South Korea in 2010, he was stepping into the unknown. Armed with a Korea National University of Arts scholarship, a passion for acting, and the courage to chase a dream, he entered a world that few Indian actors had ever explored. A decade later, Anupam would become one of the most recognized faces in South Korea, impressing audiences worldwide as Ali Abdul in the Korean television series Squid Game. His role as the hardworking Pakistani migrant worker struggling for his family’s survival resonated with millions, making him a known face.

For the Global Indian, the journey has been about more than professional achievement – it’s been a way to celebrate his roots while embracing his new cultural home – South Korea. In 2024 his journey in acting came full circle, as he stepped into the Indian entertainment industry with IC 814: The Kandahar Attack, a role that fulfils his dream of performing for his home audience.

Indian Actor | Anupam Tripathi | Global Indian

Anupam Tripathi on the sets of IC 814: The Kandahar Attack

Roots in theatre

Born in New Delhi, Anupam Tripathi’s fascination with acting began early while studying at Kendriya Vidyalaya and later JNU. His inspiration stemmed from witnessing the powerful performances at India’s National School of Drama (NSD), an institution renowned for its training in theatrical arts.

Initially, he pursued his passion for acting through local theatre in New Delhi, joining the Behroop theatre group led by playwright Shahid Anwar. His first significant role as a slave in Spartacus marked his entry into the world of performance. Following that, he cultivated his skills under the guidance of experienced mentors, preparing to step into professional theatre. In 2010, however, the then budding actor’s career took an unexpected turn when he received the prestigious AMA+ (Arts Major Asian plus) Scholarship to study at the Korea National University of Arts, setting the stage for an extraordinary journey. “I spent 10 years in Korea as a student and a theatre actor persevering every day,” he shared, talking about the hard work he has put into his career to take flight.

Adapting to Korea: New challenges, new horizons

Moving to South Korea in 2010 was a big challenge. The actor faced language barriers, cultural differences, and the inherent struggles of adapting to a new society. Reflecting on these hurdles, he shared, “Life does not go as planned.” Despite these obstacles, he learned Korean within two years and immersed himself in local theatre, eventually making his way into Korean media through small roles in films like Ode to My Father and plays like Bullyang Cheongnyeon (Troublemaking Youth).

These early roles often cast Anupam Tripathi as migrant workers, reflecting the social fabric of Korean society and giving him a unique platform to represent a marginalised perspective. “I am grateful that I was able to stand on stage because of these people (migrant workers),” he remarked, highlighting his commitment to authentic storytelling.

Indian Actor | Anupam Tripathi | Global Indian

Anupam Tripathi wearing the traditional Korean attire, Hanbok

Indian actors shine in the Korean entertainment industry

In recent years, Indian actors have been making waves in the Korean entertainment industry, bringing a refreshing diversity to its dynamic landscape. Apart from Anupam Tripathi, names like Abhishek ‘Lucky’ Gupta and Anushka Sen are among the few Indian talents who have successfully entered this sphere, capturing the attention and admiration of Korean audiences. Their presence highlights a growing trend where more Indian actors aspire to participate in Korean dramas, movies, and variety shows, creating cross-cultural connections between India and South Korea. Korean viewers have also shown a warm reception to these Indian faces, enjoying the diversity and fresh narratives they bring.

The Indian actors are not only adapting to Korean culture but also embracing its nuances with a deep sense of respect and dedication. They undergo language training, cultural immersion, and even modify their acting styles to align with Korean sensibilities, reflecting their commitment to honouring the industry and culture they have joined. This mutual appreciation is enriching both entertainment industries, and opening doors for more Indian actors to explore new avenues in Korea.

Indian Actor | Squid Game Star | Global Indian

Anupam Tripathi in a scene from the Squid Game series

The breakthrough: Squid Game and global recognition

Anupam Tripathi’s career took a monumental leap with his portrayal of Ali Abdul in Squid Game in 2021. His character, a Pakistani worker desperate to support his family, resonated with audiences worldwide and catapulted him to global fame. The show’s success brought him sudden visibility and a social media following that grew from 10,000 to over 2.5 million practically overnight. His performance, marked by vulnerability and emotional depth, was widely celebrated, with director Hwang Dong-hyuk noting, “Finding good foreign actors in Korea was challenging but [Tripathi had] emotional depth and fluency in Korean.”

Ali’s character faced severe hardships, echoing Anupam’s own experiences as an immigrant. The role allowed him to channel his journey into art, and he felt a deep connection to his character’s struggles. “I, myself, was an immigrant in Korea looking for a better opportunity.” For Tripathi, Squid Game was not merely a job but an opportunity to portray the complexities of life as a foreigner, resonating with audiences who had lived similar experiences.

There was no looking back for the actor in the South Korean entertainment industry after the success of Squid Game. Several opportunities fell on his lap apart from awards like Seoul International Drama Award and Screen Actors Guild Award.

Indian Actor | Anupam Tripathi | Global Indian

Stepping into Indian entertainment industry: IC 814: The Kandahar Attack

After gaining prominence in Korea, Anupam Tripathi finally achieved a lifelong dream by debuting in the television mini-series based on true events that tells the story of the longest hijacking in Indian aviation history. In 1999, five attackers hijacked a passenger plane and rerouted it to Taliban-controlled territory, sparking an international political crisis. The series stars well-known Indian actors like Naseeruddin Shah, Pankaj Kapur, Vijay Varma, Dia Mirza, and Arvind Swamy.

Anupam Tripathi’s role in director Anubhav Sinha’s series is of Ram Chandra Yadav, a key intelligence asset for India in Nepal. The series allowed the actor to explore a different side of his acting abilities. In contrast to the innocent, well-meaning Ali in Squid Game, Ram Chandra Yadav is a complex intelligence officer driven by duty and patriotism. “I couldn’t have asked for a better character to start with in India,” he said. “In the Squid Game, people saw me as naive or innocent. This character was totally opposite.”

Preparing for the role was a deeply immersive experience. Tripathi researched the demeanour and behaviour of intelligence officers, even visiting the Indian embassy in Korea. His preparation paid off, as he adeptly conveyed the fine balance of strength and vulnerability required by the role “It’s a very thin line. I cannot go too much. I cannot go too less,” he remarked on his portrayal of the character.

 

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A post shared by Anupam Tripathi (@sangipaiya)

Building bridges between cultures

Anupam Tripathi’s journey has not only bridged two cultures but has also opened doors for Indian representation in Korean entertainment. Serving as the Ambassador for the Ulsan International Film Festival in 2021 and speaking at forums like the Oxford Union, he is embracing his unique role as a cultural ambassador. “I feel blessed in a way, as I’m able to represent Indian culture and Korean culture,” he says, proud of his position as a connector between two worlds. 

Despite being busy in acting, this year the actor has also completed his masters in acting at the Korea National University of Arts. Remembering his late father and thanking the Art Major Asian plus Scholarship programme for  giving him the opportunity to learn acting, the craft which he enjoys the most, he remarked, “It’s the blessings of my mother, my family, professors, teachers, friends who all guided me to work on self, improve and grow better through education.”

Indian Actor | Squid Game Star | Global Indian

Anupam Tripathi completed master’s at Korea National University of Arts in 2024

Future projects and ambitions

Anupam Tripathi’s career continues to flourish, with several exciting projects on the horizon. One of his notable upcoming roles includes Rhapsody for the Dead, where he portrays a spirit exorcist in a supernatural thriller set to release in Korea and other Asian countries. Additionally, he has taken on a U.K. short film project as both an actor and executive producer, demonstrating his desire to expand his creative involvement. A new Korean drama is also in the pipeline, further cementing his presence in the Korean industry.

The actor hopes to break the mould by appearing in a historical drama, a genre where foreign actors are rare in Korean productions. “Someday, I want to appear in an authentic historical drama for the first time as a foreign actor. I will break the limit of being a foreigner and show various charms,” he revealed, expressing his determination to challenge stereotypes and showcase his versatility.

Indian Actor | Anupam Tripathi | Global Indian

With a growing list of accomplishments and the support of fans worldwide, the Indian actor in Korea is serving as an inspiration for future talents from different backgrounds and cultural landscapes.

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Published on 14, Nov 2024

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Cities by design: Cambridge’s Dr Ronita Bardhan brings sustainability into low-income housing

(May 8, 2022) Over a billion people across the world live in slums – nearly one in six. Orangi Town in Karachi, Pakistan is by far the world's largest, with some 2.4 million inhabitants. More than a million residents crowd together in Mumbai's Dharavi slum, where development of low-income housing is overseen by the Slum Rehabilitation Authority (SRA). Over the years, thousands of people were moved out of temporary dwellings into brick and mortar shelters. It’s a step up, one would think. It's not long before residents realise that their concrete tenements aren't all they're made out to be... “Poor design causes a multitude of problems with regard to health, well-being and socio-economic interaction,” says Cambridge University's assistant professor of sustainability in built environment - Dr Ronita Bardhan, in an interview with Global Indian. Sustainable, low-income housing is the architectural engineer's area of work - she has spent years studying rehabilitation projects at IIT-Bombay, Stanford University and Cambridge University. Her aim: Attempting to provide data and tech-driven, culturally rooted design solutions that work both at the individual and community levels. While cutting edge technology is the need of the hour, Ronita believes firmly that it should consider the socio-cultural context

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chnology is the need of the hour, Ronita believes firmly that it should consider the socio-cultural context within which it is being used.

However, faced with a problem of almost fantastic magnitude, authorities in slum rehabilitation projects around the world tend to rely on a purely quantitative approach. Working in isolation, without inputs from the health or energy ministries, the projects may fulfill the basic concern – shelter, but do little else.

Driven by data, transcending disciplines

Working out of the University of Cambridge, Ronita creates design solutions that marry engineering, AI and the social sciences. “Housing is not a noun, it's a verb,” says Ronita. “It decides the way a person lives, their health, and their economic outcomes. Housing policies don't cater to that, even though they should," she adds. She’s currently working towards four UN Sustainable Development Goals – 3 (good-health and well-being), 7 (affordable and clean energy), 11 (sustainable cities and communities) and 13 (climate action).

Ronita’s approach is a call for demand-led design. Her approach is data-driven, “it brings a hard-core engineering model together with the social sciences." Her work has taken her from India to projects in Indonesia, South Africa, Ethiopia and Brazil. She is the Director of Studies and Fellow in Architecture at Selwyn College. She also chairs the Equality Diversity Inclusivity Committee at the Department of Architecture and History of Arts.

Cry the beloved country

When she moved to Mumbai to join IIT-Bombay, she would often see sprawling apartment blocks whiz past her train window. She had no idea at the time why these buildings existed, apart from noting that they looked dense. These were the SRA's tenement housing projects set, where Ronita would begin her research work.

The houses contained a range of shortcomings; from poor ventilation that resulted in indoor air pollution, the absence of natural sunlight that led to greater energy consumption through artificial lighting and the absence of space for women and children to gather outdoors. In one study, Ronita found that indoor pollution levels in SRA homes were five times over the global standards.

Design solution to reduce indoor air pollution

A data-driven approach requires far more than merely handing out questionnaires. Instead, Ronita and her team work to collect several hours of data, gathered through a series of informal chats and unstructured interviews, while simultaneously monitoring the built environment using a range of environmental sensors. In an effort to examine the conditions of 120 households in Mumbai's chawls, “We stayed in the chawls, imitating the habits of the regular residents,” Ronita says. They placed sensors across the building to measure air quality, using the local mean age (LMA) of air as a parameter. They also considered the orientation and direction of the building, what surrounded it, area, thickness of the walls and the size of the windows.

"We want to develop strategies from these kinds of parameters," says Ronita. By taking into consideration the economic, physical, emotional and interpersonal aspects of the individual's life, the resulting design solution will help move away from the prevailing quantitative approach.

A rise in the incidents of tuberculosis in Mumbai’s rehabilitation projects led to further studies. They found the absence of sunlight allows the microbes to thrive, causing disease. It also led to increased energy consumption.

Gendered cities

In 2018, Ronita's study, published in Habitat International - a Science Direct journal, found gender asymmetries in slum rehabilitation projects in Mumbai. Participants are made to feel at ease through a series of unstructured interviews and it was found that women were now largely confined indoors. Where activities like childcare were once a shared responsibility, the new projects had done away with open, community spaces where women traditionally gathered.

The SRA has done much work to bring people out of slum dwellings. However, "designing houses based on the current policy has knock off effects on health and energy," Ronita explains. "There is no link between design and the actual lived experience. Houses are not just for shelter, they impact every part of our lives," she says.

[caption id="attachment_24294" align="aligncenter" width="567"] Data is gathered through a series of unstructured interviews and monitoring built environment through a range of sensors.[/caption]

Poverty of time

Confined to their homes and burdened entirely with domestic duties, fewer women were going out to find work. The vast socio-economic networks maintained in the old slum dwellings no longer existed without socialising spaces. The green spaces invariably become illegal parking spots, places for hawkers, or even dumping grounds.

"The women would once go out every day to visit neighbours who lived 15 houses away. Now, although that neighbour lives three storeys above, they don't meet for months. If women were spending 90 percent of their time indoors, they are now spending 99 percent," Ronita explains. It is a poverty of time that in turn, leads to fiscal poverty as well.

The quantitative approach

A quantitative approach can easily sideline individual and local needs. “In South Africa, the level of poverty is a lot lower but the problems are more to do with things like drug abuse. You don’t find that in India, especially among the women,” says Ronita. Instead, when she interviewed women in SRA housing in Mumbai, she found they were thrilled to have toilets inside their homes and private indoor spaces. However, there’s still a lot to contend with for authorities and urban planners alike. Ronita is among those calling for demand-driven engineering solutions, with built environments catering to the needs of the individual. It involves trans-disciplinary collaborations to arrive at practical solutions.

A holistic approach and tweaked building by-laws can make a world of difference. “It can be scaled,” Ronita agrees. “Builders should not be granted free land until they comply with the by-laws. These need revision based on contextual factors and should never mention minimum thresholds for set-backs. When compliance is based on a minimum threshold, only the minimum provided. Let's include elements like childcare facilities and socialising spaces within the legal framework,” she adds.

[caption id="attachment_24295" align="aligncenter" width="659"] Ronita with women residents of Mumbai's SRA housing[/caption]

Efficient utilisation of space and energy

When she first began her work in the field, Ronita says cooling units inside people’s homes were a rarity. Today, most have more than one energy-intensive cooling devices. Bills have shot up and with inadequately designed homes, they’re only likely to increase further. “We assume that this demographic doesn’t really consume energy. That is a fallacy,” she says.

For all this, the efficient utilisation of space is paramount. Ronita recalls doing her doctorate at the University of Tokyo, and the 25 sq foot apartment she called home. “The tenements in Mumbai are actually larger but they feel very cramped. Not once during my time in Tokyo did, I feel like I needed more space. It’s all about design. I would wonder if it could be replicated but then, all technology should consider the socio-cultural context within which it is being used."

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Reading Time: 8 mins

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How Ultramarathoner Sufiya Sufi Runner is smashing the records, one run at a time

(May 17, 2022) Running long distances is a way of life for Sufiya Sufi Runner, who usually chooses to have her finish line several hundreds of kilometres away. From Kashmir to Kanyakumari, Manali to Leh to the Golden Quadrilateral -- the ultramarathoner has done it all. Keeping her company throughout are beautiful landscapes, roads, mostly lonely, and the hostile weather. Battling heat strokes, low oxygen levels, dehydration, even lung and gall bladder infections -- Sufiya accomplished all her missions with a smile. For her, there is magic in misery. [caption id="attachment_24537" align="aligncenter" width="764"] Sufiya Sufi at the Lungalacha La pass[/caption] Her upcoming plans can give you the jitters -- A run from Siachen to Kargil (460 km in 7 day in -10°C) in July 2022 and a run across the UAE in December (700 km in 7 days, in 48°C and sand storm). These expeditions are the preparation for her longest and biggest expedition Run Around The World in 2024! "Manali-Leh Run was not just a run but survival. It is one of the toughest routes in the world. Tough terrain, high altitude, low oxygen and freezing cold weather made it unique and challenging," informs Sufiya, in an exclusive chat with

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toughest routes in the world. Tough terrain, high altitude, low oxygen and freezing cold weather made it unique and challenging," informs Sufiya, in an exclusive chat with Global Indian.

From Kathak to running

Born and brought up in Ajmer, Rajasthan, Sufiya was raised by her mother Shahnaz Khan after she lost her father Rafique Ahmed when she was 16. A student of Dropadi Devi Sanwarmal Senior Secondary School, sports was nowhere in the realm of imagination as classical dance was her forte, with a degree in Kathak from Shramjeevi College, Ajmer.

 

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A post shared by Sufiya (@sufiyasufirunner)

So how did a Kathak dancer end up running? “I was in the aviation industry (ground handling), working like a machine for almost 10 years, which was very frustrating. Then one day, I stepped into this madness (running)," smiles the 36-year-old, whose first run was three km long in a society park in New Delhi in April 2017. The same year, she ran her first half marathon in November.

“Thereafter, I started training, participated in official marathons events and even won a trophy. My first official ultramarathon was 52 km in February 2018 in Noida where I finished first,” says the proud ultramarathoner. Her family was initially skeptical. Not only were they worried that she quit her job for running expeditions, they were also concerned about her health and safety during the long runs. "But when I got my first Guinness World Record and people were praising me, they were happy and kept encouraging me," adds the ultramarathoner.

The beginning of an era

After completing her first ultramarathon, her life partner Vikas, who is a cyclist and her biggest inspiration, came up with a plan - to run from one city to another. “That is how the idea of running long distances hit me. We decided to cover Delhi, Agra and Jaipur in a triangular shape. It was almost 720 km,” informs Sufi, who started from Delhi on March 25, 2018 and returned to the capital on April 9, 2018. “It was my first long-distance run, which I completed in 16 days," says the first female runner to complete this run. This helped boost her confidence to run longer distances.

 

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A post shared by Sufiya (@sufiyasufirunner)

Around the same time, Vikas had completed his cycling expedition from Kashmir to Kanyakumari, and Sufi decided to run the same route. "He was more excited than me," smiles the runner. The couple got in touch with the authorities of the Guinness Book of Records, who gave her a 100-day deadline.

Breaking records

But she finished her run in just 87 days, and it was one of the most “mesmerising and challenging experiences” for her. "It was cold in Kashmir, while it was peak summer in Punjab, Haryana and Delhi. In Rajasthan, I was battling a temperature of 49°C while western and eastern ghats were witnessing rainfall. In many places down south, it was humid," she explains. Of the 87 days, she was hospitalised for five days due to heat stroke, dehydration, lung and gallbladder infection (due to pollution). "This run made me strong," says Sufi.

 

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A post shared by Sufiya (@sufiyasufirunner)

Within a year, she planned her third long distance run -- the Great Indian Golden Quadrilateral Run. Connecting four metros (Delhi, Mumbai, Chennai and Kolkata), this 6,000 km long stretch was going to be Sufi's second Guinness World Record. "This record was already set by a runner from Pune (Michelle Kakade) who had completed it in 193 days. So, I had a time target," says Sufi who started her run in February 2020 from Delhi and after completing 2200 km, she had to pull a stop due to the abrupt lockdown triggered by covid. "I was very disheartened because the run was going on smoothly. It was fate and I had to accept it," she adds.

But not the one to give up, she started the run again in December 2020 from Delhi and this time completed successfully in 110 Days. "I broke the previous record by 82 days and completed the Golden Quadrilateral run with an average of 55 km per day," informs a beaming Sufi.

However, it was the Manali-Leh run in 2021 that she calls “most challenging” as she had to undergo acclimatising training before attempting this run. “I fainted twice due to low oxygen. My oxygen level was dropping below 59 percent on high passes. My body was fully drained and exhausted after the fourth day when I was running on NakeeLa Pass. But my mind was not letting my body stop. This route was not just physically challenging but it tries to break you mentally," explains Sufi, who took 6 days and 12 hours to make a new world record on this route. Her total elevation gain on this route was more than 9000 meters, which is more than the mighty Mount Everest.

 

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A post shared by Sufiya (@sufiyasufirunner)

Sufi did have a 'support crew' and it was Vikas throughout. "He was taking care of my needs. Mostly, I opt for the local food available at every place. I ensure that it is hygienic, less spicy and oil free but full of protein and carbs. Otherwise, I take protein supplement and BCAA for recovery," explains Sufi. Her liquid intake remains 500 ml per hour during the run.

Pushing the limits

Sufi learnt a lot about life, human mind and body through her runs. "You never know your limits and what you are capable of. If our mind is strong and positive, our bodies have no limits. So whatever the circumstances, be positive always, never underestimate yourself and keep challenging your limits," says Sufi, who indulges in yoga to keep her mind calm and focussed.

Ultramarathoner | Sufiya Sufi Runner

The ultramarathoner, who never had any sponsorships for any of her expeditions, has spent all her savings. “Once people supported me through crowdfunding. But now I’m looking for sponsorships for my future projects. When not on any expedition, I take up some part-time jobs," informs Sufi.

When not running, Sufi indulges in comedy shows and Sufi music. "I also like to watch expedition documentaries. I love to dance, which is the best relaxation and warm-up exercise," she informs.

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Story
Adarsh Gourav: Cementing his position in Hollywood, one project at a time

(March 12, 2023) "This is beyond anything I can express to be honest. But to be working with such an incredible team at such an early juncture of my career is truly rewarding," is how BAFTA nominated actor Adarsh Gourav reacted to being working with stalwarts like Meryl Streep, David Schwimmer and Sienna Millers in the Apple TV Plus show Extrapolations. The futuristic drama set in 2037 has opened to rave reviews, and one Indian actor has made it among the "most impressive cast in TV history." But standing tall against actors like Tobey Maguire, Kit Harington and Edward Norton speaks volumes about Adarsh's acting mettle. It was Adarsh who brought Balram Halwai alive from the pages of Aravind Adiga's 2008 Man Booker Prize winner The White Tiger. Such was the powerful performance that Gourav found himself racking up a Best Male Lead nomination at the Independent Spirit Awards as well as a BAFTA Best Male Lead nod in the first quarter of 2021. And now two years later, he is cementing his position in Hollywood with Extrapolations. https://www.youtube.com/watch?v=2QP-xrG0kZk The 27-year-old might be a newcomer in the league of international bigwigs but this Forbes 30 Under 30 actor has definitely

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wigs but this Forbes 30 Under 30 actor has definitely cemented his position as a breakout Indian actor.

Music led him to Bollywood

It was in Jamshedpur where Gourav's story began. At a young age, his parents enrolled him in classical music sessions under Guru Chandrakant Apte. With each passing year, he excelled in his skill, and his growing talent prompted his family to relocate to Mumbai because they believed in his chances of gaining success as a playback singer. And they had there reasons too. By the time he turned 13, Gourav had already appeared on Jharkhand Idol, a singing reality show that seemed like a possible launch pad for his Mumbai dreams.

Upon landing in Mumbai, Gourav enrolled at Suresh Wadkar's Ajivasan Music Academy, and it was here that he started to convert his potential into palpable projects. His mentor Padma Wadkar brought with her two singing opportunities: one was Subhash Ghai's Black & White and other being Ilayaraja's Chal Chalein. Wadkar got Gourav in touch with Raell Padamsee who recommended Gourav for a performance at the Kala Ghoda Festival. It was here that talent agent Nazli Currimbhoy planted the idea of acting as a career. He soon started going for auditions with his mother on weekends.

 

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One such audition landed him at Shanoo Sharma's office who was looking for an actor to play a young Shah Rukh Khan in Karan Johar's 2010 film My Name Is Khan. He nailed the audition and bagged the role. At 14, his acting career began but it wasn't until 2013 that he started pursuing it seriously when he landed an important role in John Abraham's production Banana. The film changed the way Adarsh saw cinema.

"That was the first time that I realized what it is to think and walk and talk like a different person. I was playing somebody who was so far removed from what I am. That experience was very cathartic," he said in an interview.

Around the same time, he enrolled in Narsee Monjee College of Commerce, and in his third year, he got a chance to work with Anurag Kashyap for his short film Clean Shaven. For the next few years, he kept doing a handful of roles, however, recognition and fame eluded him. It was after wrapping up Rukh and Mom that Gourav decided that he needed some actual acting training to up his game.

"Things abroad were too expensive and I couldn’t afford anything, so I finally chose Drama School Mumbai. I got a scholarship and my mum helped me with funding the rest. It was so important for me — I unlearnt everything I had learnt before, learnt what I had to at Drama School, and then unlearnt it all again to get back to work," he added.

Straight out of his drama school, Adarsh found himself in Paul Goodwin's NCPA production Lucrece. This opportunity led him to his next project Leila, a Netflix film by Academy nominee Deepa Mehta.

 

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A post shared by Adarsh Gourav (@gouravadarsh)

Though Adarsh did a handful of supporting roles in Bollywood, he was never a part of commercial potboilers because it was something that never intrigued him. At a time when any actor would kill to be a part of a big-budget Bollywood film, he kept a low profile. "I was never majorly influenced by big Bollywood commercial films. I was always intrigued and in awe of gangster dramas and crime-related dramas and actors who portrayed such characters influenced me in a lot of ways. But I have a lot of admiration for people who can dance and sing and do the whole thing," the Global Indian told Film Companion.

The film that changed it all

He wanted to work in cinema that spoke to people, and that's the reason he kept trying to get an audition with casting director Tess Joseph who casts for international films in India for almost two years. In 2019, destiny rolled the dice and Gourav found American filmmaker Ramin Bahrani looking for the perfect Balram Halwai for the screen adaptation of Aravind Adiga's 2008 book The White Tiger.

Gourav found Joseph contacting him for a role in an international project, however, she didn't mention the film. But Gourav who had read Adiga's book as a teenager guessed the film and his role after reading a few scenes from the script. To look the part, Gourav bought flashy clothes for ₹150 from a local market for his audition. He wanted to look every bit of Balram Halwai and he did that when he went and sat down on the floor before the director on his audition day.

[caption id="attachment_36133" align="aligncenter" width="1200"]Adarsh Gourav | Global Indian Adarsh Gourav and Priyanka Chopra in a still from The White Tiger[/caption]

"I bought the clothes I though Balram would wear and I sat down on the floor [like a servant]. It's not something that I would do as Adarsh, but I knew Balram would. I was also trying to see how it feels. I think Rahmin took notice of that," he added.

Adarsh bagged his first Hollywood project, and the actor left no stone unturned to get into the skin of the character. To understand the complexity of the character, he took off to a village in Jharkhand and spent a few weeks like Balram. He then moved to New Delhi to work on a small food cart where he washed the dishes and ran small errands for 11 hours a day for two weeks. "I wanted to know that feeling of being trapped in something you don't particularly enjoy and still have to do it," he told Screen Daily.

Global appreciation

His breakout role in the Netflix film earned him the love and appreciation of millions across the globe. What The White Tiger did was it catapult a 26-year-old, a newcomer in international cinema, into the nomination lists of the biggest global awards. The Indian actor saw himself up against acting powerhouses like Steven Yeun (Minari), Riz Ahmed (Sound of Metal), Anthony Hopkins (The Father) and the late Chadwick Boseman (Ma Rainey's Black Bottom) in the Best Leading Actor category at BAFTA 2021. Though Gourav lost to Hopkins, being nominated next to the bigwigs of the film industry is testimony to his talent and skill.

His journey is proof that like the stunning white tiger, the actor is someone who is born once in every generation, destined for great things.

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Chef Chintan Pandya: The desi ‘Dhamaka’ in NYC

(October 8, 2022) The biggest misconception about Indian food in America, believes James Beard Award-winning Chef Chintan Pandya, is that it is "too heavy." Maybe it had to do with the American-Indian fare commonly found in the US, but Americans believed - that "if you eat Indian food for lunch, you won't be eating dinner," Pandya told Money Control. Pandya and his business partner, Roni Mazumdar run three immensely popular restaurants in New York City - Rahi, Adda and Dhamaka. Restaurant fare was doused liberally with cream and butter and as any Indian will tell you, that's not how we do it at home. Instead, Pandya ensures his food contains no cream or butter whatsoever. Everything is cooked in ghee. They revel in their Indian-ness, so much so their company is called Unapologetic Foods, while their servers wear t-shirts with 'Unapologetic Indian' written across them. On any given night in New York City, the waiting list for Dhamaka is around 1500 people. Global Indian looks at Chef Chintan Pandya's remarkable journey. [caption id="attachment_30366" align="aligncenter" width="618"] Chef Chintan Pandya and Roni Mazumdar[/caption] Regional flavours to the fore You're also not likely to find the sort of 'gourmet' Indian fare that's usually

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dian.com//wp-content/uploads/2022/10/chintan-and-roni.jpg" alt="" width="618" height="412" /> Chef Chintan Pandya and Roni Mazumdar[/caption]

Regional flavours to the fore

You're also not likely to find the sort of 'gourmet' Indian fare that's usually served up at desi restaurants in New York City. Pandya and Mazumdar refuse to serve their Indian food with "truffle, wasabi or parmesan to make it gourmet. We were ashamed to make real Indian food," Pandya remarked. "This recognition will empower a lot of chefs to believe that simple Indian food can be successful and it can bring you recognition and accolades.' 

At Dhamaka, you can ease your way in to the menu with vada pav, or "spiced potatoes in a bun with turmeric and chutney," or the fried pomfret. If you're feeling more adventurous, you could branch out into the Meghalayan boiled pig's head salad. All their food is served in the same vessel in which it is cooked, a bluntness of style that has drawn praise and criticism and in both cases, recognition. 

In 2022, Chef Chintan Pandya was named Best Chef in New York State at the James Beard Foundation Awards, after Dhamaka made it to No. 1 on the NYT New Restaurants list. It was more than he could have imagined. He thought he had peaked when Adda became the first restaurant to make it to the coveted list.

 

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Learning from setbacks

Growing up in India in a vegetarian household, Pandya always knew he wanted to be a chef, because he "genuinely loves to eat," he told Eater. "I always wanted to be a chef so I could eat as much as I wanted and not have to pay money." At home, the Sunday meal was much anticipated, "because that's when mom made dal dhokli," he said, in the interview with Moneycontrol. "So bhelpuri, sevpuri, dosa and Chinese food from the roadside stall were a huge part of my life. Rasraj and Guru Kripa in Vile Parle at Shiv Sagar at Chowpatty were favourite haunts." 

The first time he handled meat, poultry and seafood was at culinary school, which he attended for three years before joining the Oberoi Centre of Learning and Development for his master's degree. That's where he specialised in Indian food, a turn of events that happened almost by chance. Italian cuisine was his first choice but there were no openings at the Oberoi Grand, where he was at the time and he was assigned to the Indian restaurant instead.

These were the early setbacks in Pandya's life and he admits there have been "multiple," which have only "made him stronger." In 2008, he quit hotels and worked as a food and beverage manager for an international airline, which involved lots of desk work and no cooking. His first break came in 2009, when he moved to Singapore to serve as a chef-partner at a fine-dining restaurant, where he remained for four years. In 2013, he came to Cleveland, working with a company there as its culinary director.

Rahi, the trendsetter

It was around this time that he decided to do something on his own and Atlanta seemed the place to be for Indian food. Pandya was wrong, however. He "lost a certain amount of time, money, effort, everything." So he packed his bags once more and arrived in New York City. In 2017, he founded Unapologetic Food with Roni Mazumdar and they opened Rahi, an upscale Indian restaurant in Greenwich Village. Their take was contemporary fusion, with offerings like truffle khichdi and smoked salmon chaat.

[caption id="attachment_30364" align="aligncenter" width="510"] The truffle khichdi at Rahi. Photo: Instagram[/caption]

Indian and proud

A year down the line, they changed that approach. Adda opened up in Long Island in 2018 and Dhamaka came to the Lower East Side in February 2021. They did away with the tikka masala and salmon and truffles, bringing regional flavours boldly to the fore. While Adda dished up a Lucknow-style goat neck biryani, Dhamaka brought more exotic offerings to the table, like the Meghalayan doh kleh. In 2022, one year after its opening, Dhamaka fetched Pandya the James Beard Award for best chef. 

Now, the duo wants to step out of the diverse and cosmopolitan hub that is New York City, to test themselves in tougher environments. "Until we really reach the heart of the country," Mazumdar told the New York Times, "I don't think we can really move Indian cuisine forward." There are perceptions to battle - "Americans expect to pay less for tandoori paneer than they would a burrata salad, and to dictate the level of spiciness," Pandya said, in the same article. "We are stopping this idea of catering to every other person but the Indian palate."

  • Follow Chef Chintan Pandya on Instagram

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Worldly moves: Vrinda Chadha’s Odissi odyssey

(December 20, 2023) Odissi exponent Vrinda Chadha was only a teenager when she began traveling the world for her performances. Vrinda, who was introduced to the ancient dance form at the age of 13, began accompanying her Guru, Padma Shri Ranjana Gauhar, as she performed across India and around the world. Vrinda has been part of her guru’s ensemble and a solo dancer in her own right, gracing stages in Spain, Argentina, Korea, Japan, China, Singapore, the United Kingdom, Madagascar, and Seychelles. With a vast repertoire of work, the former member of the International Dance Council UNESCO in Paris and a Teach for India fellow, Vrinda has earned numerous awards. [caption id="attachment_47659" align="aligncenter" width="548"] Vrinda Chadha[/caption] In 2020, during the pandemic, Vrinda launched 'Imagine,' a video project aiming to uplift the prevailing sombre mood by blending music and dance across genres. “The video, initially created just for social media platforms, gained instant popularity. Later, to our delight it was selected to be featured at Chicago’s In/Motion International Dance and Film Festival in 2022,” Vrinda tells Global Indian. “Curated by DanzLenz - Kri Foundation's dance and camera vertical, the festival was dedicated to South Asian dance films made by dancers and dance filmmakers

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nt popularity. Later, to our delight it was selected to be featured at Chicago’s In/Motion International Dance and Film Festival in 2022,” Vrinda tells Global Indian. “Curated by DanzLenz - Kri Foundation's dance and camera vertical, the festival was dedicated to South Asian dance films made by dancers and dance filmmakers of India, Pakistan, Bangladesh and Sri Lanka, and their diaspora from across the world.”

‘Imagine’ with a vision 

As artists took to online platforms to stay connected to their craft during the lockdowns in 2020, Vrinda’s project ‘Imagine’, was aimed at bringing cheer during times of uncertainty. “What started off just on a whim became a virtual performance by 13 ace vocalists, on whose songs I performed on my own choreography,” she tells. The team of musicians sang an a Capella cover of John Lennon’s iconic anthem, Imagine, to which Vrinda created a beautiful fusion choreography with Odissi movements and expressions to it. “All the contributing artists worked from home. Our aim was to just bring people together and spread a message of peace, hope and love,” she says.

https://www.youtube.com/watch?v=KnYfPFVjouA

As Vrinda and her collaborators revelled in the success of their heartfelt creation, they were pleasantly amazed when it was chosen to be showcased at the Chicago’s In/Motion International Dance and Film Festival. This global event aims to foster collaboration among artists advocating for social equality and serves as a platform for discussions on sustainable artistry.

The festival was organised by Amy Wilkinson, a leading expert in innovation and entrepreneurship, along with Aaron Greer, a film and media arts professor at the University of Wisconsin-Madison, Sarah Cullen Fuller from Loyola University Chicago's Dance Program, and the dancer/choreographer Sarah Fluegel.

Vrinda’s artistic path 

“I have always loved dancing. It allows me to express myself more than words can," Vrinda shares. Her parents had noticed this passion in their daughter when she was a school student studying at Modern School in New Delhi, and took her to Guru Gauhar who lived in their neighbourhood. Recognising Vrinda's talent, she agreed to be Vrinda’s teacher and has been guiding her disciple’s dance journey ever since, both in India and abroad.

[caption id="attachment_47658" align="aligncenter" width="594"]Indian Art and Culture | Vrinda Chadha | Global Indian Vrinda Chadha[/caption]

"Guruji noticed my potential, nurtured my natural interest in dance, and provided the guidance it required. Finding the right mentor is key for anyone pursuing an art form. I feel fortunate to have been trained under her," Vrinda says, highlighting that her family had no prior professional ties to the art world before she started learning Odissi.

When Vrinda embarked on her dance journey, she had limited knowledge about the different dance forms. Yet, it seemed as if Odissi was destined to become an integral part of her identity. "I didn't even realise how deeply it intertwined with my personality," remarks the dancer, who alongside her training in Hindustani classical music and yoga, acknowledges their substantial role in enriching her dance performances.

“Now, after so many years of my association with Odissi, it's challenging to distinguish between myself and my dance," tells Vrinda who has been the recipient of the Nalanda Nritya Nipuna Award in Mumbai, the Young Talent Award by the International Academy of Mohiniyattam in Delhi, the prestigious title of Odissi Ratna in Bhubaneswar, and the Kameshwari Award in Guwahati.

Giving back  

Apart from performing and serving as a faculty member at 'Utsav', her Guru’s, dance academy, Vrinda teaches across government schools in Delhi.

[caption id="attachment_47662" align="aligncenter" width="526"]Indian Art and Culture | Vrinda Chadha | Global Indian Vrinda Chadha with her guru Padma Shri Ranjana Gauhar[/caption]

“Performing artists and their audience are privileged to have access to art but art seldom reaches the underprivileged, “she remarks, adding “With this in mind, I took up the Teach for India fellowship to introduce dance and music to the lesser privileged. The idea is not to make these kids experts in Odissi, rather enhance their self-expression and emotional literacy through the medium. Through my art I hope to continually spread love, peace, and consciousness."

Dance and beyond 

 "Dance isn't solely about performing; there are other dimensions to it," explains Vrinda, who deeply soaks herself into research and study of Odissi when she is not performing or teaching. “My future plans include taking the legacy of my Guru's teachings forward and spreading this art further to the best of my capacity, she tells.”

Apart from her passion for dance, Vrinda cherishes exploring nature, frequently embarking on solo journeys to scenic destinations like Himachal for hiking and climbing.

[caption id="attachment_47661" align="aligncenter" width="457"]Indian Art and Culture | Vrinda Chadha | Global Indian Vrinda Chadha[/caption]

“As an Odissi dancer I have always valued the ability to express and connect with one's innermost being through the medium of art. The liberation and joy of surrender in such an experience is unparalleled. It helps me to not just my audience but my own soul. My art empowers and frees me both on and off stage. It is my identity,” she signs off.

  • Follow Vrinda Chadha on LinkedIn, Instagram and Facebook

What’s your Global Indian story? Write to us at editor@globalindian.com

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About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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