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Ryuko Hira | Global Indian
Global IndianstoryRyuko Hira: Bridging cultures and building legacies between India and Japan
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Ryuko Hira: Bridging cultures and building legacies between India and Japan

Compiled by: Charu Thakur

(October 2, 2024) It was in 2022 that Ryuko Hira found himself accepting the Padma Shri award from the then President of India – Ram Nath Kovind – for his contribution to trade and industry. Having played a pivotal role in India-Japan trade relations, the President of HMI Hotel Group in Japan, Ryuko moved to the land of rising sun in 1966. Over the years, he found strong ground as a hotelier, investor, and philanthropist in Japan, who became widely recognised for fostering Indo-Japan economic ties, advancing Indian cultural outreach, and his steadfast devotion to Sri Sathya Sai Baba.

Ryuko Hira | Global Indian

Ryuko Hira received Padma Shri in 2022

Pioneering Indo-Japanese Trade Relations

Born as Kamlesh Punjabi in Jaipur in a family of Jagtianis who were in the business of procuring jewels and ornaments from Muslim Royalty or Mirs. Over the years, the family expanded their business across Southeast Asia and Japan. Taking advantage of the Anglo-Japanese Alliance (1902-1922) which allowed 50 Indian companies to set up operations in Japan, Hira’s uncle partnered with a firm in Yokohama. Soon he expanded into the export of silk and seeing the business flourish, other family members joined him. After the Great Kanto Earthquake, the business shifted base to Kobe and they switched to buying cultivated corals for export to India. Post WWII, Japan saw a period of intense industrialisation and the businesses grew rapidly. Keeping up with the modernisation, Hira’s two brothers established offices in Singapore, Thailand, and Hong Kong in 1950, around the time when Hira was born.

After attending school in Mumbai, Hira graduated in gemology from the Gemological Institute of America and even attended a 12-week course at the Cornell University School of Hotel Administration. But things took a U-turn after tragedy hit their family as Hira’s father, uncle, and eldest brother passed away in the same year, leaving Hira with the option of stepping up. He left for Hong Kong to learn the tropes of business from his elder brother, and soon the business shifted base to Tokyo in 1966.

Kamlesh Punjabi to Ryuko Hira: A Journey of Transformation

Being born in the same year as independent India, growing up, Hira saw three wars with China and Pakistan. “I was fortunate as my family had some small overseas business which is now nearly 100 years of age. As soon as I finished high school, the Pakistan and the Chinese wars were going on and the ladies and the young ones at home were sent abroad for safety. So a decade later in the 1970s, the situation in India got from bad to worse,” said Hira in an interview, adding, “Being a stateless refugee family from Sindh, Pakistan where we had lost and left everything due to the partition (of India and Pakistan), we did not want to live in poverty once again. So my eldest brother said one family member should become a Japanese national to save the family’s assets from being nationalised in foreign countries.”

Ryuko Hira | Global Indian

Ryuko Hira with former Japan PM Shinzo Abe

Being a little fluent in Japanese, thanks to the language course from Sophia University, Tokyo, he turned out to be the perfect family member to achieve the feat. He married a Japanese woman, became a naturalised Japanese citizen, and adopted the name Ryuko Hira. However, he was initially hesitant to change his name and give up on Indian nationality. A disciple of Sathya Sai Baba, he spent some time at the sacred Mount Fuji asking for guidance from Baba. “I came back with the answer that a passport document of nationalisation doesn’t make you an Indian or another national. As Baba said – a true Indian is a person who carries the divine values in his heart,” he added. Moreover, the reason for changing his name took root in the fact that Japanese language is calligraphic. They don’t use alphabets, instead the pictorial characters make the Japanese script. It was a priest at a Hindu temple on top of Mt Hira in Shiga who gave him the name. “Hira is the name of the mountain on which the temple stands and in Ryuko, ‘Ryu’ means the dragon and ‘ko’ means tiger,” he revealed in an interview.

The HMI Hotel Group: Building a Hospitality Legacy

Over the years, Hira expanded his business to such great success that it became one of the leading foreign enterprises in Japan. So much so that the achievement was highlighted in a one-hour special documentary aired by Japan’s National Television, NHK in 1984. After the untimely death of his elder brother in 1986, the family business was divided harmoniously, with Hira taking responsibility for the real estate development sector. Drawing on his talent, experience, and the traditions of his family lineage, the Global Indian went on to establish the foundation of the Ora Group of Companies in 1986.

In four years, he established the HMI Hotel Group, which now welcomes over 13.7 million guests each year and has been recognised by the Nikkei Marketing Journal as the eighth-largest hotel chain in Japan. Hira’s group of companies also excels in various areas, including proprietary hotel management, hotel management services, capital raising through building leases and trusts, hotel planning and development, property management, technical consulting, and the hotel supplies industry.

HMI Group Hotel

Hotel Pearl City in Kobe

Strengthening Indo-Japanese Relations

Apart from being a businessman and investor, Hira has played a significant role in strengthening Indo-Japanese affairs. In June 2004, he became the first Indian to be elected as a Director of the Japan-India Association. He also serves as the representative director of the Sai Hira India Foundation, a charitable organisation dedicated to fostering public benefit between Japan and India through tourism, economics, philosophy, and culture.

The growing Indian community in Japan, though modest in size, has played a vital role in fostering trade and cultural exchanges between the two nations, exemplified by figures like Ryuko Hira. The Indo-Japanese trade relationship has evolved into a robust partnership, with Japan being one of India’s largest investors, particularly in infrastructure, technology, and automobiles. India’s exports to Japan include textiles, seafood, and chemicals, while Japan’s exports to India focus on machinery, vehicles, and electronics. Figures like Hira have not only bridged economic ties but also fostered mutual respect and cultural integration, underscoring the shared values that strengthen the partnership between the two nations.

Spiritual Values Guiding Business and Philanthropy

A strong advocate for Indian culture and traditional values in Japan, he has established prayer halls across the country where Japanese men and women gather to chant the Vedas and sing bhajans. At these prayer halls, volunteers also prepare 20,000 meals annually to support homeless individuals. Hira explained that all volunteers recite hymns and prayers while cooking, offering blessings for the recovery of the homeless. Having established five prayer halls dedicated to community service, he describes this work as both the passion and mission of his life. In October 2019, Hira organised the foundation stone ceremony for the Sri Sathya Sai Sanathana Samskruti – Spiritual Centre at Tsumagoi Resort – Sai No Sato. This project aims to enhance cultural exchanges between India and Japan.

Sri Sathya Sai Prayer Hall in Tokyo

Ryuko Hira’s journey from Kamlesh Punjabi to a respected figure in Japan shows his commitment to connecting India and Japan in both business and culture. He has made significant contributions to the hospitality industry and engaged in charitable work, promoting Indian spiritual values in Japan. As a businessman, Hira grew his family’s legacy into a successful company, and as a philanthropist, he helped strengthen ties between the two countries. His desire to give back to society, inspired by his faith in Sri Sathya Sai Baba, continues to motivate him. Today, Ryuko Hira is not just a symbol of strong India-Japan relations but also an example of how cultural exchange, humanitarian work, and a life guided by spiritual values can make a difference.

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  • Entrepreneur
  • Global Indian
  • HMI Hotel Group
  • India-Japan Trade
  • Indo-Japan relationship
  • Philanthropy
  • Ryuko Hira
  • Spirituality

Published on 02, Oct 2024

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Kathak dancer Dr. Malini Ranganathan is India’s cultural ambassador to the world

(February 14, 2023) It was 1986 when Dr. Malini Ranganathan faced one of the most difficult challenges in her journey to teach Indian classical dance - Kathak - to young French girls. She had been living in France for over two years by then and was teaching her students in English. However, her appointment at the Maison de la Culture de Loire Atlantique (MCLA), Nantes, changed the game. This was a town where no one spoke English, so the only medium of instruction she could use to teach her students was French. Not the one to be scared of a tough job, the eminent Kathak dancer took the challenge head-on and learnt to speak in French, while teaching several French dancers. [caption id="attachment_34978" align="aligncenter" width="679"] Dr Malini Ranganathan receiving the Pravasi Bharatiya Samman from former President, Dr Ramnath Kovind[/caption] Dr Ranganathan has dedicated her life to propagating Indian art and culture in France and across Europe. In 2019, she became the first woman from France to be honoured with the Pravasi Bharatiya Samman. Speaking at a press conference after being conferred with the award by former President of India, Dr. Ramnath Kovind, the Global Indian said, "This award, which I

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he became the first woman from France to be honoured with the Pravasi Bharatiya Samman. Speaking at a press conference after being conferred with the award by former President of India, Dr. Ramnath Kovind, the Global Indian said, "This award, which I accept with great humility reinforces the responsibility of carrying forward the glorious legacy of Bharat, not only with its unbroken tradition over centuries but with a renewed vigour. Whether in India or abroad, it is our Indian identity and culture that helps us strike the right balance between being Indian at heart and living as global citizens."

https://www.youtube.com/watch?v=uo0v08vOyT8

The dancer added, "My parents' message had always highlighted the importance of assimilating with whichever country we live in, guided by respect for local customs and protocol and simultaneously orienting them with our unique Indian culture. I thank them and my sisters immensely for their guidance as well as my husband and children for their patience and encouragement, thus enabling me to continue my passion in France. I also thank the Embassy of India, Paris, and the members of Association Bindi in Nantes, led by Mr. Rostaing and Mrs. Mazenot for extending their full support to all my Indo-French cultural activities."

The land of love

While not much is known about the dancer's initial years in India, Dr. Ranganathan moved to France in the early 80s as a young bride of 24. With a textile design degree from the well-known Sir JJ School of Art in Mumbai, it wasn't difficult for the dancer to find a job soon after she arrived in Lyon. She started her career at the Textile Museum in Lyon - which is also known as the silk hub of France. Not too good at French, the young dancer was shy and hesitant at the beginning of her career, however, her dedication and handwork helped her not only get recognised, but also handle several prestigious projects. At the Textile Museum, Dr. Ranganathan curated one of the first ‘India Year' exhibitions, along with famous Japanese fashion designer Issey Miyake.

However, while she was climbing higher at her workplace, the dancer inside her was waiting for an opportunity to take on the stage. A disciple of Roshan Kumari of Jaipur gharana and Damayanti Joshi of Lucknow gharana, Dr. Ranganathan started taking weekend classes at the National Conservatory of Dance in Lyon, and soon joined the Merce Cunningham School of Dance as a professor. Interestingly, her lack of local language proved to be quite beneficial for her students, who would also use her classes to practice their English skills. During this time, the dancer also got opportunities to perform across Europe, including the inauguration of the Royal Mughal Jewellery Exhibition at Sotheby’s.

[caption id="attachment_34980" align="aligncenter" width="665"]Dancer | Dr Malini Ranganathan | Global Indian Dr Ranganathan performing at the Routes Indiennes International Festival with her French students[/caption]

After two years in Lyon, the couple shifted to Nantes, where she eventually brushed up on her French skills and took over 300 French kathak aspirants under her wings. In 1990, the dancer presented 30 of her senior students in a two-hour performance titled ‘Prayas’ at the National Stage in Nantes, with costumes and props made in-house. Her affair with French continued as she went on to complete her M.Phil and Ph.D. in ‘Didactics in Cross-Cultural Teaching as an Educational Science,’, which helped her qualify as a Researcher-Professor in Humanities and Educational Science to MBA students in ISG, Nantes.

Spreading her wings

In 1996, having trained over 400 dancers, Dr. Ranganathan established the NGO Association Bindi with the single aim of pedagogical transmission of classical Kathak and Bollywood dance to thousands of French students. The dancer is the pioneer in creating a new teaching protocol for Kathak dance recognised by the French University, which combines traditional teaching contents with new methods of transmission tailored especially for non-Indian students.

https://www.youtube.com/watch?v=WaeXEljES_4

Over the years, the NGO has organised several cultural festivals in France, giving a stage to veteran as well as new Kathak exponents from across the globe. For the last 15 years, the dancer has single-handedly organised the Indian and Asia cultural components of the Summer Festival of Nantes and Routes Indiennes International Festival. She regularly presents new choreographies — in 2011, she presented ‘Parampara’ with presentations on the mother-daughter family parampara and the guru-sishya parampara. The dancer was honoured by the French government for her extraordinary cultural service and contribution to the promotion of India in France from 1983 with the “Medal of Excellence” in May 2019 (French Ministry and the City Council of Nantes) and the “Certificate of Recognition” by CID-UNESCO, Paris, France.

Dr. Ranganathan has several international scientific publications to her credit, both in English and in French, besides paper presentations at international conferences. While the dancer's vision towards global recognition for Indian dance is driven by her passion for performance, her mission to share the benefits of the art is driven by her passion for teaching, grounded as she is in Indian art and culture.

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Scientist B. Jayant Baliga is shaping the future of electrical engineering

(March 19, 2024) The first TV broadcast into a home in India occurred in his house. So, it is quite natural for people to presume that Dr. B. Jayant Baliga would focus on computers in the future. However, the scientist created something that combined two related fields: electronics engineering and electrical engineering. This invention was the IGBT (Insulated Gate Bipolar Transistor), a type of switch similar to those found in homes. However, Dr. Baliga's version is incredibly small, can switch on and off 100,000 times per second, and can handle very high voltage power. Known as one of the most brilliant minds in the sphere of electrical engineering, the scholar is also a recipient of the Global Energy Prize, 2015 for the invention, development, and commercialisation of IGBT, which is one of the most important innovations for the control and distribution of energy. "Recently I was inducted into the Inventor’s Hall of Fame and they declared me as the man with the ‘largest negative carbon footprint’ due to the impact of IGBTs on the energy systems and power electronics. Each of these is special in their own right. This latest one credits me as the sole inventor of IGBTs, and

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declared me as the man with the ‘largest negative carbon footprint’ due to the impact of IGBTs on the energy systems and power electronics. Each of these is special in their own right. This latest one credits me as the sole inventor of IGBTs, and hence it is special," Dr. Baliga shared in an interview.

The scientist's most famous invention is used worldwide in various applications such as air conditioning systems, household appliances like dishwashers, mixers, and refrigerators, factory automation including robotics, medical equipment like CAT scanners and uninterruptible power supplies, public electric transport and hybrid cars, engine control systems, vehicle electronics, as well as in mobile phones, laptops, and server CPUs.

Born for science

Born in Madras, India, in 1948, Dr. Baliga grew up in various cities. His father Bantwal Vittal Manjunath Baliga, was one of India's first electrical engineers in the days before independence and founding President of the Indian branch of the Institute of Radio Engineers, which later became the IEEE in India. Remembering the time when the first Indian TV was broadcast from his house, the scientist shared, "My father, was chief engineer of All India Radio after Independence. There was an exhibition in Delhi in the 1950s where they were using All India Radio’s setup of a camera and a transmitter to show a TV telecast within the exhibition premises. My father wanted to test if the signal could be received at a farther distance." He had a television set installed at his house at Teen Murti Marg. “It caused quite a sensation in the neighbourhood,” he added.

[caption id="attachment_50143" align="aligncenter" width="750"]Scientist | Dr. B. Jayant Baliga | Global Indian A young Dr. Baliga soon after shifting to the USA[/caption]

This experience pushed him to pursue a career in engineering, and after completing his school, the scientist enrolled at the Indian Institute of Technology (Madras), for a bachelor's degree in electrical engineering. Speaking about his experience at the institute, the scientist said, "IIT is a phenomenal place to give you a foundation, where you are given a broad coverage of topics in every branch. Back in my time, there were no electives, and every batch had to go through a compulsory set of courses. But they were so chosen that we received an all-round training in materials, electronics, maths, physics, chemistry, etc. And this really helps when you work in research by enabling you to think in an interdisciplinary way. So, this helped me a lot when I went to the US."

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The scientist has always credited the institute for his success in the field. And thus, years later, he made some significant donations to IIT, Madras. "IIT Madras is always a special place and has helped me greatly. To give back to it, I have donated it to the institute to give scholarships to students from the money I received along with the Global Energy Prize and other such prizes," he said.

Scientist | Dr. B. Jayant Baliga | Global Indian

After his graduation, Dr. Baliga moved to the United States of America to pursue higher studies. Interestingly, the scientist had trouble getting financial aid while pursuing his graduate studies and was very apprehensive about his abilities to cope with the academic rigours in the USA. "I ended up proving them wrong by scoring a perfect 4.0 GPA and getting the best Ph.D. medal from the Rensselaer Polytechnic Institute in New York City.

The genius

From 1974 to 1988, Dr. Baliga conducted several research projects at General Electric's R&D Center in Schenectady, New York. Leading a team of 40 scientists, they focused on power semiconductors and high-voltage integrated circuits. At that time, the transistor, which is essential for computers, had already been discovered and put into use. Dr. Baliga aimed to create a semiconductor device capable of controlling heavy-duty equipment such as compact fluorescent lights, air conditioners, and electric motors.

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During that period, companies such as GE and Westinghouse were advancing their bipolar transistors for high-power applications. Meanwhile, another group, spearheaded by Siliconix and International Rectifier, was working on a different type of transistor known as the power MOSFET. And it was the scientist who thought of combining the physics of the two. “There was a vice president in GE who was developing a heat pump for air-conditioning applications. He was frustrated that the exiting transistors were failing and that the circuit needed to drive the motor pump was too big, expensive, and very cumbersome to assemble,” the Global Indian said.

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The legend

The scientist is single-handedly responsible for cost savings of over $15 trillion for consumers. “Because of the IGBT the world has not had to build at least 600 hydroelectric dams of the size of the Hoover Dam in Nevada," shared the scientist. His contributions in the field have won him many recognitions including the 1991 IEEE Newell Award, 1993 IEEE Morris N Liebmann Memorial Award, 1998 IEEE JJ Ebers Award, and 1999 IEEE Lamme Medal. In 2011, the scientist was awarded the National Medal of Technology and Innovation, the highest award for an engineer in the USA by US President Barack Obama.

Scientist | Dr. B. Jayant Baliga | Global Indian

"Something I never dreamt of as an immigrant coming here with, as I said, about eight dollars in my pocket and a suitcase. To end up in the White House with the President honouring you is just incredible. Unfortunately, my parents were not alive when that happened. And also the IEEE Medal of Honor, for example, that’s much later, 2014. They passed away in the 1990s," the scientist expressed.

Currently serving as the Distinguished University Professor of Electrical Engineering and founding director of NC State University’s Power Semiconductor Research Center, Dr. Baliga is also the founder of three companies, that aim to license and commercialise his inventions: Giant Semiconductor Corporation, Micro-Ohm Corporation, Silicon Wireless Corporation (later renamed to Silicon Semiconductor Corporation).

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Manjari Makijany: Emmy-nominated director making it big in the West

(March 25, 2024) Learning the art of filmmaking from maverick directors such as Christopher Nolan, Patty Jenkins, and Vishal Bhardwaj has put Indian filmmaker Manjari Makijany on the world map. She brings alive the stories that transcend borders and cultures, and that's what makes her an exceptional filmmaker. A regular at international film festivals, Manjari was nominated at the Children's and Family Emmy Awards for her film Spin in the Outstanding Directing for a Single Camera Programme and Outstanding Fiction Special categories. "I gravitate towards stories that are inspiring, evocative, and give you the excitement and energy to get up and do something. I am generally a curious person and my internal camera is always rolling as I take inspiration from everyday life and lace it with my imagination," she said. Having received the Will and Jada Smith Family Foundation Grant for her short film, the Los Angeles-based filmmaker was first introduced to the world of cinema by her father, Mac Mohan, also known as Sambha from Sholay. Over the past few years, she has carved her path in independent cinema, honing her craft under the guidance of renowned figures in the industry. Taking the legacy forward Born in Mumbai

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Manjari Makijany | Global Indian

Taking the legacy forward

Born in Mumbai to Mohan Makijany, fondly known as Mac Mohan in Bollywood circles, Manjari was immersed in the world of cinema from a young age. Raised in a household where cinema was a way of life, her passion for storytelling was ignited by her father. Growing up, she frequented the sets of her father's films, but it was the plays at Prithvi Theatre that captivated her imagination. Watching the stage transform with each play sparked her fascination with visual storytelling. Manjari would often enter into long conversations with her dad and dissect almost every scene from the films that she'd watched, further fuelling her love for the craft. "My father was the one who once said that I had the eye of a director at an age when I couldn't quite fathom what that meant," she said in an interview.

 

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A post shared by Manjari Makijany (@manjarimakijany)

Her entry into Bollywood unfolded organically as she stepped into the world of filmmaking at the age of 21 by assisting filmmaker Ayan Mukerji on Wake Up Sid. Two years later, she found herself on the sets of Vishal Bhardwaj's Saat Khoon Maaf, starring Priyanka Chopra. With no formal training in filmmaking until then, Manjari learnt the craft on the film sets.

Carving her niche

After learning the tricks of the trade from a master like Bhardwaj, Manjari's transition behind the camera came with the direction of the short film The Last Marble in 2012. The poignant story centred around a street kid crafting objects from metal scrap, garnered acclaim at international film festivals, clinching the Best of Fest at the Clermont-Ferrand International Short Film Festival. Thus began her journey as an independent director, armed with compelling stories. One such story led to her next venture, The Corner Table (2014), which not only earned a nomination for Best Short Film at the New York Indian Film Festival but also secured a place at the Cannes Short Film Corner. Yet her path hasn't been easy; she encountered many rejections before making her breakthrough. Not the one to give up easily, she used every rejection as a stepping stone to better her craft and bounce back with compelling stories.

 

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A post shared by Manjari Makijany (@manjarimakijany)

Journey to the West

Her films secured her a spot at the AFI Conservatory Directing Workshop for Women in 2016, making her the second Indian woman to be a part of this program since its inception in 1974. During this period, her third short film I See You took shape took form; ultimately clinching the Best Short award at the Asian American International Film Festival.

This enriching experience landed her on the set of Christopher Nolan's 2017 film Dunkirk. Working with the maverick filmmaker is every cinephile's dream, and Manjari got this once-in-a-lifetime opportunity with the war drama. This wasn't her only brush with the Hollywood biggies as she soon found herself working with Patty Jenkins on Wonder Woman.

She used every opportunity as a fertile learning ground that helped shape her as a filmmaker. "When you're an assistant director or an assistant in any capacity, you're a fly on the wall, you're invisible. Whatever you are learning and whatever you are doing is pretty much through observation, and absorbing as a sponge. It's been an incredible journey being on these projects and watching some amazing filmmakers at work," she added.

Moving towards meaningful cinema

After gaining critical acclaim for her short films, Manjari decided to shift gears to feature films in 2017. An article on skateboarding in India sparked the idea for her debut feature film Skater Girl. Intrigued by the existence of skateboarding communities in India, Manjari recognised the significance of bringing this narrative to the forefront of cinema. Set in a rural village in Rajasthan, Skater Girl explores the caste system, social taboos, and age-old traditions through the lens of a sports film.

 

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A post shared by Manjari Makijany (@manjarimakijany)

Hollywood Insider hailed the film for being a "meaningful film that provides food for thought for young audiences. "I believe local stories that are inspiring have a universal appeal and can transcend cultures and borders. There is something so resilient about the human spirit that when an underdog conquers against all odds, we all want to celebrate that triumphant and gratifying emotion. I wanted to capture that essence in Skater Girl," she said.

2021 saw Manjari bring to the forefront the first live-in-action Disney film that had an Indo-American story at its heart. For the first time, an Indian-American girl played the lead in a Disney film, this shattering all stereotypes plaguing the Indian diaspora. "When I came on board for directing Spin, I felt responsible and excited at the same time. Excited because it is one of the great opportunities for me as an Indian filmmaker to show our culture and portray the right representation of the next generation Indian-American community to the international audience, to the Disney fans. I also felt responsible because it was a chance to break all the stereotypes that are showcased about the Indian community, culturally. I wanted to get those nuances right," the Global Indian said. In 2022, the won was nominated at the Emmy, thus catapulting Manjari into a league of the next big filmmakers to watch out for.

https://www.youtube.com/watch?v=PCGzsmO03xw

Her journey as a filmmaker has not only earned her accolades but also sparked meaningful conversations and shattered stereotypes in the cinematic landscape. With her film Spin receiving nominations at the prestigious Emmy Awards, she has proven her ability to craft narratives that resonate with audiences worldwide. Through her storytelling, Manjari has successfully brought South Asian culture to the forefront, challenging preconceived notions and celebrating its richness and diversity. Her work is proof that cinema can transcend boundaries, ignite dialogue, and foster appreciation for cultural diversity.

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Aakarsh Shamanur: Empowering street vendors through solar-powered lighting solutions

(April 25, 2024) Strolling through the winding bylanes of Davangere alongside his grandfather, Aakarsh Shamanur fondly remembers marvelling at the old buildings. It was his fascination with Lego blocks that shaped his journey to becoming an architect. But his grandfather had different aspirations, he wanted him to work for the downtrodden. A few decades later, Aakarsh, now established in his profession as an architect, started the BePolite initiative to help empower the lives of street vendors through solar-powered lighting solutions. "I wanted to give back to the community, and having worked in the solar power sector in Europe, I realised the need for energy access in India," Aakarsh tells Global Indian. [caption id="attachment_50972" align="aligncenter" width="526"] Aakarsh Shamanur[/caption] The 35-year-old made the bold decision of quitting his job in Europe to return to India to pursue his calling. "My grandfather's vision got entwined with Gandhi's talisman - 'When you are in doubt if the decision positively impacts the poor and the weakest, then it's a good decision.' I knew I was headed in the right direction," says Aakarsh, who has illuminated the lives of 450 street vendors till now with his solar-powered solutions. The building blocks Playing with Lego blocks while

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bt if the decision positively impacts the poor and the weakest, then it's a good decision.' I knew I was headed in the right direction," says Aakarsh, who has illuminated the lives of 450 street vendors till now with his solar-powered solutions.

The building blocks

Playing with Lego blocks while growing up sparked an interest in architecture for Aakarsh, alongside a natural knack for improving infrastructure. Years later, he enrolled himself in RV College of Architecture on merit. "My tuition fee was paid by the government due to my merit-based seat." However, a turning point occurred during a college event when the chief guest made a thought-provoking remark that struck a chord with Aakarsh. "He said whoever received their education through tax-payers money has a responsibility to give back to the community." This inspired Aakarsh, leading him to start the BePolite initiative which he says is his "way of giving back to the community every Diwali."

Aakarsha Shamanur | Global Indian

However, before realising his dream, he took a flight to the Netherlands to pursue his master's in Urban Management and Development at Erasmus University. Those years proved formative, shaping him into the person he is today, and he credits the flat hierarchy in the Netherlands for it. "Regardless of your position, whether at work or university, everyone values your opinion. They emphasise teamwork and consensus building," he says. While working on projects in solar power space in Europe, a short trip to India made him realise that renewable energy is the need of the hour. "In developed countries, solar power is used more for recreational purposes. We used to power music concerts using solar power, but back home, the same solution could power an entire village."

Giving hope to street vendors

Armed with ideas and enthusiasm, he returned to Bengaluru but soon realised that the solutions needed to be tailored to local needs. For this, he spent three months in a village to understand the problems at the grassroots level. Acknowledging the need for energy access and the growing trend of urbanisation, he saw people moving from rural areas to cities in search of better opportunities. "Most end up becoming street vendors as it's the easiest option. Seeing their challenges, I decided to help by providing them with clean, sustainable lighting solutions that don't have a recurring cost every month associated with gas lights or candles. A solar product would be a good fit to reduce the operational costs every month," explains Aakarsh. Under the BePolite initiative, he started by providing solar lights to street vendors, enabling them to continue their sales even after sunset. What started with lighting eventually became a marketplace with more solutions where he integrated mobile charging and later did a pilot project for refrigeration as well. "There are multiple layers to the initiative. However, sustainability and inclusivity are the keywords that govern the entire initiative."

How it began

Growing up, Diwali was a traumatic time for Aakarsh who had asthma. "I would urge people to not burst crackers but it often fell on deaf ears. Soon I realised until you offer an alternative, you are not solving the issue. That's how the idea of gifting a light on Diwali came up." It was during Diwali 2018 that BePolite (portable light) did their pilot project in Bengaluru and soon started getting inquiries from Tier 2 cities expressing their interest in solar lights. "Initially, the lights were provided free of cost but now we charge 10 percent from the vendors. The light costs ₹3000 and we charge ₹500 from the vendors, which comes with a one-year warranty," informs Aakarsh who turned to crowdfunding for raising funds. "It removes the inhibition of asking somebody to fund the initiative. Moreover, it helps reach out to a larger audience. In just a week, we raised ₹3 lakh."

So, what sets their solar light apart from others available in the market? Akarsh highlights the superior quality of the light, encased in aluminium for durability. "When the vendors no longer need them, they can still get some scrap value." Made in India, these lights are a little more expensive than their Chinese counterparts and boast a lifespan of three years. After that, they can be sent for servicing and refurbishing, thus extending their usability. "This way we also save them from reaching the landfill at an early stage," says Aakarsh, who is piloting a powered umbrella this year which serves a dual purpose. "Keeping in mind the heatwave, vendors can use the umbrella for shade during the day, and the light can be used during the night."

Expanding its reach

Consistency is paramount for Aakarsh, irrespective of the quantum of the output. "Even if we are reaching out to 10-20 vendors every year, it's equally critical as we are staying consistent and making things happen," says the man who supplied lights to Dell last year for a CSR initiative, distributing them to tribal students in the forest areas outside Bengaluru. Till now, they have distributed solar lights in Tamil Nadu, Kolkata, and Karnataka. "In Chennai, we gave the lights to fish vendors at Marina Beach."

Aakarsh is happy that the BePolite initiative has brought dignity to the lives of street vendors, as he now observes an increased level of trust between street vendors and customers due to better quality of lighting. "Now the customers believe that the products sold to them are of good quality. Moreover, many vendors send the light to their kids in villages during their exams, thus prioritising the use of the light according to their convenience," says Aakarsh.

Each year around Diwali, the BePolite initiative takes centre stage, sometimes extending up to Christmas, depending on the interest. Aakarsh plans to draw the government's attention to the necessity of providing basic infrastructure to street vendors. "The ultimate goal is to switch towards vending zones. It can also become a platform of positive giving where people gift items to the needy - be it an umbrella or blanket," signs off Aakarsh.

  • Follow Aakarsh Shamanur on LinkedIn
  • Follow BePolite on Instagram

 

 

Story
Rahul Mishra: Putting Indian fashion on the global map

(May 31, 2023) As Golden Globe award-winning actor Zendaya sashayed in a blue-embroidered cosmos saree at India's first-of-its-kind, multi-disciplinary cultural space project — NMACC in April this year, people couldn't take their eyes off the Hollywood actor. That's the magic that Indian designer Rahul Mishra weaved as his noteworthy design arrested the attention of millions - a piece that came to life after over 3000 hours of intricate handwork by various Indian artisans. The fashion designer- the first Indian to present at Paris Couture Week - is truly taking Brand India to the globe and how! "I want my clothes to speak to the world that they are from India. They are Made in India. This has been the most important thing for me and I've never compromised on that. I want to create clothes that have got significant craftsmanship from the country, which involves people who work on these collections. So, in that way, this is something I want people to take away, that Indian aesthetics are global aesthetics," he told Forbes.   View this post on Instagram   A post shared by Rahul Mishra (@rahulmishra_7) This isn't the only time that Rahul captivated global audiences. In 2013, who

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A post shared by Rahul Mishra (@rahulmishra_7)

This isn't the only time that Rahul captivated global audiences. In 2013, who could have thought that wool could be transformed into a summer fabric? But this novelty is what made Rahul pick up the Woolmark International Prize, making him the first Indian designer to join the league of fashion biggies like Armani and Karl Lagerfeld. When he studied apparel design at the National Institute of Design, he thought he wasn't good enough for any other courses. But the decision turned out to be the best thing for this fashion designer who has become a global name in the world of fashion.

The Global Indian's love for Indian handloom has made him a designer to reckon with in the international market. But being a global designer was a distant dream for this boy from a village in Kanpur who studied at a school that had ₹7 as its monthly fee. But purely based on his talent, Mishra made it big in fashion and how.

Kanpur to Milan

Born in 1979 in the sleepy village of Malhaus near Kanpur, Rahul's birthplace first got electricity a year after his birth. Due to frequent power cuts, he would often finish his homework under the light of a kerosene lamp while attending a school that had no benches and made students sit on durries for their classes. Like most of his friends from the village, he too aspired to become an IAS officer, however, it was his creative side that pulled him towards arts as he developed his love for doodling and creating comic strips while studying at Maharishi Vidya Mandir in Lucknow. So, after completing his Physics degree from Kanpur University, Rahul decided to give his love for arts a shot as he enrolled himself in an apparel design and merchandising course at the National Institute of Design, Ahmedabad in 2003.

[caption id="attachment_39378" align="aligncenter" width="705"]Rahul Mishra | Global Indian | Indian Designer Rahul Mishra (Photo Courtesy: Forbes)[/caption]

It was here that he was exposed to arts like never before. Apart from learning about apparel, he ended up attending classes in filmmaking, furniture, and animation. A year into his course and Rahul won the Best Student Designer of the Year, giving him enough confidence to make his debut at the Lakme Fashion Week in 2006 using the Kerala mundu handloom fabric to establish his design aesthetic of traditional meeting contemporary minimalism.

Mishra, who was introduced to sustainable fashion and the history of local Indian crafts at NID, soon found himself at the doorsteps of Milan's Instituto Marangino, thus becoming the first non-European designer to win a scholarship at the prestigious institute. This one year at Marangino helped Mishra find answers to many of his thought-provoking questions on fashion. It was while walking across Japanese designer Issey Miyake's store that he realised how unmistakably Japanese yet global the clothes were. This was a eureka moment for Rahul. "I understood why he had made it big. It was because he was very rooted in Japanese culture. I had found my answer: I had to be rooted in Indian ideology and create something very universal," he told the Indian Express in an interview.

Bringing Indian handloom to the global market

Upon his return, this Global Indian did every bit to showcase collections that were taking Indian traditions forward. Be it ikat from Odisha or chikankari from Lucknow, Rahul was making Indian handlooms popular globally at a time when Make In India hadn't become the buzzword. Soon he launched his eponymous label and showcased his work at fashion weeks in Dubai, London, and Australia.

 

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A post shared by Nita Mukesh Ambani Cultural Centre (@nmacc.india)

But showcasing his collection at Paris Fashion Week is what changed the trajectory of his career. Mishra, who calls himself a storyteller and believes that every garment has a soul and a philosophy behind it, became the first Indian ever to win the International Woolmark Prize, thus catapulting him into the league of Karl Lagerfeld and Giorgio Armani. Suzy Menkes, the popular fashion critic, called Mishra a "national treasure" after his spectacular win.

The 44-year-old believes in the power of fashion to solve problems and bring about economic change. That's the reason he essentially works with craft communities in the village of Gujarat, West Bengal, and Madhya Pradesh, and even encourages them to innovate. Being from a village in Uttar Pradesh that went to Milan, Mishra understands the perils of migration for his textile artists. "I don’t want them to come to the cities. I take my work there, develop and safeguard their craft. After all, fashion is the greatest enemy of craft. It’s not about supporting them for one collection, it’s about teaching them everything I know," he added.

 

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A post shared by Rahul Mishra (@rahulmishra_7)

Mishra's work has found resonance in India and abroad. Known to add milestones in the journey, Mishra became the first Indian designer to showcase haute couture at Paris Fashion Week in 2020. In just over a decade, Mishra has become a global name in the world of fashion, and it's his philosophy that has worked wonders for him. "Fashion is influenced by my memories of childhood and also the people I meet, but innovation comes from within. I follow a design process that I inculcated in the National Institute of Design. So, for me it's not just about a person wearing a shirt or a dress, there is an entire philosophy behind it. This invisible, intangible philosophy is much like AR Rahman's music, something original, pure and untouched, that is fashion for me," he told Business Standard.

Rahul Mishra

As Rahul Mishra continues to make his mark in the fashion industry, it is evident that his dedication to sustainable fashion and his passion for preserving traditional craftsmanship will continue to be the driving forces behind his success. His ability to blend innovation, artistry, and sustainability sets him apart and solidifies his place as a trailblazer in the world of fashion.

  • Follow Rahul Mishra on Instagram

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About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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