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Afghan photographer Omer Khan
Global IndianstoryPhotographer Omer Khan, who loves to shoot life, on his lucky escape from Afghanistan 
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Photographer Omer Khan, who loves to shoot life, on his lucky escape from Afghanistan 

Written by: Vikram Sharma

(September 13, 2021) On August 24, when the Boeing C-17 Globemaster III took off from the Hamid Karzai International airport in Kabul and vanished in the sky after heading west, photographer Omer Farooq Faizi – one of the passengers on board the US aircraft – heaved a sigh of relief. It had been a highly stressful day for him as he, along with his family, criss-crossed the streets controlled by Taliban gunmen to reach the airport, which had already plunged into chaos, amid fears of an imminent terror attack.  

Omer’s exit from his motherland came just 48 hours before the deadly suicide bombing outside the airport which left 170 dead and dozens wounded. About 72 hours prior to his departure, seven Afghans died at the same spot as tens of thousands of Afghans desperately tried to leave their country. Luck was clearly in favor of Omer and family. 

Afghan photographer Omer Khan

A photograph shot by Omer Khan

“With the Taliban at the helm, Afghans are staring at a dark future. Staying back in Kabul was not an option,” says the 29-year-old, who also goes by the name of Omer Khan. Accompanied by his elder brother, Omer flew out of his country along with his wife and their son. They are presently put up at a temporary camp in the United States. “We will be staying at the camp for about three weeks until the documents (to settle down in the US)  are done,” informs Omer, speaking exclusively to Global Indian. Once the formalities are completed, he will start life afresh on foreign soil. 

A past riddled with trouble

“I was a class three student during the earlier Taliban regime. I still remember that not only my family, but scores of Afghans were in deep financial crisis. There were a lot of problems that we as Afghans used to face back then, especially women,” recalls Omer, still shocked at the deadly terror attack on August 26. 

Afghan photographer Omer Khan

Omer Khan

Born in Kabul, Omer earned a name for himself as a freelance photographer. His off-beat photographs have featured in several exhibitions and competitions not only in Afghanistan but also internationally.  “Under the new Taliban regime, my country will go back 50 years and I have no doubt about that. Lots of people have become jobless already,” says Omer, whose remaining family members are continuing in Kabul. He is in constant touch with them. 

Respite in photography

Having completed his elementary and secondary school from the Mohammed Alam Faizad High School in Kabul, Omer was keen to learn Arts from a very young age. In 2009, he started learning calligraphy at a private institution. Thereafter, he got into journalism and began his career as a freelance photographer.  

Afghan photopgrapher Omer Khan

Omer Khan enjoys capturing life

While his photographs have featured in several exhibitions in Afghanistan, he participated in two exhibitions in France in 2017, which gave him the required international exposure. “I shoot anything related to the beautiful life,” he smiles.  

His deep passion and love for photography reflects in his work, which offers a glimpse of life in Afghanistan and its people. From a smiling young Afghan girl to a group of children skating, a balloon seller standing in front of Kabul’s skyline and a group of Afghans indulging in Buzkashi (the national sport of Afghanistan) – each of his pictures speak a thousand words. Out of Omer Khan’s photographs, a photo book titled “Hidden Treasure” – which represents the beauty of Afghanistan – was released in 2019, which won him accolades and appreciation from all quarters.    

The award-winning photographer says that Pakistan is the main culprit in the state of affairs in his motherland. “The Taliban takes orders from Pakistan, which does not want Afghanistan to prosper. The economy is going down and no one will come forward to invest in Afghanistan,” says a worried Omer, who was honored by UNESCO for his works in 2018. He also holds a certificate from the masterclass of contemporary photography (2018) along with masterclass of ideation, conception and direction of photography project (2019) from the French Institute in Afghanistan. 

Afghan photographer Omer Khan

An Afghan girl skating

Looking back

Ask him how the situation in Afghanistan is ever since the Taliban took over, Omer informs that the militia often harasses people on the streets of Kabul. “The Taliban will not let women work and they will harass them. People are generally scared of the Taliban and we all know what they did in their earlier rule,” he says, adding that the militia does not want women to be seen outside their homes.  

Afghan photographer Omer Khan

Pictures of women outside salons were defaced after the Taliban takeover of Afghanistan

Such is his passion for photography that even after the Taliban took over, he was out on the streets with his camera, clicking photographs which depict life under the Taliban rule. One of his photographs, which went viral was a picture of the images of women defaced with spray paint outside beauty salons.  

A mere mention of India brings a smile on the photographer’s face. “I have been to India as a tourist and also for a training course for three months. It is a beautiful country,” says Omer, who is looking forward to a bright future as a photographer in the US. “Frankly, we Afghans do not fear death. We only fear for our family members back home.” 

 

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  • Afghan photographer
  • Afghan refugee camp in the US
  • Boeing C-17 Globemaster III
  • Buzkashi
  • escape from Taliban
  • French Institute in Afghanistan
  • Global Indian
  • Hamid Karzai International airport in Kabul
  • Kabul
  • Mohammed Alam Faizad High School
  • Omer Farooq Faizi
  • Omer Khan
  • Taliban gunmen
  • Taliban takeover of Afghanistan
  • UNESCO
  • UNESCO award

Published on 13, Sep 2021

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Shooting the wild: Behind the lens with wildlife photographer Masood Hussain

(February 23, 2024) Masood Hussain was busy photographing monuments, streets and landscapes, until one day, when he read an article saying the most difficult subjects are birds. By this time, he had also realised he wasn’t doing anything unique with his camera. So, the very next day, he set out to a nearby lake to search for birds, and at the end of it, hadn’t captured a single, usable photograph. Instead of disappointing him, it marked the start of his love affair with wildlife. “I enjoyed the process of locating birds, getting close to them and observing their behavior. I kept going back and after many attempts, I could finally capture a decent photograph of a bird and the satisfaction was inexpressible,” smiles the award-winning wildlife photographer, in a chat with Global Indian. Hussain holds the coveted distinction of AFIAP (Artist, Federation International Del’Art Photographique) which he was awarded in 2013 by The International Federation of Photographic Art, the world photography headquarters in France. In 2020, he was named wildlife photographer of the year by the Natural History Museum London. [caption id="attachment_49368" align="aligncenter" width="616"] Masood Hussain[/caption] “To make quality wildlife images, one needs to be extremely passionate, willing to fail

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class=" wp-image-49368" src="https://stage.globalindian.com//wp-content/uploads/2024/02/FB_IMG_1707718061600.jpg" alt="" width="616" height="619" /> Masood Hussain[/caption]

“To make quality wildlife images, one needs to be extremely passionate, willing to fail several times and be persistent. It is all about patience and anticipation,” says the true-blue Hyderabadi. A wildlife photographer has no control over his subject. “In wildlife photography, if you lose a shot, you lose it forever. There is no second chance. One needs to be able to make the most out of any situation.”

Accolades galore

Back in 2012, Hyderabad was hosting the CoP 11 convention on biological diversity. A photography competition was announced to showcase the biodiversity of Hyderabad. “I knew I would be competing against some of the best in the field, but I was confident I would secure at least one of the top three places,” recalls Hussain. Sure enough, his image of a peacock won first place. This was his first ever award in a photography competition.

This distinction is awarded to those photographers who have had 15 images accepted and displayed by 15 different photography salons in at least 8 different countries. “By this time, wildlife photography had become more than just a hobby. I was determined to become one of the best out there and went on raising the bar,” says the wildlife photographer, who was the youngest photographer in the state to have achieved this distinction. He was also felicitated by the Andhra Pradesh Photographic Society.

Recognition by the National History Museum, London

Thousands of photographers from all over the globe participate in this prestigious competition. Then, a travelling exhibition of the prize-winning images goes to over 40 countries, and stays on display at the Natural History Museum for the rest of the year. Hussain is the only wildlife photographer from the state of Telangana and amongst very few Indians to have been awarded at the NHM.

“That feeling when your name is announced followed by the name of your country and to proudly walk up to the stage to receive the award amid applause from the gathering of the finest photographers, is a feeling that cannot be described in words,” says Hussain, who had been participating in this competition every year since 2015. But it was only in March 2020 that he finally won the award.

Hussain received the YES bank natural capital award in 2017, one of the most respected wildlife photography awards in India. “My image of the White Lipped Himalayan Pit Viper, with two insects fighting on its head, got me this award,” informs Hussain. He received a cash prize of Rs 50,000 and a plaque handed over to him by the then Union Minister of Forests and Environment, Dr Harsh Vardhan at an awards function held in New Delhi.

 

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A post shared by WildlifePhotographerOfTheYear (@nhm_wpy)

A childhood in Hyderabad

Masood Hussain was born in Hyderabad in April 1977. He studied at the famous Hyderabad Public School, Begumpet. “I was not the best-in-class student but almost always passed with a distinction,” recalls the wildlife photographer, who used to be such a shy and timid student, he was even scared of being called upon to read the thought for the day in the assembly. He was active in sports and was a part of the HPS junior cricket team.

Hussain’s interest in photography began when he was around six years old. His grandfather’s younger brother was a photography enthusiast, and he would help him develop the negatives and enlarge photo prints in the dark room they had at home. “He taught me the basics of photography on film cameras, right from loading a film in the camera to the relationship between the various photography parameters,” says Hussain. The first camera he used was a Leica, still considered one of the finest cameras in the world.

Hussain’s father Syed Masroor Hussain passed away when he was in class 8. He was a medical representative with Boots India Ltd (Now Abbot Laboratories). “He was a perfectionist and had great love for nature. He took me along for nature treks and fishing and that is when my love for the jungles started,” says the 45-year-old.

He describes his mother Vaseem Hussain as a warrior. After his father passed away, the entire responsibility of the family fell on her shoulders. Against all odds, she went on to start the first ever driving school in Hyderabad exclusively for women in1991, empowering thousands of them, who thanks to her, could learn driving from a woman instructor. After HPS, Hussain pursued his bachelor’s degree in electrical engineering from The PES College of Engineering, Aurangabad.

Hussain the entrepreneur

[caption id="attachment_49369" align="alignnone" width="1024"] 'The Enlightened One' by Masood Hussain | Photo: Special Arrangement[/caption]

After completing his Engineering, Hussain’s first aim was to give some rest to his mother, who, he says, was working like a war horse while he studied. “I gave up my plans of post-graduation and started my own business of design, fabrication and installation of Electrical Earthing and Lightning Protection systems.”

Like every other start-up, the first couple of years were quite a struggle, informs Hussain, who is the owner of Vista Techno Corporation.  In the next few years, business started growing and he got busier scaling up.

First camera 

By 2009, Hussain’s business began to stabilize and that was when he could afford his first DSLR, a Nikon D90. “All those years while I had been busy setting up my business, camera technology had evolved hugely. The film cameras were replaced by digital SLRs. I had to take up a crash course in digital photography to understand the latest technology,” says the passionate photographer, who learnt the nuances of photography from Ashok Kandimalla, a renowned photographer, columnist and camera collector.

In 2011, Hussain took a year-long sabbatical and travelled extensive across the country photographing birds and wildlife.

Giving Back

His exhibitions titled ‘Meraki by mh’ are his way of giving it back to the society. “With my exhibitions, I try to help the underprivileged and needy. By selling my limited-edition prints, I have successfully raised funds for a patient who underwent an open-heart surgery and another patient who underwent a bone marrow transplant,” Hussain says. He also raised funds for a school for differently abled children and has been a longtime supporter of the WWF INDIA and contributes regularly.

[caption id="attachment_49370" align="aligncenter" width="565"] Photo by Masood Hussain | Photo: Special Arrangement[/caption]

 

Branching out

While Hussain never considered photography as a source of income, he now has plans to start an online store to sell his prints. “The platform will also be called ‘Meraki by mh’. The buyers will be able to choose a picture they like to get it printed and framed,” he says of his new venture, which will also enable buyers to view the framed print on a virtual wall.

Hussain continues travelling to various jungles across the length and breadth of India to photograph the wildlife. “I also have plans to try my hand on shooting videos. I would love to make a documentary someday,” says the photographer, who plans to visit the wildlife destinations in Norway, Alaska, Botswana and New Guinea.

The minimalist approach

Hussain uses very modest equipment and has never used flagship cameras and lenses. “Good equipment helps, but I strongly believe that it is finally the man behind the lens that makes all the difference,” says the award-winning photographer who currently uses a Nikon D500 camera with a Nikon D300s as a spare body. He also avoids using the typical long and heavy pro lenses which are usually used by wildlife photographers. Hussain prefers his lens to be small and light. For his style of shooting, he needs to make quick movements on the field.

The lenses he currently uses for his wildlife work include Nikkor 200-500 mm (which costs Rs 75,000), Nikkor 300mm F4 PF (cost Rs 118000) and Nikkor 105mm Micro (cost Rs 50,000) used for macro photography. “The Technology is changing fast. The DSLRs are now making way for the Mirrorless Cameras and there has been a huge advancement in the way cameras work.”

The self-taught musician

When he isn't shooting wildlife, Husain, a self-taught musician loves to play piano, flute and the violin. “I also sing sometimes. Musical instruments have always fascinated me,” informs Husain, who spent most of the Covid-induced lockdown time to polish his music skills. Someday, he intends to write a book about his life as a wildlife photographer.

  • Follow Masood Hussain on Instagram.
Story
Like father, like son: Ace photographer Nitin Rai’s journey was a roller-coaster ride

(November 7, 2021) On December 6, 1992, when Indian photographer Nitin Rai found himself surrounded by a sea of 'Kar sevaks' in Ayodhya, he had no inkling of what was coming. Hundreds of security personnel were posted all across the temple town, all roads leading to the disputed site were barricaded and religious slogans filled the air. Tension was mounting but none, including Rai had imagined that moments later, a frenzied mob would bring down the Babri Masjid -- an event which dominates India's politics even today. A shocked Rai clicked some photographs even as he was being punched, kicked and pushed to the ground. A while later, a woman IPS officer came to their rescue and pulled out Rai to safety from what would have been sure shot death. "The mob was specifically targeting photographers who clicked the final moments of the Babri Masjid demolition. They did all they could but I did not let go of my camera. When I fell down, I held on to it firmly, keeping it safe under my belly," smiles Rai recalling his close shave with death. One of the photographs he clicked then, was on the cover of the Time magazine. [caption

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e magazine.

[caption id="attachment_15173" align="aligncenter" width="500"]Indian Photographer |Nitin Rai | Photojournalist | Global Indian Nitin Rai[/caption]

But that was not all. In the line of duty, he dodged death two more times - once in Kashmir, when he was caught in a crossfire between terrorists and security forces and again during the Kargil War in 1999. "I cannot take those kinds of risks now as I am a father of a special child and I have to take care of him," informs the ace photographer, speaking exclusively to Global Indian. While the renowned photographer is always "armed" and ready to shoot, his risk taking abilities while shooting pictures in the most dangerous of situations came in for much appreciation.

From capturing a plethora of human emotions to some breathtaking views of India's abundant beauty, Nitin Rai is one photographer who goes the extra mile for his pictures. That explains why he stands out from the rest. "India's beauty is what inspires me the most. The Himalayas, deserts, backwaters, rivers and forests - all have been my favourite locations. They connect me with Mother Nature, who is the biggest creator," says Rai, son of the legendary Indian photographer Raghu Rai.

[caption id="attachment_15165" align="alignnone" width="1080"]Indian Photographer | Nitin Rai | Photojournalist | Global Indian Nitin Rai with his father Raghu Rai.[/caption]

At the age of seven, he asked his father to give him a camera. In possession of Nikon F, he initially began taking pictures of his family members. By 13, his photographs were regularly being published in magazines and newspapers, where he was freelancing. By 17, he had begun to work full time with various magazines.

As a child, Nitin would witness his father carrying his camera everywhere and taking pictures all the time. Raghu Rai's friends like Kishore Parekh and his elder brother S Paul were among the legendary photographers who would often visit his home with their prints. "Endless discussions over photographs, prints and editing used to interest me and it ignited my interest in photography. They would share their experiences and ideas of photography. Observing them from close quarters taught me a lot," recalls Rai, who is the founder and director of Raghu Rai Centre for Photography.

His career took off to a flying start. Beginning as a photojournalist for Sunday Magazine and Asia Times, a daily newspaper published from New York, Singapore, Hong Kong and Bangkok, Rai soon grew into a multi-genre photographer. In a career spanning three and a half decades, he did fashion photography, landscapes, portraits, documentary, interiors, food, real estate and even industrial photography. "I wanted to try my hand at other kinds of work too (apart from photojournalism) which led me to other avenues," he explains. In many ways, Rai's professional journey has been similar to his father's who too worked for several national and international publications.

[caption id="attachment_15166" align="alignnone" width="1080"]Indian Photographer | Nitin Rai | Photojournalist | Global Indian Sea Gulls at Yamuna Ghat clicked by Nitin Rai[/caption]

His father Raghu Rai, who specialised in extensive coverage of India and produced more than 18 books, served on the jury for World Press Photo from 1990 to 1997 and twice on the jury of UNESCO's international photo contest. His photo essays appeared in many magazines and newspapers across the globe including The New York Times, Time Life, GEO, The New Yorker and The Independent among others. For Greenpeace, he completed an in-depth documentary project on the chemical disaster at Bhopal in 1984, which the world took note of.

Born in Gurgaon, Haryana in May 1969, Rai studied at Air Force Bal Bharati School in New Delhi after which he went to St Xaviers. "I used to go for photography assignments after school. Since I was already working full time by the age of 17, I did not pursue studies further," informs Rai, who is a single parent to a 26-year-old.

[caption id="attachment_15168" align="alignnone" width="1080"]Indian Photographer | Nitin Rai | Photojournalist | Global Indian Pushkar landscape clicked by Nitin Rai[/caption]

Throughout his career, Rai's biggest asset was his ability to connect with people of different cultures and backgrounds and capture their essence. "Making images which are sensitive, expressive and evocative that connect with the viewers of the image has always been my forte," says the Indian photographer, whose work has been featured prominently in international magazines like Der Spiegel, Figaro, Tattler, Facts, Stern, The Sunday Telegraph and The Independent.

"My biggest inspiration has been my father. It was he who inspired me to pick up the camera. When I started off, the money was meager but there was this immense amount of satisfaction," says Rai, whose photograph of a sadhu he had taken in Ayodhya got him the Nikon Award. An admirer of other photographers like S Paul, Alex Web, Abbas, Henri Cartier Bresson, Richard Avedon among others, Rai says being observant, patient and sensitive to people and situations is what made his journey worthwhile. "Regardless of cultures, race or place, all human beings are the same. One of the key aspects of photography is the patience to be able to see the image and capture the moment," says the Indian photographer, who carries a camera with a basic 24-120 mm lens on a daily basis, which he says, works for most situations.

[caption id="attachment_15167" align="alignnone" width="1080"]Indian Photographer | Nitin Rai | Photojournalist | Global Indian Lord Shiva at Suraj Kund Mela clicked by Nitin Rai.[/caption]

When he is not shooting, Rai is teaching photography. "The idea behind the Raghu Rai Centre for Photography was to disseminate the knowledge which I acquired through the years," says Rai, who has worked for various corporates including Aditya Birla group, DLF, Bhartia Industries, Oswal group, Ansal among others.

In an age when almost everyone clicks photographs on their mobile phones, Rai says that photography was expensive in the earlier times. "The films were expensive, developing them was expensive again. Today, anybody can take photographs. But one must learn the methods. Only when one understands photography well, can they take better pictures. Most people take to photoshop and often, the results are ugly," explains Rai, adding that a photograph has an expression and has the truth in it which makes it an image. He says that photography teaches a lot about life and it all depends on how well the photographer connects with the people and situations.

Nitin Rai, for whom Mahatma Gandhi is the true Global Indian, says that his career spanning more than 30 years, the ups and downs of life and his father's advice to be flexible helped him conquer newer heights, both professionally and personally.

[caption id="attachment_15169" align="alignnone" width="1080"]Indian Photographer | Nitin Rai | Photojournalist | Global Indian Chambal Ravines clicked by Nitin Rai[/caption]

In 1994, when a flurry of bullets from AK-47 assault rifles flew past him after he was caught in the crossfire between security forces and terrorists holed up in a premises in Kashmir valley -- luck was on his side. "We were a group of journalists and photographers who set out to do interviews with some terrorists. But no sooner had we reached there, the security forces too arrived and a heavy gun battle ensued. We were caught for almost 8 to 10 minutes. We were scared to death but finally, we were out of the situation when firing stopped for a while," recalls the internationally acclaimed photographer.

"The third time I dodged death was while covering Kargil war in 1999," informs the Indian photographer. "Though photographers were not allowed till the frontline, we were very close to the places where Pakistani shells were landing. But I got some great shots including the one with Indian troops at the freezing heights of Zoji La pass which was carried by Der Spiegel magazine," says Rai, who now leads a team of photographers to give top quality images to his clients.

Among his famous works is a photo documentation of people living with HIV/AIDs in different states in India and the suffering and pain of people, the Indian photographer captured in Gujarat earthquake in the year 2000 besides dozens of pictures in Ayodhya, Kashmir, Kargil and elsewhere.

Follow Nitin Rai on Instagram

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Into the jungles with wildlife photographer Parag Bhatt

(March 30, 2024) In 2023, wildlife photographer Parag Bhatt was named the winner of the People's Vote Award in the wildlife category at the ReFocus Black & White Photo Contest for his image 'The Gentle Giant of Ambroseli', where he went up against entrants from 77 countries around the world. With numerous accolades to his name, and work featured in publications across the globe, the self-taught photographer's journey began at home, listening to his mother's stories of growing up in Mombasa and in his father's darkroom, where he watched films being developed and enlarged. He talks to Global Indian about what inspires him to travel to the world's most remote and challenging terrains to seek out some of the world's most exotic, dangerous and elusive wildlife, as well as toeing the line between respecting an animal in its habitat and getting the perfect shot. [caption id="attachment_50399" align="aligncenter" width="523"] The photo of the polar bear in Svalbard that won Parag Bhatt an honourable mention in 2022[/caption] The formative years Born, raised, and educated in Mumbai, Bhatt’s school days saw him keenly interested in science when he would make models and electrical toys from scratch. That interest saw him pursue electronic engineering.

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t an honourable mention in 2022[/caption]

The formative years

Born, raised, and educated in Mumbai, Bhatt’s school days saw him keenly interested in science when he would make models and electrical toys from scratch. That interest saw him pursue electronic engineering. However, post his graduation, he moved to Powder Metallurgy where he worked on manufacturing diamond tools for the stone cutting industry. He worked in this industry for 40 years at the same time pursuing his hobby. “My father had a deep interest in photography. He had a darkroom at home where he would develop the film and enlarge prints. I used to love the way prints would come alive in a hypo solution in just a few minutes from white light falling on photo paper. So, I used to work with him in the darkroom and occasionally pick up his camera and shoot. That is how my interest was kindled in photography,” he reminisces.

Wild Ways

As far as his interest in wildlife was concerned, the contribution to this came from his mother who was born in Mombasa, Kenya since his grandfather had emigrated to Kenya. “She used to tell us stories of how she frequently encountered wildlife in Kenya when traveling from one place to the other by road or how the animals used to roam freely and were not confined to parks. Such stories brought in a lot of excitement within me as a young boy and ever since then, I wished to visit Kenya to view wildlife. Gladly this dream of mine came to fruition in 1994 when I first visited Kenya. My trip to Kenya plays an integral role in my journey as a wildlife photographer. It was on that trip that I for the very first time in my journey as a wildlife photographer shot wildlife,” he explains.

[caption id="attachment_50397" align="aligncenter" width="466"]Wildlife photographer Parag Bhatt | Global Indian Wildlife photographer Parag Bhatt[/caption]

Lessons in the Wild

Wildlife behaviour is quite unpredictable, making it challenging to anticipate their actions and movements. Capturing the perfect shot often requires waiting for the right moment, sometimes for hours or even days. “Hence patience and persistence are mandatory qualities for a wildlife photographer. Moreover, many times the weather is not conducive, which can impact the quality of shots. In times like these, the photographer can either wait for the weather to change and become favourable for capturing shots or use the weather to his/her advantage,” he says.

Wildlife photography involves using specialized gear, such as long lenses and sturdy tripods, which can be heavy and cumbersome to carry around. Mastering technical skills like exposure, focus techniques and composition principles are essential for capturing compelling wildlife images. “In wildlife photography, there is something very interesting called a ‘circle of fear’, which if crossed, will result in the animal fleeing." It's a fine line, he admits, between respecting the animal's space and natural habitat while still getting close enough for a good shot. But, he maintains, the well-being of animals is always top priority and disturbing them for the perfect shot is just not done. "Documenting wildlife can also raise awareness about conservation issues, but photographers must be mindful of their impact on fragile ecosystems and endangered species,” he adds.

Being Recognised

Bhatt won two honourable mentions and the People’s Choice Award in 2022 in the ReFocus B&W photo competition, something that has given him satisfaction and happiness. “I remember capturing the polar bear photograph less than two years ago in Svalbard. The whole idea behind capturing this shot was to portray the behaviour of the polar bear." The polar bear, he says, was dipping into the icy water to search for her kill, which had been carried adrift from the shore by the tide. For Bhatt, the challenge was to locate her everytime she surfaced, as she would dive in somewhere and resurface  randomly elsewhere after about half a minute. The long and heavy lens, the choppy waters and the bobbing rubber boat only made the task more challenging.

[caption id="attachment_50403" align="aligncenter" width="433"]Wildlife photographer Parag Bhatt | Global Indian Photographer by Parag Bhatt[/caption]

Working on Himself

As self-taught wildlife photographer Parag Bhatt commenced his journey in wildlife photography during the days of the film by taking snapshots of animals in their habitat. For the first few years, he pursued this path and started documenting each exposure, trying to improve the next time. “Over the years, I realized that there was much more to it than what I had been doing. Hence, I started my quest to improve my skills. For this, I collected a lot of books on the art and science of photography and slowly learned the ropes of exposure, metering, focus techniques, and mainly the art of composing images,” he says.

In 2003, Bhatt bought his first digital camera which revolutionised the learning process. It shortened the learning curve for photographers everywhere, and Bhatt also began observing and learning from some of the best in the business. Seeing their work inspired him to strive for better photographs. "My journey has been slow and painstaking but I have reached a stage where I have the confidence to exhibit my work at the prestigious Jehangir Art Gallery in Mumbai,” he adds.

Conflict Cues

For a wildlife photographer documenting human wildlife conflict is an interesting yet challenging task. Balance plays a vital role in showcasing the human and the wild stories. “While documenting the human wildlife conflict I ensure I am capturing the beauty of the wildlife showcasing them as at ease in their natural habitat while coexisting with the human. I also try to show the complex relationship between humans and the wild through my photographs. For instance, I captured one such photograph in Masai Mara Kenya. The photograph portrays how the usage of plastic negatively impacts our ecosystem. The photograph showcased a lion cub chewing a plastic bottle while sitting beside its mother. Plastics pose a significant threat to the health and survival of wildlife globally and the photograph tried to get attention to the harmful effects plastic can have on animals. I wanted to convey the message that we should have effective waste management techniques to avoid such incidents and reduce the harmful effects of plastic pollution,” he says.

Wildlife photographer Parag Bhatt | Global Indian

Looking Ahead

Over the years he has learnt several lessons while pursuing his craft of capturing the wild. Patience, persistence and acceptance in nature are key because no matter how well-prepared one might be, nothing goes according to plan in the wild. "Things unfold in their own way," he says. "I have learned to embrace every moment in the wild as it comes. I enjoy being by nature and observing the animals in their natural habitat and there are a plethora of things I have learned while capturing each shot." Over the years, he has learned to understand animal behaviour better, and to approach every encounter with an open mind. "I accept nature’s unpredictability efficiently and always remain patient in the moment,” he says. For someone who always tries to push boundaries to capture amazing shots, he plans to publish a coffee table book soon. “I will also set strategies to mentor budding wildlife photographers by hand holding them and teaching them the techniques of shooting good wildlife images. I will be going to Kenya at the end of this month to shoot wildlife at night and rhinos up close and hopefully come up with some striking images,” he signs off.

Follow Parag Bhatt on Instagram and on his website

Story
Homai Vyarawalla: Meet India’s first female photojournalist

(March 8, 2023) "Looking through the camera, focusing on a subject, and isolating it from its surroundings. These were the things that attracted me. The viewfinder of the camera attracted me to photography." This quote by Homai Vyarawalla is the testimony of her love for the art of photography. Picture this: It is the early 1900s. A woman in a sari takes up a Rolleiflex camera and cycles across the city to click photographs. Some men snigger at her, others completely ignore her for she is no authority on the subject or the object of her fascination—her camera. But she sticks her ground and captures moments and emotions on her lens that speak to millions of people. This is the story of Homai Vyarawalla, India's first woman photojournalist. She broke into the male-dominated profession of photography and proved her mettle with every frame that she composed. A meeting that changed her life Born in 1913 in Gujarat to a Parsi family, Homai's childhood was mostly spent on the move as her father was an actor with a travelling theatre group. It was only later that the family settled in Bombay where she completed her studies. Owing to her humble background,

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ted her studies. Owing to her humble background, she often shifted houses and had to walk long distances to reach her school. Despite the social prejudices and barriers prevalent in those times, Vyarwalla was keen to finish her matriculation at a time when she was the only girl in a class of 36 students. A young Homai then enrolled herself in St Xavier's College for a degree in Economics, after which she opted for a diploma from the prestigious JJ School of Art.

[caption id="attachment_7746" align="aligncenter" width="789"]Homai Vyarawalla with her still camera Homai Vyarawalla with her still camera[/caption]

It was here that she met Maneckshaw Vyarawalla, a freelance photographer, in 1926: the man who changed the course of her life. He not only introduced her to the art of photography when he gifted her a Rolleiflex camera but also married her in 1941. The camera became Homai's object of obsession as she started capturing her peers at college and Bombay in general through her lens.

The initial struggle

It was under Maneckshaw, who was then working with The Illustrated Weekly of India and The Bombay Chronicle, that Homai started her career in photography as an assistant. Her initial black-and-white photos captured the essence of everyday life in Bombay and were published under the name of Maneckshaw Vyarawalla as Homai was then unknown and a woman. The publishers believed that Maneckshaw's gender gave the photos more credibility, reported the Homegrown.

This oblivion on the part of men who failed to recognize her potential was a blessing in disguise for this Parsi woman. At a time when women were not taken seriously as photojournalists by men, their ignorance helped the Global Indian take the best pictures without any interference.

"People were rather orthodox. They didn't want the women folk to be moving around all over the place and when they saw me in a sari with the camera, hanging around, they thought it was a very strange sight. And in the beginning, they thought I was just fooling around with the camera, just showing off or something and they didn't take me seriously. But that was to my advantage because I could go to the sensitive areas also to take pictures and nobody will stop me. So, I was able to take the best of pictures and get them published. It was only when the pictures got published that people realized how seriously I was working for the place," said Homai.

Creating history through her photos

The World War II and the events that followed gave Homai many opportunities to capture its political consequences in India. It was a time when women were coming out in the public domain as they played agents of change, and the photographer in her captured every event in its true essence. Soon she began to draw attention with her body of work which was published under the pseudonym Dalda 13.

In 1942, she and her husband were commissioned by the British Information Services as photographers which took them to Delhi. The capital remained home to the Vyarawallas for almost three decades. Running their business from a studio in Connaught Place, the Vyarwallas captured history in the making. This was the beginning of Vyarwalla's long innings as the first female photojournalist in India.

[caption id="attachment_7747" align="aligncenter" width="697"]Homai Vyarawalla clicking Indira Gandhi Homai Vyarawalla clicking Indira Gandhi during an event.[/caption]

Clad in a sari with a Rolleiflex by her side, Homai cycled across Delhi to capture moments that would define the contours of 20th Century history. Her camera, which documented the last few days of the British empire and birth of a new nation, reflected the euphoria of Independence along with the unresolved issues that came with it. From photographing leaders like Mahatma Gandhi and Jawaharlal Nehru to capturing independent India's first flag being hoisted at the Red Fort, Homai gave India some of its most iconic photographs. The unique opportunity of capturing intimate political moments was something that she earned with integrity, dignity and perseverance.

By the early late 40s and mid 50s, Homai's demure persona was present at every significant soiree, documenting historical events and capturing big names like Martin Luther King Jr, Jacqueline Kennedy and Queen Elizabeth II.

Homai had become so popular that Life Magazine approached her in 1956 to photograph the 14th Dalai Lama when he entered India for the first time through Nathu La. With a camera on her back, Homai took a train to Darjeeling and after a five-hour car drive, she reached Gangtok to take the perfect shot. But it was her courage to travel alone with no place to stay in times when women's safety was an issue was a testament of her strength and dedication to her work.

1956: The Dalai Lama enters India through a high mountain pass. He is followed by the Panchen Lama. pic.twitter.com/W2yIZC0zqZ

— #IndianHistory (@RareHistorical) December 3, 2015

The photographer who made Nehru her muse

Homai had photographed many eminent personalities but none were as captivating to the photographer's eye than Jawaharlal Nehru, who was her muse of sorts. She found Nehru a photogenic person and captured the many phases of his life. Such was the trust that Nehru let her capture him even in his unguarded moments. One of them led to the iconic photo of Nehru lighting a cigarette for the British Commissioner's wife, while one dangles from his own mouth.

She even captured Nehru in his last moments. "When Nehru died, I felt like a child losing its favourite toy, and I cried, hiding my face from other photographers," she said.

After creating some profound and iconic moments through her lens, Homai hung up her boots in 1970 shortly after the death of her husband. With yellow journalism picking up, Homai bid adieu to her career.

[caption id="attachment_7743" align="aligncenter" width="492"]Jawaharlal Nehru's photo clicked by Homai Vyarawalla Homai Vyarawalla clicked this photograph of Pandit Nehru[/caption]

"It was not worth it anymore. We had rules for photographers; we even followed a dress code. We treated each other with respect, like colleagues. But then, things changed for the worst. They were only interested in making a few quick bucks; I didn't want to be part of the crowd anymore," she added.

After giving up her 40-year-old career, Homai gave her collection of photographs to the Delhi-based Alkazi Foundation of the Arts. Later, the Padma Vibhushan-awardee moved to Pilani with her son. It was in January 2012 that she breathed her last after suffering a long battle with lung disease.

Making a name for oneself at a time when women were relegated to the confines of the house, Homai Vyarawalla gave the world a perfect example of a woman who was ready to take on the world with her talent.

Reading Time: 6 min

Story
Karthik Subramanium: Indian-origin photographer rewrites nature’s saga, wins Picture of the Year award

(August 23, 2023) In a world where the ordinary often eclipses the extraordinary, San Francisco-based Karthik Subramaniam emerged as a true harbinger of the extraordinary. With his heart attuned to the rhythm of nature, he embarked on a week-long journey to the distant shores of Alaska with his favourite camera by his side. Little did he know that this journey would help him capture a stunning image of three bald-eyed eagles that would make him win Nat Geo's Picture of the Year 2023 contest. The stage of his revelation was set against the breathtaking backdrop of the Chilkat Bald Eagle Preserve, a haven where the skies seem to embrace the earth. The preserve, renowned as the grandest congregation of bald eagles on the planet, served as the canvas on which Karthik would paint its masterpiece.   View this post on Instagram   A post shared by karthik subramaniam (@karthz) With the sun's rays casting a spell on the land, he found himself standing near the fringes of the waters on the very last day of his trip. With only a few hours left before the last ferry, he waited for the perfect opportunity with his camera resting on a branch.

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A post shared by karthik subramaniam (@karthz)

With the sun's rays casting a spell on the land, he found himself standing near the fringes of the waters on the very last day of his trip. With only a few hours left before the last ferry, he waited for the perfect opportunity with his camera resting on a branch. That's when he heard a commotion and saw through his lens that an incoming eagle swooped in, intimidating its current resident, and took the prime spot. Amidst the chaos of feathered rivalry, Karthik seized the moment, capturing the sublime chaos in its raw, untamed form. In that fleeting moment, his lens transformed into a portal, bridging the realms of the ordinary and the extraordinary. Paying a tribute to George RR Martin's novel A Dance of Dragons, he named the image Dance of the Eagles and submitted it to National Geographic Pictures of the Year contest. Selected from among 5000 entries across four categories - Nature, People, Places, and Animals, the picture was published in the May issue of Nat Geo magazine. "Every year in November, hundreds of bald eagles gather at Chilkat Bald Eagle Preserve near Haines, Alaska, to feast on salmon. I visited there last two Novembers to photograph them," he told the magazine.

 

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A post shared by karthik subramaniam (@karthz)

These annual visits helped him gain insight into the behavourial rhythms of the birds. "For example, when an eagle drags salmon to a dry spot, other eagles in the area would inevitably fly there to claim their share, and that leads to chaotic action. They also seemed to have some favourite spots to hang out, and usually, commotion ensues when an eagle wants an already occupied spot. This photo was taken during one such commotion," he added.

[caption id="attachment_44022" align="aligncenter" width="447"]Karthik Subramanium | Global Indian Karthik Subramanium[/caption]

A software engineer by profession, Karthik took up photography as a hobby. For the longest time he has been photographing landscapes and it was only in 2020, when like many he was grounded in his home, that he started experimenting with wildlife photography. His passion led him to wildlife reserves and forests. He journeyed to the Point Reyes National Seashore, the voyage a testament to his unquenchable thirst for the perfect shot, and soon parks became his sanctuaries. Sharing an anecdote, he revealed that upon hearing that two bald eagles were nesting on top of an elementary school two hours away from his home, he visited every weekend to capture them on his lens on their way out to hunt. The trial period paid off as he learned patience, something that helped him capture the award-winning photo.

 

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A post shared by karthik subramaniam (@karthz)

His journey from the vibrant streets of San Francisco to the wild landscapes of Alaska encapsulates the essence of a soul driven by an insatiable love for photography. Through observation and enthusiasm, he harnessed the art of storytelling through his lens. His triumph in winning the prestigious National Geographic's annual Pictures of the Year award is not just an accolade, but a reminder that in the pursuit of a dream, passion and perseverance illuminate the path to greatness. Karthik Subramaniam, the photographer, has not only captured images; he has captured the heart of photography itself.

  • Follow Karthik Subramanium on Instagram

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About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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