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Global IndianstoryA Model Life: How Ramji turns ISRO’s iconic spacecraft into detailed miniatures at Craftizan
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A Model Life: How Ramji turns ISRO’s iconic spacecraft into detailed miniatures at Craftizan

Written by: Bindu Gopal Rao

(October 31, 2023) Srinivasan Ramanathan, fondly known as Ramji, is an engineer, carpenter, and the visionary founder of Craftizan. With ISRO as his top customer, he’s a self-made entrepreneur with a talent for crafting intricate scaled models, tracing his love for model-making back to his childhood.

As I open the gates of Craftizan at Belwadi Industrial Area in Hunsur on the outskirts of Mysore, I am quite amazed at the sight I see. The large area has varied models of rockets and PSLV that all closely resemble the real ones that are being assembled. “These are being done for museums and schools and are scaled models,” says Mohammed Arshad Ayub, the design engineer who is showing me around. The factory itself is abuzz with activities making smaller models of rockets and launchers and currently employs over 50 people.

Srinivasan Ramji Ramanathan | Craftizan

Srinivasan ‘Ramji’ Ramanathan, the founder of Craftizan

Building blocks

The centre here, however, is the brainchild of Srinivasan Ramanathan, or Ramji, as he likes to be called, who has had a chequered career and is today at the helm of this unusual business with ISRO as his largest customer. However, his life has been quite a roller coaster. “I do not claim to be anyone great; in fact, I am a very simple person. But, yes, life has come a long way because of my focus on work. I did my engineering in 1967 and learned carpentry myself,” he tells Global Indian.

Ramji’s interest in making models began when he was just eight years old, when his father bought him a Meccano set (a model construction system) in 1952. The eldest of five brothers, he dabbled in the woodwork business in Pune and created furniture and interior jobs. After his wedding in 1975, he shifted to Bengaluru and set up Touchwood, a large business that did well (and even made doors for the Oberoi in Bengaluru) but eventually shut down in 1999. “We lost a lot of money, and eventually we moved to Mysore in 2003 and started doing consulting for businesses here. I returned to Bangalore for about eight years, did more consulting roles, and returned to Mysore,” he reminisces. It was then that his friend Moiz Vagh of Hunsur Plywood Works (Hunsply) suggested that he do what he really loves. That took him back to building models, and proverbially, there has been no looking back since then.

Craftizan

A display as part of the Wall Museum

The ‘Model’ life

Craftizan started in November 2018 when Swaminathan Ramji Creatives Model Making Company came into existence at the site owned by Shabir Vagh of VAGH Group, Mysore. The company was established with a vision to provide creative scale model making services like miniature model making, ISRO scale model making, dioramas, science museum exhibits making, marine model making, engineering model making, industrial model making, locomotive model making, DIY kits making, and product prototype model making. “Over the years, we have developed ourselves into the most trusted model-making solution provider across India, and we are planning on capturing the global market. We not only design and build the models that our clients require, but we also help them envision the models of their dreams. We brainstorm and consult on the best creative way forward for developing a great and creative model,” he says.

The ISRO journey

He started working with rocket models, and when ISRO saw the model, they liked it. Ramji was called for a meeting by N. Sudheer Kumar, who commissioned many models for ISRO offices across India. He also made railway models for Indian railways but laments that the models are not being maintained. He has also made a model of the heritage railway for Sterling Properties in Ooty. “ISRO, however, gave us a lot of backbone support, and we have received several orders from them. We started with two people here at Craftizan and now have 50 staff. The venture is completely bootstrapped, and I am happy we have jobs worth over six crores,” he explains.

 

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Institutions like the University of Chennai, PSG College of Technology in Coimbatore, Science City, Ahmedabad, and Savitha University from Chennai are his clients. He has also made ‘India in Space’, a wall museum that displays the history of ISRO and models of its latest launches, which has made its way into hundreds of schools in rural India. The models made here are done to perfection, from ensuring all the small parts are in place to the painting on the model.

A full life

There has been much interest in his venture, and colleges and universities are now sending students as interns to his factory. He admits that his zest for life comes from the fact that he does not like being idle. There is a lot of work to do in terms of making models, and there has been a request from some car manufacturers to make scaled-down car models. “You should keep working till the last day of your life and maintain yourself well. I have many things that I want to do. I have just started; only 10 percent of the job is done, and I have a long way to go,” he concludes. As India embarks on an ambitious space program in the coming years, this is one place whose models could well inspire the next generation of children to become scientists at ISRO.

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  • aeronautics
  • aerospace
  • artisan showcase
  • carpentry
  • craft precision
  • Craftizan
  • detailed models
  • Engineering
  • hand-built rockets
  • Indian Space Research Organisation
  • ISRO
  • miniature craftsmanship
  • model building
  • model engineering
  • precision models
  • Ramji
  • rocket replicas
  • Rocketry
  • space artifacts
  • space exploration
  • Space Industry
  • space missions
  • space replicas
  • space technology
  • Srinivasan Ramanathan

Published on 31, Oct 2023

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Aishwarya Sridhar: The 24-year-old documentary filmmaker who became the first Indian to bag the Wildlife Photographer Award

(October 24, 2021) The wilderness is her office, Nature, a constant companion. The first Indian to win the coveted Wildlife Photographer Award in 2020 for her photograph on fireflies Lights of Passion (chosen from 50,000 entries from 80 countries) Aishwarya Sridhar’s entry held pride of place in the august halls of the National Museum of History in London at one time.  For a girl who grew up in the hustle and bustle of Panvel, the outdoors entranced her as she pranced along with her father on treks – who as a life member of the Bombay Natural History Society instilled a love for wildlife in her. Spotting a colourful dwarf Kingfisher or awed at the luminous glow of fireflies flitting in the Western Ghats, Sridhar found the power of the medium, with a conservationist spirit.  “Every day is a new adventure. I look forward to spending time in the wilderness,” says the preservationist, who cherishes all those moments in verdant landscapes but feels most fortunate to have seen a tigress training her cubs to hunt in the wild. Sridhar is also the winner of Sanctuary Asia’s Young Naturalist Award, the Princess Diana Award, and is a Jackson Wild summit fellow

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s a life member of the Bombay Natural History Society instilled a love for wildlife in her. Spotting a colourful dwarf Kingfisher or awed at the luminous glow of fireflies flitting in the Western Ghats, Sridhar found the power of the medium, with a conservationist spirit. 

“Every day is a new adventure. I look forward to spending time in the wilderness,” says the preservationist, who cherishes all those moments in verdant landscapes but feels most fortunate to have seen a tigress training her cubs to hunt in the wild. Sridhar is also the winner of Sanctuary Asia’s Young Naturalist Award, the Princess Diana Award, and is a Jackson Wild summit fellow (considered the Emmy of wildlife filmmaking). 

[caption id="attachment_13810" align="alignnone" width="1080"]An eagle An eagle clicked by Aishwarya Sridhar.[/caption]

The intuitive soul 

This Global Indian is now working on a two-part TV series showcasing the survival stories of the seven endangered primates of India and the folk that protect them. 

Each project engulfs Sridhar into a verdant world and its creatures. Straddled with a Canon 1Dx mark ii and Canon 5d mark iii, she sees wildlife with an intuitive soul. Queen of Taru, a film she researched, scripted and directed started off as a passion project in pursuit of the wild Bengal Tigress Maya in the forests of Tadoba, and her struggle of survival in a male dominated world. “After six years of tracking her, I finally gave her a celluloid salute. I learnt that animals are capable of strategy just like humans, and they are capable of feeling emotions, When I got to know that Tiger Queen of Taru would be airing on Nat Geo WILD, that felt fulfilling, I was grateful,” says Sridhar. 

[caption id="attachment_13805" align="alignnone" width="1080"]Maya A tiger in the wild.[/caption]

Art with a cause 

Going into unexplored territory led her to Panje, a wetland she has been visiting since childhood. Witnessing a gradual loss of habitat at Uran, her connect with the local fishing communities helped her in research which she presented in a 14-minute documentary on DD. “The most interesting finding was that the so-called ‘illiterate’ (local tribals) know the value of our ecosystem and its role in our survival more than the educated who so easily give orders for destruction. The film and photo-story helped bring a Bombay High Court Order protecting Uran, thus saving the livelihoods of around 2,500 fishermen. The Panje wetland is now recognised as a satellite wetland, and will soon receive the status of a ‘conservation reserve’,” says the eco warrior, who is also an emerging fellow at International League of Conservation Photographers, working towards policy-level protection for the wetlands in Mumbai. 

Sridhar was selected to feature on My Place on Earth – a digital series by BBC Earth in 2021, and is ecstatic about the episode filmed online with some on-field content pre-shot by her. A self-taught photographer, her initiation with the camera began with her father showing her the basics. A course by acclaimed wildlife photographer Sudhir Shivaram added context, though she giggles saying, “every trick I have learnt is from YouTube and by experimenting.” 

[caption id="attachment_13808" align="aligncenter" width="442"]Aishwarya Sridhar Aishwarya Sridhar[/caption]

A multi-hyphenate 

Even with filmmaking, Sridhar learnt by watching films on National Geographic, Discovery and Animal Planet. She has since self-taught, edited, presented, and directed an eight-part web series for World Wildlife Fund India. She also did a film for the state forest department and the Deccan Conservation Foundation on the unique and endangered wildlife of the Deccan Plateau. “During the lockdown, I ideated on inculcating the love for Nature in children using origami for WWF-India. I brought Nature indoors with the series titled Fun-Crafts with Aishwarya (digital),” says the shutterbug, whose series helped further with a collaboration with Discovery Channel. It partnered in another unique live show that focused on spotlighting endangered species in India through interesting conversations with India’s top wildlife photographers, filmmakers, and scientists. “I am one of the youngest presenters to have hosted a live show on Discovery,” says the girl, who loves to write poetry in her free time, no doubt inspired by her lush office. 

Her upbringing has instilled a deep conservation mindset with focused hard work. “From the age of eight, I have explored India’s wilderness. My parents have always encouraged my curiosity, and raised me with a lot of outdoor exposure which helped immensely,” she says, thrilled that she finally has incredible mentors. 

[caption id="attachment_13807" align="alignnone" width="1080"]Wasp A wasp clicked by Aishwarya Sridhar[/caption]

Believing staunchly in the power of self, her transition from photography to filmmaking was game-changing. “I never thought of becoming a wildlife filmmaker initially. As I got older, I knew I would never be happy at a desk. So, I chose mass media for graduation though Mumbai University doesn’t offer any filmmaking specialisations. It was daunting. But I worked on myself every day, and still do so,” says the filmmaker, who now wants to try filming with 360-degree VR. 

A path peppered with milestones 

Each award is a milestone leading her to the next. For instance, for the “BBC Wildlife Your Shot Competition, the pictures of a bonnet macaque alpha male, flamingos in Navi Mumbai and a baby lion-tailed macaque with its mother were winners. Each picture is special, and documents a moment in nature that is otherwise overlooked”, she explains. 

A part of the award-winning podcasts Eyes on Conservation now titled Earth to Humans, by the Wild Lens Collective, connecting with natural history storytellers from around the globe enthuses her. “I hope to start my own natural history media outlet in India in the next decade,” says the 24-year-old, who is hugely inspired by award-winning filmmakers Beverly and Dereck Joubert, whose Big Cats Initiative and films have her enthralled. 

[caption id="attachment_13806" align="alignnone" width="1080"]Flamingoes Flamingoes of Mumbai, clicked by Aishwarya Sridhar[/caption]

Even though the pandemic has upended much travel, it is slowly opening up. Back to her wilderness address, Sridhar has some great filmmaking projects in the pipeline. She feels travel and Nature teaches one adaptability and patience. “With every animal/bird you photograph the strategy changes. You should be able to adjust to extreme weather conditions and be physically fit to get the maximum out of your trip. Being a Gen-Z kid, I expected instant gratification, but wildlife photography teaches you persistence. There may be times when you don’t see the animal/bird, and you may not get the photograph you have in mind, but it’s important to never lose your calm in these situations,” she advices. 

Mother Nature has been her constant teacher, and she hopes humans learn to protect their habitats. “Whenever Nature gets hurt, she repairs herself and continues on. In the same way, I try to be positive and keep working hard,” she says. 

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Diwali’s Radiant Rise: How the festival of lights became popular in America

(November 11, 2023) November 8 saw Kamala Harris, the Vice President of the United States, host a fun-filled Diwali event at the White House which was attended by many influential figures from the Indian and South Asian community. Amid the celebration, the festive tone was set by colourful decorations, ethnic cuisine, traditional music, and rangolis adorned with diyas and lamps. A mere few decades ago, the term 'Diwali' was seldom heard in American conversations or seen in mainstream media. To most Americans, it remained an unfamiliar word, and the Indian-American community, though existing, was relatively modest in size compared to the thriving community we witness today. In the last two decades, Diwali went from an obscure concept to a widely recognised and celebrated festival that now radiates across the American cultural landscape, shining brightly through the expansive and diverse Indian diaspora and beyond. https://www.youtube.com/watch?v=fqpn0yjuyM4   As the Indian-American community continues to flourish and share the beauty of its cultural heritage, Diwali's radiant glow will only shine brighter across the nation, uniting people from all walks of life in the celebration of light and unity. Global Indian delves into the reasons of how Diwali has found a strong place in the American culture.

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>Global Indian delves into the reasons of how Diwali has found a strong place in the American culture.

The changing face of Indian America 

There has been a striking demographic shift. Between the years 2000 and 2020, the number of Americans identifying their racial origin as solely Asian Indian surged from two to nearly 4.4 million. This exponential growth of the Indian-American community has enriched the cultural transformation of the United States and brought festivals like Diwali into the mainstream American culture.

Establishment of a robust supply chain for Indian food, sweets, and all the essential elements of the Diwali celebration due to the increased population of Indian immigrants has brought the festival into limelight. Its appeal has transcended ethnic boundaries across the nation.

Obama and Biden’s presidential impact 

“Jill and I wish a happy Diwali to the more than one billion Hindus, Jains, Sikhs, and Buddhists celebrating this Festival of Lights in the United States, India, and around the world. As we host the official White House Diwali reception, we are honoured to light the Diya surrounded by members of the most diverse administration in American history—led by Vice President Kamala Harris, the first Black American and South Asian American to become Vice President,” President Biden wrote in his Diwali message in 2022.

[caption id="attachment_46655" align="aligncenter" width="790"]Indian Art and Culture | Diwali | Global Indian Obamas celebrating Diwali in 2010[/caption]

Former President Barack Obama had played a pivotal role in catapulting Diwali into the American mainstream. His historic celebration of the festival at the White House in 2009 set a significant precedent, marking the beginning of Diwali's recognition in the United States. The diaspora celebrated this recognition, solidifying Diwali’s place in the American cultural celebrations. Social media helped.

The festival of lights witnessed a great significance in American media post that, thus paving way for Diwali features in mainstream US publications, with the New York Times covering Diwali sweet stores across the country in its food section.

A historic declaration 

In recognition of the rapid growth of South Asian and Indo-Caribbean communities, New York City's newly-elected mayor, Eric Adams, made a historic declaration this year. He announced Diwali as a school holiday in the city, underscoring the significance of the festival in the lives of New Yorkers. While it so happens, that Diwali falls on a Sunday this year, the proclamation itself holds immense cultural importance.

Mayor Eric Adams has already ushered in Diwali in a special event in October itself this year, attended by close to 1,200 New Yorkers, each adorned in their most festive attire. This event was not just a celebration but a joyous and inclusive tribute to the diverse South Asian communities in New York. It highlighted the city's commitment to embracing its cultural diversity and ensuring that the rich traditions and celebrations of all its residents are acknowledged and celebrated.

https://www.youtube.com/watch?v=KW1dQkNt93I

World Trade Centre’s Diwali Illumination  

In a historic milestone, the World Trade Centre, renowned for its storied history, shone brightly in celebration of Diwali for the very first time in 2021. Since then, the practice has continued.

Indian-Americans, known for their dynamism and resourcefulness, have actively strived to position their culture and community at the forefront of the American narrative. Entrepreneurs, businesses, and corporations have got into partnerships to prominently feature Indian values.

Since a couple of years, two organisations, All American Diwali and Indiaspora, have orchestrated magnificent live Diwali fireworks display that stretched across the Hudson River. This breath-taking event exemplifies the spirit of Diwali, reflecting the growing recognition of the festival within the United States. 

[caption id="attachment_46656" align="aligncenter" width="740"]Indian Art and Culture | Diwali | Global Indian A digital mural on One World Trade Center in 2021[/caption]

 

Shaping the Cultural Landscape with a new generation

Indian-Americans not only represent a significant portion of the population but are also witnessing the emergence of a new wave of proactive individuals and activists with Indian roots. These dedicated individuals are actively introducing the next generation of America-born Indians to their cultural heritage and ethos. In an interview with Global Indian Neerja Patel, founder of Neerja Public Relations, a boutique brand management firm shared, “For the upcoming festive season (Diwali), we are collaborating with Kulture Khazana (another brand by Indian origin founder) to create a delightful festival experience for kids while enriching their heritage knowledge through engaging initiatives.”

In another Global Indian interview, Anu Sehgal, the founder of The Culture Tree that promotes South Asian Cultural literacy in the US in collaboration with all the museums, libraries and cultural institutions remarked, “I took a plunge into entrepreneurship to address the needs of parents like me, who are raising their kids in the US as we want them to remain in touch with their Indian heritage.” There are other organisers from the diaspora across the US whose Diwali events gets covered by the local media these days leading to an increase in the festival’s popularity.

Celebrities popularising Diwali 

On social media platforms, a new wave of Indian-origin influencers and celebrities have taken centre stage, enthusiastically promoting Diwali and other Indian festivals. Celebrities like Mindy Kaling, Meena Harris, Poorna Jaganathan and Radhika Jones have used their social media presence to make the Indian origin festivals more accessible and engaging for a global audience bringing the beauty of Indian traditions to the forefront.

[caption id="attachment_46657" align="aligncenter" width="640"]Indian Art and Culture | Diwali | Global Indian Celebrities and Influencers of the diaspora[/caption]

Their collective efforts have fostered cross-cultural understanding and appreciation.

Indian culture in American household

Indian Americans have married people from diverse ethnic backgrounds. As a result, Indian culture and cuisine are becoming integral components of a wide array of families in the country. One prominent example of this is actor Priyanka Chopra who married musician Nick Jonas and the couple keep on sharing pictures of their festivities with fans spread across the globe, making festivities like Diwali seem an integral part of the American household.

The Indian Americans are ensuring that a sense of continuity of Indian festival gets passed on to the future generations of the diaspora. Diwali is expected to grow bigger and more integral to the American culture with the Indian immigrants’ transformation into a strong diaspora.

 

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Celebrating 50 years: Madhur Jaffrey’s culinary legacy

(January 16, 2024) Renowned for securing the best actress award at the 1965 Berlin Film Festival for her portrayal of a pompous Bollywood star in Merchant Ivory's film 'Shakespeare Wallah',  Madhur Jaffrey is a trailblazer in the culinary world. She has brought the delights of Indian cuisine, along with its diverse regional nuances, to successive generations of Western cooks. Recently, the 50th anniversary edition of her debut cookbook 'An Invitation to Indian Cooking' got released by the publishing group, Knopf. With its original edition 50 years back, the book had announced the arrival of a culinary star. 2023 also saw the release of the 40th anniversary edition of Madhur's another popular cookbook, 'Indian Cookery', updated with 11 new recipes. The first edition of the book was groundbreaking, coinciding with a BBC series of the same name featuring Madhur, and it went on to sell lakhs of copies. Madhur has authored more than 30 cookbooks in her illustrious career. At 90, the workaholic is far from slowing down. One of the biggest living authorities on Indian cuisine, Madhur keeps herself busy by educating Gen Z and Gen Alpha through her Masterclass on digital media. “Nobody knows spices like we do, we

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ducating Gen Z and Gen Alpha through her Masterclass on digital media. “Nobody knows spices like we do, we are masters,” she announced proudly in its trailer.

[caption id="attachment_32665" align="aligncenter" width="525"]Indian Cuisine | Madhur Jaffrey | Global Indian Madhur's debut cookbook is celebrating its 50th anniversary edition[/caption]

“When my programme came on air, there weren’t any Indian cookery shows, it was an immediate hit,” Madhur Jaffrey told the BBC, talking about her ground breaking cookery programme that premiered in the United Kingdom 40 years ago.

The Padma Bhushan 2022 awardee grew up in Delhi and left for London in her 20s to study at The Royal Academy of Dramatic Art. She became an actress and later, turned to writing cookery books and presenting cookery shows. Little did she know that this career transition would turn out to be a significant step towards introducing India’s soft power to the western world.

[caption id="attachment_32663" align="aligncenter" width="544"]Indian Cuisine Madhur Jaffrey Madhur Jaffrey[/caption]

Indian food is a magical world where the art of using spices is so advanced that we’ve created a cuisine that exists nowhere else in the world!

Her debut cookbook, an Invitation to Indian Cooking (1973) introduced Indian food to western hemisphere for the first time. It was later inducted into the James Beard Foundation’s Cookbook Hall of Fame in 2006.

When she was hired by BBC to present her cookery show - Madhur Jaffrey’s Indian Cookery, it was meant to be an educational programme. The aim was to make people learn about Indian culture by introducing them to authentic food cooked in different regions of India. The show mesmerised people so much that Madhur soon became known as ‘spice girl’, thanks to the plethora of South Asian spices she introduced to the western homes. She was popularly called ‘the actress who can cook.’

Building respectful image of South Asians

“Until then, the South Asians were not represented the way they would have loved to see themselves on the television and cinema,” she said, in the interview with BBC.

[caption id="attachment_32664" align="aligncenter" width="574"]Madhur Jaffrey Madhur Jaffrey[/caption]

Madhur’s career transition had filled in the much-desired space with elan. Her show was the first mainstream series about Indian food to be broadcast in the UK and also the first one to be presented by an Indian.

Characteristically dressed in a crisp cotton saree, Madhur Jaffrey became the face of the South Asian diaspora in the UK. She knew this, tailoring her image to that of an attractive Indian who is modern, yes, but remains tied to her roots. That was the pre-internet era, so Madhur used to get flooded with letters of appreciation from her fans.

Ruling the supermarkets

If Madhur was exotic, the food she cooked seemed even more so to the uninitiated Western audiences. In fact, her recipes became so popular that Indian food was "tried by everybody all over England and beyond’. “The day I cooked chicken with green coriander, they ran out of green coriander in Manchester,” laughs the food expert.

The demand for Indian spices and ingredients grew so much that supermarkets started overstocking the ingredients that the Global Indian used in her cookery show.

[caption id="attachment_32666" align="aligncenter" width="598"]Indian Cuisine Madhur Jaffrey Madhur Jaffrey presenting her cookery show on BBC in 1980s[/caption]

The spice girl from India

In the introduction to her cookbook, At Home with Madhur Jaffrey, she writes, “The techniques used in Indian cooking are not any different from those used the world over: roasting, grilling, steaming, frying, stewing, braising and so on.” Yet it is distinct she emphasises.

What gives Indian cuisine its uniqueness, its tingling excitement, and its health-giving properties is the knowledgeable use of spices and seasonings, ancient in its provenance.

The food expert has authored close to thirty bestselling cookbooks on Indian, Asian and world vegetarian cuisine, and has appeared in several related television programmes. Apart from Madhur Jaffrey’s Indian Cookery that premiered in 1982, she presented Madhur Jaffrey's Far Eastern Cookery (1989) and Madhur Jaffrey's Flavours of India (1995).

[caption id="attachment_48280" align="aligncenter" width="456"]Indian Cuisine | Madhur Jaffrey | Global Indian Madhur Jaffrey[/caption]

What made her shows and books relevant for decades was the fact that she adapted to the time constraints of her fans. In one of her book introductions, Madhur shared, “My own cooking has changed over the years. I am often as rushed for time as perhaps you are. I am often asking myself is there an easier way to do this?”

Madhur made sure, therefore, to simplify her cooking to match with the times.

I now try to reach real Indian tastes by using simpler methods and fewer steps

The seven times winner of James Beard award wrote in one of her books.

As she made a huge name for herself in the traditional yet novel segment, Madhur went on to associate herself as food consultant of one of the most popular Indian restaurants in New York City - Dawat.

Madhur has also written three children’s books and two memoirs – Sweet Memories (2002) and Climbing the Mango Trees: A Memoir of a Childhood in India (2006).

Strengthening cultural relations between continents

Before becoming a television personality and delving into the domains of food and travel writing, Madhur had made a mark for herself as an Indian-British-American actress, starting with minor acting roles on BBC television and radio. One of her notable works is the film, Shakespeare Wallah (1965) for which she won the Silver Bear for Best Actress award at the 15th Berlin International Film Festival.

[caption id="attachment_32667" align="aligncenter" width="714"] Madhur Jaffrey Global Indian Madhur Jaffrey in one of her television shows[/caption]

During the course of her acting career, she enthralled audiences with her performances in television, films, radio and theatre. Perhaps this background contributes to her eloquence as a food presenter.

Her cookery shows have always been lively with powerful punchlines like:

Each grain of rice should be like brothers, close to each other but not stuck together.

After a divorce from Sayeed Jaffery, the notable actor who is father to her three daughters, Madhur married an American violinist. The couple have now been together for 56 years.

https://www.youtube.com/watch?v=B2GKfjaZQZE

 

In recognition of her contribution to cultural relations between the UK, India and the United States, through film, television and cookery, Madhur was named the honorary Commander of the Order of the British Empire (CBE) in 2004. Padma Bhushan 2022, the third highest civilian award from the Government of India, is a testament of her service to Indian culinary art.

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From go-karting to GT4 European Series: Indian racer Akhil Rabindra is driving to glory

(July 1, 2022) An expensive sport, motor sports in India finds only a handful of takers as a profession. It was in the early 2000s that motor sports took off in India with Narain Karthikeyan and Karun Chandhok getting behind the wheel of a mean machine, and since then the racing industry is trying to find a stable foothold in the country. However, none of this dissuaded Indian racer Akhil Rabindra. Fascinated by cars since a very young age, Akhil went from enjoying recreational go-karting on weekends to becoming the first Asian to be selected by the Aston Martin Racing Driver Academy. [caption id="attachment_26364" align="aligncenter" width="563"] Indian racer Akhil Rabindra[/caption] Speaking to Global Indian from United Kingdom, ahead of the 2022 GT4 European Series, the 26-year-old racer reveals that racing was never on the cards, however, he always enjoyed speed driving. "Racing was never on my mind but driving cars, looking at cars and anything to do with cars was. I always thought I would own something nice and drive something nice," laughs the Indian racer, adding, "There were fewer opportunities in India, but still I got to a higher level. Motor sports require a lot of financial resources, time

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acing was never on my mind but driving cars, looking at cars and anything to do with cars was. I always thought I would own something nice and drive something nice," laughs the Indian racer, adding, "There were fewer opportunities in India, but still I got to a higher level. Motor sports require a lot of financial resources, time and commitment. Somewhere along the way, it happened and I got into financial racing.”

Obsessed with cars and speed

The Bengaluru-born was always fascinated with cars. While other kids his age would spend their weekends playing cricket or football, Akhil's parents would drive him to a go-karting trip. "At age 10, I was obsessed with cars. When you are that young the only option for you is rental go-karting which were very few, back in the day. So, my weekend would start around 4 am on Saturday, when my parents would take me to a go-karting place which was far away, we would spend the weekend there and return late on Sunday, so that I could attend the school next morning," shares the Indian racer.

From recreational driving, Akhil progressed to professional go-karting at the age of 14. He did junior racing and moved to the highest national championships before moving out of India. However, it was a “busy life” for this champion. "I started professional go-karting in ninth grade. I had two sets of board exams ahead of me and I was not the brightest student. There was a lot of travelling involved, missing school, coming back and catching up on notes and I had to squeeze my school, fitness training and tuition on my week days. Since I was travelling, racing, working out on fitness, I had very less time to socialise and live the normal teenager life."

[caption id="attachment_26365" align="aligncenter" width="707"]Indian racer | Akhil Rabindra | Global Indian Akhil after securing the double podium finish in the season opening round of the GT4 European Series, 2022[/caption]

In 2012, Rabindra, alongside racing in single seater car, debuted in touring cars, driving the Toyota Etios Racing Series, and was the youngest finalist in the saloon car category in the championship. He even managed a podium finish at the Exhibition Race in Chennai and a strong finish in the race of Champions in Delhi ensuring his place at the Columbia Night Race 2013. But an accident in 2014 threw him off the scene for a while, however he shares that he has fully recovered from it. "Motor sport is not easy. Having said that, I think no sport is easy or safe. However, my family was incredibly supportive throughout my journey," shares the Indian racer.

Formula to success

After finishing his school, Akhil moved to the United Kingdom to enroll in the University of Edinburgh, Scotland, to pursue his BSc graduation. It was here that he saw the stark contrast in racing between India and abroad. "When I went to UK, I realised two things - one talent abroad is very competitive and hard, and two, you have got to do a lot of things right to make it to the top”, shares the Indian racer.

But as they say, when the going gets tough, the tough get going. So, Akhil started dedicating more time and energy into racing. In 2015, he competed in BRDC Formula 4 Championship in the United Kingdom with Wayne Douglas Motorsport, a series for young drivers from all over the world driving the new MSV F4-013, 2-litre Ford Durance engine and paddle shift gearbox. Having to learn a new car and new tracks, Akhil scored 203 points finishing 14th overall.

Indian racer | Akhil Rabindra | Global Indian

While he was keen to become a Formula 1 driver, eventually, the racer decided to jump from Formula series to the GT. "This was a tough decision as the formula ladder needed a lot of time, financial resources, and the chances of making it was also doubtful. We wanted to have a sustainable journey in motorsport and also be able to make it to the top. In the GT category, it has a larger ecosystem than 20 drivers in F1 and there are several more car manufactures, which opens up opportunities," explains the Indian racer.

Contrary to popular belief, motor-racing requires an equal amount of physical-mental fitness and discipline as any other sports. Explaining the intensity of the training, Akhil shares, "It’s the difference between a commercial jet pilot and a fighter jet pilot. Basically, it is the G-force that pushes into your body and weight and that’s when resistance comes into play. You’re sitting in a cramped position under a lot of external and internal heat and withstanding these forces. In some ways, it is a diluted version of a fighter jet on the ground.”

Road to the Aston Martin Racing Academy

India’s only GT4 racer, Akhil has been selected for the Aston Martin Racing Academy for the third year running. The 26-year-old was also the only Asian in the Aston Martin Racing (AMR) Driver Academy, which kicked-off its 2020 season with the French FFSA GT4 Championship, one of Europe’s strongest GT National Championships. "The Aston Martin Racing Academy was a big achievement," shares the Indian racer, adding, "They help in many different fronts such as physical and mental training, technique of driving and a lot of on and off stuff. They are not just focused on the driving part but it is a holistic approach to teaching. It is also the network as you get to interact with drivers who would help you out in different situations. They help tap into different forms of support with ease.”

Indian racer | Akhil Rabindra | Global Indian

He began 2022 on a good note by securing a double podium finish in the season opener with his new team, Racing Spirit of Leman, at the European GT4 Championship. Currently ranking third overall in the ongoing series, Akhil feels that the interest in motor sports is slowly growing in India but it’s still a long way to go. “In India, people are not educated on the sport like say we are on cricket. We understand terms like wide, no ball or cover drive. There is a fair interest in fast cars and modified cars in any city in India. The middle class is getting more affluent and everyone is always seeking to have a nice car. I think if it is televised more and there are more opportunities to watch, the interest will grow," he signs off.

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Reading Time: 7 mins

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R Gopalakrishnan: ‘Made-in-India Manager’ who shaped HUL and Tata Sons

(May 20, 2021) A series of unplanned coincidences: that’s how R Gopalakrishnan, management veteran and former honcho at Tata Sons, Hindustan Lever (now Hindustan Unilever) and Unilever Arabia, describes his career that spans over five decades. “My career happened to be the line joining the dots; and to think I had initially turned down a marketing traineeship in Hindustan Lever to work as an engineer,” he says. He wanted to stay in the individual contributor track as he thought “management was flaky,” says the trusted colleague of Tata chairman emeritus Ratan Tata. That’s why he chose IIT over IIM after completing his graduation.   Managing the Indian way  But today Gopalakrishnan is seen as a management guru who brings his life lessons from leading corporate teams across countries in the 16 books he’s authored over the years. His 2018 book The Made-In India Manager, examines how a unique combination of factors led Indian management thought and practices to evolve differently from the western discourse. “As Indians, we learn many managerial qualities without even realizing it. A lot of them dissipate in following protocols: Government and social.” Indians grow up in a highly competitive environment and that compels them to pursue goals

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hored over the years. His 2018 book The Made-In India Manager, examines how a unique combination of factors led Indian management thought and practices to evolve differently from the western discourse. “As Indians, we learn many managerial qualities without even realizing it. A lot of them dissipate in following protocols: Government and social.” Indians grow up in a highly competitive environment and that compels them to pursue goals with a single-minded focus. “Which is why when Indians go abroad and work with better infrastructure, they are able to put their surplus energy to better use. They have a unique way of dealing with issues,” he says.  But there are also downsides to the Indian way of managing. The lack of innovation from India, for instance, is largely because we cry victory too soon and don’t see the idea through to customer use and satisfaction. “We don’t plan long term; it’s more about quick fixes or jugaad engineering.” Gopalakrishnan also mentors a few startups. While there is more respectability surrounding the startup ecosystem today, there is also a lot of hype around them, he feels. “How many of our startups are actually profitable or IPO worthy? I believe a startup’s measure of respectability lies in the period of time it takes to make profit. We should encourage startups by applauding the effort behind them and not the inherent talent.” Gopalakrishnan is also uniquely qualified to talk about the divergence in Indian and MNC top management cultures. He’s someone who began his career as a computer analyst at Hindustan Lever, moved to a marketing role and eventually settled into the management track. Gopalakrishnan went on to serve as the Chairman of Unilever Arabia, MD of Brooke Bond Lipton and Vice Chairman of Hindustan Lever, before being handpicked by Ratan Tata to change things around at Tata Sons as executive director. 

Tata Sons and Ratan Tata

The transition to Tata Sons wasn’t easy at first: One adjustment was about adopting a more indirect and diplomatic line, different from what he would have done as the chief executive of various businesses in previous stints. About Ratan Tata, his boss for many years, Gopalakrishnan says, “He was a good boss; not perfect, but good. No boss is perfect; I never was either.”  “But Ratan Tata has a large heart, he can think long term and is a critical thinker; not qualities easy to come by.” Presently, he serves as the non-executive chairman of Castrol India and independent director of Press Trust of India. He also makes it a point to financially help charities. “I’m not actively involved in philanthropies, but I do support those who run them, for example my wife Geeta, who works extensively with children (Ma Foundation) and cancer patients (Tata Medical Centre).”  Gopalakrishnan says that some of the greatest lessons he learned over the years is the ability to be adaptive and the fact that one’s human relations capability trumps technical capability. “You may be technically sound, but if you aren’t able to connect with the people around you there’s only so far that you can go. Some of the best leaders are people who have the ability to connect with people. It’s what drives the world.” 

 

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About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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