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Indian Artists | Rupam Varma | Global Indian
Global IndianstoryRupam Varma: Bridging cultures at Charlotte through GI-tagged Madhubani art
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Rupam Varma: Bridging cultures at Charlotte through GI-tagged Madhubani art

Written by: Amrita Priya

(Aug 21, 2023) Madhubani art, also known as Mithila art, is a cherished traditional art form of Bihar. It traces its origins to the Ramayana, when King Janaka commissioned an artist to depict his daughter Sita’s wedding with Lord Ram. It originated in Janakpur, the capital of ancient Mithila – present day Bihar and Nepal. With its timeless appeal, the art form is a mirror of indigenous folklore, rituals, and nature. Ever since it acquired the GI tag in 2007, the value that it has been adding to the Indian heritage has only deepened.   

Many artists in India and abroad are amplifying the splendour of Indian culture and artistry through this art form. Rupam Varma is one such artist. “Through my art, I give voice to the influences that have moulded my life,” she tells Global Indian.

Indian Artists | Rupam Varma | Global Indian

Rupam Varma

Initially Madhubani art was used to commemorate births, weddings, and religious rituals. But it is now evolving with varied storylines. Contemporary artists like Rupam are making every use of the opportunity.   

The Charlotte based educator is the founder of The Art Pallete – an art school and studio where she teaches and caters to custom orders as an artist. Rupam also serves as a visual art lead and curator at India Association of Charlotte and is associated with various other organisations promoting art in the region.  

From Mithila to the US  

From her birthplace at Darbhanga, in Mithila region of Bihar to Varanasi, the city where she grew up, to the US, where she lives now, Rupam Varma’s creative impulses have travelled with her.    

With a career spanning 25 years, Rupam Varma has gracefully embodied the roles of both a dedicated artist and an inspiring art educator. Her guidance has touched the lives of students hailing from different nationalities, spanning an impressive age range from five to 80. “The feeling of having enabled someone to experience art is uplifting and appeals to my primal emotion,” Rupam tells.  

Apart from her specialisation in Madhubani art, Rupam teaches a variety of other art forms starting with sketches, watercolour, acrylic, oil painting, portraits, fabric painting, glass painting, and Zentangle art as a certified educator. 

Indian Artists | Rupam Varma | Global Indian

Rupam Varma prepares the Easter Egg for a parade at Charlotte

Journey of explorations 

Art and creativity have been Rupam’s sources of inspiration for as long as she can recall. “My affection for Madhubani art resonates within my creations. I initially delved into it through self-guided exploration, drawing inspiration from revered artists. This foundation was further fortified during my training at the National Institute of Mithila Arts (NIMA),” she explains.  

Around two decades ago, when Rupam relocated to the United States, first to Texas and later to Charlotte following her marriage, she adeptly transformed her immigration into an avenue for engagement with the local artistic community. This transition also allowed her to discover new contexts for her artistic expressions.  

Immersing herself in the diverse milieu surrounding her and drawing from the multifaceted palette of her day-to-day experiences abroad, she skilfully captured the voices of the individuals she interacted with, enriching her canvases with their stories.  

Drawing from the traditional principles of Madhubani painting, she crafted fresh narratives inspired by her foreign environs, resulting in a collection of distinctive pieces.  

“The desire is to weave my journey of exposure across cultures and various art forms into a positive message of striving to reach a high amidst all the churn that lies beneath,” she says.

 

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A post shared by Rupam Varma (@rupam_varma)

Teaching art in the US  

“It’s a process of learning for me as well. Teaching folk art of India to people of different nationalities is not easy. It takes time, patience and motivation to share the culture with a diverse community,” she remarks “But going out of the comfort zone and sharing the knowledge with folks of a new community is something that I have enjoyed.”  

Rupam is truly invigorated by the curiosity and eagerness to learn that she observes in those who enrol in her classes. The enthusiasm exhibited by her students, ranging from young five-year-olds to spirited individuals in their eighties, serves as a constant source of energy for her.  

 “Their passion propels me to surpass my own boundaries to provide them the most effective introduction to the subject and its techniques,” she shares. “I have had an extremely supportive and accepting community around me that is curious to know more about what I have in store for them as an educator.”    

Indian Artists | Rupam Varma | Global Indian

Rupam Varma, her art pieces and a teaching session

The joy of art   

In addition to her engagement with Art Palette and the India Association of Charlotte, Rupam is a founding member of Namaste Artist Charlotte, an artistic group established in 2014. She also took on the role of secretary at the Waxhaw Art Council during the previous year.  

She excels in creating Mithila art on diverse mediums such as fabrics, silk purses, silk scarves, wooden coasters, and other decorative items. Her connections with fellow artists in the United States play a pivotal role in her ongoing journey of artistic advancement and education.   

Rupam plays an active role in all local artist communities, including Mint Hill Arts, Mathews Artist Guild, and Plano Art Association. Her collections are frequently showcased in art exhibitions, a testament to her expertise and dedication. 

 “My aspiration is to continually contribute to the vibrant artistic presence within my community and raise awareness about Madhubani art in the United States,” she signs off. 

 

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A post shared by Rupam Varma (@rupam_varma)

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Neeta Sinha
Neeta Sinha
August 21, 2023 10:13 pm

Excellent work 👌👌👌

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With India’s first lifestyle magazine in Braille, Upasana Makati makes reading enjoyable for people with visual impairment

(August 19, 2022) It was in 1785 that India was first introduced to a magazine that was published then by the British. And 40 years later, Louis Braille, the French educator, invented a tactile system of reading and writing for visually challenged people in 1824. Since then, his legacy has lightened up millions of lives across the globe. However, it was not until 2013 that the people with visual impairment in India could enjoy the simple pleasure of reading a print magazine, even when it’s a highly popular medium despite the charms of the digital media.   When Upasana Makati, the founder of White Print, India’s first lifestyle magazine in Braille, came to know about it from the National Association for the Blind (NAB), she was appalled and angry. “When sighted people have freedom to choose the media to consume, then why not people with visual impairment!” she says in a conversation with Global Indian.    [caption id="attachment_28197" align="aligncenter" width="705"] Upasana Makati, founder and publisher, White Print[/caption] This thought along with the curiosity of how visually impaired people begin their day in absence of any leisure reading option, infused a burning desire in Upasana to come up with a magazine for those

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400;">.   

[caption id="attachment_28197" align="aligncenter" width="705"]Indian Social Entrepreneur | Upasana Makati | Global Indian Upasana Makati, founder and publisher, White Print[/caption]

This thought along with the curiosity of how visually impaired people begin their day in absence of any leisure reading option, infused a burning desire in Upasana to come up with a magazine for those who cannot see. A college pass out working in her first job in the public relations domain, the idea stuck with her for a while. Within three months, she left her job and vroomed into the publishing world.   

Today, White Print is the only lifestyle magazine in Braille. Upasana’s initiative got recognised at many platforms but the most coveted one has been an award that she received at the Rashtrapati Bhavan in 2018 for being the First Lady of the Nation to have started a Braille magazine.  

Impressive content from top contributors   

From sports and culture to the inspiring stories of the common man, White Print covers a variety of topics to stimulate the mind’s eye. If Sudha Murty, the author, philanthropist and chairperson of the Infosys Foundation, had offered one year of her short stories’ rights to the magazine, renowned TV journalist Barkha Dutt contributed content for a year.   

“At present we are in collaboration with Unbias the News, a global news portal run by a community of journalists from across the world,” she tells. Caravan Magazine too contributes content in addition to the in-house content generated by Upasana and her team.  

[embed]https://twitter.com/whiteprintmag/status/1295913676474646529?s=20&t=hgBtUc113aJXb7Mbj7falw[/embed]

Impulse backed with research   

“Reflecting is one of my habits. It was a sudden thought that crossed my mind in the middle of the night. My curiosity was so strong that I called up my friends to discuss it during those hours itself. They thought I was crazy,” recalls Upasana, talking about the germination of the idea of a magazine in braille.  

She began her research by visiting The National Association for the Blind in Mumbai, where she was informed about a couple of fortnightly newsletters that are educative in tone replete with information like policies for the visually impaired, but nothing as such for leisure reading. “This angered me. I thought, how could we be living in modern times when there is no reading material in braille to make life enjoyable?” says the founder, publisher and editor.  

Though she personally knew no one who was visually impaired but looking at the information provided by NAB, the Mumbai girl was convinced that something should be done.   

Finding a purpose early on in life  

With no prior experience and purely driven by the desire to make a difference, she charted the path of becoming a self-taught entrepreneur in the publishing industry, learning the tricks of the trade on the go. “I found my purpose early on in life,” says Upasana whose initiative got recognised in the form of Forbes 30 Under 30 and Fortune 40 Under 40.   

[caption id="attachment_28199" align="aligncenter" width="757"]Indian Social Entrepreneur | Upasana Makati | Global Indian Braillo 650W at NAB. In the background, there are numerous Braille books stacked and arranged[/caption]

The Media and Communication graduate from Jai Hind College, Mumbai, who was at a one-year exchange programme in communication at University of Ottawa, has been making lives interesting. She has been catering to leisure reading needs in braille and also fulfilling demands of institutions like IIM Kolkata, Goa National Library, Federation for Blind, Bangalore and LV Prasad Eye Institute. Trilogy – a bookstore in Mumbai that has a section dedicated to braille also subscribes to White Print.   

Replacing sympathy with empathy  

“I started it as a for-profit venture because I wanted to replace sympathy with empathy, and to do away with the notion of the charity angle that always gets associated when one does anything for the disabled.”  Though publishing the magazine is not very economically viable in the absence of many braille press options in the country, the satisfaction that it gives to Upasana is ‘unparalleled.’  

The magazine did not get published for five months during the pandemic as reading for the community is solely touch based and the NAB press, where the magazine gets published, was shut down during that period.   

There are a number of challenges in publishing a print magazine in these times but it’s extremely satisfying. It excites me because there aren’t many people doing it and there is so much to do in this space - Upasana Makati

The monthly 64-page publication, available at subsidised rate of ₹30 with a readership of several thousand, has seen a decline in certain corporate sponsorships. However, in the past, conglomerates like Coca Cola, Fevicol, Mahindra, and Jindal group had associated themselves with it.  

More in the same turf  

Ten years of experience of running a company focussed on visually impaired has resulted in enough knowledge and expertise in the domain. Added to that, Upasana has pursued a course from Stanford University Graduate School of Business in diversity and inclusion.   

Indian Social Entrepreneur | Upasana Makati | Global Indian

A sought-after name in the world of consultancy for startups and corporates in matters related to inclusiveness and diversity, she has been at the thick of initiatives like workshops on sensitisation for adults as well as children to make them more mindful towards the visually impaired. 

Considering how crucial it is to inculcate the values of inclusiveness and diversity at a young age, Upasana has forayed into publishing children's literature with Look Out, Look Within, Flowers for Sunaina and more recently Run Saba Run which she authored. The books are available for both visually impaired and sighted children. White Print also publishes fundamental books in braille for young learners.

Recognitions for Upasana’s initiatives:

  • Rising Talents award for Women's Forum for the Economy & Society, Paris, 2019
  • First Lady Award from Ministry of Women and Child Development, 2018
  • Fortune India’s 40 Under 40 for Best and Brightest in the World of Business, 2018
  • Forbes 30 Under 30, 2016
  • Loreal-Femina Award for Science and Innovation, 2015
  • Microsoft Equal Opportunity Award for Innovation, 2015

Follow Upasana Makati on LinkedIn and Instagram 

Follow White Print on Facebook, Twitter and its website

Reading Time: 5 mins

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No ‘barre’: How Payal Kadakia revolutionised fitness with ClassPass

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al thing. False signals might be plenty but the bottom line is fairly clear. In Payal's case: the number of people actually showing up to class, "which translated into revenue for my business an obviously revenue for our partners." The company has more than pulled itself out freefall, however and now partners with over 8,000 studios around the world. "ClassPass has been able to create some synergies that really built momentum for the entire industry to grow," Payal said, in an interview with MIT News. In 2022, she also released her book, LifePass.

Finding her identity

Payal's parents immigrated to the US in the 1970s, along with thousands of other Indians. "My parents never wanted me to have to go through any type of struggle, any type of hardship that they went through. So, they trained me in a way to be a bit more risk averse. And what that meant was making sure I had stability, good career, good education, good foundation," Payal told dot.LA. A passion for Indian classical dance kept her in touch with her culture and inculcated a lifelong love for the art form, too. "While I struggled to fit in, I think I also found beauty in who I was through being around this other group of people who did look like me. And where all of us could be together on Saturday and Sunday mornings.”

The MIT days

An undergraduate degree from MIT seemed like a solid stable way to go. "I think MIT was one of the hardest experiences of my life," she told the magazine. "I had to solve complex problems I never thought I'd be able to, but that also taught me so much. It was an awesome experience." That became her training ground, the place where Payal first learned leadership skills. Even there, she was innovative - she founded a South Asian fusion dance team, MIT Chamak, that is still active today.

Her lessons from MIT came in very handy. "My concentration in operations research was definitely relevant to what I would deal with at ClassPass in the areas of inventory planning and supply chain management," Payal said. "The way I plan my time is from everything I learned back in those classes." Again, her MIT background came into play. She wasn't a coder herself but was well-versed in dealing with developers and speaking their language. "MIT is all about problem-solving. That's at the heart of what entrepreneurship is."

Becoming a risk-taker

"When I graduated from college, I wanted to make sure I had a stable job," she told Vogue.in. "My parents had immigrated with nothing 50 years ago, so it was important for me to have that security." She found a job at Bain & Company and then entered the music industry, following her passion for Indian dance. In hindsight, it was the first step to being an entrepreneur, "The first decision I made was to really bet on myself a bit more, though I wasn't ready to take a huge leap." She did go on to build a dance company, Sa, which she ran on the side.

Being a full time entrepreneur definitely wasn't on her mind, but that changed, on a trip to San Francisco to visit an old friend from MIT. Payal, who was on the hunt for a ballet class, which one imagines would be easily available in a city like San Francisco, proved surprisingly cumbersome to find. It planted Payal's mind the seed for what she envisioned to be an aggregator, a kind of search engine that could collate and present the information. The answer: She would build one.

The early days

ClassPass began, Payal admits to Vogue.in, as a "small, scrappy team that raised money from friends and family, and some angel investors who believed in the idea. Given how much I loved dancing and going to (workout) classes, it felt like the right combination." The search engine idea, as Zomato and Swiggy had already proved, was likely to be a success - or so they thought. One year and quite a bit of money later, it didn't work. People came to the website, but nobody was booking clases. "That was a hard moment. However, as an entrepreneur, you start getting used to things not going as planned."

ClassPass went from being a searh engine into a subscription based model, which allowed people to take fitness classes in their area. Their users loved the idea - it was fun, allowed them room to experiment and since they could sign on for single sessions, they didn't really need to commit either. They could go to a venue a day. This was in 2013.

ClassPass

When it first launched in New York, according to Vogue Magazine, "ClassPass revolutionised the very nature of working out by allowing members to search for exercise classes in different disciplines." It changed the playing field for users and partners both.

Users could look through a wide roster of regimens and workout styles - they could do yoga one day and a barre class the next. They could book single sessions instead of committing to a package, as they would do at a conventional gym. Fitness studios, which had offered classes through on their website, had heavy, sometimes unsustainable ad spends. Now, ClassPass was willing to do it for them. "From a marketing perspective they had to acquire every single customer individually," Payal told MIT News. "That's expensive for a business which already has fixed costs and in which the classes are 30 dollars."

Lessons along the way

The only thing that matters to Payal, who has seen so many ups and downs along the way, is the actual impact she's making. People may flock to the website and then leave without actually booking a class and to Payal, this doesn't count. High traffic might comprise the trimmings of success but it isn't, actually the real thing. "As long sa I was getting more and more people to class to try new ways of being active, I knew I was succeeding," she told Vogue.in. "Having a purpose and a vision is the most important thing for entrepreneurs... No one has walked these roads before, no one has made a blueprint for you. You have to know in your gut where the North Star is. Being an entrepreneur is basically about how you innovate."

  • Follow Payal on Instagram
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Chef Lakhan Jethani brings Japan’s Shoji Ryori cuisine to India

(January 14, 2024) Chef Lakhan Jethani has always had a fascination for all things Japan; especially its cuisine. He is well-versed in all aspects of this fascinating country and its culture – from the Shoji Ryori cuisine of the monks to the principle of working with five ingredients only. [caption id="attachment_48256" align="aligncenter" width="549"] Chef Lakhan Jethani[/caption] Though he is not a fluent speaker of Japanese, he understands the language fairly well. One word he would have heard most often for the food he cooks would have to be ‘Oishii’ which means delicious. And, if you look at his picture, he could pass off as a young man hailing from Japan due to his genetic heritage, as his great-grandmother had roots in the North East of India. This is just as well, because he has completely immersed himself in Japanese cuisine, and continues to delve deeper into it. Early days of cooking In an exclusive with Global Indian, the 34-year-old Chef Lakhan, a partner and the head chef at Mizu Izakaya, an upmarket Japanese restaurant, remembers, “When I was around 12, I would go for tuitions with other kids from my building. Once I made tomato baskets – with the flesh

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In an exclusive with Global Indian, the 34-year-old Chef Lakhan, a partner and the head chef at Mizu Izakaya, an upmarket Japanese restaurant, remembers, “When I was around 12, I would go for tuitions with other kids from my building. Once I made tomato baskets – with the flesh scooped out, filled with fruit pieces, and tossed in salt, pepper, and chaat masala. I took them for everyone at the tuitions; that is my first memory of cooking.”

[caption id="attachment_48257" align="aligncenter" width="551"]Chef | Lakhan Jethani | Global Indian Hokkaido Grilled Scallops with Mentaiako[/caption]

At 17, after finishing his 12th grade in the IB curriculum, Chef Lakhan enrolled at the Glion Institute of Higher Education in Montreux, Switzerland. He recalls the unusual manner in which they were taught there. “The college had a beautiful five-star hotel which the students managed. The kitchen batch guys would run the kitchen, the housekeeping ones would make the beds for all of us and the cafeteria batch managed everything at the two cafeterias. We were taught everything in a practical way. I also got into a couple of internships during breaks. I worked at Zenzi in Mumbai for six months and for the second internship, at the Marina and Ocean Club Kitchen at Myrtle Beach in South Carolina.

"It is a town that is similar to Miami but smaller. After going back to Switzerland, I did one more internship at the JW Marriott and several weekend part-time jobs at different kitchens. I came back to India after I completed my bachelor’s degree and launched IBar, an upscale cocktail and gastro pub that served food that was better than what is usually served at pubs. This was in Bandra Reclamation, behind Lilavati Hospital, in Mumbai.”

Making a strong foundation

The chef ran IBar for five-and-a-half years and the stint convinced him more than ever, that he wanted to spend the rest of his life in the kitchen. But that meant he needed to have some more certifications under his chef’s hat. “I had to study for three more levels, especially in bakery and pastry if I wanted to be a chef. At 26, I went to the International Centre for Culinary Arts, Dubai to do a specialisation course. After that, I joined Chef Thomas at Bombay Canteen.”

 

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A post shared by Mizu Izakaya 🏮 (@mizuizakaya)

Underlying this entire career path was a deep and abiding interest in Japanese philosophy, culture, and food. He says, “I liked origami since I was a kid, and Japanese philosophy, how they treated their ingredients and their approach towards Mother Earth. I used to dream of studying and working there so I found my way to Japan for some culinary studies.”

Here, Chef Lakhan worked with Daisuke Namura, a third-generation chef who headed Sougo in Tokyo. Namura had worked earlier with the restaurant Daigo, started by his grandfather, which was a two-Michelin star restaurant. Namura was the chef's mentor. He recalls, “Namura worked at his family restaurant for ten years. The food and ambiance there were very formal and extremely culture-driven. He launched Sougo as a more relaxed place and he is best known for his contemporary creations that have reinterpreted Shojin Ryori cuisine.”

[caption id="attachment_48258" align="aligncenter" width="553"]Chef | Lakhan Jethani | Global Indian Ramen Saporro[/caption]

The cuisine there was Japanese at heart but creative. “The restaurant followed a rule of five – five flavours – salty, sweet, sour, bitter, and umami, the fifth taste. The colours he worked with were black and white, red, yellow, and green. These flavours are drawn from ingredients to provide balanced nutrition to the body and equilibrium to the mind. He was also a teacher at the local university; I learnt a lot from him in three months. I also did a course on how to make Soba noodles – which are made from buckwheat flour or kuttu atta as it is known in India. I plan to launch these noodles here at Mizu soon where they will be made in-house and hand-cut.”

Fun and food, the Japanese way

On his return, in 2018, the chef set up a test kitchen to work on the ideas he had based on his learnings. He then wanted to go to Russia to learn some more. But, his childhood friend Vedant Mallik, with whom he had made plans during their early years that they would set up a restaurant together, intervened and suggested they should work on that dream instead of Chef Lakhan going off to foreign shores again.

[caption id="attachment_48259" align="aligncenter" width="550"]Chef | Lakhan Jethani | Global Indian Mizu Negroni[/caption]

In 2019, the friends decided to launch Mizu Izakaya in Khar, in suburban Mumbai. The name means relaxed, fun, upscale dining. After COVID, they are back in the game and 80 percent of their ingredients are sourced from Japan. The chef adds however that, “We are very conscious of our carbon footprint, so what can be sourced locally, like crabs and prawns, we get from here. In keeping with this principle, we also work on recipes to eliminate wastage. So, the vegetable waste from a California roll is fermented and made into a hot sauce. The kitchen staff have to devise recipes using the ingredients that would otherwise go to waste. This is an annual task for them.”

The current food trend in Japan is Shojin Ryori cuisine – temple food cooked by monks. Sans any onion and garlic, it can be compared to Jain or sattvik food. But that is where the similarity ends. Chef Lakhan says, “This cuisine is becoming more and more prominent as it is quite different from other parts of the world. I have taken Shojin Ryori to the next level in my menu where the veg ramen has no ginger and garlic and the Shojin Dashi broth is made with seaweed and mushrooms. I also try and apply the rule of five to my veg and non-veg dishes.”

 

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A post shared by Lakhan Jethani (@samurai_cook)

Since he has worked with practically all kinds of ingredients, which is the one he likes the most? He says promptly, “Eggs. They are one of my favourite ingredients as you can cook an egg in a hundred different ways. It is so tasty no matter which way you cook it.”

Desi khana goes global

The chef innovates with Japanese cuisine and introduces influences from Indian cuisine as well. He says, “I switch to Indian ingredients when I can; when we were not able to source Japanese lemons, I started using the gondoraj lemon which comes from West Bengal and the North East. The salmon and gondoraj truffle is one of our star dishes. I also have a smoked garam masala sauce that I use for our Hamachi carpaccio. In our desserts, we use the Alphonso mango for our kakigori which is outstanding, as are the strawberries we get here.”

[caption id="attachment_48260" align="aligncenter" width="549"]Chef | Lakhan Jethani | Global Indian Chef Lakhan with his friend and partner, Vedant Mallik[/caption]

Speaking of global trends, Chef Lakhan believes that currently, Japanese food dominates the world of eating out, especially fine dining. But vouches that “Indian and South East Asian cuisines like Taiwanese are going to be the next big thing. Regional Indian food is already becoming popular with so many chefs and restaurants winning Michelin stars. Chefs like Himanshu Saini are pushing boundaries – you only have to see how pani puri is driven into various formats to know how much Indian food has scored on the world stage.”

And even as the young chef keeps going back to Japan to work at sushi joints to brush up on his knowledge, what he comes back and creates, transforms into sheer art.

While travelling, Chef Lakhan likes to eat at:

  • Sougo, Yakuo, Diago, all in Tokyo: Seasonal tasting menus
  • Matsunozushi, Tokyo: Aanago fish
  • Torigin, Ginza, Tokyo: Taukune skewers
  • Masque, Mumbai: Chef Varun’s tasting menu
  • Bandra Born, Mumbai: East Indian crab dip and pav brioche
  • Hashida: Singapore: the signature hand roll and edamame espuma parfait
  • Sg Low, Singapore: Mentaiko mac and cheese

Follow Chef Lakhan Jethani and Mizu Izakaya on Instagram

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Manjari Makijany | Global Indian

Taking the legacy forward

Born in Mumbai to Mohan Makijany, fondly known as Mac Mohan in Bollywood circles, Manjari was immersed in the world of cinema from a young age. Raised in a household where cinema was a way of life, her passion for storytelling was ignited by her father. Growing up, she frequented the sets of her father's films, but it was the plays at Prithvi Theatre that captivated her imagination. Watching the stage transform with each play sparked her fascination with visual storytelling. Manjari would often enter into long conversations with her dad and dissect almost every scene from the films that she'd watched, further fuelling her love for the craft. "My father was the one who once said that I had the eye of a director at an age when I couldn't quite fathom what that meant," she said in an interview.

 

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Her entry into Bollywood unfolded organically as she stepped into the world of filmmaking at the age of 21 by assisting filmmaker Ayan Mukerji on Wake Up Sid. Two years later, she found herself on the sets of Vishal Bhardwaj's Saat Khoon Maaf, starring Priyanka Chopra. With no formal training in filmmaking until then, Manjari learnt the craft on the film sets.

Carving her niche

After learning the tricks of the trade from a master like Bhardwaj, Manjari's transition behind the camera came with the direction of the short film The Last Marble in 2012. The poignant story centred around a street kid crafting objects from metal scrap, garnered acclaim at international film festivals, clinching the Best of Fest at the Clermont-Ferrand International Short Film Festival. Thus began her journey as an independent director, armed with compelling stories. One such story led to her next venture, The Corner Table (2014), which not only earned a nomination for Best Short Film at the New York Indian Film Festival but also secured a place at the Cannes Short Film Corner. Yet her path hasn't been easy; she encountered many rejections before making her breakthrough. Not the one to give up easily, she used every rejection as a stepping stone to better her craft and bounce back with compelling stories.

 

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Journey to the West

Her films secured her a spot at the AFI Conservatory Directing Workshop for Women in 2016, making her the second Indian woman to be a part of this program since its inception in 1974. During this period, her third short film I See You took shape took form; ultimately clinching the Best Short award at the Asian American International Film Festival.

This enriching experience landed her on the set of Christopher Nolan's 2017 film Dunkirk. Working with the maverick filmmaker is every cinephile's dream, and Manjari got this once-in-a-lifetime opportunity with the war drama. This wasn't her only brush with the Hollywood biggies as she soon found herself working with Patty Jenkins on Wonder Woman.

She used every opportunity as a fertile learning ground that helped shape her as a filmmaker. "When you're an assistant director or an assistant in any capacity, you're a fly on the wall, you're invisible. Whatever you are learning and whatever you are doing is pretty much through observation, and absorbing as a sponge. It's been an incredible journey being on these projects and watching some amazing filmmakers at work," she added.

Moving towards meaningful cinema

After gaining critical acclaim for her short films, Manjari decided to shift gears to feature films in 2017. An article on skateboarding in India sparked the idea for her debut feature film Skater Girl. Intrigued by the existence of skateboarding communities in India, Manjari recognised the significance of bringing this narrative to the forefront of cinema. Set in a rural village in Rajasthan, Skater Girl explores the caste system, social taboos, and age-old traditions through the lens of a sports film.

 

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Hollywood Insider hailed the film for being a "meaningful film that provides food for thought for young audiences. "I believe local stories that are inspiring have a universal appeal and can transcend cultures and borders. There is something so resilient about the human spirit that when an underdog conquers against all odds, we all want to celebrate that triumphant and gratifying emotion. I wanted to capture that essence in Skater Girl," she said.

2021 saw Manjari bring to the forefront the first live-in-action Disney film that had an Indo-American story at its heart. For the first time, an Indian-American girl played the lead in a Disney film, this shattering all stereotypes plaguing the Indian diaspora. "When I came on board for directing Spin, I felt responsible and excited at the same time. Excited because it is one of the great opportunities for me as an Indian filmmaker to show our culture and portray the right representation of the next generation Indian-American community to the international audience, to the Disney fans. I also felt responsible because it was a chance to break all the stereotypes that are showcased about the Indian community, culturally. I wanted to get those nuances right," the Global Indian said. In 2022, the won was nominated at the Emmy, thus catapulting Manjari into a league of the next big filmmakers to watch out for.

https://www.youtube.com/watch?v=PCGzsmO03xw

Her journey as a filmmaker has not only earned her accolades but also sparked meaningful conversations and shattered stereotypes in the cinematic landscape. With her film Spin receiving nominations at the prestigious Emmy Awards, she has proven her ability to craft narratives that resonate with audiences worldwide. Through her storytelling, Manjari has successfully brought South Asian culture to the forefront, challenging preconceived notions and celebrating its richness and diversity. Her work is proof that cinema can transcend boundaries, ignite dialogue, and foster appreciation for cultural diversity.

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Story
The path of Messiah: How Christianity found its way to India

(December 25, 2022) Once upon a time, in AD 52, a battered ship - having covered thousands of nautical miles - touched land on a quaint afternoon. A strange place, covered with tall palm trees welcomed those onboard. As the travellers asked around, they were informed that they had landed on the shores of Muciripattanam - one of the busiest port cities located in the Malabar region of Kerala. Brought to the shore in that ship was one of the twelve apostles of Jesus - St Thomas - who not only chose to spend the rest of his life in India but also spread the message of the Messiah to its people. And thus - contrary to many beliefs - Christianity was brought to the shores of India, way before it ever made its way to Europe. Even today, Saint Thomas Christians, also called Syrian Christians of India, are counted among the oldest followers of Christianity in the world. [caption id="attachment_33155" align="aligncenter" width="649"] An old image of Syrian Christians from Kerala[/caption] With time the community grew and later as several European countries established their colonies in this part of the world, Christianity established itself as one of the major religions

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ans from Kerala[/caption]

With time the community grew and later as several European countries established their colonies in this part of the world, Christianity established itself as one of the major religions in India. Home to some of the most marvellous churches in the world, India has a vibrant Christian community. While the Christians living in the northeastern parts of the country take on the streets singing carols, few of those in the southern parts, fast from December 1 to the midnight mass service on December 24 to commemorate the birth of the saviour - making Christmas one of the most awaited festivals in the country. As the world celebrates the birth of Jesus today, Global Indian explores the roots of Christianity in India. Happy reading, and Merry Christmas!

Travellers from the West

Soon after the crucifixion of Jesus in the 1st-century Judea (approximately AD 30 or AD 33), the eleven apostles decided to take his message to faraway lands and undertook journeys through land and sea. When he was told that he had to travel to India, St Thomas is recorded to have responded with, “I am a Hebrew man; how can I go among the Indians and preach the truth." This chapter from the early third-century Biblical text, Acts of Thomas, is one of the strongest proofs of the birth of Christianity in India. Despite his initial hesitations, St Thomas crossed the mighty Mediterranean, Red, and Arabian seas, and made his way to the court of Indo-Parthian King Gondophernes. While there are a few who believe that the saint came through Afghanistan, there are no historic shreds of evidence to support the theory.

[caption id="attachment_33156" align="aligncenter" width="484"]Christianity | Global Indian St Thomas (c. 1611) by Peter Paul Rubens[/caption]

During his stay in Kerala, St Thomas preached the Gospel to the locals, and travelled to various cities and villages, now part of the southern states of Kerala and Tamil Nadu, inspiring people to join the church. During these travels, St Thomas is believed to have established seven churches at Kodungallur, Palayoor, Kottakkavu, Kokkamangalam, Nilackal, Kollam, and Thiruvithamcode. There are several families in these parts of the country, who trace their origins almost as far as the establishment of these churches. Interestingly, however, although their faith was born in the far west, the traditions that these families follow are quite similar to that of the local Indian communities, and so is their food.

[caption id="attachment_33157" align="aligncenter" width="600"]Christianity | Global Indian Shrine of Saint Thomas in Mylapore, 18th-century print[/caption]

In AD 72, two decades after he arrived in India, the saint was martyred near Chennai, and his body was interred in Mylapore. Eventually, his relics were taken to Edessa, Greece. The famous St. Thomas Cathedral Basilica in Chennai, which stands on the site of his martyrdom, was first built by the Portuguese in the 16th century, and later rebuilt in the 19th century by the British.

The Anglo-Indians

The arrival of various Europeans in the country, who became permanent residents, resulted in the inception of a new community in India - Anglo-Indians. While the term itself was in a state of flux for a major part of history, in the Government of India Act of 1935, an Anglo-Indian was formally identified as “a person whose father or any of whose other male progenitors is or was of European descent, but who is a native of India.” Mostly located in the urban parts of the country, the traditions and rituals of these families are quite similar to those followed by the Europeans.

[caption id="attachment_33158" align="aligncenter" width="529"]Christianity | Global Indian British Raj era Anglo-Indian mother and daughter[/caption]

The earliest known Anglo-India families trace their roots back to the arrival of Portuguese navigator Vasco da Gama in 1498. As the Portuguese sailors conquered the city of Goa, Governor Alfonso de Albuquerque encouraged his men to marry the local women to help establish their colony on the Indian coast. Initially called Luso-Indians, the offspring of these naval officers moved from Goa to various parts of the nation taking their traditions where ever they went. Interestingly though, the British Raj contributed heavily to the flourishing of this community- especially their mouth-watering cuisine. Evolved over centuries as a result of assimilating and amalgamating ingredients and cooking techniques from all over the Indian subcontinent and Europe, the Anglo-Indian cuisine encompassed the rustic and robust flavours in the dishes.

[caption id="attachment_33159" align="aligncenter" width="612"]Christianity | Global Indian An Anglo-Indian family[/caption]

Over the years, many Anglo-Indians have migrated to the United Kingdom, Australia, Canada, the United States, and New Zealand where they form part of the Indian diaspora. However, India is still home to over 1.5 lakh Anglo-Indians, who are mostly settled in Mumbai, Delhi, Hyderabad, Kolar Gold Fields, and Chennai.

Reading Time: 7 mins

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About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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