The Global Indian Friday, June 27 2025
  • Home
  • Stories
    • Exclusive
      • Startups
      • Culture
      • Marketplace
      • Campus Life
      • Youth
      • Giving Back
      • Zip Codes
    • Blogs
      • Opinion
      • Profiles
      • Web Stories
    • Fun Facts
      • World in numbers
      • Didyouknow
      • Quote
    • Gallery
      • Pictures
      • Videos
  • Work Life
  • My Book
  • Top 100
  • Our Stories
  • Tell Your Story
Select Page
Global IndianstorySanya Malik: Breaking barriers in Mumbai’s art world through Black Cube
  • Art Conservationalist
  • Global Indian Exclusive
  • Whatsapp Share
  • LinkedIn Share
  • Facebook Share
  • Twitter Share

Sanya Malik: Breaking barriers in Mumbai’s art world through Black Cube

Written by: Bindu Gopal Rao

(October 30, 2023) This November, curator Sanya Malik, founder of Black Cube, an alternative art gallery in Delhi, is about to make her mark on the Mumbai art scene. But her journey in the art world goes beyond the debut. It’s a story of passion, determination, and a mission to make art accessible to all. In this article, we delve into Sanya Malik’s fascinating journey and her unique approach to art, featuring celebrated artists like Jogen Chowdhury who will be part of the upcoming exhibition, and artworks in bronze and stainless steel.

Art possesses the remarkable ability to establish deeply personal and subjective relationships with those who engage with it. It serves as a unique language that transcends words, often revealing the complexities of our contemporary world and the societal challenges we grapple with. Her early years were steeped in a profound connection to the art world. “My family’s close associations with modern and contemporary artists exposed me to the vibrant tapestry of Indian paintings and sculpture from an early age. This enriching experience afforded me the unique opportunity to forge personal bonds with some of my most admired artists,” Malik tells Global Indian.

Sanya Malik

After graduating from Central Saint Martins in London, Sanya decided to try curation. She went on to do a Master’s at the Royal College of Art, London. Her interest lies in understanding the visceral impact that art can have on people. “I am perpetually drawn to artworks that possess a multifaceted quality, ones that are intricately layered with the nuances of our era. These are the works that, to me, carry the echoes of not just the artist’s creativity but also the resounding voice of our times, encapsulating the struggles, the aspirations, and the cultural zeitgeist,” she explains.

Creating a Platform

Black Cube’s core ethos revolves around making art accessible to all and was born in 2017 out of a desire to break down the barriers that often intimidate visitors in traditional gallery spaces, where asking questions and engaging can be daunting. “We felt the need for a more inclusive approach. Our unique model doesn’t rely on a fixed physical location. Instead, we adapt to the contextual demands of the art we showcase. This fluidity enables us to create spaces that align perfectly with the specific artworks on display, ensuring an engaging environment,” says Malik.

In the debut exhibition, Black Cube used an interiors-and-lighting studio in New Delhi has their canvas. At Art Mumbai this year, they will seamlessly transform into a ‘white cube space’. “Our commitment extends to working closely with artists, fostering collaboration, and supporting their creative processes. This approach results in fresh, innovative showcases that reflect our core values, making art accessible, engaging, and ever evolving,” she adds.

 

View this post on Instagram

 

A post shared by Black Cube Productions (@blackcubeproductions)

Art Sojourn

In her early twenties, Sanya encountered numerous challenges, particularly as a young woman trying to break into a tightly knit industry with pre-established relationships and norms. The need to constantly prove herself, whether working as an employee or as the director of Black Cube, has been a continuous journey and one that fuels her determination each day. “As a young woman in the industry, I have faced the ongoing need to prove myself at every turn, defending my age, experience, knowledge, and capabilities. This journey has required me to challenge norms and carve out my own space within the industry, and it has been both gratifying and demanding,” she says.

Sanya’s progress has been a gradual process and the most rewarding aspect, she says, is the relationships they have cultivated with the artists they represent. “Those connections have been the highlight of my journey.” She believes the key to overcoming challenges, both in the past and today, is to trust oneself, to identify areas of improvement and hone one’s skills and above all, never giving up. Recognizing that learning is an ongoing process and being aware of how much more there is to discover is crucial for navigating a competitive landscape.

Lessons learned

Sanya emphasises that women need to be passionate about addressing a specific barrier and can identify a gap in the market they are eager to fill. “Don’t hesitate—take the plunge immediately. However, be prepared for a long and challenging journey that will evolve and compound over time. Perseverance is your greatest ally during the entire process of building your venture. If you’re seeking short-term validation, entrepreneurship might not be the right path for you, but if you are committed to the long-term vision, the rewards can be incredibly fulfilling,” she avers.

Quiz her on what she has learned, and she says that she has learned to develop thick skin and not let setbacks demotivate but rather encourage her. Determination is crucial to moving forward. The second pertains to building relationships. In the art world, connecting with the right people is pivotal. This journey has taught me the importance of putting myself out there and actively seeking opportunities to engage with artists, peers, and industry professionals. It is a dynamic space that is constantly evolving, so staying open to new ideas and fresh perspectives is essential.

 

View this post on Instagram

 

A post shared by Black Cube Productions (@blackcubeproductions)

Looking ahead

Black Cube collaborates with renowned modern and contemporary artists who are pushing boundaries in terms of themes, mediums, and scale. The dynamic Indian contemporary art scene is currently the most exciting space in the country. “Our debut at Art Mumbai’s inaugural edition in November is our first venture into the vibrant world of art fairs. We are thrilled about Art Mumbai, where we will present a diverse collection of sculptures, spanning from modern to contemporary, indoor to outdoor,” she says. The line-up includes celebrated artists like Himmat Shah, Thota Vaikuntam, Jogen Chowdhury, Krishen Khanna, Manu Parekh, Madhvi Parekh, Phaneendra Nath Chaturvedi, Yashika Sugandh, Arunkumar HG, Valay Shende, and Dhananjay Singh.

Among these artists, there are sculptors and then painters who have ventured into the realm of sculpture, imbuing their paintings with a three-dimensional vitality. “Post Art Mumbai 2023, we are eagerly anticipating a thrilling year ahead in 2024 for Black Cube. We are working on a series of contemporary art exhibitions in New Delhi. We are also excited to participate in more art fairs, expanding our reach and engaging with diverse audiences. Looking ahead to 2025, we are setting our sights on international exhibitions. Our goal is to take Black Cube’s distinctive approach to global audiences and promote India’s rich contemporary art scene across borders. Our future is characterized by innovation, exploration, and a commitment to expanding the horizons of art in a rapidly evolving world,” she signs off.

  • Follow Sanya Malik on LinkedIn
Subscribe
Connect with
Notify of
guest

OR

Connect with
guest

OR

0 Comments
Inline Feedbacks
View all comments
  • 18-carat Gold
  • Art Accessibility
  • Art Business
  • Art Community
  • art exhibitions
  • Art Industry
  • Art World
  • Arunkumar HG
  • Black Cube
  • Bronze
  • Central Saint Martins
  • Collaboration
  • Contemporary Art
  • Contemporary Artists
  • Curator
  • Dhananjay Singh
  • Exhibition
  • Himmat Shah
  • Indian Artists
  • innovation
  • Jogen Chowdhury
  • Krishen Khanna
  • Madhvi Parekh
  • Manu Parekh
  • Mumbai Art Scene
  • Phaneendra Nath Chaturvedi
  • Royal College of Art
  • Sanya Malik
  • Stainless Steel
  • Thota Vaikuntam
  • Valay Shende
  • Yashika Sugandh

Published on 30, Oct 2023

Share with

  • Whatsapp Share
  • LinkedIn Share
  • Facebook Share
  • Twitter Share

ALSO READ

Story
Durga Puja, art, and activism: The world of Bhabatosh Sutar

(October 20, 2023) Bhabatosh Sutar is a highly skilled artist with two-and-a half decades of experience in Western painting techniques and a wide array of artistic expressions, including sculpture, and installation art which grace prestigious museums, galleries and public places. He is renowned as a Durga Puja artist, crafting exclusive themes for pujas that showcase not only his artistic design and sculpting expertise but also his architectural, sound and light acumen, and passion to highlight community based issues. This year Sutar achieved a significant milestone in his career with the creation of an exclusive fiberglass idol for a Durga Puja celebration in New Jersey. However, it’s not his first creation that went abroad, many of his works, mostly paintings and sculptures, have found place in homes of art lovers in distant lands like Germany and UK.  In September-October, all of eastern India, and West Bengal in particular, comes alive with the festive energy of Durga Puja. The masterfully designed pandals and crafted idols of the Goddess are a spectacle to behold. In 2021, UNESCO recognised Durga Puja as an 'Intangible Cultural Heritage of Humanity', a source of pride for artisans, designers, cultural event organisers, as well as for the enthusiastic

Read More

-puja-inscribed-unesco-representative-list-intangible-cultural-heritage-humanity" target="_blank" rel="noopener">UNESCO recognised Durga Puja as an 'Intangible Cultural Heritage of Humanity', a source of pride for artisans, designers, cultural event organisers, as well as for the enthusiastic communities who celebrate this grand festival. The festival also holds a special place in the hearts of the diaspora worldwide. While artists and organisers in India have explored innovative themes, diaspora communities have largely stuck to traditional idols and designs.

In East Brunswick, New Jersey, the Utsov club, a prominent organiser of Durga Puja in Edison town, has taken a unique approach this year. To help them in their endeavour to do things differently, they engaged Bhabhatosh Sutar, the reputed Durga Puja artist acclaimed for his fusion of innovation and tradition, to conceptualise and create exclusive theme-based pujas, captivating audiences with experiential designs. 

[caption id="attachment_46094" align="aligncenter" width="820"]Indian Art and Culture | Bhabatosh Sutar | Global Indian Bhabatosh Sutar[/caption]

“I chose to collaborate with them because they were seeking innovation, which aligns with the kind of creative ideas I specialise in,” says Sutar, as he connects with Global Indian. This collaboration marks a new milestone in the career of the artist who is now in talks with a UK based club for their next year’s celebration.  

“For me, my Durga Puja creations go beyond mere economic benefits. They are a manifestation of my passion for conceiving exclusive Puja themes. This is why my focus is less on the foreign market as they tend to favour traditional designs," he adds.  

Building a brand of his own  

The esteemed Durga Puja artist, who has  recently launched his second book, modestly remarks, "I have had the privilege of conceiving 50 one-of-a-kind pujas, each driven by original ideas, in collaboration with some of Kolkata and Odisha’s most distinguished clubs revered for their theme-based festivities.”  

Durga Puja-related art consumes half of his year, while the other six months are dedicated to a diverse array of artistic pursuits. “I have not confined myself to single medium of art, rather love to explore different mediums to express my ideas to give voice to community issues,” he says. “I love challenging myself by redefining myself through my work,” he adds. Beyond his creative work, Sutar loves reading, writing, and actively engages in art for activism.  

[caption id="attachment_46095" align="aligncenter" width="726"]Indian Art and Culture | Bhabatosh Sutar | Global Indian Bhabatosh Sutar with West Bengal CM, Mamta Banerjee in 2017[/caption]

His bilingual books Mathe Ghate Shilpo: Art on Ground Zero, written in two parts, is based on his experiences in the Durga Puja industry of two and a half decades. Talking about his second book that got launched this Mahalaya, he says “It’s a coffee table book illuminating the journey of artisans who migrate from villages to towns for three months during Durga Puja, showcasing how their indigenous art becomes an integral part of contemporary celebrations. It highlights the mutual learning and knowledge exchange that takes place between these artisans and the modern artists in town.” 

Art for activism and beyond through Chander Haat

Bhabatosh Sutar is a key member of Chander Haat, a collaborative hub that supports cross-disciplinary endeavours, creating an expansive stage for community-driven art initiatives.  

 “Chander Haat has rapidly gained popularity for dedication of artists who are not just deeply committed to their craft but make use of it for making the society a better place by working on issues such as women’s empowerment, and empowerment of the downtrodden communities, and migrant labourers” he tells. They make use of art for activism. 

“Both local community and art enthusiasts benefit from this holistic approach, enjoying the creative process without being confined to the exclusive sphere of the high-end art world,” he remarks. 

Chander Haat's multi-faceted approach also includes engaging in Durga Puja festivals, where artists create idols that resonate with the wider community. It's not just about serving the gallery circuit; the primary focus is on enlightening the common people about the visual arts' connection to life.  

[caption id="attachment_46114" align="aligncenter" width="517"]Indian Art and Culture | Bhabatosh Sutar | Global Indian Bhabatosh Sutar[/caption]

The course of life 

Born in 1974 in Bangladesh, Sutar migrated to Kolkata as a seven year old. He and his siblings grew up in financial hardship as their father worked as a daily wage labourer.
“As early as the age of five, I realised that I had an artist within me. I loved to draw and paint” says the versatile artist, whose mother was creatively inclined and was very good at handicrafts and music.   

Bhabatosh Sutar graduated from the Government College of Art and Craft, Calcutta in 2000, as a student of Western painting. After passing out, the talented artist did not remain confined to just painting, and built his speciality in a wider spectrum of artistic expression.  

He has several unique art exhibitions in his repertoire, including the 2022 solo exhibition ‘Celebration’, which was a kind of a memorial to the difficulties faced by people like vegetable vendors, rickshawallahs and Kolkata Municipal Corporation (KMC) workers during the pandemic. He recorded the stories of 64 such people and made their terracotta portraits. Their stories were even audible when one placed the ear near each portrait. 

[caption id="attachment_46112" align="aligncenter" width="766"]Indian Art and Culture | Bhabatosh Sutar | Global Indian Bhabatosh Sutar's work[/caption]

Sutar’s works grace prestigious museums galleries and public places in Kolkata, such as the Behala Archaeological Museum, Open Museum, Eco Tourism Park, and the pavilion of prestigious hotel, ITC Sonar Bangla. 

Since Durga Puja is a central focus of life in West Bengal, he developed expertise in crafting idols of the Goddess. “I am not just confined to creating clay idols but make use of a diverse array of materials like metal, wood, fibreglass and more,” he says. 

With his magnificent fusion of tradition and innovation, and meticulous attention to detail, Bhabatosh Sutar has been crafting Durga idols that are not just religious symbols but also exquisite works of art. His idols are known for their lifelike expressions and striking aesthetics, capturing the essence of divinity and feminine strength. The themes surrounding these idols stimulate contemplation for both the locals and the tourists who flock in lakhs to witness the festivities. 

https://www.youtube.com/watch?v=RfqbXrWTLiY

 

  • Follow Bhabatosh Sutar on Instagram, Facebook and YouTube
  • Visit his website for additional information

Reading Time: 5 mins

Story
Amit Lath: Pravasi Bharatiya Samman for Indo-Polish industrialist who helped evacuate Indians from Ukraine

(January 10, 2023) On a bone-chilling night in February 2022, Amit Kailash Chandra Lath received a call from the Embassy of India in Poland to arrange for the accommodation of 250 Indian students stuck at the Ukraine-Poland border. The very same morning, Russia began its invasion of Ukraine, thus leaving thousands of Indian students in panic. Many just grabbed a handful of essentials and marched more than 50-km to reach the border for safety. Understanding the gravity of the situation, the Indian industrialist, who has been in Poland for over 23 years, frantically started calling many hotels across the border cities of Poland. "It was chaos, with many Ukrainians fleeing the country to take shelter in border cities of Poland, finding accommodation was becoming difficult. Many hotels were charging as much as €400 per night," Amit tells Global Indian. [caption id="attachment_33681" align="aligncenter" width="830"] Amit Lath is an Indo-Polish industrialist[/caption] After six-seven hours of endless calls, Amit found his "right contact" in Stanislaw Mazur, a hotel owner and a doctor by profession, who agreed to help. "In just three hours, his team magically transformed a convention center into a dorm with a few hundred beds. Secured on this front, we soon

Read More

tion]

After six-seven hours of endless calls, Amit found his "right contact" in Stanislaw Mazur, a hotel owner and a doctor by profession, who agreed to help. "In just three hours, his team magically transformed a convention center into a dorm with a few hundred beds. Secured on this front, we soon started looking into catering, giving strict instructions to the head chef on Indian food behaviour and menu," says Amit, who played a pivotal role in helping evacuate thousands of Indian students fleeing Ukraine. His tireless work for those two weeks, helping every Indian making it to the Poland border reach India safely, has earned him the Pravasi Bharatiya Samman 2023.

On January 10, 1999, Amit boarded a plane to Poland with dreams of expanding his textile business in Europe, and exactly twenty-four years later, on the same day, he received the Pravasi Bharatiya Samman from President of India Droupadi Murmu in Indore. "Life has come full circle," Amit remarks, humbly adding, "It's a proud moment for the Indian diaspora in Poland. I might be the one who is receiving the award, but the entire diaspora played a key role. I was lucky to be in the right place at the right time."

[caption id="attachment_33736" align="aligncenter" width="753"]Amit Lath | Global Indian Amit Lath received Pravasi Bharatiya Samman from President of India Dropudi Murmu[/caption]

Mumbai to Poland - the big dream 

Coming from a typical Marwari family based in Mumbai, Amit was as young as seven when he first started accompanying his dad and family members to the office on several occasions. "They would lure me with a burger or food of my choice, and ask me to come to the office at times for the fun of it," he laughs, adding that it was the beginning of his training. "Even for vacations in the 80s, we would go to our factories in Rajasthan and Madhya Pradesh. That was my preparation ground, and by the time I turned 15-16, I had a decent idea about the product. It gave me enough confidence to expand our textile business to Europe at the age of 22," says the CEO of the Sharda Group, who moved to Poland with a degree from Sasmira's Institute of Design and Textiles.

Determined to do something different, he landed in Poland in January of 1999, but moving to a new country came with its set of challenges. The extreme weather was one of the initial hurdles, followed up by a dearth of vegetarian food and of course, the language barrier. "But I began learning the language soon, and in six months, I was well-versed in the basics. Also, back then, the Indian diaspora was just 400, but they did make me feel at home."

[caption id="attachment_33684" align="aligncenter" width="587"]Amit Lath | Global Indian | Poland Amit Lath is the CEO of Sharda Group of Companies[/caption]

Putting India on the global map 

For the next few years, with a clear focus and goal in mind - to make Sharda Group a known entity in the EU - Amit started making remarkable progress in his business. Such has been the impact that it became the first Indian company in Poland to be nominated in the list of FORBES Diamond 2012. While he made a name for himself in the Polish business world, Amit was also spearheading Indo-Polish ties. However, he instantly corrects me, "Indo-European ties."

"We have a strong standing across 27 countries of the EU. And now people have also started understanding India. We did a New India campaign a few years ago, telling people how India has gone beyond expansion and technology. It's not the India that their forefathers might have told them about. At every possible opportunity, I made sure to get people acquainted with India, through my conversations," says the VP of the Indo-Polish Chamber of Commerce and Industry in Poland.

[caption id="attachment_33685" align="aligncenter" width="538"]Amit Lath | Global Indian | Poland Amit Lath has been in Poland for 24 years now[/caption]

The past two decades in Poland have been a learning curve for Amit. Recalling the initial years, he reveals that many Indian businessmen back home were skeptical of starting a business in Poland as they often asked if the country was safe as they had heard that the Russian mafia was active. "I told them it was all nonsense." Things started looking up when Poland became a part of the EU in 2004, and many Indian business houses made their way to Poland. From big MNCs like Infosys and HCL to UFlex and Escorts setting up their offices, Indian businesses started growing in Poland. Thanks to this, Poland now has a thriving Indian diaspora of 45,000 people.

Operation Ganga 

It's this same Indian diaspora that Amit credits for playing a pivotal role in helping the Indian government during Operation Ganga - an initiative to bring back Indians stranded in Ukraine. "While I was coordinating, many Indians and Polish came out to help the Indian government. But it was under the leadership of Gen VK Singh and the Ambassador of India that it was made possible," says Amit, who relentlessly worked with the Indian government for two weeks until the last Indian was sent back.

[caption id="attachment_33682" align="aligncenter" width="834"]Amit Lath | Global Indian | Poland Amith Lath with Gen VK Singh and Operation Ganga team[/caption]

The Indian government, meanwhile, had requested the Polish counterparts to allow Indian students to enter Poland without a visa on humanitarian grounds. Some exceptions were also made for students who were just carrying photocopies of their passports as they left behind their originals in a rush. "Poland shares eight land borders with Ukraine, and students were walking in cold for days to reach the Poland border. So, we ensured that once they are in Poland, they would be taken care of. A team of 30 doctors was arranged in the hotel as many had gone through mental trauma."

Those two weeks kept Amit on his toes as each day came with a new set of challenges. "A student had a heart attack, we had a pregnant lady, and a student lost his memory due to PTSD (Post-traumatic stress disorder). We had to firefight every moment, but getting to see all of them board the flight to safety was worth everything," says the 45-year-old who is all praise for Indian students' cooperation. "The way they handled the situation was remarkable. We knew that their parents back home would be worried, and we made sure that they were comfortable till the time they were in Poland," says the co-founder of the British International School of University of Lodz who likes to work with youth as they inspire him.

[caption id="attachment_33683" align="aligncenter" width="794"]Amit Lath | Global Indian | Poland Amit Lath with Indian students in Poland[/caption]

Interestingly, many of the Indian students who fled from Ukraine later enrolled in Polish universities. "We prepared a list of 15 Polish universities, and shared it with Indian media and several students, who could connect directly to them for admission, given the right documentation," reveals Amit, adding, "Brand India makes a lot of difference globally, and this is proof of it."

It's been almost a year since Russia invaded Ukraine, and people including Indians made their way to Poland. Till now, more than 8.8 million immigrants have crossed the Polish border. "The way Poland opened its borders and arms for the people of Ukraine is commendable and emerged stronger as a member of the EU. It's high time that the war ends."

  • Follow Amit Lath on Linkedin and Facebook

Reading Time: 6 min

Story
Jay Sean: The British-Indian artiste completes 20 years in hip-hop music world

(April 16, 2024) Who can forget the peppy song Dance With You from the early 2000s? Then a 22-year-old, Jay Sean was among the few South Asian artistes who exploded on the music scene with a chartbuster that was set to change the course of his life. The song made the British-Indian artiste an overnight star, and as they say, the rest is history. Despite the changing time, he has kept himself relevant and the proof of it is that this year he completes 20 years in the music industry. "To be able to have 20 years in the music industry and have songs that have stuck as classics now, to me is always a blessing. The challenge is really just understanding how to evolve," he said in an interview. [caption id="attachment_50752" align="aligncenter" width="1024"] Jay Sean[/caption] In the last two decades, the poster boy of the UK's Asian underground music scene has truly put Indian music and hip-hop on the global map. He was among the first few Indian artistes who opened the doors of South Asian music to the world, and is continuing to bring joy to music lovers across the world with his work. His latest song Heartless,

Read More

bal map. He was among the first few Indian artistes who opened the doors of South Asian music to the world, and is continuing to bring joy to music lovers across the world with his work.

His latest song Heartless, which was released a week ago, has already grabbed the attention of music lovers, and he knows his music works because he is being true to himself. "I understand what I have to offer to the industry, that if I write and deliver a song, it will always be a Jay Sean song. Regardless of how the production is changing, or even the melodies of the times are changing, it will still have my signature stamp on it," he added.

Growing up with music

Born as Kamaljit Singh Jhooti in London to Indian immigrant parents in a Punjabi Sikh family, Jay was raised in the Asian community of South Hall. From a young age, he was drawn to music, leading him to form a hip-hop band Compulsive Disorder with his cousin at the age of 11. A young Jay attended Latymer Upper School in the morning and wrote songs in the evening. "I remember watching Yo! MTV Raps from a young age. And that put me into writing because I just wanted to write raps. I used to go and find instrumentals when I was around 13, and I would write my own rhymes and record my own mixtapes. Me and my crew were making mixtapes, writing original lyrics over other people's beats, and that's what really got me into writing," he had said.

 

View this post on Instagram

 

A post shared by Jay Sean (@jaysean)

But for his parents, music wasn't a traditional occupation and they encouraged him to focus on his studies. Someone who excelled in academics, he won himself a scholarship at the Barts and The London School of Medicine and Dentistry to train as a doctor only to drop out in 2003 to pursue a career in singing. To kick start his career in music, he chose Jay Sean as his stage name. "Jay comes from my last name Jhooti and my grandmother used to call me ‘Shaan’ which is where Sean comes from," he revealed.

The poster boy of the UK's Asian underground scene

Life took a beautiful turn when one of his tracks One Minute fell into the hands of producer Rishi Rich, thus giving birth to the Rishi Rich project in 2003 that had Sean, Juggy D and Rich as its prime members. The trio exploded on the UK's Asian Underground scene with Dance With You, a chartbuster that made it to Top 20 hit. Such was the mania that even Virgin Records couldn't miss the chance of signing a £1 million deal with this rising star. Under Relentless Records, Jay belted out his first solo outing Eyes On You. The peppy beats and his velvety voice cast its spell on music lovers across the globe, making the song a Top 10 hit among all the Indian artists.

https://www.youtube.com/watch?v=I8uztB31eUw

Global hip-hop icon

2004 came with the promise of Jay Sean being the next big thing. Each of his singles made the right noise in the music circle and soon he was hailed as the Asian sensation. His experimental and creative fusion of contemporary R&B and Indian music hit the right chord with music lovers across the globe. But his fallout with Virgin Records gave him time to self-reflect and use it to write songs. After a hiatus of almost two years, Sean returned with a bang with his second album My Own Way, which debuted at number six in the UK with its hit song Ride It smashing records. He soon found himself nominated at MOBO Award for Best UK Male and Best R&B/Soul among music heavyweights like Chris Brown, Estelle and Ne-Yo, which spoke volumes about him gaining popularity as a household sensation.

Champion of diversity

In 2008, Jay scripted history when he bagged a deal with Cash Money Records becoming the first South Asian singer and among few Indian artists to achieve the feat. The accomplishment opened an opportunity for the world to witness South Asian culture from close quarters. The deal bagged Jay his first collaboration with Lil Wayne, and the single became an instant hit zooming its way up the Billboard. This made him the first Asian British artiste to top the Hot 100 since Freddie Mercury of Queen in 1980.

 

View this post on Instagram

 

A post shared by Jay Sean (@jaysean)

"Me getting to this point provides me the opportunity to show people what our culture is all about. Our community is just as or even more so musically inclined and now is our time to show the world that we are just like everybody else. The fact that my grandfather and my father had to hide their identity to assimilate into cul­ture was unjust. They did not think that such barriers could be broken in their lifetime. I take it very seriously that I have one shot to make it – not just for myself, but my community," he said in an interview.

Smashing stereotypes

After winning three awards including Best Male, Best Urban Act and Best Album at the 2009 UK Asian Music Awards, he performed with Akon at the Grammy same year. Such was the craze around this British Asian sensation that he found himself on Number 35 in Billboard's Hot 100 Artists of the year. The year came to a stunning end for the artiste as he became the first South Asian to perform at the Madison Square Garden in New York. For the next few years, he belted out hits after hits with The Mistress, Do You Remember and All or Nothing. It was in 2015 that he reunited with Rishi Rich and Juggy D to restart the Rishi Rich project with their new single Freak.

In 2020, Jay resurfaced with a bang with Eyes on You 2 which reached No 1 on BBC Asian Chart. While his journey has had its shares of ups and downs, like any Asian, he too felt stereotyped in the initial years of his career. "I have experienced stereotypes and lack of equal opportunities. The reason being that certain people don’t look at you as an artist but take the whole package into mind and put you in a box. I experienced it a lot but I also took it upon myself to show people very early on in my career that there was no stopping me. When they would label me as a specific type of artiste, I would break out of that box and do something completely different every single time. It’s something I really love doing. Hopping onto different genres and expanding on what I can do as an artiste," he said.

https://www.youtube.com/watch?v=idMkbS6LWA8

And now he is back with yet again foot tapping number Heartless, which coincides with his 20th year in the music industry. "I feel so blessed when I think about completing 20 years in this music industry. That is such a blessing because now everything is so disposable," he said.

Giving back

When he is not busy making music, he lends support to organisations and causes that resonate with him. For someone who was training to be a doctor in his graduation, medical field is closer to his heart. In 2004 and 2009, he supported the Aga Khan Foundation in the charity event Partnership Walk and Run by performing in Regent's Park. Around the same time, he performed at Justin Timberlake's charity concert to raise funds for the Shriners Hospital for Children, thus raising more than $9 million along with artistes like Taylor Swift and Alicia Key. In 2012, he joined Child Hunger Ends Here campaign, and recorded a song Here's Hope to create awareness.

  • Follow Jay Sean on Instagram

 

Story
The Right Click: Photographer Clare Arni has documented the India story over three decades

(December 19, 2023) In 1993 , Clare Arni hopped into a Maruti 800 with her sister and her son, to begin an 800-km journey along the River Kaveri, starting at the source, Thalakaveri, in Coorg, and ending where it empties itself into the Bay of Bengal, reaching the sea in Poompuhar. Their goal: To document the lives that have flourished around this ancient water body, as it twists and turns its way through the Deccan, morphing into the giver of life at the Kings bathing Ghat, and the keeper of the dead in Srirangapatna, where thousands perform the final rites of their loved ones. In 'Disappearing professions in Urban India', a collaboration with her sister, Oriole Henry, the siblings wandered through six of India's old cities, finding professions that were on the verge of being relegated to annals of history, from mattress fluffers to billboard painters. Straddling varied themes that include architecture, travel, social documentary, and cultural heritage, Clare Arni has spent the last three decades documenting the India Story, in all its varied richness. From working with celebrated Indian architects like B.V. Doshi, Charles Correa, Geoffrey Bawa and Sanjay Mohe, to documenting remote tribes deep in the Sundarbans, Clare

Read More

he Sundarbans, Clare Arni has done it all. Her internationally acclaimed work can be found in prominent galleries abroad and has been featured in publications like The Wall Street Journal, Harvard Design Magazine, Tatler Conde Nast (UK), and Abitare (Italy). Her expansive career includes book publications with top British publishers like Phaidon, Thames and Hudson, and Dorling Kindersley. Clare's long-term projects document the rich tapestry of life in various Indian locales such as Hampi, Banaras, Northern Karnataka, Rajasthan, Sundarbans, and Orissa.

[caption id="attachment_47639" align="aligncenter" width="394"] Clare Arni[/caption]

Early days

Born in Scotland in 1962, Arni arrived in India when her father was transferred here for work. He established the Vikaasa school in Madurai, where Arni also studied until the age of 13, when, she tells Global Indian, she was “rudely uprooted from a place that I considered home and sent to a mediocre boarding school in England.” She followed this up with a degree in art history and film and media in Scotland, but she says, “I returned to India as soon as I possibly could. When I think of the nostalgia of home, I still recollect the bird song and hot winds of Madurai,” she smiles.

Arni returned to India at the age of 22, soon after college, to earn a living as a photographer. Self-taught, she learned on the job, attempting to create as diverse a portfolio as she could manage. “I started with fashion photography and did campaigns for Weekender and Wearhouse,” Arni recalls. “I did any work that came my way, photographing everything from racehorses to chickens, and then making black-and white-prints in my darkroom.”

Architecture calling

Her calling, however, lay in architectural photography. Clare was soon shooting directly for architects, documenting their projects publications and competition entries as well as for architectural and interior magazines. “I worked for many Bangalore architects but also for several projects for Charles Correa, BV Doshi, Geoffrey Bawa and Sanjay Mohe. For Charles Correa I documented the town Of Bagalkot before it was submerged by the dam and the house that he built for himself in Bangalore,” she explains. Apart from many design magazines in India, her images have been published in renowned international magazines like Abitare (Italy) Tatler, Conde Nast (UK) Wallpaper, The Wall Street journal and Harvard Design magazine. Her work is also part of Phaidon, Thames and Hudson and Dorling Kindersley, all of whom are leading British book publishers.

[caption id="attachment_47643" align="aligncenter" width="507"] PhotoL Clare Arni[/caption]

Documenting Stories

She also started shooting longer book projects for writers like George Mitchell. These were rewarding as they allowed her to travel extensively around India documenting places like Hampi, Banaras and Northern Karnataka. “I also worked for NGOs like Welt Hunger Hilfe where I travelled to remote communities in Rajasthan, Sundarbans, and Orissa documenting the work that they had done with self-help groups, women’s empowerment and updating agricultural practices,” says Arni. Her travels have been continuous even after she had her son.

Her Kaveri River project took a full four months, which she spent on the road with her son and sister, documenting the civilisation that had grown and flourished on its banks. “The river became part of our everyday lives walking its banks and swimming in its waters, taking coracles to the bottom of waterfalls, and flying an ultralight to capture it from the air,” Arni recalls. “I have been very lucky as my work and passion was the same and I was able to see and document so much of India.”

Going solo

After all of this she started to have solo photographic exhibitions and it was what she admits was liberating as she could work without clients and create works with total freedom. This is when she began to look at living cultural heritage instead of just built architecture. One of her biggest shows was ‘Disappearing professions in Urban India’, done in collaboration with her sister, Oriole Henry, where they examined historical professions associated with six cities and how they were surviving and adapting to the present day. “It was a wonderful way to get to know these cities,” Arni says. “We wandered through the streets searching for these professions and often found that they had either gone or that only a handful remained to carry them forward. We found mattress fluffers, tinners, hand painted billboard painters and calligraphers. We documented the changing face of single screen cinemas and stand-alone coffee shops that were making way for multiplexes and international chains,” she explains. This exhibition was shown around India and in America.

[caption id="attachment_47645" align="alignnone" width="1024"] Photo: Clare Arni[/caption]

A full life

Arni likes to work on long term projects where she gets immersed in the subject over several years. Some of these are ongoing. Some of the new books that she has done are directly with clients where she conceptualises, shoots, and helps with design inputs. She has enjoyed working collaboratively with talented photographers like Selvaprakash Lakshmanan on many of these books. “I have had a rewarding and challenging new direction at this point of my life. I am head of arts programming at a charitable trust school, RBANMS in Bangalore. I am extremely fulfilled working and interacting with these children and am excited by the programs that we are working on together with a host of visiting artists that share their time and skills with the school,” she says. Her advice to newbie photographers is that patience is important and spending time with your subject whatever it may be is key. “Even if you think you have got the shot, stop for a moment and think how else I could do this, experiment and you will get a better shot,” she advises. Looking ahead, she is working on finishing a couple of books, and spending time in the school.

Follow her on Instagram, Facebook

Story
How Dr Geetanjali Chopra’s Wishes and Blessings fed 30,00,000 meals to the hungry

(January 25, 2022) Journalist, researcher, academician now philanthropist – Dr Geetanjali Chopra’s multi-faceted personality is awe-inspiring. After years of juggling diverse careers, Dr Chopra’s started her NGO - Wishes and Blessings in 2014 thus transforming her life, and the lives of lakhs of marginalised people. She wanted to fight the hunger crisis in India and also help in relief work, especially during the pandemic. Today, her NGO has clocked 30,00,000 meals, and continues its efforts to feed the hungry. Through the pandemic, Chopra galvanised a team to help with food, hygiene and shelter, and also launched ambulances for emergency assistance. “During the second wave, we reached across seven Indian states - Assam, Bihar, Delhi/NCR, Jharkhand, Rajasthan, Tamil Nadu and West Bengal. We have served over 30 lakh meals, distributed over 80,000 ration kits and provided over 30,000 hygiene kits to 50,000+ beneficiaries. Through our initiative Dabba Bhara Hai, we also provide food resources to underprivileged. Additionally, we are launching our vaccination camps for underprivileged children,” reveals the 40-year-old. The path to charity “I felt enthusiasm and nervousness when I first established Wishes and Blessings in 2014. I was stepping into a completely new realm with zero experience. My life experiences

Read More

opped-1.jpg" alt="Philanthropist | Dr Geetanjali Chopra" width="575" height="602" />

The path to charity

“I felt enthusiasm and nervousness when I first established Wishes and Blessings in 2014. I was stepping into a completely new realm with zero experience. My life experiences and patience were my two mentors. We started by working with visually-impaired children, and over time, Wishes and Blessings grew to include orphanages, old-age homes, and shelters for the homeless - operating across eight states of India,” says Geetanjali Chopra in an interview with Global Indian. Wishes and Blessing is seven years strong today with a core focused on spreading happiness. “My team and I constantly look out to help people in need across demographics, providing them with food, education, shelter, relief, etc,” the philanthropist adds.

Geetanjali’s work was honoured with Dettol India’s recognition under the “Our Protectors” segment, and she received the Global WOW Achievers Award by World Women Leadership Congress. As the Womennovator 100 Women Faces 2018 Award, the recognition by NITI Aayog, among many others motivate her to keep up her charitable initiatives.

 

View this post on Instagram

 

A post shared by Dr. Geetanjali Chopra (@geetanjalichopra_official)

Life before philanthropy

Born and bought up in a Punjabi family in Delhi, empathy and affection were qualities she embraced early on. “I would accompany my grandfather to a school for visually-impaired children, to celebrate birthdays and special occasions. On one such occasion, a little girl tugged at my arm, asking, “When is my birthday?” Her innocent, yet intriguing words left a permanent impression.” Little did Chopra know that the question would soon influence her life’s mission.

Before turning philanthropist Chopra played many roles – as academician, columnist and more. “A decade of my life has gone into the media world, research, and teaching,” shares the woman who did journalism (Lady Sriram College), masters international relations (Jawahar Lal Nehru University), and humanitarian law.

Philanthropist | Dr Geetanjali Chopra

It was when humanities entered her life after tenth that she found her calling. A career in academics, and she was on her way. Her insatiable desire to learn saw her study at Utrecht University (Netherlands) for a PGDP in international human rights law. To enhance her academic foundation further, Geetanjali pursued another diploma programme - this time from the International Institute of Humanitarian Law (Italy) where she studied refugee law and human rights law.

These diverse educational qualifications reflect how life’s changed, and her priorities too. “I worked both in print and broadcast journalism,” she adds.

The desire to help the needy

Wishes and Blessings accepted the humungous task of fighting the horrifying hunger crisis that the underprivileged in India experience. “Hunger crisis is one of the greatest threats to societies across the world. We launched the daily meals programme in December 2015. Our vision behind this project was simple – nobody should go to sleep on an empty stomach. We started serving hot and nutritious meals three times a day - daily. Ration kits are also given in areas where cooked food cannot be served. As of 2022, the programme is active in eight states across India. With this programme, we have been able to serve over 30,00,000 meals,” the philanthropist shares.

Philanthropist | Dr Geetanjali Chopra

The NGO also runs the winter relief drive to distribute warm clothing to children, women, men, marginalised communities and the elderly across Delhi NCR, Jharkhand and West Bengal.

Another of Chopra’s noble initiatives is starting an elderly care home in Delhi. “I was fortunate to have all four grandparents in my life for a significant period. They played an instrumental role. Losing three of them in quick succession left a huge void. On hearing about dreadful cases of ill-treatment and abuse of elders – I decided to open my old-age home Mann Ka Tilak. Through this shelter home, we provide a safe environment and a loving family to abandoned elders,” she explains.

From policymaker to humanitarian

As an accomplished professional, quitting her job as a fellow at Centre for Policy Research to run an NGO full-time wasn’t an easy decision. “I was in a dilemma – I wanted to give up everything and work for the underprivileged, yet I also wanted to explore academics and policy making. Facing my fears, I made a decision to quit my job and never looked back,” ruminates Chopra, who is the first woman in her family to hold a PhD.

Philanthropist | Dr Geetanjali Chopra

Despite facing initial resistance from family, they finally extended full support when they realised that a charitable journey would make Chopra happy. “I have imbibed independence, self-love, empathy and charity from my family. My husband tries to be the voice of a reason in situations that perplex. My father helps me with all the legal and accounts work. My cousins provide legal assistance and advice,” smiles Chopra, ever thankful.

Amidst her hectic schedule, Chopra loves to take time off to cook – it’s her biggest de-stressor. “I have a vast collection of cookbooks - my most prized possessions. I love photography too. My NGO experience has ignited a new interest in me – to capture interesting subjects,” the philanthropist signs off.

Wishes and Blessings

  • Follow Dr Geetanjali Chopra on Linkedin, Twitter and Instagram
  • Follow Wishes and Blessings on Instagram

Reading Time: 6 min

Share & Follow us

Subscribe News Letter

About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

Read more..
  • Join us
  • Sitemap
  • Terms & Conditions
  • Subscribe
© 2024 Copyright The Global Indian / All rights reserved | This site was made with love by Xavier Augustin