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Jayati Sinha
Global IndianstoryJayati Sinha: The Indian environmental designer solving the homelessness crisis in LA
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Jayati Sinha: The Indian environmental designer solving the homelessness crisis in LA

Written by: Global Indian

(November 9, 2021) Did you know that at least 63706 people are experiencing homelessness in Los Angeles County? It’s almost an 13% increase from the previous year, and this alarming situation has made LA Mayor Eric Garcetti feverishly look for a solution, which he has found in a prototype built by Indian environmental designer Jayati Sinha.

Sinha along with her team has come up with smart foldable and easily transportable houses that seem like the perfect solution for homelessness crisis in the US. In fact, LA Mayor has given his nod to the prototype which is now on its way to becoming a reality. Here’s the story of Sinha, the Indian visual and environment designer, who is solving homelessness crisis in LA.

From making Barbie dresses to designing innovative products

Sinha was quite young when a fortune-teller told her mother that she would do something with scissors when she grows up. The only interpretation that the Sinha family could derive from the prophecy was that their daughter would be a surgeon someday. Sinha did pick up the scissor as she grew up but not to cut through flesh. Instead she cut materials to design Barbie dresses when she was all of 9. It was then she realised that she wanted to be in creative field. “I also started playing with new gadgets and technological things that my dad, a scientist, brought from his foreign trips. My amazement of building something from scratch grew into a desire to blend technology and mindsets to make experiences better for people,” she told Voyage LA. Eventually, she stumbled upon product design, and there has been no looking back since then.

After completing her studies from Delhi Public School, Sinha enrolled herself in National Institute of Fashion Technology for Bachelor of Design. These years at NIFT gave her the perfect exposure which led her to interning at Viya Home, DeMuro Das and Artecnica. “At college, I was part of a craft project where we went to a village that practised metal crafts. We interacted with the craftsmen, stayed with them for a few weeks, and learned the process. We basically redesigned products for them – products more relevant to current times. That was one of the most important projects because it set me on a journey that was much more than just designing pretty objects,” she told YourStory in an interview.

Jayati Sinha

Jayati Sinha with local artisans.

Working with artisans helped change Sinha’s perspective on life as she saw that they were not paid enough for the beautiful products that they created. This was a turning point for Sinha who now wanted to have a thought behind each of her act and was keen to make the lives of people better in an impactful way.

In 2017, Sinha moved to the US for her Masters in Environmental Design from Art Center College of Design. A year into her Master’s degree, Eric Garcetti, the Mayor of Los Angeles, reached out to her college for guidance in designing bridge housing for homeless people. The mandate was to build structures that felt private and secure and also instilling a sense of community for the homeless. That’s when she along with her team that was led by Professor James Meraz came up with the idea of Pop Hut. “This project was extraordinary and very attractive to me because it was directly transferable to any country in the world that faces some version of homelessness,” she told Better India.

Making designs that create an impact

Taking a leaf out of her personal experience, this Global Indian knew how important it is for everyone deserves a safe place to stay. “I’ve been followed, threatened and taken advantage of by strangers. Even these small experiences instilled so much fear in me. Not having a place to go back to at night must feel immensely vulnerable. Imagine feeling like that every second of every day. People deserve to feel secure and have a safe place,” added Sinha, who works as a visual designer at Fjord, a global design and innovation consultancy.

Her prototype of the Pop Hut was accepted by the Los Angeles mayor and is now in the process of gathering funds. The pandemic put a screeching halt to the plans in 2020 but now things are back on track. The Pop Hut is a foldable and easily transportable house with a shaded entry and a front door with keyed lock.

Jayati Sinha

Pop Hut designed by Jayati Sinha

Her prototype is a perfect solution to curb the homelessness crisis in America. When Sinha moved to the US in 2017, she was stunned by the extent of homelessness she encountered. “In San Francisco, where I live, you will see people lying on the roads, with nowhere to go. India has long been a place of poverty and inequality, but living in the US made me realise that poverty is bad here too. I’d say the poorest people of India are less isolated than their counterparts in the US. Additionally, fewer people sleep while being exposed in public spaces in India as they have least semblance of a space even if it’s very substandard,” she told Mid-Day.

Sinha, whose prototype is on its way to become a reality, believes that it could be replicated for use in India too. With 1.8 million population of homeless people in India, Sinha’s prototype seems like a perfect solution. “Today, India is developing fast with an emphasis on infrastructure development, which typically demands moving or migrant labour. This concept prioritises empathetic design values, while providing a low cost solution that could be of high value for a populous country like ours,” she added.

Jayati Sinha

Jayati Sinha

Sinha, who calls herself a T-shaped designer, likes to bridge function with a strong visual silhouette. The 26-year-old, who has slowly made a name for herself in the world of environment design, had to overcome her share of challenges. “I think a woman always have these power struggles. In the US, I have had the privilege to work with some very successful women designers and it is very encouraging to see that is something every woman can achieve. Of course it’s sad that sometimes we have to try harder just to prove our worth,” she told Your Story.

Sinha is on a mission to create an impact in the society with her designs. For someone who started learning the basics at a young age, she has come a long way with finding meaningful solutions that benefit from her designs.

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  • Art Centre College of Design
  • Environmental Designer
  • Global Indian
  • Homelessness Crisis in LA
  • Jayati Sinha
  • LA Mayor Eric Garcetti
  • National Institute of Fashion Technology
  • Pop Hut

Published on 09, Nov 2021

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Nikita Karizma: From dressing Lady Gaga to crafting a fashion legacy

(October 10, 2024) Nikita Karizma was a student at the London College of Fashion when the call came from Lady Gaga. The popstar, who is known for supporting young talent in fashion, wanted Nikita to style her. "It was a real 'pinch me' moment," Nikita smiles. “There I was, heading off to Lady Gaga's studio to drop off my student work." It set the ball rolling on Nikita's career as a designer and entrepreneur, and she caught the attention of the talent scouts, who were already keeping an eye out for talented students from the London College of Fashion. "Fashion stylists started communicating with me and began giving me orders for musicians," Nikita says. Nikita's second big break came just as she graduated from the London College of Fashion, when she received a styling request from the UK's biggest girl band, Little Mix. She used the money she earned to launch her own eponymous designer line, NIKITA KARIZMA. The designer has gone on to dress a galaxy of stars across Hollywood, the UK and Bollywood, including Kim Kardashian, Kylie Jenner and Shilpa Shetty. "I like seeing people spread a positive message," she tells Global Indian, and that's exactly what she

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.globalindian.com//" target="_blank" rel="noopener">Global Indian, and that's exactly what she helps them do through fashion. "Your style says a lot about who you are and what you stand for in the world." Nikita has scaled up her business with a commercial line, KARIZMA, and recently purchased her first property to house her collections. To her, fashion is expression and empowerment combined, her style a fusion of understated Western influences and the bold, colourful cuts and prints of Indian design.

[caption id="attachment_57652" align="aligncenter" width="267"]Nikita Karizma | Indian fashion designer in UK | Global Indian Nikita Karizma[/caption]

A legacy in fashion  

For as long as she can remember, Nikita Karizma's life has been about fashion and textiles. She even recalls the day former Miss America Nina Davuluri, the first Indian-origin woman to hold the coveted title, walked into her mother's store in London. "We dressed her too," she says. "In one campaign, my mum had Aishwarya Rai before she became Miss World." Her mother's store specialised in wedding lehengas, and often styled celebrities for Asian magazines. The business of fashion was dinner-time conversation, and Nikita also began working for her parents early on. Even today, Nikita is at the intersection of creativity, entrepreneurship and profit, and of bridging her family’s rich, varied cultural heritage, with roots in India, Kenya and the UK.

Fashion is in her DNA, and the family has been in it for some six decades now. It began with Nikita's grandparents, who ran their own clothing store in Kenya. When they migrated to the UK, they resumed operations there, specialises in Indian sarees, catering to the ever-growing Asian community in London. Although the family has strong ties to Kenya, Nikita was born and raised in the UK, growing up on London's Ealing Road, "which feels like Mumbai," she laughs. "A lot of immigrants live in this neighbourhood, you can hear Indian languages being spoken around you."

Nikita began work young, helping her parents out at their London store. "I would meet customers, go on trips to do the buying and talk to sales people," she says. They sold Indian clothes to the diaspora, making outfits for occasions like weddings. Her early exposure to fashion, therefore, came with strong ties to her Indian heritage, which she maintains to this day, although her own clothing lines are predominantly western. "People ask me why I didn't launch an Indian fashion line, but my parents have already done that, and done it well. There was no need for me to duplicate what they were already doing." To her surprise, she found orders pouring in from the South Asian community. "It was only when Bollywood stylists started requesting them that I realised how much my culture is part of me," she says.

Nikita Karizma | Indian fashion designer in UK | Global Indian

The celeb life

If Nikita were to claim a niche, it would likely be designing for musicians and pop stars. "I love celebrity and popular culture," she says. "I love seeing music spread around the world like wildfire, especially when it spreads a positive message." Her exposure to celebrity culture came fairly early, starting with her parents. When she was 16, Nikita began working for Sony TV as a presenter. "I was sent to music video sets and would interview celebrities." She was very shy then, but used the opportunity to build confidence, going on to interview stars like Hrithik Roshan and Rakesh Roshan, Celina Jaitley and Rishi Rich. "I began to understand this world and also to understand celebrities as human beings," she says. "It's hard for them to connect with everyone but at the end of the day, everybody wants to be loved and understood."

The business of design

A natural leader and entrepreneur, Nikita understood, by the time she went to college, the practicalities, the cash flows and the costs of running a fashion business. It stood her good stead. "A lot of designers go into fashion school and become very strong designers. But they don't really train you on how to run a business at fashion school. For me, that came through my upbringing," she says. When the time came for university, she chose the London College of Fashion.

The university was well-connected in industry circles and Nikita Karizma was still a bright-eyed student when she received a styling request that blew her away, from Lady Gaga. The popstar, who is known for supporting young designers, went on to be styled by Nikita.

Finding strength in diversity

Nikita knew at the outset that she wanted to have her own clothing line. She used the money she earned from the Little Mix commission to start her own business. Although it seems an obvious choice, considering her family’s line of work, Nikita was still a young, woman of colour trying to make a mark in the highly competitive, often cut-throat world of fashion. "In fashion school, I was the only Indian girl. When I go to networking events, I'm still the only Indian girl in the room. This was the case both in the UK and in America," Nikita remarks. She found her "cultural creative tribe" in the Indian stylists who began reaching out to her. This was how her designer line, Nikita Karizma, came to be.

Nikita Karizma | Indian fashion designer in UK | Global Indian

The young designer remained unfazed by the fact that she was different. "My family prepared me for it. They told me not to worry about being in a minority and to just focus on my talent and skillset," she says, adding, "That's the only thing which matters in the long term. Ultimately, it comes down to your product." These were also the early days of social media, and influencers weren't really a thing. "It wasn't a desirable career path and a job. People didn't understand the path I had taken." This was also before the world had taken to posting every detail of their lives on social media. With very little documentation, the fashion industry remained insulated from the rest of the world. Things have come a long way since, and now, being a fashion designer is a highly sought-after job. "These days, when I post videos of what I do at work, they are seen as aspirational. But it's also a saturated and competitive market," she says. She kept her head down and focussed on her skillsets, and on creating the best products. "Ultimately, if your work is good, people want to wear them. As long as that happens, I know I can carry on in the long term."

  • Follow Nikita Karizma on Instagram
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Waris Ahluwalia: The NY-based Sikh designer-actor who has a day dedicated to him for fighting racial discrimination

(August 4, 2021; 9.30 am) Serendipity - something Waris Ahluwalia is not alien to. Be it his first Hollywood film offer, the launch of his boutique store House of Waris or a day in his honor, 47-year-old Ahluwalia has been at the right place at the right time. But the polymath has gone from strength to strength in the last few decades. From fashion to jewelry and films to activism, this Indian American has been a prominent face of it all. Though many things have happened as an act of fate in this designer and actor's life, he has always worked for what matters the most to him - standing up for religious tolerance and speaking out against racial discrimination. But it hasn't been an easy journey for this boy from Amritsar who made it big on the global stage. The odd one out in America It was in Punjab where Ahluwaia's journey began. Born to a linguistic professor father and a teacher mother in Amritsar, Ahluwalia was all of five when he moved to an American neighborhood in New York with his parents. With no Indians or Sikh friends around, his family made sure to keep him rooted to

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orhood in New York with his parents. With no Indians or Sikh friends around, his family made sure to keep him rooted to his Indianness.

 

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A post shared by Waris Ahluwalia (@houseofwaris)

Being a Sikh boy among Americans, he was often made to feel like the odd one out. But Ahluwalia was unperturbed as he was too comfortable in his skin.

"Whenever you're different, your existence presents a challenge for other people. You're the odd man out. But I think from an early age I was just comfortable with who I was, largely due to the way I was brought up," he told NBC.

His lesson in diversity began early when his father named him after his favorite poet Waris Shah. "He didn't give me a traditional, Indian, Sikh name, which are beautiful names. But it just made an extra point for me. Even within my own community, I didn't fit in," added Ahluwalia.

With his roots firm in Indian culture, he opted for political science and liberal arts for his major. After completing his studies, he dabbled in a few creative projects before serendipity hit him at a lavish boutique in Los Angeles.

How serendipity led him to House of Waris and Hollywood

It was at Maxfields that two elaborate self-designed diamond rings that adorned his fingers caught the fancy of its owners. Pleased by the intricate design, they placed their order for the rings, and in no time, the whole bunch was sold out, and the fashion press came calling at his doors. Ahluwalia, who until then had never intended on designing jewelry, started learning the intricacies of the trade and opened his own boutique, House of Waris in 2007. The New York-based boutique has become a one-stop shop for exquisite jewelry, ceramics and textiles which are handcrafted by artisans from across the globe.

If becoming a jewelry designer was a beautiful accident, his arrival into Hollywood was nothing short of an act of fate.

It was on a balmy afternoon in 2003 over lunch that director Wes Anderson offered Ahluwalia a part in The Life Aquatic With Steve Zissou that had Bill Murray, Owen Wilson and Cate Blanchett as his co-stars. "He sent me the script for his new movie and told me he had a part for me. He did not even call me for an audition,” Ahluwalia told The National News.

[caption id="attachment_6611" align="aligncenter" width="811"]Waris Ahluwalia in The Darjeeling Express Waris Ahluwalia and Owen Wilson in a still from The Darjeeling LImited[/caption]

This was the beginning of Ahluwalia's journey in Hollywood. For the next few years, he made appearances in films like The Darjeeling Limited (2007), I Am Love (2010), The Grand Budapest Hotel (2014), Beeba Boys (2015) and Ocean's 8 (2018). Despite being a Sikh, Ahulwalia has never been stereotyped on screen, and it's this ability that he plays to the gallery every single time.

His love for films and jewelry had also extended to the realm of fashion. For someone who often appeared on the Best Dressed Men lists in Vanity Fair, Vogue and GQ, he hit another milestone in 2013 when he became the first Sikh man to model for Gap, and make a statement on tolerance with ad campaign #MakeLove. However, the subway advertisement came under a full-blown racial attack when it was defaced with messages by vandals. The caption "Make Love" was altered to "Make Bombs" by the culprits. Gap backed their model and changed its Twitter background to the picture of Ahluwalia to show solidarity and support. This gesture found appreciation from the Sikh community who soon started a Thank You Gap campaign.

Waris Ahluwali in Gap advertisement

"I'm from New York. People write things on subway posters all the time. When that happened, I wasn't hurt. But I was amazed at the response. I think it was a beautiful thing. What it did was create an opportunity for dialogue and race relations," said Ahluwalia.

But this wasn't Ahluwalia's first tryst with racial discrimination. After the 9/11 attacks, Ahluwalia was eyed suspiciously for he wore a turban and sported a beard.

In a conversation with Times of India, he said,

"I remember the months following 9/11 - people would glare at me with anger and hate as I walked down the street here in New York. My own city, my home. Six months after that terrible day I was assaulted and nearly lost my vision in my right eye. The oldest and strongest emotion known to mankind is fear. The hate and anger experienced is one of its ugliest byproducts - fear of the 'other'. When I was punched in the face, I could have let fear get the better of me. But then I would have truly lost. So, instead I decided to fight the fear - and to do so with love, understanding, and education."

In February 2016, Ahluwalia once again faced discrimination when he was denied entry into a flight from Mexico to New York because he refused to take off his turban during security check. Not one to be easily rattled, he posted a photo on Instagram explaining the situation. The incident was met with outrage on social media and soon Aeromexico issued an apology. He later said that he wasn't angry but wanted to raise awareness about racism that one faces at airports.

 

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A post shared by Waris Ahluwalia (@houseofwaris)

Winning everyone with his #LoveNotFear, the designer-actor was in for a surprise when New York City mayor decided to dedicate a day to Ahluwalia. Bill de Blasio declared October 19, 2016 as Waris Ahluwalia Day in recognition of the Sikh-American actor and designer for his powerful message of countering ignorance and advocating for religious understanding and tolerance.

"Put love in all that you do. Exist with love. It's our only weapon against fear. Know yourself as love and know the stranger you pass on the street as love — not as the other. There is no other. Just us. That's how I do it. With love and empathy. Each and every day," he said.

Giving Back

Apart from raising awareness against racial discrimination, Ahluwalia is involved with saving Asian Elephants of India with an NGO, Elephant Family. Every two years, he embarks on a 500 kilometre journey across the Indian countryside to raise money for the charity. "We raise awareness across the world about the dire need for conservation. The money goes to protecting the elephant corridors and the villagers who live amongst the wildlife. We're working to create a world where wildlife and humanity can co-exist.”

A designer, an actor, a model, and an activist - Waris Ahluwalia is a creative polymath. He loves fashion, films, jewelry and activism in equal measure. For someone who began his career by chance to becoming a torchbearer of cultural inclusivity, Ahluwalia has come a long way.

Editor's Take

Ahluwalia has many firsts to his name - the first Sikh man to model for Gap and the first Indian-American to get a day dedicated to himself. The 47-year-old is not just a name to reckon with in the fashion industry, but has found respect among many for advocating for religious tolerance. And that's what makes him a perfect story of inspiration.

Reading Time: 7 mins

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From village of Kanpur to streets of Milan: How Rahul Mishra made Indian fashion global

(October 25, 2021) Who could have thought that wool could be transformed into a summer fabric? But this novelty is what made fashion designer Rahul Mishra pick up the Woolmark International Prize, making him the first Indian designer to join the league of fashion biggies like Armani and Karl Lagerfeld. When the 42-year-old studied apparel design in National Institute of Design, he thought he wasn't good enough for any other courses. But the decision turned out to be the best thing for this fashion designer who has become a global name in the world of fashion. His love for Indian handloom has made him a designer to reckon with in the international market. But being a global designer was a distant dream for this boy from a village in Kanpur who studied at a school that had ₹7 as its monthly fee. But purely on the basis of his talent, Mishra made it big in fashion and how. https://www.youtube.com/watch?v=0P-cBZU6jFg Village in Kanpur to fashion institute in Milan Born in 1979 in the sleepy village of Malhaus near Kanpur, Mihsra's birthplace first got electricity a year after his birth. With frequent power cuts, Mishra would often finish his homework under the

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near Kanpur, Mihsra's birthplace first got electricity a year after his birth. With frequent power cuts, Mishra would often finish his homework under the light of a kerosene lamp while attending a school that had no benches and made students sit on durries for their classes. Like most of his friends coming from his village, Mishra had a inclination towards becoming an IAS officer. However, it was his creative side that pulled him towards arts as he developed his love for doodling and creating comic strips while studying at Maharishi Vidya Mandir in Lucknow. So after completing his Physics degree from Kanpur University, Mishra decided to give his love for arts a shot as he enrolled himself in apparel design and merchandising course at National Institute of Design, Ahmedabad in 2003.

It was here that he was exposed to arts like never before. Apart from learning about apparel, he ended up attending classes for filmmaking, furniture and animation. A year into his course and Mishra won himself the Best Student Designer of the Year. This gave him enough confidence to make his debut at the Lakme Fashion Week in 2006 using the Kerala mundu handloom fabric to establish his design aesthetic of traditional meeting contemporary minimalism.

Mishra, who was introduced to sustainable fashion and history of local Indian crafts at NID, soon found himself at the doorsteps of Milan's Instituto Marangino, thus becoming the first non-European designer to win a scholarship at the prestigious institute. This one year at Marangino helped Mishra find answers to his many through-provoking questions on fashion. It was while walking across Japanese designer Isse Miyake's store that he realised that how unmistakably Japanese yet global the clothes were. And this was a turning point in Mishra's career. "I understood why he had made it big. It was because he was very rooted in Japanese culture. I had found my answer: I had to be rooted in Indian ideology and create something very universal," he told the Indian Express in an interview.

Bringing Indian handloom to global market

Upon his return, this Global Indian did every bit to showcase collections that were taking Indian traditions forward. Be it ikat from Odhisa or chikankari from Lucknow, Mishra
he was making Indian handlooms popular globally at a time when Make In India hadn't become the buzzword. Soon he launched his eponymous label and showcased his work at fashion weeks in Dubai, London and Australia.

[caption id="attachment_13954" align="aligncenter" width="667"]Rahul Mishra Rahuk Mishra with a model. (Photo Courtesy: Vogue)[/caption]

But showcasing his collection at Paris Fashion Week is what changed the trajectory of his career. Mishra, who calls himself a storyteller and believes that every garment has a soul and a philosophy behind it, became the first Indian ever to win the International Woolmark Prize, thus catapulting him into the league of Karl Lagerfeld and Giorgio Armani. Suzy Menkes, the popular fashion critic, called Mishra a "national treasure" after his spectacular win.

The 42-year-old believes in the power of fashion to solve problems and bring about economic change. That's the reason he essentially works with craft communities in the village of Gujarat, West Bengal and Madhya Pradesh, and even encourages them to innovate. Being himself from a village in Uttar Pradesh who went to Milan, Mishra understands the perils migration for his textile artists. "I don’t want them to come to the cities. I take my work there, develop and safeguard their craft. After all, fashion is the greatest enemy of craft. It’s not about supporting them for one collection, it’s about teaching them everything I know," he added.

 

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A post shared by Rahul Mishra (@rahulmishra_7)

Mishra's work has found resonance in India and abroad. Known to add milestones in journey, Mishra became the first Indian designer to showcase haute couture at Paris Fashion Week in 2020. In just over a decade, Mishra has become a global name in the world of fashion, and it's his philosophy that has worked wonders for him. "Fashion is influenced by my memories of childhood and also the people I meet, but innovation comes from within. I follow a design process which I inculcated in National Institute of Design. So for me it's not just about a person wearing a shirt or a dress, there is an entire philosophy behind it. This invisible, intangible philosophy is much like A R Rahman's music, something original, pure and untouched, that is fashion for me," he told Business Standard.

Reading Time: 6 min

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Artist Anjini Prakash Laitu: The Colourman of Dubai

(February 19, 2022) It’s never too late to discover the artist in you. Anjini Prakash Laitu, 80, picked up the brush and palette at 60. Today, he wows the world and goes by the moniker Colourman of Dubai. After working non-stop for four decades, Anjini decided his retired life would be for himself, and his deep love for art. He did play with colours on fabric for years, but within the confines of his home. The simmering desire to become a well-known Indian artist kept nudging at him. His second innings in life involved pursuing art - His vibrant paintings, which are full of life and colours evoking positive vibes. Exhibited in the UAE, India and Nepal, this late bloomer has found his true calling. Even at 80, Anjini loves his brushes, canvas and colours so much that he paints around seven-eight paintings a month. He has participated in exhibitions in Dubai, Jaipur, Mumbai, Nepal and Qatar and has regularly displayed his works at World Art Dubai, one of the biggest international art events. “I am also a member of the prestigious Emirates Fine Art Society. Dubai has given me so much love and respect for my work. I have

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for my work. I have also been honoured with the prestigious Golden Visa from Ministry Of Culture Dubai," he beams with pride.

[caption id="attachment_20135" align="aligncenter" width="755"]Indian art | textiles | Ministry of Culture Dubai | hand-painted sarees Anjini began painting when he was 60 and hasn't looked back since[/caption]

Colours inspired by Mathura

Growing up in Mathura, Anjini’s love for colours began there. “My parents got us colours during summer holidays to keep us engaged. I never missed a chance to experiment with colours,” Anjini says in an interview with Global Indian.

Shantiniketan in West Bengal was a place where he dreamed about honing his skill and artistry. However, he couldn’t pursue his dream as his parents, (from an academic background) had a dim view of art. “My father was an electrical engineer and mother, a teacher. Those days painting was not a noble profession. So my parents did not agree,” recalls Anjini.

A different route

Bidding goodbye to the world of colours, he studied for a diploma in paper technology. He began working as an apprentice at a paper mill in Yamuna Nagar, Haryana, where he worked with the Thapar Group for 37 years across various locations and positions.

The year 1996 brought with it the opportunity to move to Dubai to work for a glass bottle-making company, which is where he retired in 2001. Reinventing himself after retirement, he got back to his first love - art. “After my retirement, I did fabric painting with some Dubai designers, but the desire of being called a qualified Indian artist remained deeply embedded in my heart,” adds the artist.

Rise to stardom

He pushed the pedal and enrolled in Sharjah Art Institute in 2005 to hone his artistic skills, and became a “certified” artist within three years. In no time, his work started attracting art lovers.

[caption id="attachment_20130" align="aligncenter" width="771"]Indian art | textiles | Ministry of Culture Dubai | hand-painted sarees His work is inspired by the colours of Mathura, his hometown[/caption]

It was the Arab Cultural Club that gave him his first break for two solo exhibitions, one exclusively for canvas and the other for textile paintings. “This was when I entered into the art community as a fully qualified painter and there was no looking back,” he chuckles.

Anjini doesn’t believe in rules in the world of art. “I have been a painter who doesn’t believe in mathematics of 2 + 2 = 4. I advocate full freedom when we talk about art. My paintings should pass on positive energy, therefore the use of bright colours to make them lively. It’s also why I am lovingly called ‘Colourman’ in art fraternity,” the Indian artist explains.

Fabric painting

All through his working life, he kept his passion for art alive by painting motifs inspired by nature on dresses, shirts and sarees. “During the 60s, Fevicryl and Camlin started fabric colours. I experimented a lot with them. My wife preferred wearing only my hand-painted sarees. This made me quite an experienced fabric painter,” he adds.

In Dubai, he got the opportunity to work on fabric painting with some of the biggest names in haute couture like Akee and Walid Attalah. Shirts, denim, belts and shoes, had his customised motifs on them. Recently, he showcased his hand-painted saree collection at a fashion show at Dubai’s floating hotel Queen Elizabeth 2. “I am happy that painting is not my livelihood. I paint for my pleasure and happiness. Rest is a bonus and reward,” he smiles.

[caption id="attachment_20132" align="aligncenter" width="539"]Indian art | textiles | Ministry of Culture Dubai | hand-painted sarees As a fabric painter, Anjini has worked with some of the biggest names in haute couture[/caption]

Love for MF Husain

The legendary MF Husain greatly influenced Anjini. As a youngster, he would often travel from Yamuna Nagar to Delhi to meet his idol. “Either in Dhoomimall Art Gallery or Open Coffee House at Connaught Place. Fortunately, I also got a chance to meet my ustaad in Dubai when he shifted his base to the Middle East,” he adds.

Daily regimen

Three-four hours of painting daily, his weekends are for family. “I am also very fond of cooking, especially meat, or paani puri, dahi vada and some fusion dishes,” says the painter who likes a game of billiards once in a while.

Visual Artist | Anjini Prakash Laitu

“My plan for 2022 is to take part in the upcoming World Art Dubai and exhibit my new works on canvas and a fashion show of my hand-painted sarees,” the Indian artist reveals.

He’d like to leave his paintings to the next generation. Learning new things eggs him on, and he feels it’s important to let people, especially youngsters pursue their dreams, instead of waiting for decades like he did.

  • Follow Anjini Prakash Laitu on Instagram

Reading Time: 6 min

Story
How Indian fashion designer Saisha Shinde gave transgenders a shot in the arm, and Miss Universe Harnaaz her look

(January 3, 2021) In January 2021, an acclaimed celebrity designer daringly came out as a trans woman, surprising many who heard the news. Fast forward to December 2021, this Indian fashion designer’s talent was recognised by the entire world when Miss Universe Harnaaz Sandhu wore the designer’s sparkly phulkari-inspired ethereal gown at the Miss Universe pageant held in Eilat, Israel. Meet the sassy and bold National Institute of Fashion Technology-alum Saisha Shinde, whose new identity and work has the world starstruck, not just because of her bespoke outfits but also her incredible talent. Formerly known as Swapnil Shinde, Saisha’s Miss Universe milestone is all the more special because this is her first grand achievement as a trans woman. “I never get tired of telling people how I’m feeling about this feat because it’s a historic moment for India and me. I feel blessed to have this win in my kitty. I was in college when Lara Dutta was crowned Miss Universe and I have been designing for pageants, especially Miss India for seven years now. But as Saisha, my first Miss India project led me to the Miss Universe gig, so this victory is all the more special,” smiles the

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e more special,” smiles the Indian fashion designer who started accepting her alternative sexuality at NIFT.

[caption id="attachment_18420" align="aligncenter" width="485"]Harnaaz Sandhu Harnaaz Sandhu, Miss Universe India 2021, wearing Saisha Shinde's creation.[/caption]

Designing the stunning gown that Harnaaz sported, Saisha says, “Harnaaz trusted the experts completely. I always ask my clients a few basic questions - favourite colour, where they hail from, favourite flower etc. Having known that Harnaaz is from Punjab, where the phulkari motif originated, I wanted to take the phulkari geometric shape, and convert it into a mosaic. Miss Indias’ have a specific look, so we needed to follow that and make Harnaaz look exquisite.” The NIFT graduate interned at the renowned House of Versace in Italy, which has given her a depth and versatility evident in her designs.

How the "trans" journey began

On Saisha’s coming out, she reveals that that her simple Maharashtrian parents, albeit shocked, accepted her truth wholeheartedly. “My relationship with my mother has grown leaps and bounds. We always underestimate our parents – it’s important to communicate with them with respect and not rebellion. In other situations, you have to be rebellious sometimes,” quips Saisha. She also touches upon how living in a democracy should mean that people can voice opinions for marginalised communities like hers, “The only way to spread the message is to shout, I do it with full swing when the work is not done on time!” she tells Global Indian.

 

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After years of being Swapnil, why did Saisha decide to come out this year? “I knew that I was going to come out. I was waiting to accept it. I could not see myself leading a double life – I wanted to live a life of truth and have nothing to hide. I came out for myself - I didn’t expect it to become what it became, but I’m glad it did because it’s opened doors for a host of trans people in India. It’s been inspiring to get inspired by others,” says the gutsy designer, who received overwhelming support on social media after her announcement.

Coming out has lifted a huge burden off the 39-year-old’s mind, yet it comes with its share of difficult learnings too. “I now understand what women go through every single day. Women are expected to behave, talk, dress and sit in a certain way. As a male, I didn’t have to face this. It didn’t even occur to me that I had to sit and stand a certain way. As for my professional life, I’m lucky to hail from an industry that’s accepting and more inclusive than any other profession - they have accepted me with open arms. We have so many gay men, lesbian women and trans men and women behind the scenes and we’re all paid properly and treated well. I always felt a sense of security here,” says Saisha who hails from Maharashtra.

[caption id="attachment_18421" align="aligncenter" width="501"]Saisha Shinde Saisha Shinde[/caption]

How her designs emulated her persona

After years of designing clothes for women as a man, Saisha admits that after she came out as a trans woman, the way she looks at women’s design has changed drastically. “At first, I would create without thinking too much about the woman or what she’s about. Now, I’m conscious about what I’m making and for who. Earlier, comfort played an insignificant role when designing, but now, comfort is the number one priority. For me, it’s a revolutionary change,” she muses.

As someone who designs for Bollywood stars, how does the film industry see trans people? “Many are ignorant and have pre-set notions. A few trailblazing transwomen like Gazal Dhaliwal and Trinetra Haldar are breaking norms. It’s just a matter of time when representation of our community will be visible in films or TV shows,” mulls Saisha.

 

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Being different, being true

When it comes to the alarming stereotypes about her community, Saisha shares, “Everyone thinks that transgenders are eunuchs and that’s not the case. They also think that we have a disease that’s contagious and that they might turn trans if they touch us! People also think that men dressing as women for entertainment and humour are ‘us,’ but that is not ‘us.’ Those are men who are cross-dressers or men who are doing drag.”

Dressing the stars

On the work front, Saisha’s clientele includes Bollywood superstars like Madhuri Dixit, Kareena Kapoor and Anushka Sharma. Her all-time favourite is the woman she grew up idolising. “When I was in school, I’d lock my bedroom door and dance to Madhuri’s songs. Eventually, I got to work with her and that alone made me feel successful. She’s so amazing to work with – she’s loyal and gives one creative freedom. I also like dressing up Deepika Padukone as anything you give her looks good on her!”

In the world of fashion, Saisha’s idols include the late Wendell Rodricks, Anaita Shroff Adajania, Shaleena Nathani, Eka Lakhani and Sabina Chopra (her mentor since day one). Her future projects are the magnum opus Ponniyan Selvan: I, directed by the Mani Ratnam, where Saisha got to dress up the ethereal Aishwarya Rai. “In collaboration with Eka Lakhani, we have created costumes for Aishwarya, Trisha and a few other cast members. I get to work with Mani sir and that’s a dream come true. I’ve also designed for Deepika for a song in Pathan (which stars Shah Rukh Khan) and there are a few other interesting projects in the pipeline.”

 

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Shinde hopes to make metro inhabitants aware of the trans community, and hopes the community will get a separate employment quota one day. “They should be able to get legal documents without hassles. Once this happens in big cities, we can target tier-2 and 3 cities,” she adds.

When she’s not working, Saisha is inevitably engrossed in fashion shows on TV, and voraciously reads about fashion. Having trained at Shaimak Davar’s dance school in jazz and funk, she now intends to learn Bharatanatyam and Kathak. Saisha’s also has another aspiring dream – to be awarded the prestigious Padma Shri like Manjamma Jogath, the first transgender to bag the award. “I felt so proud when I heard that. I prayed that I stand in her place one day,” she signs off.

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About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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