The Global Indian Friday, June 27 2025
  • Home
  • Stories
    • Exclusive
      • Startups
      • Culture
      • Marketplace
      • Campus Life
      • Youth
      • Giving Back
      • Zip Codes
    • Blogs
      • Opinion
      • Profiles
      • Web Stories
    • Fun Facts
      • World in numbers
      • Didyouknow
      • Quote
    • Gallery
      • Pictures
      • Videos
  • Work Life
  • My Book
  • Top 100
  • Our Stories
  • Tell Your Story
Select Page
Indian in Africa | Kiveshan Thumbiran | Global Indian
Global IndianstoryKiveshan Thumbiran: Exploring South African artistry through the lens of Indian mythology
  • Global Indian Exclusive
  • Indians in Africa
  • Whatsapp Share
  • LinkedIn Share
  • Facebook Share
  • Twitter Share

Kiveshan Thumbiran: Exploring South African artistry through the lens of Indian mythology

Written by: Amrita Priya

(July 28, 2023) Kiveshan Thumbiran is an Indian-origin artist, born and raised in South Africa. Like his identity, his creations are a blend of both Indian and South African elements. The artist amalgamates Hindu mythology and iconography with the imagery, incidents, and stories of contemporary South Africa to express his perspective as an individual who does not completely belong to either of the two nations. Recognising the prevailing lack of awareness about Indian religion and culture in South Africa, one of his primary goals is to enlighten the masses and foster equal respect for Indian culture in the African nation.  

“In South Africa, Indian people are a minority who are often pushed to the back in social settings. Many Indian people adopt Western behaviours to fit in. For me, my pride in my culture is a resistance to fit the norm. Hence my interest in Hindu mythology,” Kiveshan tells Global Indian adding “The Indian mythology allows me to interpret the world as I see it in a way that is comfortable to me.”

Indians in Africa | Kiveshan Thumbiran | Global Indian

Kiveshan Thumbiran

Born and raised in Lenasia, a suburb in the city of Johannesburg, Kiveshan had a childhood filled with diverse play experiences, which also included crafting his own toys. Watching the TV show ‘Ramayana’ by Ramanand Sagar was a customary activity in the Thumbiran household. The show inspired young Kiveshan to replicate the mythological series’ weapons to play with. This early exposure marked the beginning of his fascination with mythology, which gradually evolved into a distinctive form of artistic expression. Today, as a practicing artist, Kiveshan channels his passion for mythology, making it a prominent tool in his creative repertoire.

Strong influences

“My mother hails from Gujarat, and my father was a descendent of indentured labourers from Tamil Nadu who were brought to South Africa during colonialism,” he shares. As his parents worked full time, Kiveshan grew up spending lots of time with his maternal grandparents who taught him about the Hindu culture.

“They often highlighted that our culture is something to be celebrated, to engage with and to be proud of,” he says adding “My grandmother used visuals from the Ramayana to impart lessons to me and my siblings while my late grandfather taught us about the nuances of our Hindu faith.” Both his grandparents have had an indelible mark on Kiveshan’s outlook.  

He thinks of his grandfather who passed away in 2007 as an artisan of many talents. “From carpentry and woodwork to tailoring, he was truly multi-faceted. He believed that knowing our roots and paying homage to our ancestors and culture would keep us in good stead no matter where we end up in life,” Kiveshan remarks. His absence is still painful for the artist, but his memories serve as a strong motivator when he is feeling low.  

“He was like a pillar to everyone around me, and his personality encourages me to go beyond my limits to help every child in a bad space who is thinking to give up in life,” he remarks adding, “My grandfather would have loved to see me graduate and learn Indian classical music, but he passed away before that.”

Indians in South Africa | Kiveshan Thumbiran | Global Indian

One of the art works of Kiveshan Thumbiran

In the path of art

Unlike many artists, Kiveshan did not think of making art as a career when he was a child. “I often made dragons from my mother’s clothes pegs. This led me to develop my drawing and sketching skills – to envision and to create,” he says adding, “The high school that I attended did not have any art programme, so I ended up teaching myself how to draw by consulting different books. The subjects in high school prepared me for a standard desk job but I wanted to do something else and applied to pursue fine arts at the University of Johannesburg, and luckily got accepted.”

Today, Kiveshan is a known face at art exhibitions. For him, these events serve as an excellent means to stay abreast of developments in the field while providing ample opportunities for continuous exploration. Additionally, he actively takes on commission work. “I am always open to creating art as long as someone reaches out,” says the artist whose fields of specialisation range far and wide.

He is into drawing, sculpture, painting, printmaking, and more modern practices such as photography, videography, and digital art.

Kiveshan obtained his National Diploma (N-Dip), Baccalaureus Technologiae (B-Tech), and M-Tech in visual art from the University of Johannesburg and serves as a lecturer at Stellenbosch University. He has also served as the coordinator for the new media studies course which earned him the first prize for ‘Innovation in Higher Education using Technology’ at the Excellence in Education Awards hosted by iStore and ThinkAhead. For the impactful message that his art conveys, Kiveshan Thumbiran has received many awards and accolades, the most recent being one of the M&G’s 200 Young South Africans – the Mail and Guardian’s 18th edition of celebrating the efforts of South African trailblazers.

 

View this post on Instagram

 

A post shared by Kiveshan Thumbiran (@kiveshan_25)

Artist with purpose  

The photography and digital media lecturer at Stellenbosch University’s visual art department teaches and supervises students from first year to master’s level while actively being engaged in research through art-based methodologies.  

As a young Indian lecturer of colour, his mission involves transforming and decolonising the tertiary education space through his teaching and research. Through his art, he aims to challenge the boundaries that define who can identify as African and confront problematic issues within South Africa, including the challenges of tokenism.

Kiveshan has been paving the way for the Indian diaspora to participate in the country’s art scene and contribute to reshaping South Africa’s artistic landscape with diversity and inclusivity.  

“Art can communicate where words fail. It’s a tool for creative problem-solving. Artists possess a unique ability to approach problems and address social issues from perspectives that may not have been considered by others before,” tells the teacher who motivates his students to make use of their unique abilities to bring change.

Deeply passionate about South Africa, his vision for the country’s future is one where there are minimal or no distinct social classes, and it becomes a place of abundance and prosperity for both the native-born citizens and the ones who have migrated.  

Finding joy in music  

Indian mythology is part of Kiveshan’s creative pursuits in more ways than one. Not only does he engage with it artistically, but also has a strong connection to it through his musical pursuits. He is adept at singing bhajans and proficiently plays the harmonium and sitar.  “My mother sent me and my siblings to singing classes, however, I was impatient with classical music as a teenager and instead took the harmonium to the mandir to teach myself how to play it along with people singing, honing my skills and training my ears in the process,” he shares.

Indian in Africa | Kiveshan Thumbiran | Global Indian

 

At one point in time, Kiveshan even considered taking up music professionally. “However, music has become something deeply personal and profound to me. I would rather sing in a mandir as a devotee than take it up as a professional pursuit,” says the artist who associates music with spirituality and meditation.  

Giving voice to the diaspora

In his work and research, Kiveshan Thumbiran has projected himself as part of the Indian migrant diaspora (including both indentured and non-indentured migrants). “I had been seeking an answer to the question ‘Who are Indians and why do we not belong?’ long before the recent racially fuelled aggression to the Indian community which began with the Zuma protests,” he tells.  

The artist’s quest to understand the role of the ‘Indian body’ in present-day South Africa will soon be the foundation for his Ph.D. research. He holds two significant aspirations – first, to attain a Ph.D. focused on integrating art and Hinduism in a compelling thesis, and second, to expand the reach of his work beyond South Africa. “My eyes are set on finding a way to the prestigious India Art Fair,” he tells. Kiveshan also intends to develop a syllabus that empowers creative youngsters to become catalysts for positive change across the African nation.

  • Follow Kiveshan Thumbiran on Instagram, Facebook, LinkedIn and Twitter
  • Find more details at kiveshan.myportfolio.com
Subscribe
Connect with
Notify of
guest

OR

Connect with
guest

OR

0 Comments
Inline Feedbacks
View all comments
  • brandindia
  • Desi
  • Desis
  • DesisinAfrica
  • DesisinSouthAfrica
  • Global_Indian_Official
  • GlobalIndian
  • GlobalIndians
  • Hindu Mythology
  • HNI
  • India Art Fair
  • IndiaAtGlobalMap
  • IndiansAbroad
  • IndiansinAfrica
  • IndiansinSouthAfrica
  • IndiansOverseas
  • Johannesburg
  • Kiveshan Thumbiran
  • M&G’s 200 Young South Africans
  • NRI
  • PIO
  • Ramayana
  • SouthAfrica
  • Stellenbosch University
  • TheGlobalIndian
  • TheGlobalIndians
  • University of Johannesburg

Published on 28, Jul 2023

Share with

  • Whatsapp Share
  • LinkedIn Share
  • Facebook Share
  • Twitter Share

ALSO READ

Story
KJo, Zoya Akhtar, Anurag Kashyap: Producer Ashi Dua churns out hits with Bollywood’s dream team

(April 20, 2024) Ashi Dua, the founder of Flying Unicorns, is a leading film producer renowned for her impactful contributions to the industry. Her journey began with the debut of Bombay Talkies at Cannes in 2013. Since then, she has produced a series of acclaimed titles for Netflix, including Lust Stories, which earned an Emmy nomination. Additionally, Dua's portfolio includes Ghost Stories, Kaalakandi, and The Right Note. Her recent work also encompasses the highly anticipated Lust Stories 2. As a producer, she plays a pivotal role in shaping the contemporary cinematic landscape, with her productions resonating both domestically and internationally. Her latest production, #BGDC (Big Girls Don't Cry), created by Nithya Mehra, revolves around the strong bonds formed between young women at a boarding school, and is slated for release on Amazon Prime. [caption id="attachment_50853" align="aligncenter" width="405"] Producer Ashi Dua[/caption] An early start Born in Bareilly, UP, Ashi Dua was sent to a boarding school in Nainital when she was just in Grade 3. She spent her entire school life in a boarding school post which she moved to Delhi for college and better opportunities completing her education at Delhi University. “I did internships every summer, and worked with NDTV,

Read More

school in Nainital when she was just in Grade 3. She spent her entire school life in a boarding school post which she moved to Delhi for college and better opportunities completing her education at Delhi University. “I did internships every summer, and worked with NDTV, a company that organised fashion shows and at a publishing house,” Ashi tells Global Indian. She did all that but somehow, felt drawn to Mumbai. “I wanted to explore Bombay so when I got my first chance in 2005, I took a flight and came here.”

While filmmaking may not have been her first option, Ashi knew she wanted to be in the media, maybe in journalism, PR, writing or events. All that changed when she came to Mumbai and signed up for a workshop, where she met Anurag Kashyap. The acclaimed director was working on Dev D at that point, and Ashi was inspired to give filmmaking a try. “I fell in love with the process of filmmaking as a medium of storytelling, and the gratification at the end,” she recalls. “And yeah, I think that's when I discovered it. Only when I got into it is when I discovered that this is what I really want,” she admits.

Show Time

In 2013, she set up her own production house, Flying Unicorns. The company got off to a very strong start, making its debut with Bombay Talkies, which she describes as “very special because it was my first film and I was so young at the time,” she says. Four of Bollywood’s top directors, including Karan Johar, Zoya Akhtar and Dibankar Bannerjee, who each directed one short film in the four part anthology. The film starred Amitabh Bachchan, Katrina Kaif and Rani Mukherji. “It was a big deal,” she remarks. The film premiered at the Cannes Film Festival, “where we all walked together, which was very special,” she smiles. And again, Lust Stories was one of the first films on an OTT platform that really exploded for them, did well for them as a franchise,” she says.

[caption id="attachment_50854" align="aligncenter" width="540"] Ashi Dua with Karan Johar and Anurag Kashyap[/caption]

Ashi Dua's star only continued to rise from here. In 2018, she followed up with Lust Stories, again comprising four short-film segments, directed by Anurag Kashyap, Zoya Akhtar, Dibakar Bannerjee and Karan Johar respectively, and co-produced by Ronnie Screwvala. The series, which was a big hit on Netflix, had an ensemble cast including Radhika Apte, Kiara Advani, Manisha Koirala, Bhumi Pednekar, Vicky Kaushal and Neha Dhupia. The film was nominated for two Awards at the 47th International Emmy Awards; Best TV Movie or Miniseries and Best Actress for Apte. This was followed by Ghost Stories in 2020.

Breaking barriers

Dua has worked extensively with the biggest names in the business, but admits that it is very hard for a woman, especially one who is an “outsider”, to break into the production business. “It takes someone introducing you to someone and then you must prove yourself, which you have to in any other field as well,” she says. The difference is that, in other fields, a degree will help you prove your worth and land opportunities. “Here, you must prove yourself time and time again,” she says.

While it’s hard for “outsiders” to find themselves in the right rooms with the right people, Dua acknowledges that gender biases haven’t really been a problem. “I think especially with the kind of people that are there in the industry. I don't think there is too much bias,” she says. In fact, she found that people were willing to give her a chance, and what’s more, women form the majority of the film crew.

As a producer, there were always challenges, and when she was younger, she would get bogged down and react, sometimes not in the most positive way. “But the older you get and the wiser you get, things change. Literally now, every day is like “so today what are we resolving?” So, you just take the problem or the challenge head on and you try to work around it in the most reasonable and realistic way that you can,” she explains.

Making Opportunities Matter

She is motivated by the fact that she is to be able to make the best use of the opportunities she gets when she sees them. “When I saw 12th Fail, I was so inspired. You must have a really good idea, a good script and good actors and then make the most honest film that you can. So, things like that really inspire me.” And while producing is a very hard and thankless job and producers are not the most loved people on the set, she feels it is a very gratifying job and it motivates her to eventually see the final product of what she saw on paper to what she sees on screen. “Just good people, good stories, to see an idea go on the big screen is very motivating and very gratifying,” she says.

[caption id="attachment_50859" align="aligncenter" width="590"] Photo: Instagram[/caption]

The right story

Moving forward, she wants to produce more grassroot level stories, more home grown stuff, things that are more Indian but global at the same time. “I want to do stories about, you know, something that is more deep rooted in our culture yet has a universal appeal. Those are the kind of stories I want to make,” she says. Asserting that communication is everything, she feels that working with the right people, collaborations, right partner, and crew must all be on the same page. As she has two very small children, most of her free time is for them. And she also travels with friends and family to recharge. Looking ahead she wants to make some good movies that she will be proud of. “I want to tell some beautiful stories and work with amazing writers, directors, actors, and to be able to build something that I will be proud of. And personally, I want to explore a couple of other things that I'm looking at, minus films. I want to continue being on a fitness journey so that I can do and juggle so many things without falling sick often,” she signs off.

Follow her on Instagram

Story
Fame’s not a game for Anurag Shanker: His music restores folk music, & traditional riffs

(March 24, 2022) As he made music with his friends in high school, it was clear that Anurag Shanker had a special talent. It wasn’t as a glamorous frontman, or an even more glamorous lead guitarist. He knew early on that his gift lay in composition and arrangement, to take a song and turn it into something people would want to listen to. While ideas were abundant, good execution was not. “I have never just been a guitarist or a composer,” says Anurag Shanker, today a reputed composer and music supervisor for Netflix’s The Fame Game. For him, the excitement lay in meeting new artists, about taking a song and expanding it to an audio production perspective. “I want to arrange their music and produce their songs,” says Shanker to Global Indian. He was first approached by the OTT giant back in 2020, soon after the pandemic began. “It was to do music for one show - The Big Day,” he recalls. A series about six engaged couples, the show takes a look at India’s multibillion-dollar wedding industry. “They needed someone to handle Indian-centric stuff that was culturally accurate, and also contemporary,” he adds. The Fame Game allowed Anurag to “place

Read More

dian-centric stuff that was culturally accurate, and also contemporary,” he adds. The Fame Game allowed Anurag to “place some really nice indie music,” and that makes him a happy camper. One example is singer-songwriter Kamakshi Khanna's 2021 single Duur, which was featured.

[caption id="attachment_21803" align="aligncenter" width="575"] Anurag Shanker[/caption]

 

This space is Anurag's forte, to create music that is “culturally relevant and which sounds cool,” he avers. A repertoire of prolific- acoustic, rock and folk music (he collaborated with the Manganiyars of Rajasthan, for instance), and a classical collaboration with sarod player Pratyush Bannerjee (among the foremost sarod exponents of our day) who played songs in eight ragas that Anurag produced with an electronic sound. “We have to bring in a new perspective without alienating either form,” says the classicist. Cross-culture collaborations are all the rage and the word fusion is, arguably, overdone. “Putting a raga together with a drumbeat is not fusion. You have to be sensitive about it,” says the traditionalist.

Keeping up with the 'times' 

Anurag's sensibilities were shaped at home, expectedly, as the son of late Promod Shanker, former VP, Times Music. “Dad had a knack for discovering new artists. He discovered Indian Ocean and Jasbeer Jassi. That was very inspiring to me,” says the musician with an eclectic ear. Growing up, he would often find the biggest names sitting in his living room – he recalls Indian Ocean and the composer duo Ajay-Atul. “There were artists coming home to jam all the time,” he adds.

Having been in the thick of things often, he has lost his taste for jam sessions. “If I’m playing music or creating it, it has to be for the music. It can’t be an evening of frolic where the music is incidental,” he mulls. It also showed him, at an early age, what lies beyond the glitz of show business - he understood the hard work and determination that goes into life as a professional musician.

Training began early, and at age nine it was tabla lessons. “It’s the best age to learn an art form,” Anurag says. “Rhythm became very much ingrained in me. Also, Indian rhythms are so complex that after learning them, everything else is simple. If a jazz musician says to me, this is a 7/4 time signature, I’m unfazed by that,” he says.

[caption id="attachment_21779" align="aligncenter" width="707"] Live with Namit Das. Picture: Vaishnavi Suresh[/caption]

Bengaluru days

Those early years were routine, and the joy came later, when he began to jam with friends in high school. “I hit the ground running. I was making songs when someone who started along with me was still trying to figure out the instrument. That was a huge plus,” which led him to visiting studios with his father, watching people organise recording sessions and learning how to make artists comfortable.

When he came to Christ University in Bengaluru, Anurag joined the college's thriving cultural scene during his third year. And that enabled him to take his music more seriously. Slowly, work started - jingles and promos. He was also part of a band then, Caesar's Palace, which performed in Bengaluru. “It was just a fun idea which helped me discover myself,” and his talent for arrangement and composition was noticed, and suddenly creative decisions were under his aegis. The band did an EP too.

In 2009, the composer moved to Delhi to be with his parents but found his career stalling. “I decided the only place to get really fired up is Mumbai - such an exciting city,” he says. He left home in 2010, carrying precious wisdom from his father. “Don’t look for a break,” he said. It put paid to the idea of starstruck youth swarming tinsel town looking for fame. Instead, his father said, “That big break will never happen. The world just doesn't work like that. Learn not to depend on what is in the pipeline. Instead, have a good time, collaborate with people and make music,” lessons he took to heart, created a repertoire of diverse projects.

[caption id="attachment_21781" align="aligncenter" width="556"] The composer recording Kinnaram from Tamil Nadu[/caption]

Bombay's acoustic people

A chance meeting with a friend from college (2010), Arfaaz Kagalwala, led to the formation of Slow Down Clown, an alternative outfit. The duo explored film work, like in Amit Masurkar's Suleimani Keeda. “We sent in a couple of ideas and they liked them. That was our first experience as composers,” smiles the composer whose wit and humour endears him to all. A web series, some film songs later, Arfaaz left for France. Anurag remained in Bombay - classical, folk music to film scores, and indie songwriting.

In 2013, Anurag became one-half of the now-dormant guitar duo Bombay Acoustic People with Sankarshan 'Shanks' Kini, who was playing with Kailash Kher's ensemble at the time. Kini, he says, is an “all-round, holistic musician,” who was “so welcoming.” The Bombay Acoustic People toured India, entranced Shillong, also toured Europe. They began the warm and inclusive living room gigs long before they entered mainstream cultural discourse.

“That started out in Sankarshan's room. We would bring speakers and debut material for some 25 guests,” and the shows were instant hits with fans offering their homes. Those intimate sessions call for the best in a musician, he believes, “One can play loud electric guitar to already loud music. Yet, if you're playing a real acoustic instrument in a small room where people are paying attention only to you, that’s the true test of your skill and personal peace.” In 2014, Namit Das + Anurag Shanker came to be, and still active though in the middle he was also a part of another alternative outfit, Last Remaining Light, in Mumbai.

That's all 'folk'

Working with folk artists is close to his heart. Accompanying his father to Mumbai's Western Outdoor studio in 2000, (now closed) where legends like Bhimsen Joshi and Abida Parveen would come in to record, he says, "Abida ji would walk into the studio and produce seven or eight hours of content at a shot. She just goes in and starts singing - Kabir for an hour, Punjabi folk for an hour. They were legends on the brink of something new. And simply to be in the presence of that spark - these are things that cannot be taught."

Producing at the core of his musicology - he has worked with the Manganiyar singers from Rajasthan including upcoming artist Peeru Khan, produced an album with sarod player Pratyush Bannerjee, the Urban Grooves Project series for Virgin EMI and a string of Indian music releases for a Bengaluru-label, Pragnya.

[caption id="attachment_21783" align="aligncenter" width="642"] Anurag with Manganiyar singer Peeru Khan[/caption]

At his home studio, he is busy working for an NGO, recording one folk song from every state of India. With 22 done, the collection will be presented on a website, where people can discover more about the song, its state of origin and the culture to which it belongs. “I have made so many friends and connections in the folk music community so this is my way of protecting our cultural heritage,” says the guy who can croon a mean tune.

The pandemic saw him long for the surrounds of Bengaluru, where he and his wife Malini currently live – an idyllic villa near Nandi Hills. “After living in cities all my life, I didn’t even realise this was something I needed,” he laughs.

  • Follow Anurag on Instagram and YouTube

Reading Time: 6 min

Story
AC Charania: NASA’s newly appointed chief technologist  

(January 21, 2023) “An exciting time to be at NASA as the agency along with industry prepare to return crews to the moon,” tweeted AC Charania, eleven days after he assumed office as NASA’s new chief technologist. He also posted a link to the upcoming Artemis III mission, which has many firsts to its credit - The mission has been designed to mark humanity’s first return to the moon in more than 50 years. It will be the first to attempt to land astronauts near the south pole of the lunar surface, and also the first woman and the first person of colour.   The newly appointed Indian-American chief technologist took charge from another Indian origin space expert, Bhavya Lal on January 3rd.  A renowned engineer, Charania has always been enthusiastic about exploring the lunar surface and sending back people on the moon. Not just as explorers, he said in a keynote address five years ago, but “this time to stay.”  [caption id="attachment_34180" align="aligncenter" width="717"] AC Charania[/caption] As NASA's new chief technologist, he will serve as principal advisor to administrator Bill Nelson on technology policy and programmes at the space agency's headquarters based in Washington DC. Global Indian takes a look

Read More

just as explorers, he said in a keynote address five years ago, but “this time to stay.” 

[caption id="attachment_34180" align="aligncenter" width="717"]Indians in USA | AC Charania | Global Indian AC Charania[/caption]

As NASA's new chief technologist, he will serve as principal advisor to administrator Bill Nelson on technology policy and programmes at the space agency's headquarters based in Washington DC. Global Indian takes a look at his eclectic journey. 

What the moon beholds  

“There are many interesting areas on the lunar surface that we are yet to explore. There are polar regions that we believe might have trapped volatiles, so there’s a lot more exploration that we need to do,” Charania had said back in 2018. He was associated with another organisation during that time. “There are grand solar system questions like how the solar system got formed, which we can answer by going back to the moon.” 

Perhaps his arrival as NASA’s chief technologist can boost the scale, scope and frequency of human visits to the moon.  

Deep expertise in turning dreams to reality   

Charania brings a vast array of experiences to his role at NASA. He has been part of multiple leadership teams of aerospace companies, and holds solid expertise in advanced concepts ideation, design and analysis, project management, technology evaluation, business development, international trade compliance, government advocacy, and more.  

[embed]https://twitter.com/NASApeople/status/1612534868864368642?s=20&t=ZaS4eXxYA_O6zqolDtZRIg[/embed]

A proponent of the belief that ‘big, curiosity-driven science outperforms all expectations regarding their usefulness, beating any other short-sighted strategy hands-down,’ Charania has been in the thick of transformational journeys of the organisations he has been associated with in the past.   

The global innovator   

Turning advanced concepts into reality, the global innovator has been involved in shaping the recent aerospace revolutions within small satellites, launch vehicles, hypersonics, human and robotic exploration, planetary defense, and aviation autonomy.   

 Prior to joining NASA, he served as vice president of product strategy at Reliable Robotics, a firm that works to bring certified autonomous vehicles to commercial aviation.  

 His previous experiences include working at Blue Origin, an organisation founded by the American entrepreneur, media proprietor, investor and commercial astronaut, Jeff Bezos. As Campaign Director of Blue Origin, Charania worked to enhance the lunar permanence strategy, Blue Moon lunar lander programme, and multiple technology initiatives of Blue Origin with NASA.  

 “A permanently inhabited lunar settlement is a difficult and worthy objective. If such an endeavour is to be successful and practical, we must be able to soft-land large amounts of mass onto the lunar surface, and we must be able to do so cost effectively,” he had remarked in a speech as a representative of Blue Origin.  

Indians in USA | AC Charania | Global Indian

As one of the early employees of Virgin Galactic (now Virgin Orbit), Charania had added his expertise in strategy and business development for the LauncherOne small satellite launch vehicle programme.  

Prior to that as one of the first employees of SpaceWorks Enterprises, he served in multiple management and technology roles, including helping to incubate two startups - Generation Orbit and Terminal Velocity Aerospace.  

In his illustrious career, Charania has led the formation of the FastForward industry group focused on high-speed point-to-point transportation, and has also served on the Lunar Exploration Analysis Group Commercial Advisory Board.  

Mission to lead space and aviation progress  

Working at NASA’s Office for Technology, Policy, and Strategy, Charania would be aligning its agencywide technology investments with mission needs across six directorates and would oversee technology collaboration with other federal agencies, the private sector, and external stakeholders.   

"The rate of advancement we seek in the 21st century is dependent upon selecting and maturing a portfolio of technologies into systems to execute our missions," the chief technologist said after his appointment.  

[embed]https://twitter.com/ac_charania/status/1614358501303767046?s=20&t=Hxfc0XgvBSeZdS5VxmeqXw[/embed]

"There are incredible opportunities in partnerships within and outside of NASA. I now look forward to the opportunity to work with the entire community to increase the rate of space and aviation progress," he said in a press release issued by NASA.  

Illustrious background   

The new NASA chief technologist holds a bachelor’s and a master’s degree in aerospace engineering from the Georgia Institute of Technology. During his time there, Charania researched the design and performance of hybrid rocket engines. His work earned him several awards, including the National Science Foundation Fellowship. After graduating, Charania pursued a career in the aerospace industry, and has been a NASA Innovative Advanced Concepts Fellow in the past.  

To merge his understanding of technology with the aspect of business, Charania has topped up his technical expertise with a Bachelor’s degree in economics from Emory University.  

 He has led dozens of proposals to NASA, DARPA, USAF, large aerospace primes, and multiple entrepreneurial space ventures; from several million to several billion dollars of value leading to successful capture of more than a billion dollars of government and commercial contracts.  

[caption id="attachment_34181" align="aligncenter" width="832"]Indians in USA | AC Charania | Global Indian AC Charania with a NASA official[/caption]

 The author of dozens of papers and publications, speaker at multiple public conferences and events, Charania has been living in the US with his family. He is a member of multiple professional societies and organizations, including several aerospace-related academic outreach programmes.  

  • Follow AC Charania on Twitter and LinkedIn

 

Reading Time: 5 mins

Story
Chef Garima Arora on second Michelin star win: It belongs to my team

(January 5, 2023) When a 60-year-old traditional Thai house is transformed into a unique dining destination, one expects to find magic served on every plate at the restaurant. And Chef Garima Arora doesn't disappoint. At Gaa - which has earned the reputation of being one of the best Indian restaurants in Bangkok - she creates a one-of-a-kind Indian dining experience that has helped it bag two Michelin stars, thus helping Chef Garima script history by becoming the only Indian woman chef to achieve the feat. The achievement comes in a few months after Garima embraced motherhood, and welcomed her child Aham. "I am absolutely thrilled and excited," she tells Global Indian. Yet, in the same breath, she tips her chef’s hat to her team, acknowledging their pivotal role in this culinary triumph. "This is a great validation to my team and the dedication that they have put in. This transition that I’ve been able to make from being a business owner and chef and to now also a mom, I wouldn’t be able to do it so seamlessly without my stellar team. I can't take all the credit. It all belongs to my team," she adds. [caption id="attachment_48013" align="aligncenter" width="658"]

Read More

edit. It all belongs to my team," she adds.

[caption id="attachment_48013" align="aligncenter" width="658"]Chef Garima Arora | Global Indian Chef Garima Arora[/caption]

Gaa took Bangkok – and the culinary world - by storm with its stellar debut in 2017, so much so that within a year it earned its first Michelin star. Over the last five years, Garima has been dedicated to transforming how people view Indian cuisine, producing, as a result, an array of award-winning vegetarian dishes. "You can spend a lifetime in India and not finish the entire cuisine. This is why it’s unique to us and also why we have to explore more and take it to the world. We have so much history, technique, and recipes that will die down with generations to come," she says, adding, "Hopefully, we will save some of the cooking recipes and see our cuisine evolve from where it is today."

Ask her what's that one thing one can't miss on Gaa's menu, and pat comes the reply, "One of the dishes that I am most excited about is our Tandoori Durian main course. At Gaa, our main course has always been vegetarian and we are very proud of how Indian techniques are capable of drawing so much umami from vegetables in a way that you don’t miss meat."

[caption id="attachment_48011" align="aligncenter" width="509"]Gobi parantha served at Gaa Gobi parantha served at Gaa[/caption]

Dad's the inspiration

Growing up in a Punjabi family deeply passionate about food, Chef Garima developed a love for the aromas, textures, and emotional connection within delectable cuisines from a young age. In the 90s, her kitchen saw some exotic dishes like hummus and rum baba being whipped up by her dad; the recipes of which he brought back from international travels. "My dad showed me the joy that comes from cooking."

While her love for food was simmering on a low flame, she pursued Mass Media from Jai Hind College, Mumbai, which led her start a career as a pharma journalist. But she soon realised that being a chef was her true calling, and left for Le Cordon Bleu culinary school in Paris. "At 21, it opened my world of food and cooking. I tried many things for the very first time. For someone who wants to start a career as a Chef, this is the right place to be. Paris is very much like a playground - a Disneyland, with cuisines from all over the world," she smiles.

 

View this post on Instagram

 

A post shared by garima arora (@arorgarima)

Learning from culinary legends

Her time at the culinary school laid the groundwork, and she soon found herself at Noma, a Michelin-starred restaurant in Copenhagen, learning alongside legendary Danish chef René Redzepi. Under his guidance, Chef Garima began to perceive cooking as a cerebral experience. "I learnt to think cerebrally about food and think about what I was putting on a plate rather than put ingredients together by chance. It made me realise that food was also an intellectual exercise rather than just a blue-collar job," she reveals.

After cooking up a storm at Noma, Garima was poised to launch her restaurant in India. But a sudden detour led her to Bangkok to work as sous chef alongside Chef Gaggan Anand at his Michelin-starred restaurant, Gaggan. Originally intended to be a temporary stopover, Garima ended up opening Gaa, a three-storeyed restaurant in Bangkok that pays homage to traditional Indian techniques through a modern tasting menu.

[caption id="attachment_48014" align="aligncenter" width="493"]Summer Curry served at Gaa Summer Curry served at Gaa[/caption]

Carving a niche

Gaa, which beautifully captures the vibrancy of Bangkok and the amalgamation of cultural influences, is an avant-garde restaurant that serves progressive Indian cuisine with local Thai ingredients and influences. Born out of her determination to rediscover and reform the narrative on Indian food, she was keen to show the world that Indian cuisine is beyond curries and naan. "Simply put, we explore vegetarian Indian cuisine with Thailand as a backdrop by weaving local Thai and East Asian ingredients to create a one-of-a-kind dining experience, which showcases the modern relevance of Indian cooking techniques," says Garima whose restaurant won its first Michelin star in 2018. She added another jewel when she was named Asia’s Best Female Chef for 2019 by the World’s 50 Best Restaurants.

[caption id="attachment_48012" align="aligncenter" width="744"]Gaa restaurant in Bangkok Gaa restaurant in Bangkok[/caption]

With each accomplishment, she is breaking through barriers in the culinary world as Chef Garima is on a mission to showcase Indian cuisine globally. She finds joy in the fact that Indian chefs are embracing their heritage and showcasing it on the plate. "We will see more Indian chefs championing their own food culture. In general, people are starting to look inward which is a very good thing. For the longest time we look to the West for inspiration but it's time we recognise and give value to all the incredible resources we have in our own country."

Despite two Michelin stars under her belt, Garima, who is now one of the most celebrated female chefs in Thailand, has no plans for expansion "as of now." However, she quips, "I have learnt to never say never!" She is keen to give an opportunity to young talented chefs who worked with her to start their kitchens.

 

View this post on Instagram

 

A post shared by garima arora (@arorgarima)

The award-winning chef, who has her hands full with her restaurant and parenthood, is a firm believer in giving back, and this led her to start The Food Forward Initiative in 2019 to give a new perspective on Indian cuisine to the world. "With all the traction we get from the accolades, I wanted to do good with it. Rather than talking about myself, it’s better to use this platform that I now have to speak more about our culture and cuisine, which hopefully will benefit the next generation of chefs to come," she signs off.

  • Follow Garima Arora on Instagram
Story
Meet Jason Shah, who plays Inspector Cartwright in Heeramandi

(May 25, 2024) “I’m a go-go kind of person. There is a lot that I want to achieve,” grins Jason Shah. The breakout star of Netflix’s magnum opus Heeramandi, the Indo-British actor who plays the antagonist Inspector Cartwright, has managed to impress the audience with his acting chops and stand out amongst a bevy of established performers.  Referring to himself as a ‘Bombay boy’, the 36-year-old is currently soaking in the adulation after Heeramandi. “It shows the power of OTT platforms and their immense reach,” he shares, adding, “People from across the world, from Bengaluru to Brazil, have been sending me DM's on Insta, and it's incredible to receive so much love.”    View this post on Instagram   A post shared by @jasonshah The actor, who is typecast into similar roles (usually playing the villain), has been in the industry for over a decade. Apart from roles in movies including Partner, Fitoor, and Salaar, he has also been part of many television shows, including Big Boss. Heeramandi’s success has been a huge shot in the arm for the actor, who is now excited by the wealth of opportunities that are pouring in from across industries.  A Bombaywallah  Jason calls

Read More

ow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/reel/C7EjhF1iHDt/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14">

 

View this post on Instagram

 

A post shared by @jasonshah

The actor, who is typecast into similar roles (usually playing the villain), has been in the industry for over a decade. Apart from roles in movies including Partner, Fitoor, and Salaar, he has also been part of many television shows, including Big Boss. Heeramandi’s success has been a huge shot in the arm for the actor, who is now excited by the wealth of opportunities that are pouring in from across industries. 

A Bombaywallah 

Jason calls growing up in Bombay an unusual experience full of fond memories. “My father is a Kutchi-Jain, while my mother is a British citizen, so I grew up in extremely cosmopolitan surroundings. The city in the 90s was so different—we just used to hang out at Marine Drive, and there was a lot of liberty to explore. Bombay, being a port city, has so much to offer—the best of food, culture, and experiences.” 

Exposed to a lot of classical movies like Ben Hur and Sound of Music, thanks to his father (entrepreneur Kantilal Shah), who was very worldly and well-traveled, Jason had a cosmopolitan upbringing that put him at ease both at parties and making friends with his Nepali staff. 

[caption id="attachment_51947" align="aligncenter" width="614"]Indian Artists | Jason Shah | Global Indian Jason Shah[/caption]

Acting grew on him, owing to the multiple experiences he has had. He states, “My father was socially conscious and always took us out to help people. In a sense, I was always in front of people, which gave me the confidence to get in front of people.” 

Having spent a few years working for his year, Jason also pursued his dream of playing cricket for a short while training in Australia but soon realized that his calling was in front of the camera. 

Movie magic

His initiation into movies was very straightforward. Having acted in commercials, he attended a casting call for the movie Partner, where he was selected in a heartbeat. “I was just a kid back then,” he recalls. “The entire experience was so glamorous. I mean, imagine working with stars like Salman Khan and Katrina Kaif in your first major outing. I really cherish working on the film.” 

What followed was a bunch of roles on the small screen where Jason got to understand and explore his craft. Roles in serials like Jhansi Ki Rani and Barrister Babu ensured that he was a familiar face to audiences. Long compared with another British-Indian actor, Tom Alter, his stint on the small screen usually had him playing similar characters who spoke Anglicized Hindi or English. 

It is precisely why acting in Heeramandi was a challenge. “I really had to put in a lot of work to speak Urdu. It is such an evocative language. In English, love conveys a singular meaning. But in Urdu, you can say ishq, pyaar, or mohabbat to showcase the levels of intensity. Emotions are better conveyed in Indian languages.” 

 

View this post on Instagram

 

A post shared by @jasonshah

Heeramandi brought him much acclaim. Audiences, confusing him with his character, bombard him with comments saying they hated him, which Jason feels only shows that he was successful in portraying his character. 

Calling the whole experience surreal, he explains, “The massive sets and the big ensemble—it was all an amazing opportunity for me. I must say that while I was shooting, I felt disconnected, as I knew my own role and not the entire story. Also, I did not shoot at a stretch. Added to these constraints was the fact that I did not know anyone on the set. All these helped my character create a distance, and when I see it now, it makes a lot of sense because my character needed that space from the others.”

The world is his oyster

While he has predominantly played the antagonist in his career so far, Jason is ready for a change of scene. He says, “I’m looking for challenging parts. I wouldn’t mind playing a good character once in a while (laugh). I’m not so much concerned with the length of the role as with the impact it can create.” 

While he looks western, Jason is an Indian at heart. He thinks his appearance is only an asset that helps to create a brotherhood wherever he goes, be it in London or New York. 

“I wouldn’t have it any other way,” he smiles. “In fact, I have fun because Indians, especially abroad, don’t really expect me to speak Hindi, and when I do, it really shocks them. It has gotten me many free dinners and kebabs. Jokes apart, Hindi brings a touch of home to Indians abroad, and whenever I travel, I instantly connect with Indians, Pakistanis, and Bangladeshis because of the fact that I speak Hindi.” 

[caption id="attachment_51948" align="aligncenter" width="678"]Indian Artists | Jason Shah | Global Indian Jason Shah[/caption]

When not working on movies, Jason likes to relax by playing cricket, traveling, and reading. A very ‘in the moment person’, he prefers to savor the moment rather than clicking selfies incessantly! Sit, watch, and breathe are his mantras. 

What is his focus currently? “There are a lot of interesting roles and projects. There are a couple I’ve been offered, and I’m keen to work on Telugu and Tamil projects too, as they are larger-than-life. I’m excited about what’s about to come. I also hope to play positive characters at times,” he signs off. 

As he looks to the future, Jason remains grounded in his roots and grateful for the journey. With his blend of Western looks and Indian heart, the actor is ready to explore new horizons and leave a lasting impact in the entertainment world. Whether as a beloved hero or a despised villain, one thing is certain: Jason Shah is here to stay, and his journey has only just begun.

  • Follow Jason Shah on Instagram

Reading Time: 5 mins

Share & Follow us

Subscribe News Letter

About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

Read more..
  • Join us
  • Sitemap
  • Terms & Conditions
  • Subscribe
© 2024 Copyright The Global Indian / All rights reserved | This site was made with love by Xavier Augustin