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Economist | Raj Chetty | Global Indian
Global IndianstoryReviving the American dream: Economist Raj Chetty’s research is shaping the global future
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Reviving the American dream: Economist Raj Chetty’s research is shaping the global future

Written by: Namrata Srivastava

(August 17, 2023) Nadarajan Chetty had his luckiest moment before he even came into the world. His mother, Anbu, secured a spot in the first group of 30 young women to attend a medical college. Her journey later brought her and her family to the USA, where her nine-year-old son got the opportunity to become a world-class economist – who has been awarded the Harvard University’s George Ledlie Prize for “wielding big data to break myths about who achieves the American Dream and the obstacles faced by others.” The Indian American, who is the William A. Ackman Professor of Economics at Harvard University, is also the Director of Opportunity Insights, a group of economists based at Harvard who study inequality.

Economist | Raj Chetty | Global Indian

Economist Raj Chetty

“The big-picture goal,” Chetty had once told the media while talking about his work, “is to revive the American dream. A defining feature of the American Dream is upward mobility—the ability of all children to have a chance at economic success, no matter their background. And we aim to revive that dream.” The Global Indian, who became one of the youngest tenured faculty in the history of Harvard’s economics department, was also awarded the Infosys Prize in Economics, the highest monetary award recognizing achievements in science and research, in India.

A lifetime opportunity

Chetty’s mother who was raised in Tamil Nadu, stood out as the brightest student, but her opportunities were limited by tradition. Even though Anbu’s father supported her love for learning, there were no colleges nearby, and it wouldn’t have been considered appropriate to send his daughter far away for education. However, when Anbu was nearing the end of her high school years, a small miracle changed the course of her life. A wealthy local businessperson, who also had a talented daughter, made a surprising decision. He established a women’s college, right within his impressive home. Anbu secured a spot in the first group of 30 young women to attend this college. They studied English in the spacious courtyard, sheltered by a thatched roof. In the early mornings, Anbu took the bus to a nearby college to conduct chemistry experiments or examine frogs’ hearts before the men students arrived.

Economist | Raj Chetty | Global Indian

Nine-year-old Chetty

Eventually, Anbu enrolled in medical school despite her father’s initial disapproval. In 1962 Anbu married Veerappa Chetty, and Raj was born in New Delhi. At the age of nine, Chetty’s family relocated to the United States, and he embarked on a journey of achievement almost as remarkable as that of his parents. “My parents, who grew up in very low-income families and villages in South India … the opportunities they had were greatly shaped by the fact that they happened to be the ones who were picked to get a higher education in their families,” said the economist during an interview, “And I could kind of see how that’s played out through the generations in my own family, through the opportunities my cousins have had versus what I’ve had … ending up here at Harvard and the various opportunities I’ve had, I felt have stemmed from that.”

A scholar

A brilliant student from the very beginning, Chetty was the valedictorian of his high-school class. After finishing his school, the young economist joined the University School of Milwaukee and graduated in 1997. Chetty earned a Bachelor of Arts degree from Harvard University in 2000, where he continued pursuing his Ph.D. from the institution. “I was quite fortunate to complete my dissertation under the direction of Martin Feldstein, Gary Chamberlain, and Lawrence F. Katz. My thesis was titled ‘Consumption commitments, risk preferences, and optimal unemployment insurance‘,” the economist shared.

Economist | Raj Chetty | Global Indian

Raj and Sundari Chetty

Ambitious and focussed, Chetty became an assistant professor of economics at the University of California, Berkeley, eventually becoming a tenured associate professor there at 28. Just five years after starting his career, The Economist and The New York Times listed Chetty as one of the top eight young economists in the world, in 2008. And the next year, he returned to Harvard, where he was the Bloomberg Professor of Economics and the director of the Lab for Economic Applications and Policy.

Making America great again

While he has won several awards and recognistions, the work that has earned Chetty great renown resonates with his family’s past. He has led the way in a method that leverages recently accessible government data to illustrate the progress of American families over generations. This unveils noteworthy trends of both moving up the social ladder and getting stuck in one place. In a preliminary study, he illustrated that kids born in 1940 had a 90 percent likelihood of outearning their parents. However, for those born forty years later, that likelihood had dropped to 50 percent, akin to flipping a coin.

The Padma Shri awardee has been the man behind making the people believe in the ‘American dream’ again. “One of the core ideals, I think, of American society—and in some ways, the reason my own parents came to the U.S. like many other immigrants, in search of the American dream—is the idea that no matter what your background, you have a great chance of succeeding in America and of moving up in the income distribution relative to where you started. Our education research tries to approach that from one particular angle, as one factor that might matter,” the economist said.

His recent recognition, the Ledlie Prize, means a lot to Chetty because of its recognition of economics as a science. “One of the things I’ve been trying to push toward is making economics more of a science and viewed as a scientific field where it’s not just about making different assumptions and you have one view and I have another view and we kind of have a political debate but grounded in data, grounded in empirical science,” shared the economist, adding that he has a long way to go and much to research for making the US economy the greatest again.

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  • American dream
  • American families progress
  • Anbu Chetty
  • Economic research
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  • George Ledlie Prize
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  • Harvard University
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  • Indian American
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  • Infosys Prize in Economics
  • Nadarajan Chetty
  • Opportunity Insights
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  • Social mobility
  • Tamil Nadu
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  • Tamil Nadu opportunities
  • UC Berkeley
  • University of California
  • University School of Milwaukee
  • Upward mobility
  • US economy growth
  • Women's college

Published on 17, Aug 2023

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Constant gardener: Alyia Krumbiegel and the legacy of the famed landscaper

In 2016, when Alyia Krumbiegel stepped out of Kempegowda International Airport in Bengaluru, she did so into a blaze of cameras flashing and reporters firing questions at her. This was Alyia's first ever visit to India and she "just wasn't prepared for the media frenzy. It was astonishing," she tells Global Indian. The first thing on her schedule was a trip to Lalbagh Botanical Gardens. She entered through the West Gate, originally known as 'Krumbiegel Gate' and thought, "Oh my God, I'm home. It was surreal. I felt this is where my life should be." Alyia's story - and her great-grandfather's obviously, is one of globalisation and multiculturalism that began far before these terms came into vogue. As India struggled under the British, a German man found home in Bengaluru, in a country that continues to love and treasure his legacy. During his lifetime, much of which he spent in India starting in 1893, he "landscaped his way," according to Alyia, over 50 gardens, tea and coffee estates in the Nilgiris and across the South. Alyia's legacy from her great grandfather, goes back to the late 1890s, to her great-grandfather, the famed landscaper Gustav Hermann Krumbiegel, who gave Bengaluru its

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her great-grandfather, the famed landscaper Gustav Hermann Krumbiegel, who gave Bengaluru its 'Garden City' moniker and who was behind the planning and creation of numerous parks, zoos, coffee estates and palace gardens. His name is still spoken among the royal families, from Baroda to Mysuru. As for Alyia herself, it was a twist of fate that sent her on a years-long journey to discover a rich and storied family heritage - the German landscaper who came to India during the British rule and left a mark that's still visible today.

 

[caption id="attachment_29781" align="aligncenter" width="382"] Alyia Krumbiegel[/caption]

Written in the stars

"I'm a great believer in planets aligning," she tells me from her office in London, where she lives and was once neighbours with Shah Rukh Khan. Years have passed since we last spoke and Alyia has spent her time unraveling enough family history to fill a book. Which is exactly what she's doing, along with planning her next trip to India (the pandemic truncated her annual visits). She had grown up hearing stories from her grandmother and never thought much about them. In 2015, Alyia was at a crossroads in her own life, "I had reached a pinnacle and was at a stage where there were more years behind me than ahead of me." She decided, almost on a whim, to Google his name for the very first time. "I remember taking off my glasses because I was so surprised," she laughs.

There was so much to see - the snippets from her grandmother had done no justice to the man, really. She also found an advertisement, posted by Richard Ward of the Royal Botanic Gardens, Kew, trying to find Krumbiegel's descendants. The first thing next morning, she rang the house and left Richard a message. He called back 20 minutes later to say, "I can't believe it. I just cannot believe it. We have been searching for you for years." Alyia had found a renewed sense of purpose, "Learning I was a Krumbiegel, and what that meant, made me a different person. It reinvented my life."

GH Krumbiegel: Passage to India

Like his great granddaughter, Gustav Krumbiegel's journey to India was fraught with challenges and plot twists. A horticulturist in Hamburg, he was very keen to work at the Royal Botanical Garden in Kew and wrote to them, Alyia says, no less than 12 times before he was finally accepted. In 1888, he was offered a post at London's Hyde Park, where he tended to the rose gardens. Finally, he was granted entry to Kew, where he took care of the hothouse, and this is where, Alyia says, "our story starts."

 

[caption id="attachment_29782" align="aligncenter" width="354"]Alyia Krumbiegel | Global Indian Alyia's father[/caption]

 

Sayaji Rao Gaekwad III of Baroda was, at that time, looking for someone to tend to the state botanical gardens back home. As he visited the gardens in Kew, he learned that Krumbiegel took care of the hothouse and promptly offered him a job. Three months later, Krumbiegel was on a ship to Bombay, from where he arrived in Baroda. "He wrote letters back to Kew in those early days, calling India a remarkable country and praising its rich, red soil, where everything grows, saying there was no need for a hothouse." Three years later, he sent for Kaite Clara and a couple of hours after her arrival in Bombay, married her.

Krumbiegel worked as the curator of the botanical gardens for the erstwhile princely state of Baroda, succeeding J.M. Henry. "He was asked to find spots for tea plantations in Cooch Behar," Alyia says. He also landscaped the gardens of the Sayaji Baug Zoo, designed the sunken gardens of the Laxmi Vilas Palace and laid out Baroda's polo fields. "He also designed water storage reservoirs, because he was very concerned with issues like water conservation. During that time, my great grandmother, Katie Clara, would teach the young princes German. How she had learned fluent German is a bit of a mystery to me because she was British." Krumbiegel also worked with the Government Botanical Gardens in Ooty and was responsible for the architectural redesign.

 

[caption id="attachment_29786" align="aligncenter" width="266"]Alyia Krumbiegel | Global Indian Alyia with Jeetendrasingh G Gaekwad in Mysore[/caption]

Krishnaraja Wodeyar and finding home in Bangalore

A painting of Krumbiegel and a bust, both commissioned by the Maharajah are still in the Mysore Palace. In 1907, Krishanaraja Wodeyar, the ruler of Mysore, made him an offer and Krumbiegel arrived properly in the South, where he spent the remainder of his time in India. "He became a trusted associate of the royals and was the only man allowed the privilege of a handshake with the Maharaja," Alyia says.

The famed Brindavan Gardens, the landscaping of the Mysore Zoo and the palaces and Bengaluru's Lalbagh all bear the touch of G.H. Krumbiegel. In 1912, Krumbiegel became involved with the Mysore Horicultural Society and the Dewan of Mysore appointed him as an architectural consultant despite objections from Mysore's British Resident. Krumbiegel expanded Lalbagh, spending so much time there that he moved to the premises with his family. "He was the only superintendent to raise his family in the park," Alyia explains. He revived the Mughal style of gardening and introduced several plants that he brought in from England.

The seed exchange

"Kew had a seed exchange programme, which great-grandfather started when he went to Baroda," Alyia tells me. In Lalbagh, where he worked another 'Kew-it', John Cameron, they scaled up the exchange. The duo obtained seeds from other countries and sent collections to Kew as well as to America. Varieties of mango, including the malgova and varieties of rice went to the United States from Bangalore. In return, he introduced the Rhodes grass, Russian sunflower, soya bean, American maize, Feijoa sellowiana from Paris, Livistonia Australia from Java and several other species. In Bengaluru, the tabebuia and the jacaranda, as well as the majestic rain trees that continue to line the Cantonment area, all bear testament to Krumbiegel's legacy. He was also among the group that founded the still active Mythic Society in Bengaluru.

 

[caption id="attachment_29789" align="aligncenter" width="504"]Alyia Krumbiegel | Global Indian G.H. Krumbiegel at the Lalbagh Flower Show[/caption]

'Enemy of the state' and a patriot of his adopted home

When World War II commenced, Krumbiegel was declared an enemy, by virtue of his birthplace, by the British. "He had embraced India and was very vocal about independence for the country," Alyia says. "The princely royals protected him when the British saw an enemy in every German."

On two occasions, Krumbiegel was thrown into prisoner of war camps by the British in India. His views against colonialism also resulted in him receiving a severe beating during his imprisonment. "The Maharajah of Mysore saved him from being deported as well." His wife, Katie, although she was British, was also considered a traitor for having married a German and for a time, Alyia says, "great grandmother and their daughters were under house arrest."

The end in Bengaluru

In 1952, Krumbiegel, who was then a consulting architect and an improtant advisor in town planning and horticulture died in Bengaluru. He was buried in Hosur Road, at the Methodist cemetery and a road located between two of Lalbagh's gates was remained Krumbiegel Road in his honour. In 2016, the grave was given a much-needed facelift. Krumbiegel House in Lalbagh remained standing as a ruin until its collapse in 2017, after which the state government created a replica of the structure.

Reviving the legacy

Always on Alyia's hand is a gold gandaberunda, flanked by rubies and pearls, bearing the two-headed bird that is the royal insignia of the kingdom of Mysore. Now, it is Karnataka's state symbol as well. "it was a gift from the Maharaja of Mysore to my grandmother Hilda, when she turned 18," Alyia says. "When she died, I got the bracelet."

 

[caption id="attachment_29785" align="aligncenter" width="470"]Alyia Krumbiegel | Global Indian Gold gandaberunda, flanked by rubies and pearls, bearing the two-headed bird that is the royal insignia of the kingdom of Mysore. Now, it is Karnataka's state symbol. Photo: Courtesy Alyia Krumbiegel[/caption]

 

Ever since her first visit in 2016, Alyia, who tries to return each year, has become a vocal voice for preserving Bengaluru's monumental and green heritage. One of the people she met along the way was Jeetendrasingh Rao Gaekwad, of Baroda, with whom she took a private tour of the Mysore Palace and tea with the queen mother, Pramoda Devi Wadiyar.

"That was a surreal experience," she says. "We were sitting in the formal lounge of the palace, which was breathtaking. Then she came through, wearing a bright yellow sari and so graceful, she looked like she was floating, not walking. We had coffee and cake together and spoke of all the connections." She also visited the coffee estate in Chikmagalur that her grandmother had once owned and been made to give up when the British left India.

When she returns, the first thing she does is visit her great-grandfather's grave. "I like to arrive at half-past three in the morning so I won't be in traffic." Alyia describes Bengaluru with great familiarity. After breakfast, she heads to the Methodist Cemetery to place flowers on Krumbiegel's tomb. "Nobody ever touches it. I think they know that I left it there and they always make sure it's intact. Even if it's hanging by one string, it stays there."

 

  • Follow Alyia Krumbiegel on Facebook

Reading Time: 7 mins

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The right wavelength: Sound designer Kunal Raj straddles Kollywood, Bollywood and Hollywood with ease

(April 14, 2022) Kunal Rajan is of “sound” mind! What we mean is that he lets his imagination run riot on creating unique sound tracks. Be it gunfire, noisy drones, chopping whirrs of helicopters – they all converge with great effect in the spy thriller Vishwaroopam. That’s Kunal’s metier. His eerie sound effects in web series Fear Clinic chill the spine -- the gifted sound designer’s supremely high-impact background score in Melody -- a silent movie – lingers on. Straddling Kollywood, Bollywood and Hollywood with ease, the sound designer, sound producer and editor, Kunal Rajan, tells Global Indian, “Sound in western cinema is subtler compared to Indian cinema which is a bit over the top. Indian dialogues sound louder too, as Indians tend to speak a little louder than people from the west.” [caption id="attachment_23192" align="aligncenter" width="520"] Kunal Rajan, sound designer[/caption] Making sound matter Rajan’s scratches, mixes and editing turn seemingly ordinary scenes into real experiences. The techie, who has worked on 150 films including 50 horror movies in a career spanning 15 years, continues to be on top of his game. His next is an untitled project with director Atlee under Shah Rukh Khan’s Red Chillies Entertainment - his first feature

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Rajan’s scratches, mixes and editing turn seemingly ordinary scenes into real experiences. The techie, who has worked on 150 films including 50 horror movies in a career spanning 15 years, continues to be on top of his game. His next is an untitled project with director Atlee under Shah Rukh Khan’s Red Chillies Entertainment - his first feature film in Hindi as a sound designer. It is slated for release in the second half of 2022.

For Kunal, sound was always intriguing. Growing up in Pondicherry, he was amazed by the surround sounds in a theatre. “My friends  and I would discuss how good the sound system of a theatre was, and the sound effects in a movie,” recalls Kunal.

When he chanced upon sound design and sound mixing, he decided to pursue a career in it, enrolled for a bachelor's in sound design in Chennai. Slowly, he transitioned to post-production sound in 2007. That was when he moved to Singapore, and to the US for an advanced course in sound design. “My love for cinema compelled me to join the industry. I was lucky to get opportunities to assist and shadow some experienced sound designers in Hollywood,” says the 37-year-old Indian sound engineer.

[embed]https://twitter.com/kunal_rajan/status/1405782911186468869?s=20&t=3ijB-_MAdeBxhl5snPZhWw[/embed]

His experiences taught Kunal that styles in the west compared to India were extremely different – he them immersed himself into sound designing, recording, and production.

Working with stalwarts

“Vishwaroopam was my first collaboration with the amazing Kamal Haasan. It was the first Asian movie to be mixed in 11.1 Auro 3D sound format. We got over 15 theatres in Tamil Nadu to install 11.1 Auro 3D — which was an unforgettable experience,” smiles Kunal, who received huge appreciation for a seven minute-long battle sequence in the movie. With massive research on drones and different guns, it took form.

[caption id="attachment_23194" align="aligncenter" width="548"]Sound Designer | Kunal Rajan | Global Indian Kunal Rajan with Kamal Haasan[/caption]

 

The enthusiastic Indian sound engineer has worked with directors like Jon M Chu (Crazy Rich Asians, Now you See Me 2), F Gary Gray (The Italian Job, Law Abiding Citizen). He most cherishes working with Indian legends like AR Rahman, Resul Pookutty, Vijay Sethupati, Atlee Kumar and Karthik Subbaraj.

The process of elevating a film

He likes his creative process to start at conception. “There are some projects where the sound designer is involved at an early stage. This is the ideal way,” feels the Los Angeles-based Kunal, who gets to read the script before they go into production. “I have an early discussion with the director about his or her vision for the film. We exchange ideas, and once filming is complete, I start work with my team,” informs Kunal, whose most renowned works also include Race to the Witch Mountain, Jonas Brothers 3D concert experience, The Last Hour, Fantastic Four, Ghajini, Endhiran, Thoongavanam among others. In the 2009 movie Blue, Kunal worked with Resul, while the music was by AR Rahman.

 

View this post on Instagram

 

A post shared by Kunal Rajan (@kunalrajan)

The most challenging is to find the right sound for a film. “The right sounds have the power to elevate a film. Sometimes, we end up exaggerating a few sounds compared to reality to make a scene more exciting,” explains the Indian sound engineer whose team of editors and mixers are from the Indian film industry and Hollywood. “We have to create something new and memorable,” says Kunal, revealing that he probably has 50-60 versions of the sound effects before zeroing in on one.

Memorable experiences...

His work in Mercury (2018) -- a film with no dialogues won accolades. “It had only sound effects and music, a rare phenomenon. It was a dream project for a sound designer,” says a beaming Kunal, who is super elated at his upcoming Mahaan, directed by Karthik Subbarao. The Tamil film is likely to be released soon.

He lets us in on a secret - that all movies record live sync sound in the west compared to Indian films that are predominantly dubbed. “There is something special and natural about live sync,” he explains, though he admits that there is no right or wrong, “It’s just what you as a sound designer feels is best for a movie.”

 

View this post on Instagram

 

A post shared by Kunal Rajan (@kunalrajan)

His personal favourites? “I enjoyed working on Fear Clinic, Uttama Villain and Vishwaroopam. Frankly, all my films are different, and special. However, I have been extremely lucky to be able to work with some of the finest Indian musicians,” smiles Kunal, describing working with his idol AR Rahman a dream come true. “Having grown up listening to his music, working with him has been truly unforgettable. Working with Anirudh on Petta was a memorable experience. Both Anirudh and I had less than three weeks during post-production of Petta,” says the recipient of best sound design award for Fear Clinic.

  • Follow Kunal Rajan on Twitter and Instagram 

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An Uncommon Love: Getting up close and personal with Sudha and Narayana Murthy

(January 20, 2024) Sudha Murty and Chitra Banerjee Divakaruni first crossed paths in in the USA nearly 50 years ago. Divakaruni was a PhD scholar at the University of California, where Murty happened to be visiting her brother. "All the Indian students would come and cook in my apartment when they wanted Indian food," Divakaruni told Vogue India. "Sudha ji's brother was one of them and that's how I met her." Decades later, life brought the two women, both powerhouses in their own right, together once more, when Divakaruni was approached Juggernaut to write the love story of Infosys co-founder Narayana Murthy and his wife, Sudha Murty. An Uncommon Love: The Early Life of Sudha and Narayana Murthy was released on January 16, and went straight to the limelight, as it takes the reader behind the scenes, into the private world of the IT tzar and his wife in a way the public has never seen before. The book was two years in the making, with Divakaruni meeting the couple on Zoom at the start. "I was trying to show the kind of people they are, the difficulties they went through, the relationship they built, to show that these two

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hip they built, to show that these two people started off as very ordinary human beings from ordinary, middle-class backgrounds," Divakaruni said in an interview. Just like most couples in the world, they worked at their relationship and to keep their dream alive, while raising a family. "It was an opportunity to show these people in a very different light. It was like inviting the reader into their living room," she added. They began work through Zoom calls, after which Divakaruni and her husband spent twenty days in Bengaluru, during which time she "followed Sudhaji like a shadow," she said, in the Vogue interview.

An Uncommon Love: The Early Life of Sudha and Narayana Murthy | Global Indian

The early days

The story begins in 1974, when Sudha Murty, described as "a slender young woman (with) short, bobbed hair curling around her vivacious face," first crossed paths with Narayana Murthy, thanks to a co-worker, Prasanna. Sudha, who was the first female engineer in TELCO, was living in Pune at the time. She and Prasanna became friends as they rode the same TELCO bus to and from work everyday and Prasanna was always holding a book in his hand. He was also from Karnataka and to Sudha, a connection to home. Usually, Prasanna would be reading a book Sudha had already read before, but one day, he was "engrossed in a writer she had never heard of: George Mikes." The book had been lent to him by his friend and flatmate, who had travelled all over the world and had many adventures. He invited Sudha home to meet him.

Normally, Sudha would not have considered visiting a male friend at his flat - it was definitely a no-no in her traditional home state, Karnataka. But Pune was a progressive place, and very cosmopolitan. Besides, the idea of an entire room filled with books by foreign writers was too good to resist. Sudha was also curious about this young man. "In her mind, she imagined this intrepid world traveller to be suave and debonair, tall and broad-shouldered," Divakaruni writes in Uncommon Love. "Maybe... because she loved Hindi movies, he would look like Rajesh Khanna, sporting sideburns and boots."

So, meeting Narayana Murthy for the first time was a bit of a surprise - he was thin, with thick glasses, wearing a checked coat. He was very quiet, too, until they started talking about books. The two connected instantly over a shared passion for Kannada writers like Kuvempu, Shivarama Karanth and S.L. Bhyrappa. But she loved his exotic bookshelf even more and he generously offered to lend her anything she wanted, filling a shopping bag with all the books she liked. Just as she was leaving, he asked her to have dinner with him the following night. Again, it was not something Sudha would normally do, but she heard herself saying yes, adding, "But Prasanna must come with us, too. And I will pay for my dinner."

Sudha wanted to be clear that she was only meeting this young man as a friend, but sensed that he wasn't like other men. That's how their story begins, and it would go on to write a new chapter in the history of Bangalore city - and the country. They were soon spending most of their free time together, often at the family home of a friend, Shashi. Those were happy days, they both loved eating out, at the inexpensive cafes that students loved. They were both well read and opinionated and would often argue gently with each other.

Navigating real life

Real life often doesn't have much in common with the first flush of romance though, and Divakaruni notes how their relationship changed, and how they weathered the ups and downs. When Murthy found himself in a low place he even tried to distance himself from Sudha, only to realise he couldn't. That's when he asked him to marry her. "I'm no hero - just a short man with a squint and thick eyeglasses and no job," he told her one day, as they returned home from dinner in Pune. "You, on the other hand, are beautiful and smart. But I love you, and that gives me the courage to ask this. Will you marry me?"

In the early days, Sudha was the successful one, with the better job, one that she had struggled to get. Growing up in a traditional household in Karnataka, being educated and earning an engineering degree was a struggle – her college didn’t even have a toilet for girls. She made it through and landed a job at TELCO, only to be dismissed again for being a woman. Narayana Murthy had his own share of struggles too – his career wasn’t always going well and when he began dating Sudha, he had to prove to her family that he could take care of her. When Murthy wanted to strike out on his own, it was his wife who loaned him Rs 10,000 to start his company. He went on to forbid her from joining, which he recently accepted was a mistake, saying he was "wrongly idealistic," believing that family shouldn't get involved with business, even though she was more qualified than him and all the other co-founders.

Up close and personal 

[caption id="attachment_48454" align="aligncenter" width="620"]An Uncommon Love: The Early Life of Sudha and Narayana Murthy | Global Indian Sudha and Narayana Murthy[/caption]

Their story is captivating, helped by the fact that both Sudha and Narayana Murthy are good writers. Divakaruni, of course, is one of India’s best-known writers and holds great mastery over her craft, handpicking anecdotes and instances that will keep the writer hooked from start to finish. Divakaruni describes how hitchhiking through the USSR and finding himself thrown into the jail at the railway station, converted Murthy, from a staunch socialist to ‘compassionate capitalism’. The narrative weaves through various pivotal moments in the couple's life, starting with their unique bond formed over a love for literature. It then explores the challenges they faced, such as the awkward first encounter between Murthy and Sudha Murty's father, their modest wedding ‘on the wrong side of the Tungabhadra river,’ costing just Rs 800, and the subsequent concerns it raised among relatives. The book also sheds light on why their honeymoon was cut short and Sudha Murty's emotional decision against attending MIT. Further, it delves into her role in infusing optimism during hard times, her foray into writing, and managing family life with extended family support as Murthy's professional commitments intensified.

Then again, as Sudha Murty told Vogue, things change. Murthy would take her to watch the films, which she loved, but now she goes with her friends. "Just because we're partners doesn't mean we can go into each other's space," she said. "There is no perfect person and you just have to accept a person for who they are.”

  • The book is available for purchase on Amazon

 

 

 

Story
On the world stage: Super host Nadia Hakani was the energy booster at FIFA

(December 26, 2022) When Nadia Hakani is on the stage, she leaves the world behind. The chaos backstage does not matter to her nor do the technical glitches which may end up snapping the sound, abruptly. Come what may, she remains upbeat. There is no other way to do it. The ace host and anchor have faced stage blackout many times but her experiences — loads of it — ensure she engages with the crowds anyway. Nadia has a knack like no other and she proved it for the umpteenth time at the recently concluded FIFA World Cup. [caption id="attachment_33190" align="aligncenter" width="551"] Nadia Hakani[/caption] “Every moment at FIFA was exhilarating. I was the only anchor hosting the blockbuster event for 30 days non-stop,” smiles Nadia Hakani, the ace host and anchor, in an exclusive conversation with Global Indian, hours after her return from Qatar. She hosted the Al Khor fan zone which caters to fans north of Qatar. “Whatever the event, I can keep the crowds engaged. It is important to read the crowd’s mood before starting any energising activity,” says Nadia, who has hosted 1800 plus shows so far, which include over 100 international shows in nine countries. FIFA

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hosted the Al Khor fan zone which caters to fans north of Qatar. “Whatever the event, I can keep the crowds engaged. It is important to read the crowd’s mood before starting any energising activity,” says Nadia, who has hosted 1800 plus shows so far, which include over 100 international shows in nine countries.

FIFA fever

She has been an anchor, emcee, corporate team-building coach, presenter, and conference crowd motivator for the last 12 years. So how did FIFA happen? “Well, there was no way I would have refused the offer (to host a FIFA fan zone) which came my way. The entire staff did a great job and made the mega event a huge success,” says the host, who has a natural ability to keep the crowd engaged for durations of up to two hours, without a moment of break.

Host | Nadia Hakani | Global Indian

Back from FIFA, she headed straight to host a Corporate Team building Drums Interactive show. Just like she does for all events, Nadia did thorough homework before stepping on the stage at FIFA as well. “I go into a lot of details about the crowd that is attending, their age groups, and the general mood. I mold my events accordingly,” says the host, who did all it takes to keep the crowd, comprising three lakh people, engaged. “Sharing the stage with stars like Jimmy Felix, Abhinanda Sarkar, Tajinder Singh, and Awez Darbar at FIFA was an amazing experience.”

Born to shine

The Hyderabad-born host comes from a big joint family of 13 members. When Nadia was eight, her elder brother, Saleem made a makeshift radio for her from an old compass box and a curling brush. “Both would start hosting fake talk shows for fun. It eventually led to a successful career,” says the host, who did her schooling at Diamond Jubilee High School and completed her MBA from Shadan college, Hyderabad.

She grew up in a conservative family and it took a lot of convincing to allow her to anchor shows. “Now, things are different and my entire family comes to my events and enjoys them,” informs the host, who even used to sneak out of her house to do shows earlier.” While she has made Mumbai her home, the Hakani family resides in Hyderabad.

[caption id="attachment_33192" align="aligncenter" width="658"]Host | Nadia Hakani | Global Indian Nadia with actress Dia Mirza[/caption]

In her growing-up years, public speaking was a farfetched idea until a sangeet event of an event manager friend changed everything. “I was given the entire stage to get the crowd together and I received a lot of accolades for the job,” says Nadia of how that particular instance triggered a passion for hosting and anchoring events.

Over the years, the ace host has worked with people of all age groups, ethnicity, and gender and makes sure that all her crowd engagement activities are inclusive. “A show is not a single artist’s work it is a teamwork of many components. Once on stage, an anchor is representing the entire team,” says the host, who has perfected the art of being a crowd and game energiser. “I have successfully handled massive crowds. Anchoring runs in my blood now,” smiles Nadia.

She is so much into her job that once when she dozed off on a long flight, she started dreaming about the show she was going to anchor. “I started emceeing the show while asleep and it is only when fellow passengers started giggling, I woke up,” she recalls.

Owning the stage

Over the last 10 years, she has single-handedly conducted on-site and off-site team-building events at Google, TCS, Deloitte, Accenture, Cognizant, Amazon, and Oracle among others. “I love the travelling that comes with each event and the people I meet. It’s a highly rewarding career, which teaches something new every time,” says the Hyderabadi host, who attended Clown workshops by actor-director Rupesh Tillu.

Host | Nadia Hakani | Global Indian

She has hosted movie launches, product introductions, and team-building events. From the dance reality show ‘Dancing Star’ to Afro T 20 cricket league to hosting IPL “Ek India Happy Wala live” — the host has done it all, including red carpet events. Along her journey, she met several Bollywood A-listers including Deepika Padukone, Akshay Kumar, Shahid Kapoor, and Ranveer Singh among others. “I have done 1800 shows so far and looking forward to hitting 2,000 soon,” says the super host, who played a role as a reporter in the film Collar Bomb which was released on Hotstar, an experience she describes as amazing.

She has also participated in life planning courses by Mind valley and All Ulfat (National School of Drama fame). “I am awaiting a World tour with actors which is also in pipeline. My theatre guru has offered the main role in a series to me which will soon be revealed,” the host says. Presently, she is learning Boomwhackers and Drums jamming by Dr. Sham Rock.

[caption id="attachment_33194" align="aligncenter" width="632"]Host | Nadia Hakani | Global Indian Hadia with actor Ranveer Singh, during an event[/caption]

Anchoring, she says, lets her wear many hats. “I have performed music jams, been a games jockey, worked on theatre concept, and even danced with the participants and I loved it all,” says Nadia, who has completed certification in World Leadership Training by World Human Development centre and Land Mark Forum Level 1. The host was also honoured with the title of World Peace Ambassador in 2021.

Doing some of the biggest events around the globe, she says there are two things that anchor dreads the most — a stage blackout (when the mic is working but everything else abruptly stops) and a ghost (when even the mic stops). “For one boomwhackers event in Dubai, a ghost happened. I then used my trademark vocals to keep up the crowd's energy,” she recalls. Among the most memorable events of her career is hosting 50 consecutive shows in Dubai, which went on for close to two months. But she is desperate to host more. “My Dream is to work with Bollywood star Shahrukh Khan in an event and be a guest on the Kapil Sharma show,” the host says.

Host | Nadia Hakani | Global Indian

Nadia is looking to do more sports events including Olympics, F1 Racing, and Red carpet events such as IIFA, Filmfare, and Femina. “I am currently in talks with Femina India for a Boomwackers Show,” informs Nadia who is looking forward to continuing with her acting forte. “Stepping up on stage is like entering an unknown territory each time,” Nadia says when asked about the challenges she faced during her journey.

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Rupam Varma: Bridging cultures at Charlotte through GI-tagged Madhubani art

(Aug 21, 2023) Madhubani art, also known as Mithila art, is a cherished traditional art form of Bihar. It traces its origins to the Ramayana, when King Janaka commissioned an artist to depict his daughter Sita's wedding with Lord Ram. It originated in Janakpur, the capital of ancient Mithila – present day Bihar and Nepal. With its timeless appeal, the art form is a mirror of indigenous folklore, rituals, and nature. Ever since it acquired the GI tag in 2007, the value that it has been adding to the Indian heritage has only deepened.    Many artists in India and abroad are amplifying the splendour of Indian culture and artistry through this art form. Rupam Varma is one such artist. "Through my art, I give voice to the influences that have moulded my life," she tells Global Indian. [caption id="attachment_43918" align="aligncenter" width="539"] Rupam Varma[/caption] Initially Madhubani art was used to commemorate births, weddings, and religious rituals. But it is now evolving with varied storylines. Contemporary artists like Rupam are making every use of the opportunity.    The Charlotte based educator is the founder of The Art Pallete - an art school and studio where she teaches and caters to custom orders

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[caption id="attachment_43918" align="aligncenter" width="539"]Indian Artists | Rupam Varma | Global Indian Rupam Varma[/caption]

Initially Madhubani art was used to commemorate births, weddings, and religious rituals. But it is now evolving with varied storylines. Contemporary artists like Rupam are making every use of the opportunity.   

The Charlotte based educator is the founder of The Art Pallete - an art school and studio where she teaches and caters to custom orders as an artist. Rupam also serves as a visual art lead and curator at India Association of Charlotte and is associated with various other organisations promoting art in the region.  

From Mithila to the US  

From her birthplace at Darbhanga, in Mithila region of Bihar to Varanasi, the city where she grew up, to the US, where she lives now, Rupam Varma’s creative impulses have travelled with her.    

With a career spanning 25 years, Rupam Varma has gracefully embodied the roles of both a dedicated artist and an inspiring art educator. Her guidance has touched the lives of students hailing from different nationalities, spanning an impressive age range from five to 80. “The feeling of having enabled someone to experience art is uplifting and appeals to my primal emotion,” Rupam tells.  

Apart from her specialisation in Madhubani art, Rupam teaches a variety of other art forms starting with sketches, watercolour, acrylic, oil painting, portraits, fabric painting, glass painting, and Zentangle art as a certified educator. 

[caption id="attachment_43925" align="aligncenter" width="555"]Indian Artists | Rupam Varma | Global Indian Rupam Varma prepares the Easter Egg for a parade at Charlotte[/caption]

Journey of explorations 

Art and creativity have been Rupam’s sources of inspiration for as long as she can recall. "My affection for Madhubani art resonates within my creations. I initially delved into it through self-guided exploration, drawing inspiration from revered artists. This foundation was further fortified during my training at the National Institute of Mithila Arts (NIMA)," she explains.  

Around two decades ago, when Rupam relocated to the United States, first to Texas and later to Charlotte following her marriage, she adeptly transformed her immigration into an avenue for engagement with the local artistic community. This transition also allowed her to discover new contexts for her artistic expressions.  

Immersing herself in the diverse milieu surrounding her and drawing from the multifaceted palette of her day-to-day experiences abroad, she skilfully captured the voices of the individuals she interacted with, enriching her canvases with their stories.  

Drawing from the traditional principles of Madhubani painting, she crafted fresh narratives inspired by her foreign environs, resulting in a collection of distinctive pieces.  

“The desire is to weave my journey of exposure across cultures and various art forms into a positive message of striving to reach a high amidst all the churn that lies beneath,” she says.

 

View this post on Instagram

 

A post shared by Rupam Varma (@rupam_varma)

Teaching art in the US  

“It’s a process of learning for me as well. Teaching folk art of India to people of different nationalities is not easy. It takes time, patience and motivation to share the culture with a diverse community,” she remarks “But going out of the comfort zone and sharing the knowledge with folks of a new community is something that I have enjoyed.”  

Rupam is truly invigorated by the curiosity and eagerness to learn that she observes in those who enrol in her classes. The enthusiasm exhibited by her students, ranging from young five-year-olds to spirited individuals in their eighties, serves as a constant source of energy for her.  

 "Their passion propels me to surpass my own boundaries to provide them the most effective introduction to the subject and its techniques,” she shares. “I have had an extremely supportive and accepting community around me that is curious to know more about what I have in store for them as an educator.”    

[caption id="attachment_43931" align="aligncenter" width="610"]Indian Artists | Rupam Varma | Global Indian Rupam Varma, her art pieces and a teaching session[/caption]

The joy of art   

In addition to her engagement with Art Palette and the India Association of Charlotte, Rupam is a founding member of Namaste Artist Charlotte, an artistic group established in 2014. She also took on the role of secretary at the Waxhaw Art Council during the previous year.  

She excels in creating Mithila art on diverse mediums such as fabrics, silk purses, silk scarves, wooden coasters, and other decorative items. Her connections with fellow artists in the United States play a pivotal role in her ongoing journey of artistic advancement and education.   

Rupam plays an active role in all local artist communities, including Mint Hill Arts, Mathews Artist Guild, and Plano Art Association. Her collections are frequently showcased in art exhibitions, a testament to her expertise and dedication. 

 "My aspiration is to continually contribute to the vibrant artistic presence within my community and raise awareness about Madhubani art in the United States," she signs off. 

 

View this post on Instagram

 

A post shared by Rupam Varma (@rupam_varma)

  • Follow Rupam Varma and her work on Instagram and Facebook
  • To know more about The Art Pallette, visit its website

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About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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