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Art lover | Purva Damani | Global Indian
Global IndianstoryArt ‘Louvre’: At Purva Damani’s 079 | Stories, art and culture come together
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Art ‘Louvre’: At Purva Damani’s 079 | Stories, art and culture come together

Written by: Vikram Sharma

(June 12, 2022) A visit to Louvre – the world famous museum in Central Paris – is sure to leave any visitor spellbound. Purva Damani was no exception. As a 10-year-old accompanied by her elder sister Puja Shah into the sprawling museum, home to some of the best known works of art, the art lover couldn’t take her eyes off the masterpieces on display. Keenly observing the exhausting display of artworks, it set her thinking passionately about arts and sculptures. Louvre had left a lasting impression on her mind.

She followed it up with visits to the Brooklyn Museum of Art and Metropolitan Museum of Art in New York and Kanoria Centre of Arts in her home town of Ahmedabad in Gujarat. This gave her the chance to dig deeper into the world of art, which eventually became a lifelong passion for Purva Damani. It gave birth to an idea called 079 | Stories – a pulsating art gallery in Ahmedabad, where art and culture is celebrated every day.

Art lover | Purva Damani | Global Indian

Purva Damani is the founder of 079 | Stories

“My gallery is a platform that brings art and culture together and makes it accessible for people. From young contemporary artists to modern masters of national and international fame and reputation, we have hosted multiple art shows. It is a space that caters to art, design and creativity,” smiles Purva Damani, the founder and director of 079 | Stories, in a chat with Global Indian.

Gone are those days when only few people were art collectors. “With an increasing awareness about art among the younger generation, we see many young art enthusiasts investing in art, thus leading to a growing number of new art collectors,” informs Purva.

A love affair with art galleries

Born to a jewellery designer mother and a businessman father in Ahmedabad in 1980, Purva completed her schooling from Mt Carmel Convent High School and graduated from the HL College of Commerce, Ahmedabad. But it was her annual visits to the US (being a green card holder) that introduced her to art at a very young age.

“Of course, the Louvre had left an imprint on my mind. However, my mother Ila Vasa and sister Puja, an avid art lover, played a pivotal role in igniting my passion for arts. I used to tag along with them to various museums and art galleries in the US,” informs the trained Kathak dancer, who also did her diploma in marketing from the Ahmedabad Management Association.

After her post-graduation in 2003, Purva enrolled for a year in advertising and communications at the Fashion Institute of Technology, New York. “During that time, I worked in libraries and fashion stores and explored a lot about art,” informs the 42-year-old, who never felt like settling in the US. “After travelling the world, I realised India is my true home with its rich culture, heritage and strong social bonds. I took the best out of the US and decided to settle here,” the art lover adds.

Art lover | Purva Damani | Global Indian

Purva Damani at her art gallery

Armed with interpersonal skills coupled with a diploma in Human Resources and Marketing, she joined as a HR consultant in Mumbai before returning to Ahmedabad. Later, she married former national cricketer Kirat Damani, who is now the managing partner with AC Damani and advocates, a prominent law firm in Ahmedabad. However, art was something that was strongly etched in her mind.

Passion turned into profession

Personal tragedy had pushed Purva at her lowest in 2013 after multiple miscarriages. But that’s when she decided to bounce back and conceptualised 079 | Stories. “My idea to follow my passion gave me a new zeal to kick start working towards my goal. The thought of following my passion for art and getting into the art scene struck me while I was dealing with my postpartum depression,” informs the art enthusiast.

While she did a thorough research, met different artists, understood their art and mediums and visited art galleries and museums, it was her family’s support that propelled her into launching her own art space.

But setting up her art gallery had its own share of challenges – from finalising the design for the kind of art organisation she wanted to represent to setting up the module to the services offered. But after years of hardwork and conceptualisation, the art gallery was launched in 2018. For Ahmedabad, it was a whole new experience as the art aficionados were introduced to an art gallery, workshop space and an amphitheater, all under one roof.

Art lover | Purva Damani | Global Indian

Purva Damani

Hosting multiple art shows, plays, musical events including jazz festivals and Sufi music, book reading sessions, pottery festivals and workshops aimed at reviving the dying art of mata ni pachedi – it soon became the most talked-about art galleries in Ahmedabad. In the following years, it hosted the works of artists including Paresh Maity, Jayashri Burman, Mizaffar Ali, Brinda Miller, Seema Kohli and the likes. From modern contemporary to multi-media to sculptures, the gallery has displayed a range of artworks, making a hit among the art aficionados. But why 079 | Stories? “Well, it is the STD code of Ahmedabad!” the art lover smiles.

Making art available to youngsters

Purva is on a mission to make art available to youngsters. “Respect for arts needs to be infused early and its relevance in our life needs to be highlighted,” says Purva who believes India has always been a centre of art and culture and is part of everyday life. “All of us need to come together to support young upcoming artists. The awareness among the younger generation is paving the way for more refined art,” says the mother of two who has plans to host more exhibitions.

“I want to provide a stable platform for mid-level, young and emerging artists. Promoting affordable art through exhibitions is what I intend to do,” says Purva, a certified healer who practices healing regularly.

Art lover | Purva Damani | Global Indian

Purva Damani with her family

Art has often been associated with the rich, and that the notion Purva wants to break. “That is precisely the reason why I am promoting more and more budding artists,” points out Purva, who is on the advisory boards for various institutes and NGOs and is regularly invited for panel discussions on art. Purva feels the art scene has evolved for the better over the years. “Earlier, very few people were art collectors, but that scenario has changed. Now we see more youngsters who are art enthusiasts, and the number is growing,” the art lover says.

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  • 079 | Stories
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  • Brooklyn Museum of Art
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Published on 12, Jun 2022

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How Indian CEO Madhav Sheth is transforming the smartphone industry with 5G

(April 2, 2022) The coronavirus pandemic brought many businesses to a grinding halt. But there was one mobile brand that continued to achieve more than 100 percent growth year after year. It also went on to become the first brand to have the largest portfolio of 5G devices. And the man helming its success is an Indian CEO. Meet Madhav Sheth, CEO, realme India, and president, realme International Business Group. Mobile showstoppers Design has always been top priority for this 41-year-old CEO. This year’s edition of the FDCI X Lakmé Fashion Week witnessed a rather innovative collaboration – one that blended fashion and mobile tech. On day one of the event, realme partnered with couturier duo, Shantanu and Nikhil, to present environmental friendly, innovative, and sustainably driven design aspects in the mobile phone industry. [embed]https://twitter.com/MadhavSheth1/status/1507255656977420311?s=20&t=bpL4kJdInY_EY33WxRpSPA[/embed] Madhav tells Global Indian, “Ground breaking design has always been a core aspect at realme. This goes back to the first smartphone we launched in India. We believe in pushing the boundaries of innovation.” Sustainable phones The brand plans to launch an e-waste recycling project by setting up recycling spots at its offices and experience stores, across 30 Indian cities. “We will continue to bring

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launch an e-waste recycling project by setting up recycling spots at its offices and experience stores, across 30 Indian cities. “We will continue to bring more environment-friendly products and help build a greater and greener world,” says this Indian CEO. Incidentally, the upcoming realme GT 2 Pro device features an industry-first bio-based polymer Paper Tech Master design.

[embed]https://twitter.com/MadhavSheth1/status/1507575571290619914?s=20&t=bpL4kJdInY_EY33WxRpSPA[/embed]

Making of a leader

Compared to other brands in the personal technology space, it took Madhav just four years to transform the brand end-to-end. Recalling his "golden days" at Harvard Business School and the University of Pennsylvania, he says, “It was quite a learning experience for me. One of the most essential things I learned was how to judge success. For me, success is to achieve what I’ve planned. I also learnt to believe that success was not just limited to achieving goals, but also in the sense of contentment upon achieving them.”

Madhav attributes his student years for laying the foundation of leadership. He says, “My years at university taught me a great deal about leadership – the essence of becoming a good leader and how to steer through work, the art of developing strategies and executing plans as well as to bring innovation and disruption with everything I do. Over time, I've come to see how crucial it is for a leader to be selfless.”

Indian CEO | Madhav Sheth | CEO of realme International Business Group

The importance of values

This Indian CEO learnt to appreciate values such as humility and time management. “I’ve tried to implement these in my professional life and I am delighted to share that they’ve helped me establish realme as one of the world's top six smartphone brands. Being a leader or a CEO means being available for the team and users.”, says the honcho adding, “Time management is of utmost significance. Every minute makes a big difference - it is one of the marquee aspects of leadership.”

Global accolades

With Madhav helming realme, the brand has expanded into markets beyond India, “Today, we have expanded our footprint to 61 countries. It is the youngest smartphone brand to be among the Top 6 as well as the No 5 android smartphone brand globally.”

The CEO believes that adopting new technologies is key to growth in a rapidly-evolving technology market. “Our 5G portfolio has been a key growth driver. According to the latest Counterpoint Research report, realme’s 5G shipments have grown the most among all major smartphone brands with a 165 percent YoY growth in Q4, 2021. The achievement has been fueled by the company’s expansion into western European countries such as Italy, Spain, France, the UK, and Switzerland,” he explains.

Indian CEO | Madhav Sheth | CEO of realme International Business Group

‘Take the leap, beta’

Madhav dedicates his success to his family, who encouraged him to "take the leap." The Indian CEO says, “Coming from a moderate background, there was a lot at stake to become an entrepreneur. Your family’s trust and encouragement plays a significant role. I learnt to be a resilient, agile, and diligent person from my parents,” he adds.

The biggest testimony to Madhav’s family support is the fact that the founding brand tagline of realme is “Dare to leap,” and his vision follows the same path. “Being a tech disruptor, I want users to be future-ready and experience new technologies and innovations,” he says. In the coming months, he predicts, “With the ongoing conversation on 5G technology, the industry will see a great shift and technological advancement soon.”

Commitment to India

Madhav believes that India is the origin of realme's dream and among the important markets, responsible for the company's tremendous growth - It accounts for 60 million of the world's 126 million users.

The Indian CEO says, “Most realme products are India-first, because that’s how important the market is to us.”

[embed]https://www.youtube.com/watch?v=FimaveDm5g8[/embed]

Focus, discipline and stamina

Outside of work, Madhav is a balance of wellbeing and fun. “I begin my day with meditation and yoga. It allows me to have a much more peaceful start to the day with a laser sharp focus. I also workout regularly to inculcate discipline and stamina.”

When he isn’t focussing on wellness and health, Madhav likes to play squash or unwind with a good book. “I used to play the guitar in college and I rekindled this during the lockdown,” says the Indian CEO, who finds washing cars relaxing, and is an avid traveller as well.

Tasting success

As Madhav continues to work towards transforming the smartphone industry, he says, “realme was the first brand in India to launch a 5G smartphone and has had the maximum number of 5G launches. It has been a rewarding and enriching journey filled with many lessons and rewards.”

 

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Story
Chidananda Naik on winning La Cinef Award at Cannes 2024: This is just the beginning

(June 21, 2024) Brushing shoulders with some of the biggest names in the world of cinema at the French Riviera last month, Mysuru-based filmmaker Chidananda S Naik found himself in a state of deep gratitude and awe at the 77th Cannes Film Festival where his short film, Sunflowers Were the First Ones to Know won him the La Cinef Award. "My heart is filled with gratitude. This win is not just mine; it belongs to everyone who was a part of this project and every Indian who backed us, especially from Karnataka, as we proudly represented India on this global stage," he tells Global Indian. [caption id="attachment_52501" align="aligncenter" width="529"] Chidananda Naik[/caption] Cannes 2024 proved to be a landmark year for Indian cinema at the prestigious film festival with several participants scripting history, including the 29-year-old filmmaker. It is for the first time that a film made by a student from the first year Television course at FTII, Pune has won an award at the Cannes Film Festival. Humbled by the win, Chidananda says, "I genuinely feel that this is just the beginning. Our success at Cannes has opened new doors and inspired us to continue creating films that resonate globally."

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tudent from the first year Television course at FTII, Pune has won an award at the Cannes Film Festival. Humbled by the win, Chidananda says, "I genuinely feel that this is just the beginning. Our success at Cannes has opened new doors and inspired us to continue creating films that resonate globally."

Making India proud

Growing up, Chidananda had never imagined himself on a stage as big as the Cannes Film Festival, making his debut feel surreal and an experience he calls incredible. "It was such a huge honour to represent India." As a member of the contingent that made India proud at Cannes 2024, the filmmaker is thrilled to have witnessed the historic triumphs of Indians at the film festival, a period he calls his "most memorable moment." "I saw history being written in front of me and what a year for India! It started with Mansi Maheshwari, her anime film Bunnyhood won third prize at La Cinef, followed by Anasuya Sengupta, who became the first Indian to win the Un Certain Regard Best Actress award, and then Payal Kapadia, whose film All We Imagine won Palme d'Or," he smiles.

For an emerging talent like him, film festivals play a crucial role, offering a platform to showcase their talent to a global audience and industry professionals. "La Cinef, formerly known as Cinefondation Selection, are particularly important because they are specifically created mainly to inspire and support the next generation of international filmmakers," says Chidananda, whose short Kannada film was among the 18 entries selected from film school students worldwide.

Bringing a popular folklore to the forefront

Taking a leaf out of a popular Kannada folklore Ajjiya Jamba, the 16-minute short film tells the story of a village plunged into darkness by an elderly woman who steals a rooster. This act triggers chaos as the villagers frantically search for the missing rooster, believing it is essential to restore daylight. To bring the rooster back, a prophecy is invoked, resulting in the exile of the old woman's family.

https://www.youtube.com/watch?v=MAmKq-Nwq6s

Chidananda cherished the folklore since childhood, but during his time at FTII, he discovered that it was only well-known in Karnataka and remained a mystery to people outside the state. "My editor, Manoj V, and I have always wanted to make a Kannada film, and the possibility of bringing the story world we imagined to life was really fascinating to us," adds the filmmaker, who had only four days to shoot the film that was a part of his coursework at FTII. However, he remained focussed on taking the best shots and reflects that the filming process taught him to be "meditative in the chaos."

Shot entirely under the cloak of night, the film uses darkness to weave a tale of mystery and suspense, pulling the viewers in the villagers' desperate struggle, thus making night itself a vital character. "It was extremely difficult to shoot with all the limited resources and rules. We were super exhausted but really satisfied with the shots we achieved," says the filmmaker, who found his crew in his batchmates. "Suraj served as the Director of Photography, Manoj was the editor, and Abhishek handled location sound and mixing," reveals Chidananda, noting that other artists joined them to assist during the filming.

Doctor-turned-filmmaker

It's hard to believe that the award-winning filmmaker once aspired to be a doctor. Born in Shivamogga to Prof Shekar Naik, Head of Department of Food Sciences and Nutrition at Yuvaraja College and Vinoda Bai, Chidananda was "never interested in cinema nor thought about it much." His passion initially lay in medicine, leading him to enroll at Mysore Medical College and Research Institute for his MMBS. Ironically, it was medicine that initially drew him towards art. "From the first year, we delved into anatomy through dissection, understanding the human body in great detail. Yet, I often pondered about emotions and feelings, which are also essential aspects of being human," says Chidananda, who found his expression in filmmaking, and joined FTII, Pune after completing his MBBS.

 

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"We are all born first and then we decide how to spend the rest of the days before turning into ashes. There is no blueprint to life that dictates what we should do. I just decided to be happy and do things that make me and people around me happy. It's more about coming to terms with myself and finding my expression of life. These thoughts led me to resonate deeply with art and literature, ultimately guiding me towards filmmaking. It wasn't that I was unhappy studying or practicing medicine, nor was I doing it solely for my parents. Instead, it was a realisation that my true passion lay elsewhere," says Chidananda.

The road ahead

Pivoting to filmmaking turned out to the best decision for Chidananda, who met a bunch of talented people at FTII, thus helping him hone his craft and make impactful films. He reserves a special mention for Neeraj Voralia, a mentor whom he deeply admires. "He is a true blessing to students at FTII."

 

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With La Cinef Award under his belt, the passionate filmmaker is now gearing towards making a mainstream film. "I will share updates in a proper way as the project progresses. I can't reveal too much at this stage," says the man who has brought Kannada film to the forefront at a global stage like Cannes with his film Sunflowers Were the First Ones to Know. "We are motivated more than ever to make films that tell compelling stories and connect with audiences worldwide. The journey ahead is exciting, and I believe we will see many more Kannada films gaining global acclaim in the future," he signs off.

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How Venkatesan Sundaresan’s 2024 Wolf Prize-winning agricultural discovery will feed billions

(August 8, 2024) For addressing a long-standing problem in the sphere of sustainable agriculture and food security, Indian-American plant biologist Venkatesan Sundaresan has been awarded the 2024 Wolf Prize in Agriculture. Often referred to as the ‘Nobel Prize for agriculture,’ this prestigious award comes with a monetary prize of $100,000. Rice, a staple crop for half of the world’s population, is relatively costly to breed into high-yield hybrid strains, imposing a big problem for farmers. Berkeley-based Innovative Genomics Institute explains: “For 10,000 years, the major world food crop, rice, has reproduced sexually, rearranging its DNA with each generation and often losing desirable traits.” The process has also not just been expensive but also time-consuming for farmers. Venkatesan Sundaresan and his team at the University of California-Davis (UC Davis), after years of research, have introduced asexual reproduction of seeds into rice crop species through a process called ‘apomixis’ – finding a long-sought solution of the need to create exact replicas (clones) of hybrid rice plants from seeds without fertilisation. “The resulting increase in yields can help meet global needs of an increasing population without having to increase use of land, water and fertilizers to unsustainable levels,” the Global Indian was quoted in

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t-weight: 400;">The resulting increase in yields can help meet global needs of an increasing population without having to increase use of land, water and fertilizers to unsustainable levels,” the Global Indian was quoted in one of the publications of his workplace, UC Davis.

[caption id="attachment_53407" align="aligncenter" width="787"]Indian Scientists | Venkatesan Sundaresan | Global Indian Dr Venkatesan Sundaresan in his lab  | Image Credit: UC Davis[/caption]

His groundbreaking discovery is being perceived as the one set to revolutionise agriculture as his method would not just reduce costs for farmers but allow them to save improved seed from one season to another.

Asexual reproduction of crop species 

Plants are living organisms and reproduce either sexually or asexually. Until Sundaresan’s discovery, rice plants were reproducing only sexually. Sexual reproduction in rice plants happens when pollen from the male part of one plant fertilises the egg in the female part of another. This combines genetic material from both parent plants to create seeds. These seeds grow into new rice plants that have a mix of traits from both parents, leading to genetic diversity.

In contrast, asexual reproduction is a mode of reproduction where a single plant produces offspring. The new plants produced are genetically and physically identical to the parent, effectively making them clones.

Venkatesan Sundaresan, his postdoctoral team member Imtiyaz Khanday, and their colleagues in France, Germany, and Ghana discovered that a rice gene called ‘BBM1’ belongs to a family of plant genes known as ‘Baby Boom’ or BBM. They found that BBM1 enables a fertilised egg to form an embryo that grows asexually into a clonal seed.

[caption id="attachment_53408" align="aligncenter" width="698"]Indian Scientists | Venkatesan Sundaresan | Global Indian Dr Venkatesan Sundaresan with Dr Imtiyaz Khanday | Image Credit: UC Regents[/caption]

While asexual reproduction through seeds occurs in several plant species, it has not been observed in important staple crops like rice. Sundaresan and his team successfully tested this method in their laboratory, producing viable seeds (progeny) from hybrid rice plants. This means farmers could replant seeds from their own hybrid plants and benefit from high yields year after year.  It is being believed that apart from helping farmers, Sundaresan’s method would also enable seed companies to produce hybrid seeds more quickly and on a larger scale.

Gamechanger for rice growing farmers

Sundaresan and his team’s discovery, long sought by plant breeders and geneticists, represents a major breakthrough, facilitating the propagation of high-yielding, disease-resistant, and climate-tolerant crops worldwide.

Currently, the high cost of producing hybrid seeds is a significant barrier for farmers in developing countries, especially in South Asia and Africa. Sundaresan believes that if efficiently deployed, his method could potentially be a game-changer for poorer farmers. They would only need to purchase hybrid seeds once and could then replant the progeny seeds from their own harvest in subsequent seasons.

 “Rice is grown over such a vast climatic and geographic range that specialised hybrids will have to be developed for each region,” highlighted Sundaresan in an interview to the Nature India journal. “It will be interesting to see how all these plays out in the years to come,” he added.

[caption id="attachment_53410" align="aligncenter" width="782"]Indian Scientist | Venkatesan | Sundaresan | Global Indian Dr Venkatesan Sundaresan with one of his research team members, Hui Ren | Image Credit: UC Davis[/caption]

Addressing a fundamental plant biology question

Sundaresan and his team have explored fundamental questions in plant biology, specifically how a fertilised egg develops into a new plant. This basic understanding, combined with innovative asexual breeding technologies, paves the way for breakthroughs in plant agriculture by preserving beneficial traits that might otherwise be lost through sexual reproduction.

The method of ‘apomixis’ discovered by Sundaresan and his team enables a plant to grow genetically identical to its parent plant.

"Apomixis in crop plants has been the target of worldwide research for over 30 years because it can make hybrid seed production accessible to everyone," Sundaresan said. "In particular, rice is a genetic model for other cereal crops, including maize and wheat, which together constitute major food staples for the world," he remarked. The plant biologist noted that these results could be applied to other such food crops so that the world’s food security index registers an improvement.

From Pune to United States 

Born and raised in India Venkatesan Sundaresan majored in physics, earning undergraduate and graduate degrees from the University of Pune, and the Indian Institute of Technology-Kanpur. Following this, he went on to pursue a degree in physics from the Carnegie Mellon University.

Later, he transitioned to life sciences for his doctoral studies and obtained a Ph.D. in Biophysics from Harvard University, where he researched the regulation of nitrogen fixation genes in bacterial symbionts of legumes. This was followed by postdoctoral research in plant genetics at the University of California-Berkeley.

[caption id="attachment_53409" align="aligncenter" width="680"]Indian Scientist Venkatesan Sundaresan | Global Indian Dr Venkatesan Sundaresan[/caption]

Sundaresan's first faculty appointment was at the Cold Spring Harbor Laboratory in New York. He later became the founding director of the Institute of Molecular Agrobiology (now the Temasek Life Sciences Laboratories) at the National University of Singapore.

Since 2001, the scientist has been serving as a faculty member at the UC Davis, where he has also served as Chair of the Department of Plant Biology and as Program Director of the BREAD program, a collaboration between the National Science Foundation and the Bill & Melinda Gates Foundation. He has also served on the editorial boards of several journals like ‘Genetics’, ‘Plant Reproduction’, ‘The Plant Cell’, and ‘Trends in Plant Science’.

“My lab’s research focus is on plant reproduction, particularly the genetics and genomics of this process using Arabidopsis and rice as model systems. We aim to understand the underlying mechanisms and employ genome editing techniques to enable asexual reproduction in crop plants, which can revolutionise agricultural practices. Additionally, we study root microbiomes, exploring their assembly, structure, and function,” writes Sunderesan on his lab’s website. “Our work delves into host-microbiome interactions in rice roots, seeking to uncover how these relationships influence plant growth and drought tolerance. Through these studies, we aim to enhance crop resilience and productivity, contributing to sustainable agriculture and food security,” mentions the recipient of the prestigious 2024 Wolf Prize in Agriculture.

Reading Time: 5 mins

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‘Power’ hungry: Vivian Reddy, the Indian mogul who brought electricity to post-apartheid South Africa

(October 9, 2024) Vivian Reddy’s first memories are of the narrow, dusty streets of Greenwood Park, Durban. Born in 1953 into a family of nine children, his father, a schoolteacher, earned a meager R3 a month, barely enough to sustain them. Young Reddy saw the constant financial struggle up close, but it was his father’s unwavering dedication to integrity and service that left a mark on him. “Service to humanity is the best work of life,” his father would say—a mantra that guided Vivian Reddy through his life and business. Hailing from KwaZulu-Natal, Vivian Reddy wears many hats as the founder and chairman of Edison Power Group, a heavyweight in the electrical industry. His business interests include casinos, healthcare, finance, and property development. From being raised in poverty to accumulating an estimated net worth of R1.9 billion, Reddy has come a long way, and been instrumental in shaping the post-apartheid Durban story, as well as the legacy of the Indian diaspora in South Africa. At 71, Reddy is deeply committed to philanthropy in South Africa, supporting initiatives like the Orphans of AIDS Trust Fund and contributing to projects like the Wingen Heights Secondary School and a clinic in eThekwini Metropolitan

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eThekwini Metropolitan Municipality.

[caption id="attachment_57577" align="aligncenter" width="542"]Vivian Reddy | South African billionaire | Global Indian Vivian Reddy[/caption]

Humble beginnings

Growing up in apartheid South Africa meant that Reddy, as an Indian, was subject to the institutionalized racial segregation that defined the country from 1948 to 1994. Apartheid confined non-white citizens to specific areas, dictated their education, and barred them from numerous career opportunities. Indians in South Africa, initially brought to the country as indentured laborers by the British in the 19th century, were politically and socially marginalized, despite being very wealthy and contributing significantly to the economy as traders, professionals, and workers.

Vivian Reddy’s parents were committed to education as a way out of poverty. His father’s modest salary from his job as a schoolteacher barely provided for their large family, yet he instilled in Reddy a deep sense of responsibility and service. His mother, a homemaker, managed their household and nurtured her children with strength and patience. “We didn’t have much, but my parents made sure we had the right values,” Reddy recalls. These early values of integrity and service would shape Reddy’s path.

His first job, and confronting apartheid

Reddy’s first job as an electrician came after completing his education at Sastri Park Secondary School. Working at an electrical company in Pietermaritzburg, he quickly rose to branch manager. But apartheid’s discrimination soon reared its head. At a company Christmas party, the management arranged two separate celebrations—one for white workers and one for non-white workers. Outraged by the segregation, Reddy led the non-white workers into the whites-only celebration.

“I couldn’t just sit back and allow this injustice to continue,” Reddy says. His defiance, however, came at a cost. He was fired the following Monday. “Getting fired was painful, but it made me realize that if I wanted to succeed, I couldn’t rely on others to give me opportunities. I had to create my own.” That realization propelled Reddy into entrepreneurship.

[caption id="attachment_57578" align="aligncenter" width="593"] Cutting the ribbon, Vivian Reddy with His Majesty, King Goodwill Zwetithini kaBhekuzulu, Premier of KZN, at the re-opening of the Lakehaven Child and Youth Centre in Durban. Photo: The Bugle[/caption]

Building Edison Power: The Challenges of Being a Non-White Entrepreneur

In 1973, with just R500 and a borrowed bakkie (small truck), the Global Indian started his own electrical company, Reddy’s Electrical. The challenges were immense. Apartheid policies meant that government contracts were out of reach for non-white businesses, and private companies often preferred to work with white-owned firms.

Despite these barriers, Reddy was determined. He realized that his company’s name could be a hindrance in securing work, so he made a strategic decision: he rebranded the company as Edison Power. The name change gave him the credibility he needed to secure contracts with clients who might otherwise have been prejudiced against working with an Indian-owned business.

“People would ask for Mr. Edison,” Reddy recalls. “I would tell them he wasn’t available, but I could assist.” This clever rebranding opened doors, and Edison Power slowly started gaining traction in the industry.

The Big Break: Electrifying South Africa’s Townships

Reddy’s breakthrough came in the early 1990s when South Africa’s township electrification program was underway. Many white-owned companies refused to take on these projects due to safety concerns and political volatility. But Reddy saw it differently.

Edison Power was one of the first companies willing to take on the massive task of electrifying South Africa’s townships. “We were the only company willing to go into these dangerous areas,” Reddy says. “It was risky, but I knew it was our chance to prove ourselves.” Edison Power’s commitment to these underserved communities not only transformed the lives of millions but also positioned the company as a leading force in South Africa’s electrical industry. This bold move firmly established Reddy as a visionary businessman willing to take calculated risks for the greater good.

Diversifying His Empire

[caption id="attachment_57579" align="aligncenter" width="638"]Vivian Reddy | Oceans Mall | Global Indian Oceans Umhlanga in Durban, owned by Vivian Reddy, known as 'Dubai in Durban', created over 1000 local jobs.[/caption]

As Edison Power grew, so did Reddy’s ambitions. By the late 1990s, Reddy had expanded beyond electrical engineering and ventured into property development, real estate, and casinos. One of his most significant undertakings was the Sibaya Casino, a premier destination that became a cornerstone of his business portfolio.

The casino, situated near Durban, attracted major investment and created hundreds of jobs for local residents. Reddy’s ventures in casinos were not just about profits—they were about transforming the economic landscape of the region. The success of Sibaya Casino marked the beginning of his diversification into other high-value sectors.

Reddy’s most ambitious project to date is the R4 billion Oceans Umhlanga development, a luxury mixed-use property development that includes residential apartments, a hotel, and a shopping mall. This development has not only transformed Durban’s skyline but has also created thousands of jobs and brought international attention to the city. “I wanted to create something that would leave a lasting legacy,” Reddy says.

Mentorship from Nelson Mandela

One of the defining relationships in Reddy’s life was his mentorship under Nelson Mandela, South Africa’s first democratically elected president. Mandela’s guidance shaped Reddy’s approach to leadership and community impact. “Mandela taught me that success is meaningless unless you use it to help others,” Reddy reflects.

Vivian Reddy met Nelson Mandela during the post-apartheid era, when South Africa was undergoing massive social and political transformation. Mandela, who became the first democratically elected president of South Africa in 1994, sought to engage with and mentor influential business leaders across the racial spectrum to help rebuild the country after years of racial segregation and economic inequality.

Reddy, who had already begun making a name for himself as a successful businessman through Edison Power, caught Mandela’s attention through his bold efforts to electrify townships during the apartheid regime—a risky move that not only demonstrated Reddy’s business acumen but also his commitment to social upliftment. Their paths crossed as Mandela began to form relationships with key business figures who could contribute to the rebuilding of South Africa's economy and infrastructure.

Mandela admired Reddy’s determination to succeed despite the restrictions of apartheid and recognized the impact Reddy’s work had on marginalized communities. Through their shared values of integrity and a commitment to improving the lives of others, the two developed a close relationship. Mandela would go on to mentor Reddy, shaping his views on leadership, philanthropy, and the importance of using success to uplift those around him. Mandela’s mentorship reinforced Reddy’s belief that businesses should be a force for good, and that personal success comes with a responsibility to uplift the less fortunate. This relationship would serve as the guiding principle for Reddy’s expansive philanthropic efforts.

We didn’t have much, but my parents made sure we had the right values. - Vivian Reddy

Philanthropy: A Commitment to Uplifting Communities

Reddy’s philanthropic work is as impressive as his business empire. He has donated more than R250 million to various causes, focusing on education, healthcare, and skills development. One of his most significant contributions is the establishment of Wingen Heights Secondary School, a state-of-the-art educational institution aimed at providing high-quality education to children in underserved communities.

Reddy has also heavily invested in healthcare initiatives, particularly in the eThekwini Metropolitan Municipality, where he funded clinics and medical centers to provide essential services to marginalized communities. “I believe that true success is about giving back to the community that helped you succeed,” Reddy explains.

In addition to education and healthcare, Reddy has sponsored multiple skills development programs, helping thousands of young South Africans gain the training and qualifications needed to improve their economic prospects.

[caption id="attachment_57580" align="aligncenter" width="563"]Vivian Reddy | South African billionaire | Global Indian Vivian Reddy with his wife[/caption]

Legacy

Today, Vivian Reddy’s empire spans multiple industries, employing thousands of people across South Africa. .His son, Shantan Reddy, now plays a critical role in running Edison Power, ensuring the continuity of the family legacy. From Edison Power to Oceans Umhlanga, Reddy’s impact on South Africa’s economy is profound. But perhaps more importantly, his legacy of philanthropy and service continues to uplift communities across the country.

Reddy’s journey from a young boy growing up in apartheid-era Durban to one of South Africa’s most influential businessmen is a testament to vision, determination, and a commitment to service. “It’s not about how much you have; it’s about how much you give back,” Reddy says, a reflection of a life dedicated to leaving the world better than he found it.

 

Reading Time: 10 minutes

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Lila Lakshmanan: The Bombay-bred editor who paved her way to French New Wave cinema

(September 27, 2024) A group of trailblazing French directors exploded onto the film scene in the 1950s seeking to revolutionise cinematic conventions with artistic liberty and creative control. Steering away from the linear tropes of storytelling, these filmmakers were keen to create a new language, and this revolution gave birth to French New Wave Cinema. With pioneers like Jean-Luc Godard and Francois Truffaut at the center of the movement, it became a defining moment for world cinema. And amidst this path-breaking current was an Indian editor — Lila Lakshmanan. The India-born and Sorbonne-educated Lakshmanan found herself cutting her way through the French New Wave in the 60s by working with stalwarts like Godard and Truffaut. She was among the first Indian women to find a place in world cinema. From Bombay to film school in Paris It was in 1935 that her story began in Jabalpur where she was born to a French mother and an Indian father, who was the director of All India Radio. Owing to her dad's transferable job, Lila shifted base from Lucknow to Delhi to later Bombay, where she spent the initial years of her life. However, after her parents' separation, a 12-year-old Lila packed

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r parents' separation, a 12-year-old Lila packed her bags and left for a boarding school in England. With Indian-French roots, Lila had a hard time adjusting to her new life at the boarding school that was too strict in its discipline. However, in her own words, it was this strictness that forced her to evaluate life from many corners.

Two years later, Lila found herself at a student's ball in Paris where she met a 24-year-old actor who wrote and made films. The meeting sparked a connection, however, things soon fizzled out after an exchange of a handful of letters. But this brush with someone from the world of cinema piqued her interest in films, and she vowed to either marry a filmmaker or become one herself.

[caption id="attachment_7390" align="aligncenter" width="567"]Lila Lakshmanan in a still from Breathless Lila Lakshmanan in a still from Breathless[/caption]

At 17, she enrolled herself in the Sorbonne to study English Literature. But her English way of thinking didn't find a perfect landing in the French world, and she had to unlearn and learn a lot to graduate from the University of Paris.

"But I failed with bad marks (two on 20). My teacher said, 'poor thing she doesn't know how to think'. I was not dismayed. I managed to learn how to think. The French way of thinking is based on logic and construction and the thought must be synthesised. The English prefer you to know your subject well and then allow you to present your thoughts in your own rendition coherently," the Global Indian told a daily.

Lakshmanan still had the desire of being a part of cinema, and this dream led her to a French film school IDHEC (Institut des hautes etudes cinematographiques) where she studied editing as opposed to filmmaking because she didn't consider herself creative enough. It was here that she met Jean Vautrin, a French writer and filmmaker. The two got married in 1953 and after the birth of their first child in 1955, the couple moved to Bombay.

While Vautrin found a job as a French Literature professor at the Wilson College, Lila taught French at the Alliance Francaise. It was around the same time that Vautrin assisted Italian director Roberto Rossellini on his documentary on India titled Inde, Terre Mere.

The beginning of French New Wave

While Rossellini was working his magic with Italian neo-realist cinema, in France, French New Wave cinema had started to spread its wings. Steering away from the traditional studio-bound filmmaking style, the avant-garde French filmmakers were exploring new narratives and visual styles. They often used handheld cameras, natural lighting, improvised dialogue, and non-linear storytelling to create a sense of immediacy and realism. Rejecting the polished, studio-bound films of the time, the French New Wave favored on-location shooting, low budgets, and unconventional editing, such as jump cuts. This movement celebrated the director as the "auteur," or creative force, and explored themes of existentialism, love, and rebellion. And this new art movement found Godard and Truffaut at the center of its rising.

Lila Lakshmanan ended up working with two of the biggest French filmmakers of all time as an editor. It all began when she moved to France by the end of the 50s with her husband. And one balmy afternoon while walking down the Champs Elysees, she met Godard. "My husband asked him if he could employ me as an intern and Godard agreed, that's how it started and I became his assistant editor. I first film I worked with him was Breathless. It was a weird experience because he didn't know what he was doing. He sort of imposed me onto editor Cecile Decugis, who was in the Algerian Resistance," she added.

https://www.youtube.com/watch?v=iAuqDI4EAl4

Learning the ropes from Godard

Working with a legend like Godard wasn't an easy experience for Lila Lakshmanan. For someone who was keen to revolutionise cinema, he came across as a complex person. "Godard was a sadist really, and he liked to see how far he could go with somebody and that didn't show immediately. He would test and see if you yielded," said Lila.

But she found her footing in the world of Godard and the new wave cinema as she went on to edit A Woman Is A Woman. The 1961 film was a musical comedy starring Anna Karina and Jean-Paul Belmondo that went on to win big at the 11th Berlin International Film Festival.

The next film that came on Lila's table to edit was Virve Sa Vie. Deeply influenced by Bertolt Brecht's theory of epic theatre, Godard borrowed a new aesthetic for the film. The jump cuts that disrupted the flow of editing made Virve Sa Vie a masterpiece in itself. The film turned out to be the fourth most popular film at the French box office in 1962 and also won the Grand Jury Prize at Venice Film Festival.

[caption id="attachment_7391" align="aligncenter" width="535"]Anna Karina in a still from Jean-Luc Godard's Virve Sa Vie Anna Karina in a still from Jean-Luc Godard's Virve Sa Vie[/caption]

Lila Lakshmanan was working with a taskmaster like Godard, but every time she surprised him with the efficacy of her work. "Godard never took anyone's advice; he had always made up his mind. We used to scratch the films and stick them together. If you missed a frame, it was considered bad luck. Godard used to stand over the editor to see if she did not make a mistake. I wasn't intimidated by him because he tested me and he knew I could step over his toes," added Lakshmanan.

In 1963, she worked with Godard on two films - Les Carabiniers and Contempt. While the former enjoyed a good reception at box office, it was the latter that has been a point of influence in cinema till now. Touted to be the greatest work of art produced in postwar Europe, Contempt is ranked 60th on the BBC's list of 100 greatest foreign-language films.

Lila's skill of editing was also explored by another maverick director of the French Wave cinema, Francois Truffaut. The editor collaborated with Truffaut on his 1962 romantic drama Jules and Jim. Set against the backdrop of World War I, the film is a tragic love triangle that has made it to Empire magazine's The 100 Best Films of World Cinema.

https://www.youtube.com/watch?v=nEtiba8_gsk

"Truffaut was independent-minded like Godard. He often put his mind to work and was more organised than Godard. He had a clear plan; he wrote his own scripts. There were men that would control directorship, editing and scripting of the film," she added.

It was during this time that Lila Lakshmanan separated from Jean Vautrin, and married Atilla Biro, a Hungarian architect-turned-surrealist painter. After working with the French filmmakers for a few years, Lila bid adieu to her career as an editor and focused on her married life.

Though Lila's stint was short-lived, she was among the first Indian women to cut her way through French Wave Cinema in the 60s. Working with stalwarts like Godard and Truffaut is an achievement in itself, and she stood like a pro editing film after film and contributing to these masterpieces of work. At a time when not many women thought of crossing over to other continent for work, Lila was brushing shoulders with the bigwigs of French Wave Cinema, making her presence count in the sphere of world cinema.

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About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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