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Ritesh Batra
Global IndianstoryFrom Mumbai to New York: How BAFTA -nominated director Ritesh Batra took over Hollywood
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From Mumbai to New York: How BAFTA -nominated director Ritesh Batra took over Hollywood

Written by: Global Indian

(November 10, 2021) “Kabhi kabhi galat train bhi sahi jagah pohoncha deti hai” (At times the wrong train takes you to the right destination) Who can forget this dialogue from Ritesh Batra’s directorial debut The Lunchbox? Because it speaks of hope and nudges one to take that leap of faith.

Batra created magic with his first film and brought an unlikely love story to life captivating the global audience. The Lunchbox helped Batra earn his first BAFTA nomination and won him Rail d’Or at the Cannes Film Festival. The film’s success took the 42-year-old to off-shores and put him in Variety’s Top 10 Directors to Watch list.

However, it wasn’t a smooth ride for Batra who had quit a well-paying job at Deloitte to pursue his passion for filmmaking.

 

NYU to BAFTA – Making for a filmmaker

Born in a middle-class family in Mumbai to a homemaker mother and a merchant navy father, Batra completed schooling from AVM High School and moved to the US to join Drake University for a degree in Economics. The stint helped him grab a position at Deloitte which he gave up after three years to chase his filmmaking dreams. He started with writing and directing shorts, and his Arab language short Cafe Regular, Cairo won over 20 awards including Best Film at German Star of India. He was also selected by the Sundance Directors and Screenwriters labs to work on his feature project Story of Ram in 2009. Later, Batra applied for the graduate film program at New York University’s Tisch School of Arts. But he eventually dropped out of NYU to take a crack at making his first feature film The Lunchbox. The idea of making the film came to him while making a documentary on Mumbai’s dabbawalls. Though it took him four years to find a producer who would back a film that wasn’t a typical Bollywood potboiler.

Batra, who didn’t come from a filmi background, had to struggle for years to get that first big break. “Even though I grew up in Mumbai, I know how difficult it is to break into [the industry] and to survive it is even harder. I was alone with my script (The Lunchbox) for four years,” he told The Week in an interview.

The sensational debut

However, Batra found a solid backing in Guneet Monga who produced The Lunchbox. She saw the potential in the script of The Lunchbox and wanted it to be an international co-production. Batra wanted the film to have a global appeal and so he got people from across the world for his debut film. “The film’s total budget of about $1.5 million came from producers in India, France, Germany, and America. When you have international financing it makes a difference — it helps the film a lot strategically. We also had an American cinematographer and editor, a German sound engineer and composer, and so on. So it makes it a universal product. Collaborating makes it artistically relevant to other cultures and it can be seen widely,” he told BrainGainMagazine.

Ritesh Batra

Ritesh Batra with the team of The Lunchbox at Cannes Film Festival.

With his debut film, the filmmaker hit the ball out of the park as it was nominated at the BAFTA and won the Toronto Film Critics Association Award for Best First Feature Film in 2014. The same year, it premiered at the Cannes Critics Week and was one of the highest-earning foreign films in the US in 2014. Batra’s risk of dropping out of NYU for The Lunchbox paid off as the film opened up the doors of Hollywood for the filmmaker. “I went to NYU briefly before I kind of shamefully dropped out. At the same time, if I hadn’t dropped out and taken the risk I wouldn’t have made my film,” he added.

The global journey

The Global Indian became the toast of the town after the release of The Lunchbox. However, the 42-year-old did not rush into new projects. Instead, he worked at his own pace and steered towards the UK for his second film The Sense of an Ending after BBC Films offered him the opportunity to film the adaptation of Julian Banes’ Booker Prize-winning novel. While shooting for his first English film, Batra was approached by the iconic American actor Robert Redford for directing Our Souls at Night. And that’s how Batra landed his first Hollywood flick. A screen adaptation of a novel by the same name, the film was a romantic drama and Redford knew that Batra would do justice to the story after watching The Lunchbox.

Ritesh Batra

Ritesh Batra with Robert Redford during the filming of Our Souls at Night.

Batra, who hails from India, didn’t face any prejudice on the film sets instead he loved the experience. “I don’t think we ever discussed it… We discussed the material a lot. But at the end of the day, it’s about the characters and the material when you collaborate on a movie. It’s not about anything else… They trusted me. I don’t think about it any other way. Not about representing (India). Representing is a natural consequence of who you are,” he told IndiaAbroad.

The filmmaker, who shuttles between Mumbai and New York, made it to Variety’s list of Top 10 Directors to Watch in 2017. Batra is one of those rare directors who has taken Indian stories to the world map. If his debut film was a perfect sneak-peek into Indian cinema, his next two films proved him to be a director who explores love stories like no one else on the big screen. The 42-year-old is striking a perfect balance between the East and the West with his style of storytelling.

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  • BAFTA nominated director
  • New York University
  • Our Souls at Night
  • Ritesh Batra
  • The Lunchbox
  • The Sense of an Ending
  • Toronto Film Critics Association Award
  • Variety Top 10 Directors to Watch

Published on 10, Nov 2021

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Gurinder Chadha: The BAFTA-nominated filmmaker who carved a niche in the West

(September 8, 2021) "I was married at your age. You don't even want to learn how to cook dal." Who can forget this epic dialogue from the 2002 film Bend It Like Beckham. A film that brought the Indian diaspora alive on the big screen, all thanks to Gurinder Chadha.  A name that has carved a niche for herself in the British film industry with her perfect art of balancing cultures. The Order of the British Empire Award winner has been smashing cultural stereotypes ever since her first film, and has become a force to reckon with in the world of international cinema. Decades ago though, filmmaking was least on Chadha's mind as she was studying development studies. However, a fateful trip to India moved Chadha in a way that she knew what she had to do. That one decision gave the world one of its best female directors. Here's the story of this Global Indian who is bringing stories that matter to the big screen. https://www.youtube.com/watch?v=mqdAluSLB9o&t=56s Finding a voice through media It was in Nairobi that Chadha's story began in 1960, but two years into her birth, the scenery shifted to London after her parents left Kenya owing to

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It was in Nairobi that Chadha's story began in 1960, but two years into her birth, the scenery shifted to London after her parents left Kenya owing to the political turbulence at the time. South Hall became their new home, but the challenges of being a Sikh family in a white country dawned upon them with each passing day. Her Sikh father, a qualified bank officer, couldn't find a job at Barclays because of his beard and turban; he eventually had to open a shop to meet the family's financial needs. These initial struggles left an indelible mark on Chadha; seeing the prejudice prevalent in the 70s and 80s, she realized that people like her were marginalized.

This was something that Chadha wanted to change, and she believed that a career in media could give her the voice to bring about that change. When she was 18, she happened to travel to India where she read an article on the depiction of Indian women in cinema that changed things for her. The submissive projection of women made Chadha realize that she needed to change it and joining the media was somehow the answer to it all. After completing her Development Studies degree at the University of East Anglia in England, she began working as a reporter for BBC Radio in Birmingham to tell the stories of people like her and bring them from the sidelines to the center of the frame. However, a young Chadha realized that telling your own stories in the newsroom could be quite a battle. She, then, switched to television. It was here that she found her cinematic voice when she directed documentaries for British Film Institute, BBC and Channel 4. Through these documentaries she gave voice to the stories of British Asians, and she found the process to be quite cathartic. Such was the impact that in 1990, Chadha established her production house, Umbi Films, and that too, without any formal training in filmmaking.

In a conversation with British Film Institute, she said, "I wanted to make films that would appeal to as many people as possible to create change, and I was completely and utterly motivated by racism and prejudice."

Smashing the stereotypes

Chadha was undeterred, she soon directed her first short film Nice Arrangement in 1991 which gave the audience a sneak-peek into a British Asian wedding. The 11-minute film grabbed eyeballs and was selected for the Critic's section at Cannes Film Festival. The next year brought with itself Acting Our Age, a documentary on the residents of a South Asian home for the elderly in Britain. The film premiered at South Asian Film Festival in Florida and Art in General at New York City. While Chadha had become a favorite at film festivals, her first commercial potboiler that put her on the global map was Bhaji on the Beach. The film gave a sneak-peek into the lives of Asian women living in the UK and sparked a dialogue around prejudices faced by them in everyday life.

 

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A post shared by Gurinder Chadha, OBE 💙 (@gurinder.chadha)

With this, she became the first British Asian woman to direct a feature film and earn a BAFTA nomination for Best British Film. Bhaji on the Beach catapulted Chadha into the league of the best as the film received critical success for its take on racial stereotypes, immigration and gender roles. With her first success, Chadha chose not only to own her British-Asian identity but also to define her work by it.

With Bhaji on the Beach, Chadha started smashing the stereotypes and extending South Asian diversity to the global arena. In 2000, What's Cooking by Chadha not only became the opening film at Sundance Film Festival but was also the first British script to be invited to the Sundance Institute's Writer's Lab. With each film, Chadha began spreading her wings and putting out stories that needed to be seen and heard.

A film that made her a global icon

But 2002 was a game changer for Chadha, all thanks to Bend It Like Beckham. Another story from the Indian diaspora hit the screens that year but it had all the ingredients to be a hit maker - vibrant music, affable characters and a strong storyline. The film was a celebration of Indianness, multicultural identity and inclusivity. Such was the reception that it became the highest-grossing British financed film ever in the UK and topped the box-office charts in the US, Australia, South Africa and New Zealand. Even Tony Blair, the then UK Prime Minister, couldn't keep calm and wrote a congratulatory message to Chadha saying, 'We love it because this is my Britain.' If the film won the hearts of people across the globe, it also earned a Golden Globe nomination for Best Picture, a BAFTA nomination for Best British Film and a Writers Guild of America nomination for Best Original Screenplay.

https://www.youtube.com/watch?v=-DNwS_CwEAw

"The film helped us British Asian immigrants come to the table, sit at it, and be a very much inclusive part of the society. It was able to break through the barriers of race, culture and nationality, and show the British that at the end of the day, we all laugh and cry at the same things and raise our children the same way, and that, just like them, this community ultimately just wants a better life for their kids too," she told Open Magazine.

The popularity of Bend It Like Beckham gave way to her 2004 film Bride and Prejudice that had Aishwarya Rai in the lead role. Chadha's twist to Jane Austen's classic Pride and Prejudice got a thumbs up from fans and critics alike. "It was my attempt to introduce English audience to Hindi filmmaking style," she added.

Two years later, Chadha was conferred with the prestigious Order of the British Empire award for her service to British cinema.

Her next big production came in the form of Viceroy's House, a film on the Partition. As a child, Chadha had heard stories from her grandparents about how they had to flee from Pakistan. This left a lasting impact on her mind, and she knew that she would one day make a film on it. But it was after the birth of her twins that she mused about her legacy; she knew she was ready for this film. However, getting financing for her film wasn't easy despite delivering hits like Bhaji on the Beach and Bend It Like Beckham. In an interview with FirstPost, she said, "In the West, it is always difficult to get finance if you put a person of colour in your film. There is still this perception that whites won’t watch it if there is an Indian in the lead even as I have proved (otherwise) again and again globally. The issue has existed since I made Bhaji on the Beach. I have got to work harder, but I'm prepared to do it."

Despite the struggles, Chadha managed to break into a male-dominated industry with her first feature film, and since then, there has been no looking back for this British-Indian filmmaker who has been recording the perspective of Indian diaspora on the big screen like no one else.

Reading Time: 7 mins

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Of ‘Paramount’ importance: Filmmaker Shriya Rana works with Hollywood’s big names

(May 23, 2022) Sometimes, the smallest decisions can change the course of life forever. That holds true for filmmaker Shriya Rana. In her second year MBA, while others were bracing themselves for campus placements, Shriya was itching to do something creative. All that it took to realise her goal in life and pursue it wholeheartedly was her decision to do a brief internship with a local filmmaker in her home state of Himachal Pradesh. A few days into her internship, filmmaking captured her imagination and she wanted to be part of the whole thing, from conception to completion. With no contacts in the film world, she quickly reached out to former students of the New York Film Academy, asked them many questions and got an understanding of how things worked in Hollywood. Come 2017, she moved to the US to study filmmaking. [caption id="attachment_24770" align="aligncenter" width="544"] Shriya Rana[/caption] Five years of struggle and challenges later, Shriya made her mark in Hollywood, by writing and directing eight short films and producing 10 more -- all in different genres, most of which have been screened in over 30 film festivals across the globe. "That (internship) changed my life. The experience taught me

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ng eight short films and producing 10 more -- all in different genres, most of which have been screened in over 30 film festivals across the globe. "That (internship) changed my life. The experience taught me two major things - first, how to market and sell yourself as well as your property and second, that a movie is made thrice, first when it’s written, second when it’s made, and third, during the post-production time," smiles Shriya, in an exclusive chat with Global Indian.

Her recent release Ayesha turned out to be her most successful film, for which she bagged five Best Director awards and secured over 20 official selections. Not only did she receive the Audience Choice Award at the prestigious UCLAxFilmFest 2021 for the film, which is about a young woman who struggles to lead a normal life in a homophobic society, it was also showcased at Marina Del Rey Film Festival and Capri Hollywood Film Festival.

From Himachal Pradesh to Los Angeles

Born in Mandi, Himachal Pradesh, Shriya's father Dr Raj Kumar is an economics professor and mother Saroja Rana, a school principal. Her younger brother is an officer with the Indian Air Force. "Since I don't come from a film background, I did not have anyone to look up to. Even though I was curious about the filmmaking process, I never thought about the filmmakers," she says.

 

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A post shared by Shriya Rana (@shriyarana)

In school, while her peers were more focussed on academics, Shriya was doing things she loved -- painting, dancing and singing. "I was doing well in academics, and could never think of a career as an artist. Now when I look back, it’s strange that art was what I loved," says Shriya, who studied at Lords Convent School and later went to the Himachal Pradesh University Summer Hill, Shimla.

The internship helped her find her inner calling, and without further ado, she moved to LA in 2017 after doing some research on the best filmmaking schools. Initially, she took up a brief course at New York Film Academy (NYFA) which enabled her to understand that direction was her true calling. Subsequently, she enrolled at the University of California, LA for a course in same. During those days, she started working as a Gallery Ambassador at UCLA’s Hammer Museum in the mornings, and attending school in the evenings, which not only helped her monetarily but taught her customer service, discipline and duty.

Spreading her wings

"Once I landed in LA, there was a clear cultural clash. It was a different lifestyle, something I wasn’t accustomed to at first. It took me a while but I prepped myself and brushed up my cursory knowledge to face this new world," smiles Shriya, who landed her first job at the CBS Post and later interned at Brett- Morgan’s Public Road Productions.  "I socialised, explored, networked, met more people and finally made movies with them," informs the filmmaker, whose parents supported her throughout.

 

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A post shared by Shriya Rana (@shriyarana)

Shriya, who has made films like Drifting Darkly (2018), Waiting (2018), Serena Calling (2019), False Notion (2019), Ayesha (2021), says, "Making simple stories impactful is the hardest thing to do." Currently working as the production coordinator with Paramount in LA, she distributes their shows and movies to their partners (Apple, Amazon, Hulu, Fandango, Comcst, Vudu and many more) and formats and publishes their content on Paramount Plus website.

Having worked on primetime and late-night shows like The Good Wife, Equalizer, The Amazing Race, Twin Peaks, NCIS, Young Sheldon, she has a great body of work to her credit. "I had the opportunity to work with the best team and contribute to the launch of Paramount Plus and Grammy’s 2021. Working on the launch of Paramount Plus will always be the highlight of this job," smiles the filmmaker, who is a big fan of horror movies but loves a good story irrespective of the genre.

"I like stories that resonate with people. Regardless of the genre, I like stories that make you think, real stories about real people. I received a great response for Ayesha and I have been working on developing it into a feature," she informs.

So what’s next in store? "I’m working with a credible crew of filmmakers on various projects, both in film and TV. Most of my projects are in development and I hope to see my projects in production by the end of the year," reveals the filmmaker, who is also skilled in script coverage, screenwriting and video editing.

Filmmaker | Shriya Rana

Bollywood vs Hollywood

When it comes to Hollywood and Bollywood movies, Shriya feels both industries are very different. "In LA, people talk about the filmmakers, cast and studios. But in India, it's more about the actors and directors. Filmmakers in India don’t get enough credit," she feels. Although films like Andhadhun have set a trend for unique plots and concepts with commercial success at the box office, films like Tumbbad, Bhavesh Joshi, Panga, Pataakha, Soni still haven’t been recognised, she believes.

"We still don’t talk about directors like Ashwini Iyer, Anand Gandhi, Ivan Ayr. Also, the content here is very original. We have so many talented filmmakers in India but sadly their work doesn’t reach the masses as they don’t get enough theaters. I hope to see things getting better for people behind the camera in India," says Shriya, who admires Basu Chatterjee and Shekhar Kapur in the Indian film industry. Her current favourites are Mike Flanagan, Quentin Tarantino, Emerald Fennell and Phoebe Waller-Bridge. When not busy with filmmaking, Shriya loves to dance, watch films and visit art galleries.

  • Follow Shriya Rana on Instagram and LinkedIn

 

Reading Time: 6 min

Story
Filmmaker Shaunak Sen’s ‘All That Breathes’ takes over Cannes 2022

(May 21, 2022) Damp and derelict, the glint of out-of-use metal cutting machines cluttering its dark corners, the basement had a distinctly industrial air, when filmmaker Shaunak Sen first visited the place back in early 2019. Creating an unexpected scene of tenderness in this otherwise cold, decrepit space, Mohammad Saud and Nadeem Shehzad sat huddled in an inside room, tending to an injured bird. The brothers were whom Shaunak had come to see, having heard of their remarkable work saving scores of black kites in Delhi every day. Upstairs, the terrace held an even more surreal scene. In a giant enclosure overlooking a sea of blackened rooftops, hundreds of black kites waited to be set free when their wounds healed. Shaunak Sen’s All That Breathes is the story of these two brothers and their remarkable acts of kindness in an otherwise unforgiving city, where rats, cows, crows, dogs and people all jostle for space and survival. Scheduled to be screened at the 2022, Cannes Film Festival, the first Indian documentary to do so, All That Breathes will be part of the Special Screening Segment this week. It is also the first film to win the Grand Jury Award at the

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s also the first film to win the Grand Jury Award at the Sundance Film Festival earlier this year. On May 20, HBO announced that it will acquire worldwide television rights for the film.

Shaunak is among a slowly growing but still small coterie of documentary filmmakers putting India on the world map. A steady rise is evident, with films like Writing With Fire and House of Secrets: The Burari Deaths capturing mainstream audiences from around the world. "I say this with guarded optimism but I think the Indian non-fiction circuit has fared better over the last few years than the fiction films,” Shaunak says, in an exclusive interview with Global Indian. Shaunak's 2015 debut documentary, Cities of Sleep, was shown at over 25 international festivals and won six awards.

The world of narratives and storytelling 

"For as long as I can remember, I cannot recall a time when I wasn't interested in making films." As kids, when he and his classmates were asked to write essays about what they want to be, Shaunak would talk of theatre and film. "Even in school, there was an inherent obsession with reading," Shaunak says, which translated into a general love for narratives and storytelling.

Bluebells, the school Shaunak went to in Delhi, encouraged students to participate in extra-curricular activities, giving them a rich selection of choices. Shaunak was drawn to theatre, debates and quizzes, "the whole gamut of what makes up ECA in Delhi. I was interested in all of it." Graduating with English honours from Delhi University, Shaunak threw himself full-time into the "world of narratives" as he puts it. Kirori Mal College's theatre society was well known, "an old and hallowed group," he says. Being part of the society was a formative experience, "Rigour and precision were expected of all of us in the group.” He did his masters in filmmaking at Jamia Millia Islamia and a PhD from JNU.

[caption id="attachment_24754" align="aligncenter" width="604"]Filmmaker Shaunak Sen's 'All That Breathes' takes over Cannes 2022 Shaunak Sen[/caption]

Delhi’s ‘renegade sleepers’ 

Shaunak has always had trouble sleeping. "I have had intense patches of insomnia," he says and from there grew an organic intrigue with the subject of sleep. "I chanced upon a text, Jacques Ranciere's Nights of Labour, which looks at sleep through a different socio-political lens," he says. From there began a series of visits to night shelters in Delhi, as Shaunak explored the idea of an urban space through the lens of its "renegade sleepers." From this emerged Cities of Sleep, Shaunak's debut documentary film, a portrait of Delhi through the eyes of people who sleep on its streets.

Delhi is home to some two million homeless people, according to the official figures. Many believe the real number is almost double. "The night shelters can only house an infinitesimal fraction of the total number of homeless people," Shaunak says. But everybody needs to sleep and hundreds of informal, slapdash businesses have sprung up to cater to the swathes of homeless people. "Sleep infrastructure," including bedsheets, blankets and maybe even a bed, are provided at nominal rates - and business is thriving. They have been somewhat unthinkingly dubbed 'the sleep mafia' by the media, a term that Shaunak confesses makes him "a bit uneasy."

Made by a young team and shot on a proverbial shoestring budget, Cities of Sleep was a critical success, making its international debut at DOK Leipzig in Germany. It was also named the Best Documentary at the Seattle South Asian Film Festival.

Filmmaker Shaunak Sen's 'All That Breathes' takes over Cannes 2022

All That Breathes 

In All That Breathes, Shaunak paints what he calls "a dystopian picture postcard of Delhi in the 1990s." "My first sense of tone was the sense we always have in Delhi, of gray, hazy skies and air purifiers humming everywhere. And in this all-encompassing grey, monotony, you can see birds flying around." Mohammad and Nadeem presented a compelling story, driving what is otherwise a silent lament for a city in tatters.

The idea had begun a few months prior, around the end of 2018, when Shaunak was in the midst of a short-term Charles Wallace Fellowship at Cambridge University. There, housed in the department of Geography, he was surrounded by people working on different kinds of human-animal relationships. Working with his interlocutor, Dr Mann Baruah, the concept first entered his "philosophical ambit" at the end of 2018.

Such a long journey 

The film involved nearly three years of shooting. "These films take long to make anyway. The idea is for the characters to get comfortable enough for the director to capture a sense of tone. You want the viewers to understand the passage of time, the quality of everyday life, to pick up on the emotions the filmmaker is putting out," says Shaunak.

[caption id="attachment_24755" align="aligncenter" width="689"]Filmmaker Shaunak Sen's 'All That Breathes' takes over Cannes 2022 A still from 'All That Breathes'[/caption]

He headed to Copenhagen for the final cut, where he sought out editor Charlotte Munch Bengsten. In Denmark with his co-editor Vedant Joshi, Shaunak received the news that the film had got through at the Sundance Festival, the world's largest platform of its kind, for 2022. "We worked feverishly to make it all happen," he says. Their efforts paid off: Shaunak Sen's All That Breathes became the first Indian film to win the Grand Jury Award.

All That Breathes is what is often called a "sleeper hit," with its renown mainly through word of mouth.

The creative process 

As a filmmaker, Shaunak's process begins with being drawn to a broader conceptual idea, whether it's sleep or the human-animal relationship. "Then, I start looking for people whose lives embody that idea," Shaunak explains. "The specificity of their lives takes on the impact of blunt force - these are the tools I use. My style is observational, controlled and aesthetised, especially in comparison with the handheld, gritty feel of Cities of Sleep." His work is a juxtaposition of fictional storytelling in service of the documentary world. "It's what I want to do in the future as well - marry these two styles. Even a documentary should have that lyrical, poetic flow."

The film comes with an important social message but Shaunak shies away from taking what could be conceived as an overly preaching tone. "If you look at anything long enough, whether it's the homeless people or two brothers rescuing birds, it starts registering itself on every level - social, emotional and political," he says, adding, "I don't take an overt social approach, it sort of seeps in on its own."

Filmmaker Shaunak Sen's 'All That Breathes' takes over Cannes 2022

Optimistic future 

He's already on the hunt for his next project, "reading a lot and examining vague themes at the moment." And there's room for exploration. India is a good place to be for a documentary filmmaker, gone are the days of scrambling for funds and catering to niche audiences. "The toolkit of cinematic language was greatly limited," Shaunak remarks. A steady rise is evident, though, with Deepti Kakkar and Fahad Mustafa’s Katiyabaaz (Powerless), Vinod Shukla’s An Insignificant Man, the 2021 documentary A Night of Knowing Nothing directed by Payal Kapadia and Shaunak's own work, all winning prizes on international platforms.

  • Follow Shaunak on Instagram

Reading Time: 7 min

Story
Aishwarya Sridhar: The 24-year-old documentary filmmaker who became the first Indian to bag the Wildlife Photographer Award

(October 24, 2021) The wilderness is her office, Nature, a constant companion. The first Indian to win the coveted Wildlife Photographer Award in 2020 for her photograph on fireflies Lights of Passion (chosen from 50,000 entries from 80 countries) Aishwarya Sridhar’s entry held pride of place in the august halls of the National Museum of History in London at one time.  For a girl who grew up in the hustle and bustle of Panvel, the outdoors entranced her as she pranced along with her father on treks – who as a life member of the Bombay Natural History Society instilled a love for wildlife in her. Spotting a colourful dwarf Kingfisher or awed at the luminous glow of fireflies flitting in the Western Ghats, Sridhar found the power of the medium, with a conservationist spirit.  “Every day is a new adventure. I look forward to spending time in the wilderness,” says the preservationist, who cherishes all those moments in verdant landscapes but feels most fortunate to have seen a tigress training her cubs to hunt in the wild. Sridhar is also the winner of Sanctuary Asia’s Young Naturalist Award, the Princess Diana Award, and is a Jackson Wild summit fellow

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s a life member of the Bombay Natural History Society instilled a love for wildlife in her. Spotting a colourful dwarf Kingfisher or awed at the luminous glow of fireflies flitting in the Western Ghats, Sridhar found the power of the medium, with a conservationist spirit. 

“Every day is a new adventure. I look forward to spending time in the wilderness,” says the preservationist, who cherishes all those moments in verdant landscapes but feels most fortunate to have seen a tigress training her cubs to hunt in the wild. Sridhar is also the winner of Sanctuary Asia’s Young Naturalist Award, the Princess Diana Award, and is a Jackson Wild summit fellow (considered the Emmy of wildlife filmmaking). 

[caption id="attachment_13810" align="alignnone" width="1080"]An eagle An eagle clicked by Aishwarya Sridhar.[/caption]

The intuitive soul 

This Global Indian is now working on a two-part TV series showcasing the survival stories of the seven endangered primates of India and the folk that protect them. 

Each project engulfs Sridhar into a verdant world and its creatures. Straddled with a Canon 1Dx mark ii and Canon 5d mark iii, she sees wildlife with an intuitive soul. Queen of Taru, a film she researched, scripted and directed started off as a passion project in pursuit of the wild Bengal Tigress Maya in the forests of Tadoba, and her struggle of survival in a male dominated world. “After six years of tracking her, I finally gave her a celluloid salute. I learnt that animals are capable of strategy just like humans, and they are capable of feeling emotions, When I got to know that Tiger Queen of Taru would be airing on Nat Geo WILD, that felt fulfilling, I was grateful,” says Sridhar. 

[caption id="attachment_13805" align="alignnone" width="1080"]Maya A tiger in the wild.[/caption]

Art with a cause 

Going into unexplored territory led her to Panje, a wetland she has been visiting since childhood. Witnessing a gradual loss of habitat at Uran, her connect with the local fishing communities helped her in research which she presented in a 14-minute documentary on DD. “The most interesting finding was that the so-called ‘illiterate’ (local tribals) know the value of our ecosystem and its role in our survival more than the educated who so easily give orders for destruction. The film and photo-story helped bring a Bombay High Court Order protecting Uran, thus saving the livelihoods of around 2,500 fishermen. The Panje wetland is now recognised as a satellite wetland, and will soon receive the status of a ‘conservation reserve’,” says the eco warrior, who is also an emerging fellow at International League of Conservation Photographers, working towards policy-level protection for the wetlands in Mumbai. 

Sridhar was selected to feature on My Place on Earth – a digital series by BBC Earth in 2021, and is ecstatic about the episode filmed online with some on-field content pre-shot by her. A self-taught photographer, her initiation with the camera began with her father showing her the basics. A course by acclaimed wildlife photographer Sudhir Shivaram added context, though she giggles saying, “every trick I have learnt is from YouTube and by experimenting.” 

[caption id="attachment_13808" align="aligncenter" width="442"]Aishwarya Sridhar Aishwarya Sridhar[/caption]

A multi-hyphenate 

Even with filmmaking, Sridhar learnt by watching films on National Geographic, Discovery and Animal Planet. She has since self-taught, edited, presented, and directed an eight-part web series for World Wildlife Fund India. She also did a film for the state forest department and the Deccan Conservation Foundation on the unique and endangered wildlife of the Deccan Plateau. “During the lockdown, I ideated on inculcating the love for Nature in children using origami for WWF-India. I brought Nature indoors with the series titled Fun-Crafts with Aishwarya (digital),” says the shutterbug, whose series helped further with a collaboration with Discovery Channel. It partnered in another unique live show that focused on spotlighting endangered species in India through interesting conversations with India’s top wildlife photographers, filmmakers, and scientists. “I am one of the youngest presenters to have hosted a live show on Discovery,” says the girl, who loves to write poetry in her free time, no doubt inspired by her lush office. 

Her upbringing has instilled a deep conservation mindset with focused hard work. “From the age of eight, I have explored India’s wilderness. My parents have always encouraged my curiosity, and raised me with a lot of outdoor exposure which helped immensely,” she says, thrilled that she finally has incredible mentors. 

[caption id="attachment_13807" align="alignnone" width="1080"]Wasp A wasp clicked by Aishwarya Sridhar[/caption]

Believing staunchly in the power of self, her transition from photography to filmmaking was game-changing. “I never thought of becoming a wildlife filmmaker initially. As I got older, I knew I would never be happy at a desk. So, I chose mass media for graduation though Mumbai University doesn’t offer any filmmaking specialisations. It was daunting. But I worked on myself every day, and still do so,” says the filmmaker, who now wants to try filming with 360-degree VR. 

A path peppered with milestones 

Each award is a milestone leading her to the next. For instance, for the “BBC Wildlife Your Shot Competition, the pictures of a bonnet macaque alpha male, flamingos in Navi Mumbai and a baby lion-tailed macaque with its mother were winners. Each picture is special, and documents a moment in nature that is otherwise overlooked”, she explains. 

A part of the award-winning podcasts Eyes on Conservation now titled Earth to Humans, by the Wild Lens Collective, connecting with natural history storytellers from around the globe enthuses her. “I hope to start my own natural history media outlet in India in the next decade,” says the 24-year-old, who is hugely inspired by award-winning filmmakers Beverly and Dereck Joubert, whose Big Cats Initiative and films have her enthralled. 

[caption id="attachment_13806" align="alignnone" width="1080"]Flamingoes Flamingoes of Mumbai, clicked by Aishwarya Sridhar[/caption]

Even though the pandemic has upended much travel, it is slowly opening up. Back to her wilderness address, Sridhar has some great filmmaking projects in the pipeline. She feels travel and Nature teaches one adaptability and patience. “With every animal/bird you photograph the strategy changes. You should be able to adjust to extreme weather conditions and be physically fit to get the maximum out of your trip. Being a Gen-Z kid, I expected instant gratification, but wildlife photography teaches you persistence. There may be times when you don’t see the animal/bird, and you may not get the photograph you have in mind, but it’s important to never lose your calm in these situations,” she advices. 

Mother Nature has been her constant teacher, and she hopes humans learn to protect their habitats. “Whenever Nature gets hurt, she repairs herself and continues on. In the same way, I try to be positive and keep working hard,” she says. 

Follow Aishwarya Sridhar on Instagram

Reading Time: 7 min

Story
Suyash Keshari, the 25-year-old wildlife conservationist behind India’s first wildlife OTT platform

(November 29, 2021) With her amber eyes watching her prey, Solo the tigress crouches amid tall brown grass, beautifully camouflaged. In a second, she pounces on a chital deer. Her teeth tear into its flesh, and she devours him. Solo is the big cat who stole the thunder on Safari with Suyash – Season 1, a wildlife series by environmentalist Suyash Keshari. Amidst the lush foliage, rolling hills and grasslands of Bandhavgarh National Park, Solo found her habitat where she first met Suyash eight years ago. A capture of the six-month-old earned Suyash the Nature’s Best Photography Asia Award, which incidentally hung at Smithsonian Natural History Museum in Washington DC for a year. Solo played a huge part in Suyash’s journey into wildlife filmmaking as his debut five-part series managed to impress the World Wildlife Fund, which eventually became its distributor. "My first series was inspired by my early life in Central India, its people and animals. It was showcased at the 13th United Nations Convention on Migratory Species in February 2020," Suyash tells Global Indian in an exclusive. [caption id="attachment_16950" align="aligncenter" width="607"] A picture of Solo clicked by Suyash Keshari[/caption] For the past three years, this champion of wildlife

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class=" wp-image-16950" src="https://stage.globalindian.com//wp-content/uploads/2021/11/Solo-1-3.jpg" alt="Solo" width="607" height="950" /> A picture of Solo clicked by Suyash Keshari[/caption]

For the past three years, this champion of wildlife conservation has been navigating through unexplored territory of the park to capture the raw and unfiltered beauty of nature.

A childhood in the lap of nature

He grew up in Central India where his IAS officer dad was posted. Thus for the Madhya Pradesh-born, his love for wildlife began early. On his first visit to a zoo as a four-year-old, he learnt (from his maternal grandfather) that animals aren’t free like those he saw on wildlife shows. Instead, they are caged for life. "It broke my heart, and set me on a path to learn more about our wild animals and observe them in their habitat," he recalls.

Instead of guffawing to Tom & Jerry as a five-year-old, Suyash would spend hours watching wildlife shows. Often, he would sprawl languidly in his backyard, spotting birds, climbing guava trees, or observing fish by a pond. "I always wanted to do something related to wildlife, film and photography, and document these sightings. Growing up, people from across the world would present on Indian wildlife. I wondered why an Indian could not do the same," muses the environmentalist whose supportive family cheered him on.

Switching gears to political advocacy

Inspired by mavericks like Steve Irwin, Steve Backshall, and Nigel Marven, Keshari was ready to become a wildlife presenter like his childhood heroes. Yet, his enthusiasm was met with dissent by field experts in India. At age 17, a career in wildlife was considered a suicide mission with no guaranteed results or hefty paycheck. "They told me that it would take me at least 10 to 15 years to create a name. When this came from the people who I looked up to, I accepted it as the only truth. I gave up on my dream and moved to the US," recalls Keshari.

[caption id="attachment_16951" align="aligncenter" width="700"]Suyash Keshari Suyash Keshari with lions at Bandhavgarh National Park.[/caption]

In America, he switched gears to political advocacy - a degree from Wake Forest University, and then a cushy job at Washington DC. Yet, something was amiss. He yearned for the woods, wildlife and nature. "My deep-seated love for wildlife, and the quest to fulfill my childhood dream led me in 2019 to quit my job and become a full-time wildlife presenter. It also brought me back to my homeland, India. There was no other place I could think of but my beloved, Bandhavgarh National Park (to start my journey as a wildlife presenter) - it had shaped my life and made me the person I am today," beams the 25-year-old with pride.

Finding his true calling

For a child who picked up his dad's camera to record wild stories, he was a natural. A self-taught photographer, his urge to tell stories was prime. "For me, it was always about capturing nature’s beauty and explaining the importance of conservation. Moreover, I would tell stories of the human-wildlife conflict, and make people aware of the beautiful natural heritage that our planet offers. I knew that in order to stand out, I had to be myself," reveals Suyash, whose Instagram account has over 46k followers.

Suyash went viral on the OTT scene in 2019 with Safari with Suyash. Entirely self-funded, the series was picked up by WWF International for a web release, and it opened the doors to wildlife film making. "The idea was to create something people could emotionally connect with. It is vital for people to feel attached to wildlife, only then will they care," says the wildlife presenter.

https://www.youtube.com/watch?v=ia4SRQcM7cg

Happy to put the spotlight on wildlife conservation, forest community upliftment, and virtual safaris, his aim was to show something completely raw, authentic and unfiltered. Today, the Bandhavgarh National Park is his playground, and the wild animals, his muse.

With the help of a few friends, Suyash recently provided electricity through solar lamps to 175 anti-poaching camps at the national park that he funded from his virtual safaris. "More than 250 forest staff received shoes, raincoats, and bags. Another 200 staff received solar torches to help with night patrol and phone charging. It's vital to take care of the people who take care of our natural heritage," reveals the conservationist who was a former associate at Legislative Affairs and State Engagement at US-India Strategic Partnership Forum.

India’s first OTT wildlife platform

Since virtual safaris had never been done in India before, Suyash Keshari has carved a niche by creating India’s first virtual safari experience which comes at a cost of ₹5000. "Buy a membership, jump into the back of the jeep from the comfort of your home and indulge in a wild, raw and epic adventure," coaxes the presenter who loves chasing sunsets.

[caption id="attachment_16952" align="aligncenter" width="1080"]Leopard A leopard at Bandhavgarh National Park[/caption]

Suyash Keshari along with his small team often brave Madhya Pradesh’s scorching sun and torrential rain to capture footage that resonates. "The biggest challenge isn’t the endless wait in adverse conditions or tracking an animal. It is the willingness of the mind and heart to work harder to achieve the goals, but the body is just too tired to keep going. The challenge is to overcome the setbacks and keep going no matter what," says Suyash who wants to expand virtual tours on Safari with Suyash.

"The idea, for now, is to expand the ‘Safari with Suyash- TV’ platform as much as possible along with our conservation merchandise line. The focus would lie on connecting people with nature, whether virtually or physically with safaris and tours. For me, there’s still a long way to go and a lot more to do and connecting more and more people to nature and wildlife on the way," signs off Keshari.

Follow him on Instagram and Twitter

Reading Time: 7 min

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About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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