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Jeenal Sawla | Smart Cities Mission | Global Indian
Global IndianstoryJeenal Sawla: The Harvard grad reclaiming public spaces through the Smart Cities Mission
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Jeenal Sawla: The Harvard grad reclaiming public spaces through the Smart Cities Mission

Written by: Darshana Ramdev

(April 19, 2024) In Rourkela, Odisha, was a slum reserved for people with leprosy, a community that nobody wanted to enter. It was a little children’s park that changed its fate, and soon, there were kids coming in from everywhere to play together. In Pimpri Chinchwad, Maharashtra, the Sudarshan Chowk, once a haphazard, unauthorised car park, was transformed into an open space, where people now flock everyday, to do yoga, let their children play and even for small celebrations. A dumpyard in Kohima, Nagaland, became a micro park, which soon became a place where people from nearby colonies now come to meet. What’s more, all this was done in 75 hours, as part of the Placemaking Marathon, conceptualised by Jeenal Sawla, Principal Advisor of the Smart Cities Mission, as India celebrated its 75th year of independence. The community-driven exercise to reimagine and reclaim public spaces would have a sweeping impact.

Thinking differently has always been the core of Jeenal Sawla’s philosophy. After graduating with a degree in architecture, she went to Harvard University for a master’s in urban design, then worked at an architectural firm for two years in the US before realising she wanted something different. She returned to India and went on to join the Ministry of Housing and Urban Affairs, where she is currently an advisor to the Smart Cities Mission. “I hope more of us with access to good universities and global exposure are able to engage in solving societal problems and contribute to nation building” Jeenal tells Global Indian.

Jeenal Sawla | Smart Cities Mission | Global Indian

Jeenal Sawla

From Bombay to Boston

Growing up in Mumbai, Jeenal’s mother, who did not have the chance to study was keen that her daughter pursued a good education, often joking, “I won’t let you get married until you have a master’s degree.” In her free time, Jeenal would “scribble” in her notebooks, but what she was actually doing was redesigning houses. “I had redesigned a lot of my family’s houses,” she recalls. Architecture seemed like a fairly obvious career choice but instead of more conventional, prestigious schools like JJ College of Architecture, Jeenal went with Kamla Raheja Vidyanidhi Institute for Architecture and Environmental Studies.

It was a niche school that put a different spin on architecture as a subject, shaping Jeenal’s formative views towards her pratice. “We weren’t discussing form and function, Kahn and Corbusier,” she says. “We were thinking of real life problems.” When she was 20, she spent two months walking around and documenting the Dharavi slum. “We were focussed on pressing issues in Bombay, on equity and human-centred design before it became corporatised over the last decade or so.”

The most common step after Kamala Raheja was a master’s in urban planning and Jeenal wanted to explore how economics and politics can influence decision making in this area. She applied to a bunch of urban planning programmes and was admitted to Harvard University.

Journey to Harvard:

Harvard had given her a seat, but funding was a problem. Jeenal wasn’t eligible for many of the bigger scholarships and taking a loan would have meant mortgaging her father’s home and his office, which she could not bring herself to do.  “Somehow I was able to cobble together the money and get there for my first year, but I was worried about not being able to afford the second,” she said. Moreover, she received disapproval from her extended family, and heard things like, “Who will marry you if you have all these loans. In fact, during my first week, I was wondering if I should stay there at all.”

However, the Kutchi Jain community to which Jeenal belongs, matches young students with a resident in the country they’re in. “I stayed with a wonderful person, who became like my adopted mother there. When I told her I wanted to go back, she was shocked,” Jeenal recalls. Together, they crowdfunded the tuition fee, raising money from 34 individuals and organisations in India and America, all before the advent of digital platforms. It allowed her to stay on at Harvard, and also, for the very first time, taught her the power of communities. “I’m not religious and don’t think of myself as a Kutchi Jain all the time, but as we become more global and these ties loosen, what will be the future of communities,” she wonders.

Excelling at an Ivy League

Jeenal had been so focussed on raising money, she hadn’t considered what life at Harvard would actually be like. And making it at one of the world’s most prestigious schools is not easy. “You have become used to being the best back home and now, you’re in the middle of all these beautiful minds,” she says. There were insecurities she had never imagined, like speaking English, which she had always done fluently. The format of education was different too, with lots of reading and writing. “I had never written a paper before and I failed the first one I wrote,” Jeenal recalls. “I was so caught up with funds that I had never thought about these things. I hope students now are better prepared with the tools to help themselves, whether that’s meditation or the therapist you have on retainer,” she adds, laughing.

Even so, it was the experience of a lifetime. The urban planning programme was part of the Harvard School of Design, but Jeenal also loved her classes at the Kennedy School, where she took a lot of classes. She also travelled, even making a trip to Palestine’s West Bank, where she saw firsthand the stark realities there, and a summer in Costa Rica, through a classmate at Harvard. There, she worked to set up a the Social Capital Credits (SoCCs) programme on behalf of the Asia Initiative, which incentivises people to take up projects of social good in exchange for redeemable credits. They identified issues from the SoCCs menu, including waste management, and the castration of stray dogs, and collaborated with sponsors, like a food mart that would give out food coupons in return for social credits. Although she had only two months, the communities drove the initiatives forward on their own. “The bee population was reducing so they incentivised beekeeping,” she says.

The 100 Resilient Cities project

After Harvard, Jeenal spent two years as an Urban Planner at a Boston firm, when the city was readying itself for the 2024 Olympics. However, the proposed infrastructure projects resulted in widespread community backlash, and Boston withdrew its bid. So Jeenal worked on campus planning, and in understanding how the university campus and city can benefit mutually from each other. But the job just wasn’t what she wanted. Instead, her interest was piqued by the Rockerfeller Foundation’s 100 Resilient Cities initiative, and joined Dalberg, a strategic partner in the project. So when she was offered a chance to lead a project in India for one year, she took the opportunity. “I had a H-1B for six years so I decided to give it a try. I was to do resilient strategies for Pune and Chennai, which involved everything from transportation to biodiversity, housing and development.”

At the end of that year, Jeenal didn’t want to leave India. So, she reached out to the Municipal Commissioner of Pune, who was known to be very dynamic and leading the Smart Cities Mission, and the government as a platform was just what she needed. She came to Delhi, as part of the Ministry of Housing and Urban Planning, where she has been for the last four years. “It’s my longest employment and I don’t feel jaded or anything,” she says.

The job is what one makes of it, she remarks. “The bosses I have here have really shaped my experiences – I have had two and both have been progressive, given me a lot of space and trust to create and drive project with a significant amount of independence and creative space.”

Jeenal Sawla | Smart Cities Misison | Global Indian

Contributing to India

“I have been told that I should pick a lane,” Jeenal admits, “But I don’t really want to do that.” The Smart Cities Mission, however, is sector agnostic, and develops projects according to what a particular city needs. “There is always a requirement for deep expertise but if you’re a transportation expert you’re only going to think about transportation.”

The team is focussed on project monitoring in 100 cities, by integrating data and technology with services and infrastructure to solve urban issues. “We are trying to make things more systematically and improve data ecosystems instead of doing one-off data projects,” Jeenal says. Also, these were the early days of Covid, when migrant workers were walking back home and they were looking at how to think about this from a tech and data standpoint. Besides, with no cars on the streets, over 100 cities were re-imagining their public spaces, setting up cycle lanes and parklets.

“We started two programmes called the Streets4People and Cycles4Change,” she said, “As well as “Nurturing Neighbourhoods and the Placemaking Marathon.” They began with around 50 cities in different phases, working with stakeholders to reimagine certain parts of various cities. There was also a campaign on how to improve cities from thel ens of young children and caregivers. This year, Jeenal looks to ground a pilot program on the ‘care economy’ in select urban poor communities. “Unpaid care work is the biggest reason holding back our female workforce participation rate. For women to be economically productive, we need to improve access to quality, affordable, and accessible care services and infrastructure.”

“ln a country like India, with some of the highest urban densities, community public spaces serve as extensions of homes,” says Jeenal. “They build social cohesion in an increasingly isolated world and also create opportunities for healthy and active living – which cannot be underestimated given the steep rise in lifestyle-related diseases in India. lt is important that as governments, we reduce our over-emphasis on regulating private spaces and invest more in creating public goods.”

Follow Jeenal Sawla on LinkedIn.

 

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Bharat L Shah
Bharat L Shah
April 26, 2024 10:20 pm

Impressive and inspiring.

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  • Asia Initiative
  • Cycles4Change
  • Harvard Kennedy School
  • Harvard School of Design
  • Harvard University
  • Indian urban planners
  • Indians from harvard
  • Placemaking Marathon
  • Smart Cities Mission
  • Social Credit Capital
  • Streets4People

Published on 19, Apr 2024

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Breaking the 9 to 5 office mould

In an exclusive with Global Indian, on a day’s visit to the just-launched 110,000 square feet of space that is The Quorum in Hyderabad, he shares details about his idea. He reveals how the club is more than just a place to work or relax after a guided tour. “We had set up The Quorum in Mumbai and Gurgaon and it took us two years to get the Hyderabad venue up and running. The place has everything you could need — to work, entertain, relax, hold an event, or even have a meeting, without the pretentiousness of a five-star property.”

The Quorum’s facilities geared towards wellness include two internationally certified padel courts, a pilates studio, a room for yoga, a pool, and a gym. There is also a restaurant, a members’ lounge and bar, and smaller, private rooms to hold a book club reading and conduct meetings or events. Kids are allowed only on Sundays.

Vivek is passionate about inviting speakers on a range of subjects, and the club’s activities across cities include hosting fashion pop-ups, and using the space on the walls as a gallery to promote art. The newly-launched Hyderabad club had its first show in collaboration with Srishti Art Gallery and their in-house curator ensures art gets its due importance across all three properties. He adds, “Every month we will be collaborating with different galleries and artists because I believe art is and should be an important conversation to have.”

According to an article in Forbes magazine, ‘The fastest-growing workplace isn’t home or the office, but some third place — a coffee shop, hotel lobby or, increasingly, private clubs.’ And, focussing on this trend, within five years, The Quorum has helped bridge the gap for people who are frequent travellers and are aware of trends and luxury experiences they might wish to replicate in India.

More than a club membership

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Vivek admits that some events are crowd pullers and some conversations have barely a handful in the audience, but it doesn’t deter him from pursuing this paradigm of offering something more than a club.

Keeping in mind the high-profile members, many of whom are HNIs, the club is tastefully done up. From the comfortable seating to the wall-papered library which even has a secret door that leads to a private room; an installation hanging from the ceiling, echoing the movement of birds during a murmuration, by Delhi-based origami artist Ankon Mitra to the spacious dining area, the pool etc., everything spells luxury sans the snob element. The staff is friendly and the entire space is meant to make you relax. When asked how The Quorum is different from the regular clubs, Vivek reiterates, “Those clubs are not always focussed on giving you the best quality. Even as we push the boundaries on various subjects, our kitchens promise you an excellent culinary experience too with global cuisine on the menu.”

 

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A post shared by The Quorum (@thequorumclub)


All these facilities come at a price. The standard joining fee is a one-time, non-refundable deposit of Rs five lakhs, and an annual fee of Rs one-and-a-half lakhs. What you spend on food and drinks is extra. The fee gives you access to this space and its facilities, two of The Quorum’s other clubs in Gurgaon and Mumbai, and 75+ clubs across 28 countries it has associated with. Though there are other membership tiers — for entrepreneurs, women, and those who fit the profile and are under 30 — the one-time fee has been waived off.

Offices of tomorrow

Vivek, who has in the past worked with leading hospitality brands, has also set up his second flagship brand called district150. Elaborating on the brand’s name and idea, he says, “According to Robin Dunbar, an anthropologist from Oxford University, 150 is the total number of stable, meaningful relationships a person can have in their life. That is why cavalries have only 150 members, and a human being can remember a maximum of 1500 faces and 500 names. With this narrative in mind, I set up district150 which is a meetings and events venue driven by hospitality and is a space built with the future of work and lifestyle in mind. It’s an amenity for the office building of tomorrow which can add significant value as a venue for corporate meetings and events during business hours and as a social venue after working hours.” It is a cross between an office and a hotel and you can host meetings and events here; there is also a progressive Indian casual dining restaurant called Zila. The brand has partnered with Subko, for their artisanal coffee and chocolate experience.

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[caption id="attachment_33736" align="aligncenter" width="753"]Amit Lath | Global Indian Amit Lath received Pravasi Bharatiya Samman from President of India Dropudi Murmu[/caption]

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[caption id="attachment_33684" align="aligncenter" width="587"]Amit Lath | Global Indian | Poland Amit Lath is the CEO of Sharda Group of Companies[/caption]

Putting India on the global map 

For the next few years, with a clear focus and goal in mind - to make Sharda Group a known entity in the EU - Amit started making remarkable progress in his business. Such has been the impact that it became the first Indian company in Poland to be nominated in the list of FORBES Diamond 2012. While he made a name for himself in the Polish business world, Amit was also spearheading Indo-Polish ties. However, he instantly corrects me, "Indo-European ties."

"We have a strong standing across 27 countries of the EU. And now people have also started understanding India. We did a New India campaign a few years ago, telling people how India has gone beyond expansion and technology. It's not the India that their forefathers might have told them about. At every possible opportunity, I made sure to get people acquainted with India, through my conversations," says the VP of the Indo-Polish Chamber of Commerce and Industry in Poland.

[caption id="attachment_33685" align="aligncenter" width="538"]Amit Lath | Global Indian | Poland Amit Lath has been in Poland for 24 years now[/caption]

The past two decades in Poland have been a learning curve for Amit. Recalling the initial years, he reveals that many Indian businessmen back home were skeptical of starting a business in Poland as they often asked if the country was safe as they had heard that the Russian mafia was active. "I told them it was all nonsense." Things started looking up when Poland became a part of the EU in 2004, and many Indian business houses made their way to Poland. From big MNCs like Infosys and HCL to UFlex and Escorts setting up their offices, Indian businesses started growing in Poland. Thanks to this, Poland now has a thriving Indian diaspora of 45,000 people.

Operation Ganga 

It's this same Indian diaspora that Amit credits for playing a pivotal role in helping the Indian government during Operation Ganga - an initiative to bring back Indians stranded in Ukraine. "While I was coordinating, many Indians and Polish came out to help the Indian government. But it was under the leadership of Gen VK Singh and the Ambassador of India that it was made possible," says Amit, who relentlessly worked with the Indian government for two weeks until the last Indian was sent back.

[caption id="attachment_33682" align="aligncenter" width="834"]Amit Lath | Global Indian | Poland Amith Lath with Gen VK Singh and Operation Ganga team[/caption]

The Indian government, meanwhile, had requested the Polish counterparts to allow Indian students to enter Poland without a visa on humanitarian grounds. Some exceptions were also made for students who were just carrying photocopies of their passports as they left behind their originals in a rush. "Poland shares eight land borders with Ukraine, and students were walking in cold for days to reach the Poland border. So, we ensured that once they are in Poland, they would be taken care of. A team of 30 doctors was arranged in the hotel as many had gone through mental trauma."

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[caption id="attachment_33683" align="aligncenter" width="794"]Amit Lath | Global Indian | Poland Amit Lath with Indian students in Poland[/caption]

Interestingly, many of the Indian students who fled from Ukraine later enrolled in Polish universities. "We prepared a list of 15 Polish universities, and shared it with Indian media and several students, who could connect directly to them for admission, given the right documentation," reveals Amit, adding, "Brand India makes a lot of difference globally, and this is proof of it."

It's been almost a year since Russia invaded Ukraine, and people including Indians made their way to Poland. Till now, more than 8.8 million immigrants have crossed the Polish border. "The way Poland opened its borders and arms for the people of Ukraine is commendable and emerged stronger as a member of the EU. It's high time that the war ends."

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[caption id="attachment_45483" align="aligncenter" width="594"]Charu Suri | Global Indian Indian composer Charu Suri[/caption]

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At the young age of 15, she won an international piano playing contest, which helped her bag a place at Princeton University to study classical literature and musical performance. Those years at the university shaped her as a composer, so much so that a piece composed by her for chamber orchestra was performed by French-American cellist Yo-Yo Ma and American bassist and composer Edgar Meyer at Princeton University.

However, graduating from college came with its share of the pressure of releasing her compositions soon. "That's a very dangerous mentality to subscribe to because you end up following in other people's footsteps and never really finding your voice," she added. That's when she decided to take a break and start to travel the world and find her voice as a freelance reporter. In no time, Charu became an award-winning travel journalist with articles in The Washington Post and The New York Times.

Charu Suri | Global Indian

However, a gig by the Preservation Hall Jazz Band in New Orleans in 2018 reignited her passion for music and inspired her to return to the world of composition. Her first EP - The New American Songbook - a jazz record came out in 2019. It was the same year that she became one of the few Indian-born composers to play at New York's Carnegie Hall. By this time, she had realised that composers like Beethoven and Debussy brought their signature style and voice, and she too needed to bring her heritage into jazz. That's when she began taking lessons in jazz along with resuming lessons in Indian classical music, and started delving more into raga jazz. She released three albums - The Book of Ragas Vol 1 and Vol 2 and Ragas and Waltzes - in quick succession. Her compositions weave techniques and sounds from several places including India, Europe, and Africa.

https://www.youtube.com/watch?v=nT74c9rgI5M

Her latest album Rags and Ragas perfectly showcases her versatility and breadth of ragas by blending jazz with Indian classical music. "I have folded in everything from Bhairavi to Bageshri, two completely diametric opposites in terms of what ragas can do," she said. With her music, Charu wants the listeners to know that one can't put Eastern music and Western music in watertight compartments, instead, they are parallels. With her album topping the charts, she is now gearing up for a concert at the Grammy Museum in Los Angeles in October this year.

For Charu, the musical journey has been spiritual. "To feel the music was something that I learnt by listening to tons of records by Bill Evans and Miles Davis. When Bill Evans was asked what is jazz, he said, it's a feeling. It took me a while to realise that anyone can write a tune but not everyone can write a tune that has an emotional touch. That takes years to experience life. That's the greatest aspect of my musical journey."

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(May 23, 2022) Sometimes, the smallest decisions can change the course of life forever. That holds true for filmmaker Shriya Rana. In her second year MBA, while others were bracing themselves for campus placements, Shriya was itching to do something creative. All that it took to realise her goal in life and pursue it wholeheartedly was her decision to do a brief internship with a local filmmaker in her home state of Himachal Pradesh. A few days into her internship, filmmaking captured her imagination and she wanted to be part of the whole thing, from conception to completion. With no contacts in the film world, she quickly reached out to former students of the New York Film Academy, asked them many questions and got an understanding of how things worked in Hollywood. Come 2017, she moved to the US to study filmmaking. [caption id="attachment_24770" align="aligncenter" width="544"] Shriya Rana[/caption] Five years of struggle and challenges later, Shriya made her mark in Hollywood, by writing and directing eight short films and producing 10 more -- all in different genres, most of which have been screened in over 30 film festivals across the globe. "That (internship) changed my life. The experience taught me

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ng eight short films and producing 10 more -- all in different genres, most of which have been screened in over 30 film festivals across the globe. "That (internship) changed my life. The experience taught me two major things - first, how to market and sell yourself as well as your property and second, that a movie is made thrice, first when it’s written, second when it’s made, and third, during the post-production time," smiles Shriya, in an exclusive chat with Global Indian.

Her recent release Ayesha turned out to be her most successful film, for which she bagged five Best Director awards and secured over 20 official selections. Not only did she receive the Audience Choice Award at the prestigious UCLAxFilmFest 2021 for the film, which is about a young woman who struggles to lead a normal life in a homophobic society, it was also showcased at Marina Del Rey Film Festival and Capri Hollywood Film Festival.

From Himachal Pradesh to Los Angeles

Born in Mandi, Himachal Pradesh, Shriya's father Dr Raj Kumar is an economics professor and mother Saroja Rana, a school principal. Her younger brother is an officer with the Indian Air Force. "Since I don't come from a film background, I did not have anyone to look up to. Even though I was curious about the filmmaking process, I never thought about the filmmakers," she says.

 

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In school, while her peers were more focussed on academics, Shriya was doing things she loved -- painting, dancing and singing. "I was doing well in academics, and could never think of a career as an artist. Now when I look back, it’s strange that art was what I loved," says Shriya, who studied at Lords Convent School and later went to the Himachal Pradesh University Summer Hill, Shimla.

The internship helped her find her inner calling, and without further ado, she moved to LA in 2017 after doing some research on the best filmmaking schools. Initially, she took up a brief course at New York Film Academy (NYFA) which enabled her to understand that direction was her true calling. Subsequently, she enrolled at the University of California, LA for a course in same. During those days, she started working as a Gallery Ambassador at UCLA’s Hammer Museum in the mornings, and attending school in the evenings, which not only helped her monetarily but taught her customer service, discipline and duty.

Spreading her wings

"Once I landed in LA, there was a clear cultural clash. It was a different lifestyle, something I wasn’t accustomed to at first. It took me a while but I prepped myself and brushed up my cursory knowledge to face this new world," smiles Shriya, who landed her first job at the CBS Post and later interned at Brett- Morgan’s Public Road Productions.  "I socialised, explored, networked, met more people and finally made movies with them," informs the filmmaker, whose parents supported her throughout.

 

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Shriya, who has made films like Drifting Darkly (2018), Waiting (2018), Serena Calling (2019), False Notion (2019), Ayesha (2021), says, "Making simple stories impactful is the hardest thing to do." Currently working as the production coordinator with Paramount in LA, she distributes their shows and movies to their partners (Apple, Amazon, Hulu, Fandango, Comcst, Vudu and many more) and formats and publishes their content on Paramount Plus website.

Having worked on primetime and late-night shows like The Good Wife, Equalizer, The Amazing Race, Twin Peaks, NCIS, Young Sheldon, she has a great body of work to her credit. "I had the opportunity to work with the best team and contribute to the launch of Paramount Plus and Grammy’s 2021. Working on the launch of Paramount Plus will always be the highlight of this job," smiles the filmmaker, who is a big fan of horror movies but loves a good story irrespective of the genre.

"I like stories that resonate with people. Regardless of the genre, I like stories that make you think, real stories about real people. I received a great response for Ayesha and I have been working on developing it into a feature," she informs.

So what’s next in store? "I’m working with a credible crew of filmmakers on various projects, both in film and TV. Most of my projects are in development and I hope to see my projects in production by the end of the year," reveals the filmmaker, who is also skilled in script coverage, screenwriting and video editing.

Filmmaker | Shriya Rana

Bollywood vs Hollywood

When it comes to Hollywood and Bollywood movies, Shriya feels both industries are very different. "In LA, people talk about the filmmakers, cast and studios. But in India, it's more about the actors and directors. Filmmakers in India don’t get enough credit," she feels. Although films like Andhadhun have set a trend for unique plots and concepts with commercial success at the box office, films like Tumbbad, Bhavesh Joshi, Panga, Pataakha, Soni still haven’t been recognised, she believes.

"We still don’t talk about directors like Ashwini Iyer, Anand Gandhi, Ivan Ayr. Also, the content here is very original. We have so many talented filmmakers in India but sadly their work doesn’t reach the masses as they don’t get enough theaters. I hope to see things getting better for people behind the camera in India," says Shriya, who admires Basu Chatterjee and Shekhar Kapur in the Indian film industry. Her current favourites are Mike Flanagan, Quentin Tarantino, Emerald Fennell and Phoebe Waller-Bridge. When not busy with filmmaking, Shriya loves to dance, watch films and visit art galleries.

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Story
Meet Aayushi Karnik, the Indian guitarist who riffed her way into The Juilliard School

A 28-year old self-taught Jazz-Blues Guitarist/Singer-Songwriter, Aayushi Karnik started playing guitar at the age of 12. She studied jazz guitar at New York’s feted The Julliard School. She found her calling after in the Blues while during a break from Architecture Studies. Now a seasoned member of New York’s thriving jazz circuit, Aayushi has performed alongside Indian guitar greats such as Rudy Wallang and Sanjay Divecha and has worked with musicians like Geoffrey Keezer, Christian McBride and Ron Blake and released albums like The Summer Children, and blues/rock record Troublemaker. (June 15, 2023) As a kid, Aayushi had her headphones on all the time, escaping into a musical world of her own. To her, relaxation meant playing music, writing songs and learning things about music through internet. Aayushi would do this as a hobby but while studying architecture, she gravitated even more strongly towards music. "It was during my one-year break that I became inclined towards music and started to practice guitar more aggressively as compared to when I was in Architecture school," she tells Global Indian, adding, "I was supposed to go for my undergraduate studies and I almost went in that direction after having topped the entrance exam

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ion after having topped the entrance exam for the universities but something pulled me against doing that."

Growing up in Surat, Gujarat, in a family of architects, Aayushi intended to follow in her father’s footsteps, and music was not remotely part of the plan. "I wanted to be an architect just like my father and be a really good one for that matter. My schooling was at a Convent in Surat all the way through 10th grade and then I went to an Architecture prep school as I was very clear what I wanted to do, at least then,” she says.

The musical expedition

Things started to change after she applied for a guitar competition in Nagaland. "That led to me making friends in music outside of my hometown." She began to see herself as a musician, spending hours practicing music. Her only goal was to write music and get better each day, she says. “I had created a space of escape, even when I was in high school. Forming my first band was a big moment.”

Intrigued by her own capabilities, Aayushi Karnik attempted to make the sounds that come out of her iPod and kept chasing it. "Song writing was something that I did for fun. Just like sketching, gardening, foraging, riding my scooter and other stuff that gave me pleasure. Again that low pressure space where people aren’t fighting for affirmation was something that shaped the beginnings of my musical education."

 

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Making it to Juilliard

"After studying at home for a while and being guided by a fellow musician, Floyd Fernandes, I decided to apply to colleges in the US which I thought would challenge me.” On this list was on The Julliard School, one of the top schools in the world for music, and an ambitious choice for an untrained musician.

She got a call back from Juilliard and even as she went through her final audition round, Aayushi Karnik still didn’t allow herself to get her hopes up, as being able to read and write music was one of the main requirements for admission. "I didn't grow up with an infrastructure of a well-organised music program throughout my entire schooling. But from what I've heard, it was the director of Juilliard Jazz, Wynton Marsalis, who insisted that I be admitted. I was able to pursue my education because of a full scholarship."

Knowing the craft of different genres and styles, she began her journey as a singer-songwriter. “First a singer-songwriter, then a blues musician and then a few years before I went to Juilliard, I was studying jazz with Floyd Fernandes. Currently, I am working on an album with my Folk Band, Summer Children and also writing for my Indie/Rock group. I also write in the context of Modern Jazz but that project is more of a work in progress for me at the moment,” Aayushi says.

Trying to be heard

Aayushi Karnik now calls New York City her home, and is now a well-known face in the city’s thriving jazz circuit. “New York City has been very inclusive and welcomes folks from all over when it comes to the arts,” the musician remarks.

Even so, while writing music and playing sessions for other musicians have helped her build a reputation, being heard on a larger scale has been a challenge. Aayushi admits that she didn’t have the option of choosing the ‘conventional’ route with playing music in the Jazz scene in New York.

[caption id="attachment_40031" align="aligncenter" width="477"]Aayushi Karnik Aayushi Karnik, the Indian blues guitarist taking NYC by storm.[/caption]

"Even if I did, I would have bored myself eventually. The friction I am experiencing is just the price one has to pay when they are trying to experiment with things that are not usually done,” says Aayushi. “ I manage to be fine with it as I am lucky enough to find great musicians that are invested in my projects,” she adds.

Experiences onstage

At the top of Aayushi’s list of most memorable musical moments is playing with Christian McBride's band in the summer of 2022. Another is playing with Geoffrey Keezer's band during his album release at Dizzy’s Club in New York City.” Performing with her folk quartet, she says, is a treat always. Aayushi is dedicating her time to writing music with her folk band, and hopes to take the ensemble on tour within the next year.

As she ponders her future, the maverick musician calls herself “tri-polar,” with regard to the music she likes to play. “If I keep my folk band, an Indie Rock/Blues trio and a Modern Jazz Band going, I’d say I am doing my job efficiently,” she says.

"It doesn’t matter where you’re from as long as you sound good,” says Aayushi, adding, “I can speak for the East Coast as I have been here for the last five years. It doesn't matter where you are from as long as you sound good,” she says, adding, "Folks do try to be inclusive but my philosophy has been that music is for listening and not seeing so at the end of the day I have had the luxury to live up to my philosophy and I am grateful for that."

 

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Different lands and lives

The moment she stepped into NYC for her auditions, she knew this was home. "Sure there are cultural nuances to every place you go to as to what people have for breakfast to how they talk but I think I was young and adapted to all of it in no time,” she explains.

If cultural adaptation wasn’t a challenge, finding her way to the right musical circles was tough. She managed to navigate her way though, and has found her footing as a composer.

Take aways

  • Learn the tradition but don’t let it drive you.
  • Challenge the preconceived ways of doing things even if it scares or isolates you.

 

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About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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