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 A girl who couldn’t speak proper English, pursued flying despite family’s financial constraints and became one of the most recognizable pilots.
Global IndianstoryMeet Captain Anny Divya, world’s youngest Boeing 777 commander
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Meet Captain Anny Divya, world’s youngest Boeing 777 commander

Written by: Global Indian

(Suruchi Kapur-Gomes, May 28 ) Commander Anny Divya has taken life’s highs and downdrafts with equanimity. At the age of 30, the Andhra Pradesh girl became the world’s youngest woman to command the 360-seater Boeing 777 aircraft.  A girl who couldn’t speak proper English while growing up single-mindedly pursued her dream of flying despite her family’s financial constraints and became one of the most recognizable names in global aviation. And looks the part, in her spiffy four stripes uniform. Today, she’s also a TedX speaker, model, LinkedIn Influencer and champion of social causes.  

Army man father 

Anny Divya

Behind the high-flying girl who pilots the world’s largest twin-engine jet is a dedicated daughter who never forgets her parents’ role in her journey. “I have always wanted to fly like a free bird since I was 10. It was a very big decision for my dad to send me to flying school as it was expensive – taking a loan from a bank, and friends. My parents have played the biggest role in realizing my dream,” Anny Divya told Global Indian in an interview. Her father who retired as Naik Subedar in the Army’s artillery division, and her homemaker mother have shaped her worldview. “My dad started his journey as soldier and has done two Siachen postings. I am very, very proud of him,” she smiles. 

After completing schooling from Vijayawada’s Kendriya Vidyalaya, she chose engineering but switched to a flying school in two months. She then did a BSc in Aviation and an LLB from Mumbai‘s Rizvi Law College. 

“This is your captain speaking” 

Anny Divya

Anny Divya finished her Boeing 737 training in Spain and the Boeing 777 module from London at the age of 21. Her first flight as commander for Air India involved immense preparation and commitment. “It’s not adventurous, it’s a great sense of responsibility, it’s not about getting command, it’s keeping it there and being with it,” says the 34-year-old. Since 2020, she has been flying Vande Bharat missions for Air India. 

She is saddened as many friends have lost loved ones in the pandemic, and asks everyone to go out and do their bit, especially for the underprivileged. Her TedX speech saw her quote a Hindi sonnet, a collection of which she wants to publish. Divya’s Instagram account has more than 82,000 followers where she’s often seen swaying and shimmying to Bollywood numbers. 

Anny Divya

But Divya’s heart and soul are in the B777’s flight deck and she takes upskilling very seriously. “I feel thankful I am where I am. I’ve been with Air India for 15 years, constantly training so it’s like second nature,” says Divya. 

Giving back 

Anny Divya frequently donates money to a leprosy hospital, helps orphanages with school uniforms and makes contributions to old age homes in Mumbai, her home base. Whenever her parents bring anyone’s needs to her attention, Divya steps in with financial help.

 About visiting orphanages, she says: “The children are happy to see a girl pilot who is ready to spend time. They don’t care about the money. It uplifts their spirit – nobody sits and talks to them.” 

Anny Divya

Anny Divya has assisted her siblings, a brother and sister, study abroad. “I wanted to help my siblings, and donate to the needy. I did not buy a house, instead, I bought one for my parents. I can do this because I didn’t only look out just for myself. There is a greater joy in that. It is incredibly rewarding,” says the pilot. 

Her next project is to get her mother’s startup, organic food company White Cinnamon, up and running when the pandemic abates.

 “With all my learning, my mother is the one that has taught me the most – to be nice, honest, strong and stand up for what is right. I think that is much more important than any qualification,” says Divya. 

Aviation is a male-dominated industry but Anny Divya feels women in all walks of life face similar challenges. “Let’s have each other’s back,” Divya concludes.

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Malini K. Menon
Malini K. Menon
July 28, 2023 5:45 am

May all the goodness in the universe come to this wonderful young lady ❤️🙏🏻

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Published on 28, May 2021

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Story
Eye of the tiger: Dr Latika Nath is India’s first female wildlife biologist

(September 28, 2024 ) Dressed in the elegant chiffon sarees that were fashionable among upper crust Indians of her time, equally at ease at high society events and in the depths of the forests of Madhya Pradesh, Latika Nath was an unusual personality, both in social circles and among her conservationist peers. Known as the 'Tiger Princess', Latika Nath is India's first female wildlife biologist, and the first to acquire a Ph.D. dedicated to tiger preservation. Her recognition spans from securing support from the Save the Tiger Fund for developing camera traps to receiving scholarships from prestigious entities such as the Overseas Research Student Awards Scheme and the Chevening Scholarship, reflecting her academic excellence and dedication to environmental causes. Her efforts in conservation and environmental protection were acknowledged with the Karmaveer Puraskaar and an accolade from ATOI in 2007 for her impact on ecotourism in India. Nath's expertise and dedication have been spotlighted in documentaries by BBC Wildlife, Discovery Channel, and National Geographic, which gave her the moniker 'Tiger Princess'. Tryst with the Royal Bengal Tiger When she was one year old, Latika received a golden retriever puppy and a Siamese cat. Born into an Indian royal family, Latika grew up

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athika Nath | Wildlife conservationist | India" width="458" height="344" />

Tryst with the Royal Bengal Tiger

When she was one year old, Latika received a golden retriever puppy and a Siamese cat. Born into an Indian royal family, Latika grew up amongst wildlife - her father, a doctor at AIIMS and the health advisor to Indira Gandhi until the time of her passing, also set up India's animal conservationist movement in the 1970s. An avid wildlifer, he also enjoyed hunting big game and would sometimes take his daughter along.

"Ever since she was a little child she had been very fond of animals," Latika's mother said in Tiger Princess, a documentary by the National Geographic. The family lived on a farm in Kashmir, where they had lots of animals. "She loved being outside most of the time. She was also very set in her mind about what she wanted to do, she didn't give us any second choices about her line of interest," she smiles. Latika's greatest love, however, was for the Royal Bengal Tiger. "It's the sheer majesty of the animal," she says, in the documentary. "It's the thrill of seeing something so beautiful, so untamed, left in the wild as it is mean to be."

 

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A post shared by Latika Nath (@latikanath)

The atypical environmentalist

After obtaining her undergraduate degree in environment science from Maitreyi College in New Delhi, Latika received a scholarship for the School of Forestry at the University of Wales. Latika had hoped to do a PhD on the snow leopard, which can be found in her homeland, Kashmir, but this was 1989, the year of the militancy and exodus. "We were one of the first few families to be targeted by the terrorists, and they killed eight people of our staff. They came in, gunned them down, and burned our houses." The family was forced to flee to New Delhi, and Latika left her home and her dreams behind.

In Delhi, Latika met H.S. Panwar, the director of the Wildlife Institute of India, who suggested she do a doctorate on tigers. It was a tough call, and although Latika knew the road ahead would be filled with hardships, she took it on. At the age of 24, with a scholarship from the Wildlife Institute, Latika left home for the first time.

"I just decided what I wanted to do and I did it," she says, "I borrowed a four-wheel drive from a friend in Delhi and went. I had never driven one before." Surprisingly, her parents let her go, giving her a maid and a driver. 'The family thought it was ridiculous," her mother admitted. They drove through the treacherous ravines of Chambal, the 'badlands' ruled by dacoits. At one point, Latika recalled, the driver put up his window, worrying that a bear would put its paw through and get him.

Dr Lathika Nath | Wildlife conservationist | India

The harrowing journey brought her to Bandhavgarh National Park, where she was greeted by a family friend, Nanda Shumshere Rana. The Ranas, who had ruled Nepal for over a century, were also famous for their love of hunting and the outdoors. Nanda Rana, however, had pivoted, from hunting tigers to conserving them. Latika was so relieved to see a familiar face that she burst into tears.

Up against the glass ceiling

Rana and Latika spent their days together in search of the Royal Bengal Tiger. Rana was taking care of the Bandhavgarh National Park, while Latika did work on her PhD. Her job was to identify the tiger population and map their territory and followed, in particular, a tiger named Sita. She would go fearlessly out into the night, driving on terrible roads, staying out from 8 pm at night to 4 am in the morning. Like a princess, she did this too with a team of servants, and set up 22 camera traps.

However, being a female conservationist was not going to be easy. More so for someone like Latika, who enjoyed her life as a royal to the fullest. "There have been so many people trying to stop me, for so many different reasons," she remarked. "People who are threatened by my ability, my social contacts, my personality, by the fact that I could ask questions." Influential conservationists challenged her research, accusing her of falsifying data, and it resulted in Latika's scholarship, as well as her permission to work in the park, being withdrawn.

Changing the game

 

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A post shared by Latika Nath (@latikanath)

However, Latika was determined not to let her dreams die. She applied to Oxford University, hoping to do a PhD at Christchurch. Her parents supported her, giving her access to her trust fund. She had all the money in the world, and no admission. Then, fate intervened. She met a tourist, Judith Pallow, who happened to be the sole tutor for graduates at Christchurch.

With a PhD from Oxford, there wasn't much her critics could say. Latika returned to India and has been a conservationist for decades. Her work spans research, education, advocacy, and hands-on conservation projects. Her primary focus has been on tiger conservation, where she has delved into studying their behaviour, habitat requirements, and the threats they face due to human activities. Her doctoral research, recognized for its pioneering nature, laid the groundwork for further studies and conservation strategies aimed at preserving tigers in their natural habitats.

The Global Indian's approach involves photography and writing as tools to spread awareness and in 2018, released her coffee table book Hidden India, a collection of photograph taken over years of exploring the country's remote wilderness.  Her engagement in exhibitions like "Omo – where time stood still" and "An Eye on the Tiger" at the Royal Albert Hall underscores her influential role in promoting wildlife and conservation awareness.

  • Follow Dr Latika Nath on Instagram
Story
Anasuya Sengupta: India’s first Cannes Best Actress emerges from obscurity

(May 31, 2024) Unknown to fame, Anasuya Sengupta scripted history and the world took notice. While well-known Indian actors have been gracing the red carpet at Cannes since years, the lesser-known actress, primarily a production designer won the best actress award in the Un Certain Regard segment at the 77th Cannes Film Festival this year. This section of the festival features 20 films with unique styles and non-traditional stories aiming for international recognition. In the film, ‘The Shameless’ directed by Bulgarian filmmaker Konstantin Bojanov, Anasuya portrays Renuka, a wanderer seeking shelter in a northern Indian community of sex workers after fleeing Delhi under a murder charge. “I received the news when Konstantin sent me a link to the press conference announcing the Cannes official selections. When our film’s name was announced, I jumped out of the chair with ecstasy!” Anasuya remarked about her reaction when she heard the news.  [caption id="attachment_52016" align="aligncenter" width="606"] Anasuya Sengupta[/caption] A project that took 12 years When Konstantin Bojanov was casting for Renuka, the role played by Anasuya, he had shortlisted several well-known and talented actresses. However, he was not fully convinced. He was so discouraged that he even contemplated making an animated film for

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ndian Actor | Anasuya Sengupta | Global Indian" width="606" height="625" /> Anasuya Sengupta[/caption]

A project that took 12 years

When Konstantin Bojanov was casting for Renuka, the role played by Anasuya, he had shortlisted several well-known and talented actresses. However, he was not fully convinced. He was so discouraged that he even contemplated making an animated film for adults instead of the feature film he had originally planned.

Looking at his predicament, an Indian producer and director he knew suggested that he get in touch with his friend Anasuya Sengupta, remarking that "she makes very interesting drawings and could be of help in developing the animated characters." Bojanov approached Anasuya on Facebook. Looking at her pictures and the way she depicted life through her sketches, he could see similarities between his character Renuka and Anasuya. Although the sales agent and producer rejected the idea of an animated film, the connection with Anasuya remained.

[caption id="attachment_52017" align="aligncenter" width="585"]Indian Actor | Anasuya Sengupta | Global Indian Anasuya Sengupta with filmmaker Konstantin Bojanov and co-actor of 'The Shameless'[/caption]

Turning the idea into a film took 12 long years, but Anasuya stayed in his mind throughout to play the protagonist.

When Anasuya had received a request from her Facebook friend, the Bulgarian filmmaker, to audition for the main character in a Hindi film he was making, her first response was 'why?'. However, when she sent across her audition tape, it was a yes from the filmmaker instantly. ‘The Shameless’ was shot in Nepal for two months and in Mumbai for a night. 

Dedicated to the queer community

I’m shaking,” she said. “I’m shaking,” she repeated as she took the stage to collect the award at the 77th Cannes Film Festival. “I dedicate this and so much more to the queer community and other marginalised communities all over the world for so bravely fighting a fight that they really should not have to fight,” she said. “You don't have to be queer to fight for equality, you don't have to be colonised to know that colonising is pathetic. We just need to be very, very decent human beings,” she concluded her winning speech.

Soon after, the world took notice of the little-known actress, with congratulatory messages pouring in from all over, including Bollywood stars - who have earned laurels for India on major international platforms for their talent, glitz, and glamour but had not yet brought home the Best Actress award from Cannes.

https://www.youtube.com/watch?v=bqrtmjsYcok

Finding a foothold

After graduating from Calcutta’s Jadavpur University with a Bachelor of Arts degree in English Literature, Anasuya entered the world of films with a supporting role in the Bengali film, ‘Madly Bangalee’, and dabbled in theatre for a while. In 2013, she moved to Mumbai, where she began working as a production designer while seeking acting opportunities.

Although she was working on some significant projects like Netflix’s ‘Masaba Masaba’ as a set designer, she did not find her life fulfilling. “All through my years in Mumbai, although connected to the world of art in some form or the other, a part of me felt lost, claustrophobic, almost devoid of free expression,” said Anasuya in an interview.

[caption id="attachment_52061" align="aligncenter" width="535"]Indian Actor | Anasuya Sengupta | Global Indian Anasuya Sengupta[/caption]

It prompted her to relocate to Goa with her father's encouragement. She was unsure about the financial viability of the decision or where her career would lead. “Amid the uncertainty, my father held my hand and asked, ‘What’s the worst that can happen?' This was enough to convince her to make the move.

Finding joy

The move proved lucky as it was in Goa that she met the love of her life, naval officer Yashdeep who was also a DJ out of passion. They found several common connections through her art and his music and hit it off instantly. Their bond later culminated in marriage.

“I promise to remember the shared ideals that brought us together. The ideals that understand that the world is designed to serve greedy men and phony wars; but I promise you that together, we shall overcome the selfishness and the shortsightedness; attempting to always move toward simplicity, and away from the lures of opulence,” she wrote sharing their wedding pictures on social media.

[caption id="attachment_52019" align="aligncenter" width="568"]Indian Actor | Anasuya Sengupta | Global Indian Anasuya Sengupta with her husband, Yashdeep[/caption]

The year 2024 has been a lucky one for the actor with her marriage and the historic win as the Best Actress at Cannes - the first such achievement for India.

  • Follow Anasuya on Instagram and Facebook

Reading Time: 5 mins

Story
Raising the stakes: How investment banker Anurag Tripathi became a bestselling author

(September 29, 2024) Anurag Tripathi, an acclaimed author known for his gripping thrillers, has made a mark in the literary world with his keen ability to capture human ambition and greed. His debut novel, Kalayug, delved into the underbelly of the art market, earning a nomination for the Raymond Crossword Book Awards, while his subsequent works, Dalal’s Street and The Goa Gambit, were praised for their riveting narratives set in high-stakes environments. Now based in Singapore, Tripathi's foreign experiences deeply influence his writing, as seen in his immersive research in global casino cultures for The Goa Gambit. His extensive travels across Asia, Europe, and beyond add an authentic global dimension to his stories, making him a storyteller with a truly international lens. A few years ago, on a flight to Goa, Anurag Tripathi bumped into a young man, from a village on the outskirts of Delhi NCR. The youngster had made 15 trips to Goa that year and was addicted to gambling, and everything that came along with it. He told Anurag that there were 40 other people from his village on the flight. He went on to tell Anurag a fascinating story about gambling, booze and sex. The story

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fascinating story about gambling, booze and sex. The story got Anurag hooked and from there, he began his research into the seedy world of casinos, and the interesting lives of its patrons. Almost three years later, came The Goa Gambit — his third book.

[caption id="attachment_57123" align="aligncenter" width="419"]Anurag Tripathi | Author | Global Indian Author Anurag Tripathi[/caption]

Anurag is a social gambler and does like the occasional casino trip a couple of times a year. “However, once I began to research on this topic, I made several trips to the casinos in Goa along with those in other parts of the world,” smiles the acclaimed author, speaking to Global Indian.

Filled with his keen observations of people, Anurag’s debut novel Kalayug, which was on the art market in India, was nominated for the Raymond Crossword Book Awards in 2017. Dalal’s Street, his second, was called the Indian equivalent of the iconic Liar’s Poker by stock market veteran Manish Chokhani.

The Goa Gambit

The Goa Gambit is set in the glamorous world of the casinos of Goa, where powerful politicians, famous celebrities, the ordinarily rich, even the hoi polloi with money to lose, and those with dreams of just making a fast buck all gather to play. “There is glamour and high stakes and underlying menace in this fast-paced thriller, where a single roll of dice could win you an unimaginable fortune and a small misstep could cost you your life,” says Anurag, who visited casinos in Las Vegas, Monaco, Cairo, Colombo and Nepal, as part of his research on casinos.

The book takes readers into a high-stakes world where politicians, celebrities, and dreamers chase quick fortunes. The plot masterfully blends suspense, mystery, and a hint of romance, ensuring a thrilling reading experience from start to finish. “It took almost two years of research and writing to finish the first draft. Thereafter, almost another year for editing,” informs the author.

Kalayug

Anurag Tripathi | Author | Global Indian

Among his three books, Kalayug, a thriller on the underbelly of the art industry in India stands out for Anurag. “It was my debut novel and is close to my heart. It is fast paced, with a simple plot involving 4-5 characters. When I began writing this novel, I knew nothing about the art industry. I researched along the way,”’ explains the Singapore-based author.

Kalayug gives readers an insight into the working of the Global Art Market, from art auctions, to art authentication process, to the world of fakes. “It has all the masala required to make a good thriller.”

So what are the ingredients that make for a thriller?  “An edge of the seat thriller needs to be fast paced, unputdownable, with a good balance between suspense and mystery. The plot needs to be tight and intriguing. The characters need to be flawed and unpredictable,” explains the author.

He says the entire process of researching, writing and publishing a novel takes approximately 3.5-4 years. “The first year is spent researching. I take around 12 months to write the first draft. Another 6 months is spent on editing and refining the draft,” informs Anurag. Once a publisher signs a contract, it takes another 12-18 months for the book to be available at bookshops.

Investment banker to writer 

Anurag says he was always a story teller with an uncanny ability to make the most mundane aspects of day-to-day life sound incredibly interesting and funny. “However, like everyone else, I was in a rat race doing a nine to six corporate job. I was never passionate about my work. I did it because it helped me to pay bills and make a living,” quips Anurag.

In 2013, his wife got an opportunity with her employer to take on a larger role in Singapore. “I quit my existing corporate job in India and joined her in Singapore. Thus, the writer who was always lurking in the shadows came to the forefront. This was beginning of the writing journey.”

Allahabad boy

Born June 15, 1977 at Allahabad, Anurag Tripathi's father was in the Indian Civil Service. He is now retired. His mother is a housewife and Anurag has two younger siblings. He did his schooling from Modern School, Barakhamba Road, New Delhi.

He was an all-rounder in school. “I was above average in academics, played football for the school team and also dabbled a bit with quizzing. For my all-round personality, I was appointed a School Prefect,” informs Anurag, who took Science with Economics in his class 12th exam and passed with distinction in 1995. Thereafter, he did B.A.(Hons) Economics from Ramjas College, University of Delhi.

“I grew up reading James Hadley Chase, Frederick Forsyth, Jeffrey Archer and Sidney Sheldon. I like edge of the seat thrillers. I also read a lot of non-fiction,” he says.

At Work

Post college, Anurag joined a consulting firm, Arthur Andersen in 1998. He worked with them in the Tax and Business Advisory Practice for four years. Thereafter, he did his MBA from the Indian School of Business (ISB), Hyderabad in 2002-2003. He then joined ABN AMRO Bank from the campus on the consumer banking side.

In 2015, Anurag did a course in Advance Creative Writing from the University of Oxford, Department of Continuing Education. In 2021, he did a Masterclass in Script Writing from Aaron Sorkin.

Anurag Tripathi has been living in Singapore since 2013. An early riser, his day starts with a cup of coffee followed by a walk with his Toy poodle. By 8.00 am, he retires to his den. “I don’t leave the writing den unless I have penned down 500 words. Usually, I am done by noon, by which time the Indian stock markets open,” smiles the author, who then spend a few hours dabbling in the stock market.

So what’s coming next?

The acclaimed author says his first three novels are commercial thrillers which have dealt with human greed and ambition and he gradually raised the stakes with each successive novel.

“While in Kalayug and Dalal’s Street, money was at stake, in The Goa Gambit both money and human lives are at stake. Going forward, I wish to raise the stakes significantly. Perhaps, a spy thriller on the India-China border, or a thriller involving the takeover of a nuclear power plant,” informs Anurag.

Foodie and Traveller

Anurag Tripathi | Author | Global Indian

“Most people eat to live. I on the other hand live to eat,” smiles Anurag, who describes Singapore as a melting pot of different cultures and cuisines. He savours Chinese, Japanese, Thai, Vietnamese, Indonesian, Malaysian, Korean, Indian, Srilankan, Greek, Turkish, French, Italian, Spanish, Mexican, Peruvian, and many other cuisines. From 2016-2018, he lived in Paris, where he tried a variety of cuisines.

Anurag Tripathi has travelled extensively across Asia, Europe, Middle-East, North America, parts of North and East Africa. “I would like to further explore the African and the South American sub-continent. As for my next destination, it will be Mongolia,” informs Anurag, who confesses that he suffers from a severe case of wanderlust, travelling and exploring worlds lesser known.

Among the few books he recently read are Ikigai by Hector Garcia and Francesc Miralles, Quit by Annie Duke, and The Republic by Plato.

  • Follow Anurag Tripathi on his website.
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The Right Click: Photographer Clare Arni has documented the India story over three decades

(December 19, 2023) In 1993 , Clare Arni hopped into a Maruti 800 with her sister and her son, to begin an 800-km journey along the River Kaveri, starting at the source, Thalakaveri, in Coorg, and ending where it empties itself into the Bay of Bengal, reaching the sea in Poompuhar. Their goal: To document the lives that have flourished around this ancient water body, as it twists and turns its way through the Deccan, morphing into the giver of life at the Kings bathing Ghat, and the keeper of the dead in Srirangapatna, where thousands perform the final rites of their loved ones. In 'Disappearing professions in Urban India', a collaboration with her sister, Oriole Henry, the siblings wandered through six of India's old cities, finding professions that were on the verge of being relegated to annals of history, from mattress fluffers to billboard painters. Straddling varied themes that include architecture, travel, social documentary, and cultural heritage, Clare Arni has spent the last three decades documenting the India Story, in all its varied richness. From working with celebrated Indian architects like B.V. Doshi, Charles Correa, Geoffrey Bawa and Sanjay Mohe, to documenting remote tribes deep in the Sundarbans, Clare

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he Sundarbans, Clare Arni has done it all. Her internationally acclaimed work can be found in prominent galleries abroad and has been featured in publications like The Wall Street Journal, Harvard Design Magazine, Tatler Conde Nast (UK), and Abitare (Italy). Her expansive career includes book publications with top British publishers like Phaidon, Thames and Hudson, and Dorling Kindersley. Clare's long-term projects document the rich tapestry of life in various Indian locales such as Hampi, Banaras, Northern Karnataka, Rajasthan, Sundarbans, and Orissa.

[caption id="attachment_47639" align="aligncenter" width="394"] Clare Arni[/caption]

Early days

Born in Scotland in 1962, Arni arrived in India when her father was transferred here for work. He established the Vikaasa school in Madurai, where Arni also studied until the age of 13, when, she tells Global Indian, she was “rudely uprooted from a place that I considered home and sent to a mediocre boarding school in England.” She followed this up with a degree in art history and film and media in Scotland, but she says, “I returned to India as soon as I possibly could. When I think of the nostalgia of home, I still recollect the bird song and hot winds of Madurai,” she smiles.

Arni returned to India at the age of 22, soon after college, to earn a living as a photographer. Self-taught, she learned on the job, attempting to create as diverse a portfolio as she could manage. “I started with fashion photography and did campaigns for Weekender and Wearhouse,” Arni recalls. “I did any work that came my way, photographing everything from racehorses to chickens, and then making black-and white-prints in my darkroom.”

Architecture calling

Her calling, however, lay in architectural photography. Clare was soon shooting directly for architects, documenting their projects publications and competition entries as well as for architectural and interior magazines. “I worked for many Bangalore architects but also for several projects for Charles Correa, BV Doshi, Geoffrey Bawa and Sanjay Mohe. For Charles Correa I documented the town Of Bagalkot before it was submerged by the dam and the house that he built for himself in Bangalore,” she explains. Apart from many design magazines in India, her images have been published in renowned international magazines like Abitare (Italy) Tatler, Conde Nast (UK) Wallpaper, The Wall Street journal and Harvard Design magazine. Her work is also part of Phaidon, Thames and Hudson and Dorling Kindersley, all of whom are leading British book publishers.

[caption id="attachment_47643" align="aligncenter" width="507"] PhotoL Clare Arni[/caption]

Documenting Stories

She also started shooting longer book projects for writers like George Mitchell. These were rewarding as they allowed her to travel extensively around India documenting places like Hampi, Banaras and Northern Karnataka. “I also worked for NGOs like Welt Hunger Hilfe where I travelled to remote communities in Rajasthan, Sundarbans, and Orissa documenting the work that they had done with self-help groups, women’s empowerment and updating agricultural practices,” says Arni. Her travels have been continuous even after she had her son.

Her Kaveri River project took a full four months, which she spent on the road with her son and sister, documenting the civilisation that had grown and flourished on its banks. “The river became part of our everyday lives walking its banks and swimming in its waters, taking coracles to the bottom of waterfalls, and flying an ultralight to capture it from the air,” Arni recalls. “I have been very lucky as my work and passion was the same and I was able to see and document so much of India.”

Going solo

After all of this she started to have solo photographic exhibitions and it was what she admits was liberating as she could work without clients and create works with total freedom. This is when she began to look at living cultural heritage instead of just built architecture. One of her biggest shows was ‘Disappearing professions in Urban India’, done in collaboration with her sister, Oriole Henry, where they examined historical professions associated with six cities and how they were surviving and adapting to the present day. “It was a wonderful way to get to know these cities,” Arni says. “We wandered through the streets searching for these professions and often found that they had either gone or that only a handful remained to carry them forward. We found mattress fluffers, tinners, hand painted billboard painters and calligraphers. We documented the changing face of single screen cinemas and stand-alone coffee shops that were making way for multiplexes and international chains,” she explains. This exhibition was shown around India and in America.

[caption id="attachment_47645" align="alignnone" width="1024"] Photo: Clare Arni[/caption]

A full life

Arni likes to work on long term projects where she gets immersed in the subject over several years. Some of these are ongoing. Some of the new books that she has done are directly with clients where she conceptualises, shoots, and helps with design inputs. She has enjoyed working collaboratively with talented photographers like Selvaprakash Lakshmanan on many of these books. “I have had a rewarding and challenging new direction at this point of my life. I am head of arts programming at a charitable trust school, RBANMS in Bangalore. I am extremely fulfilled working and interacting with these children and am excited by the programs that we are working on together with a host of visiting artists that share their time and skills with the school,” she says. Her advice to newbie photographers is that patience is important and spending time with your subject whatever it may be is key. “Even if you think you have got the shot, stop for a moment and think how else I could do this, experiment and you will get a better shot,” she advises. Looking ahead, she is working on finishing a couple of books, and spending time in the school.

Follow her on Instagram, Facebook

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Bringing home the golden statuette: Five Indians who won at the Oscars

(April 6, 2022) The Oscars have had a long and prestigious history. As the Academy of Motion Picture Arts and Sciences (AMPAS) Los Angeles hosted the 94th edition of the Academy Awards this year, the best in the world of cinema was honoured and celebrated. With documentary feature Summer of Soul producer Joseph Patel becoming the first Patel to win an Oscar this year, Indian diaspora yet again basked in the glory at the award ceremony. Global Indian turns the spotlight on five Indian artistes who brought home the golden statuette over the years.  Bhanu Athaiya, best costume design, 1983 Bhanu Athaiya has long been considered Bollywood’s most iconic costume designer. She was also the first Indian to win at the Oscars in 1983 for the historical drama Gandhi. Incidentally, this JJ School of Arts alumna had taken to painting with contemporaries like MF Hussain and FN Souza. After her switch to cinema, she designed costumes for over 100 films including CID, Pyaasa, Sahib Biwi Aur Ghulam, Razia Sultan, Amrapali, Teesri Manzil, 1942: A Love Story, and Swades. She also worked on several international projects with directors like Conrad Rooks and Richard Attenborough. https://www.youtube.com/watch?v=cnw3u-49CJU   A few months before her

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. She also worked on several international projects with directors like Conrad Rooks and Richard Attenborough.

https://www.youtube.com/watch?v=cnw3u-49CJU

 

A few months before her death in 2020, Bhanu had returned her Oscar statuette, to its original owner, (AMPAS), for safekeeping.

Satyajit Ray, lifetime achievement award, 1992

An Indian filmmaker, screenwriter, author, lyricist, music composer, calligrapher and illustrator, he is considered as one of the greatest filmmakers of all time.  Some of his celebrated works include The Apu Triology (1955–1959), The Music Room (1958), The Big City (1963), and Charulata (1964). It was in 1992 that he picked his first Oscar, thus becoming the first Indian to receive an honorary Academy Award for lifetime achievement. However, at the time, Ray was hospitalised due to ill health and was unable to attend the ceremony; he gave his acceptance speech via live feed.

https://www.youtube.com/watch?v=SqlSIqwu0aQ

 

So popular were his works, that they were often used as case studies at various filmmaking institutes. During the span of his career, he’d directed 36 films that included feature films, shorts, and documentaries. In 1978, he was also awarded an honorary degree by Oxford University. Did you know, his first film Pather Panchali had won 11 international prizes?

Gulzar, best original song, 2009

It was in 1963 that this Indian poet, screenwriter, author, and film director made his debut as a lyricist with the 1963 film Bandini and has since worked with many music directors – from RD Burman to AR Rahman. After serenading Bollywood and Indian music lovers with his work, he struck gold with Danny Boyle's 2008 Hollywood film Slumdog Millionaire. He picked the Academy Awards for the best original song - Jai Ho with AR Rahman. He also won a Grammy for it.

Oscars | Five Indians | Global Indian

Born in Dina, British India, the poet writes primarily in Punjabi and Urdu, although he has also written in several other Indian languages such as Khariboli, Braj Bhasha, and Haryanvi. His poetry is mostly in the Triveni (confluence of three) style of stanza. Gulzar has prolifically written lyrics and dialogues for several popular Doordarshan TV series including Jungle Book, Alice in Wonderland, and Hello Zindagi. His latest work as lyricist is for Darlings, a comedy drama releasing this year.

  • Follow Gulzar on Instagram 
 AR Rahman, best original score and best original song, 2009

Music maestro AR Rahman is the first Indian to be nominated in three categories at the Academy Awards for his background score in Slumdog Millionnaire. The maestro created history by winning two awards – one for the best original song and other for the best original score for Jai Ho. Before this the composer had been nominated at the Oscars for best original score for the movies 127 Hours and If I Rise.

https://www.youtube.com/watch?v=aYXsE1dJdiw

 

The Indian composer has been primarily working in Hindi and Tamil films since his film debut with Roja in 1992. In 2009, he was featured on the Time list of the world's 100 most influential people and in 2017, he made his debut as a director and writer for the film Le Musk. Rahman has recently released a modern-day anthem, Moopilla Thamizhe which is composed, arranged, and produced by him. The song celebrates Tamil culture and the achievements of the people of the state in various fields.

  • Follow AR Rahman on Twitter and Instagram 
Resul Pookutty, best sound mixing, 2009

Resul Pookutty, the famed sound designer, sound editor, and audio mixer, won big at the Oscars for immaculate sound mixing in the movie Slumdog Millionaire. He won the award along with Ian Tapp and Richard Pryke. Pookutty has worked in Hindi, Malayalam, Tamil, and British films.

https://www.youtube.com/watch?v=b5syYtQV_Vc

 

The youngest of 10 children, Pookutty would walk six kilometres to attend the nearest school; his father was a bus conductor. Since the village he lived in did not have electricity, he would study using a kerosene lamp. He made his debut with Private Detective: Two Plus Two Plus One, and subsequently engineered sound for major productions like Black, Musafir, Gandhi My Father, Kerela Varma Pazhassi Raja. Of late, he has been busy with his directorial venture.

  • Follow Resul Pookutty on Twitter and Instagram 

 

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About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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