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Global IndianstoryNikita Karizma: From dressing Lady Gaga to crafting a fashion legacy
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Nikita Karizma: From dressing Lady Gaga to crafting a fashion legacy

Written by: Darshana Ramdev

(October 10, 2024) Nikita Karizma was a student at the London College of Fashion when the call came from Lady Gaga. The popstar, who is known for supporting young talent in fashion, wanted Nikita to style her. “It was a real ‘pinch me’ moment,” Nikita smiles. “There I was, heading off to Lady Gaga’s studio to drop off my student work.” It set the ball rolling on Nikita’s career as a designer and entrepreneur, and she caught the attention of the talent scouts, who were already keeping an eye out for talented students from the London College of Fashion. “Fashion stylists started communicating with me and began giving me orders for musicians,” Nikita says.

Nikita’s second big break came just as she graduated from the London College of Fashion, when she received a styling request from the UK’s biggest girl band, Little Mix. She used the money she earned to launch her own eponymous designer line, NIKITA KARIZMA. The designer has gone on to dress a galaxy of stars across Hollywood, the UK and Bollywood, including Kim Kardashian, Kylie Jenner and Shilpa Shetty. “I like seeing people spread a positive message,” she tells Global Indian, and that’s exactly what she helps them do through fashion. “Your style says a lot about who you are and what you stand for in the world.” Nikita has scaled up her business with a commercial line, KARIZMA, and recently purchased her first property to house her collections. To her, fashion is expression and empowerment combined, her style a fusion of understated Western influences and the bold, colourful cuts and prints of Indian design.

Nikita Karizma | Indian fashion designer in UK | Global Indian

Nikita Karizma

A legacy in fashion  

For as long as she can remember, Nikita Karizma’s life has been about fashion and textiles. She even recalls the day former Miss America Nina Davuluri, the first Indian-origin woman to hold the coveted title, walked into her mother’s store in London. “We dressed her too,” she says. “In one campaign, my mum had Aishwarya Rai before she became Miss World.” Her mother’s store specialised in wedding lehengas, and often styled celebrities for Asian magazines. The business of fashion was dinner-time conversation, and Nikita also began working for her parents early on. Even today, Nikita is at the intersection of creativity, entrepreneurship and profit, and of bridging her family’s rich, varied cultural heritage, with roots in India, Kenya and the UK.

Fashion is in her DNA, and the family has been in it for some six decades now. It began with Nikita’s grandparents, who ran their own clothing store in Kenya. When they migrated to the UK, they resumed operations there, specialises in Indian sarees, catering to the ever-growing Asian community in London. Although the family has strong ties to Kenya, Nikita was born and raised in the UK, growing up on London’s Ealing Road, “which feels like Mumbai,” she laughs. “A lot of immigrants live in this neighbourhood, you can hear Indian languages being spoken around you.”

Nikita began work young, helping her parents out at their London store. “I would meet customers, go on trips to do the buying and talk to sales people,” she says. They sold Indian clothes to the diaspora, making outfits for occasions like weddings. Her early exposure to fashion, therefore, came with strong ties to her Indian heritage, which she maintains to this day, although her own clothing lines are predominantly western. “People ask me why I didn’t launch an Indian fashion line, but my parents have already done that, and done it well. There was no need for me to duplicate what they were already doing.” To her surprise, she found orders pouring in from the South Asian community. “It was only when Bollywood stylists started requesting them that I realised how much my culture is part of me,” she says.

Nikita Karizma | Indian fashion designer in UK | Global Indian

The celeb life

If Nikita were to claim a niche, it would likely be designing for musicians and pop stars. “I love celebrity and popular culture,” she says. “I love seeing music spread around the world like wildfire, especially when it spreads a positive message.” Her exposure to celebrity culture came fairly early, starting with her parents. When she was 16, Nikita began working for Sony TV as a presenter. “I was sent to music video sets and would interview celebrities.” She was very shy then, but used the opportunity to build confidence, going on to interview stars like Hrithik Roshan and Rakesh Roshan, Celina Jaitley and Rishi Rich. “I began to understand this world and also to understand celebrities as human beings,” she says. “It’s hard for them to connect with everyone but at the end of the day, everybody wants to be loved and understood.”

The business of design

A natural leader and entrepreneur, Nikita understood, by the time she went to college, the practicalities, the cash flows and the costs of running a fashion business. It stood her good stead. “A lot of designers go into fashion school and become very strong designers. But they don’t really train you on how to run a business at fashion school. For me, that came through my upbringing,” she says. When the time came for university, she chose the London College of Fashion.

The university was well-connected in industry circles and Nikita Karizma was still a bright-eyed student when she received a styling request that blew her away, from Lady Gaga. The popstar, who is known for supporting young designers, went on to be styled by Nikita.

Finding strength in diversity

Nikita knew at the outset that she wanted to have her own clothing line. She used the money she earned from the Little Mix commission to start her own business. Although it seems an obvious choice, considering her family’s line of work, Nikita was still a young, woman of colour trying to make a mark in the highly competitive, often cut-throat world of fashion. “In fashion school, I was the only Indian girl. When I go to networking events, I’m still the only Indian girl in the room. This was the case both in the UK and in America,” Nikita remarks. She found her “cultural creative tribe” in the Indian stylists who began reaching out to her. This was how her designer line, Nikita Karizma, came to be.

Nikita Karizma | Indian fashion designer in UK | Global Indian

The young designer remained unfazed by the fact that she was different. “My family prepared me for it. They told me not to worry about being in a minority and to just focus on my talent and skillset,” she says, adding, “That’s the only thing which matters in the long term. Ultimately, it comes down to your product.” These were also the early days of social media, and influencers weren’t really a thing. “It wasn’t a desirable career path and a job. People didn’t understand the path I had taken.” This was also before the world had taken to posting every detail of their lives on social media. With very little documentation, the fashion industry remained insulated from the rest of the world. Things have come a long way since, and now, being a fashion designer is a highly sought-after job. “These days, when I post videos of what I do at work, they are seen as aspirational. But it’s also a saturated and competitive market,” she says. She kept her head down and focussed on her skillsets, and on creating the best products. “Ultimately, if your work is good, people want to wear them. As long as that happens, I know I can carry on in the long term.”

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  • Aishwarya Rai
  • Bollywood
  • Ealing Road
  • KARIZMA
  • Kim Kardashian
  • Kylie Jenner
  • Lady Gaga
  • Little Mix
  • London College of Fashion.
  • Nikita Karizma
  • Nina Davuluri
  • Shilpa Shetty

Published on 10, Oct 2024

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Story
The pioneering Parsi adventurers: Indian cyclists who conquered the world

From rugged mountains to bustling cities and serene countryside, cyclists have been embarking on daring expeditions, experiencing the world in a unique and exhilarating way. With each turn of the pedal, they weave through diverse landscapes, discovering hidden gems, and immersing themselves in the beauty of nature and culture. This World Bicycle Day, Global Indian brings you the story of Parsi cyclists who were the pioneers in adventure in India. (June 3, 2023) It was a regular Monday for many Bombaywallas on October 15, 1923, but not so for the Bombay Weightlifting Club which organised a send-off for six of its young members — Adi B Hakim, Gustad G Hathiram, Jal P Bapasola, Keki D Pochkhanawala, Nariman B Kapadia and Rustom B Bhumgara - ready for their first cycling expedition across the globe. In two groups of three, these young Parsi lads left to pursue their dream of travelling the world - something that was unheard of in India at that time. It was this novelty which intrigued these Parsi men. Three years before taking the leap of faith, they had huddled together at Bombay's Oval Maidan in 1920 for a public lecture by a Frenchman who had walked from

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Frenchman who had walked from Europe to India. Inspired by the travels of the Frenchman, they were determined to embark on their extraordinary journey that took them through Punjab, Balochistan, the Middle East, Europe, the United States, Japan, and South East Asia. It wasn't just the curiosity to explore but the desire to tell the world about India that pushed these men to pedal hard.

In the Bombay of the 1920s, India was reeling under the British Raj and the freedom struggle was slowly gaining momentum in the country. This was the climate in which these seven young Parsi men longed for freedom and adventure – but not without purpose. The daring and intrepid explorers were keen to put India on the global map by pedalling across the world, traversing Amazon rainforests, the Sahara desert and war-torn countries. Driven by their innate curiosity and armed with newly-introduced Kodak film cameras, they embarked on an extraordinary journey. Between 1923 and 1942, they set off on the first-ever expedition by Indian cyclists, putting India on the global map of adventure travellers.

[caption id="attachment_39555" align="aligncenter" width="494"]Parsi Cyclists | Global Indian Adi Hakim, Jal Bapasola and Rustom Bhumgara in Ooty.[/caption]

Scripting history - one pedal at a time

Armed with crude copies of a map, a compass, some layers of clothing, a medicine box, cycle gear, and some money from their savings, these men took off on their adventure on British Royal Benson cycles fitted with Dunlop tyres, however, without letting their families get a whiff of their plans. Fearing opposition, they left quietly. In fact, one family only found out about the world expedition when the men had reached Persia. The journey made these men the first Indian eyewitnesses of strife-torn Africa, the ravages of wars in Europe, and America's Great Depression.

Those long months on the road in extreme terrains and weather conditions weren't easy for these men. But they worked together as a team to keep their dream of exploring the world afloat. Bapasola, adept at reading the map, became the team's GPS on the journey while Bhumgara, an auto mechanic, helped repair cycles throughout the expedition.

Adventure in the unknown

After pedalling for months, of them, Nariman returned to India from Tehran owing to personal reasons, while Gustad decided to stay back in America after being enamoured by the country and its culture. However, the trio of Hakim, Bapasola and Bhumgara continued to pedal 71,000 km over four-and-a-half years across terrains. Some days they went without water and some days without food. Avoiding the sea, they took over some of the most difficult routes that no cyclists had undertaken before. "We wanted to know the world more intimately and to acquaint the world with India and Indians," they said years later. Their expedition had them cross the snow-covered Prospect Point in Ziarat which is 11,000 feet above sea-level to enter Iran and then move towards Baghdad. But it was the journey from Baghdad to Aleppo in Syria that was one of the most treacherous, as they braved sandstorms, parched throats, and temperatures over 57 degrees Celsius. In return, they set a record by crossing the 956 km Mesopotamian desert in just 23 days.

Parsi cyclists | Global Indian

They later sailed to Italy and rode across Europe to reach Britain, and then left for America in the next three weeks, where they cycled 8,400-km across the East to West Coast over five months. Tired, they took the much-needed break when they boarded the cruise to Japan after months of gruelling. Keeping up with their adventure streak, they became the first bikers to reach the 'Hermit Kingdom' of Korea and then moved along China. The last leg of their expedition included cycling through Cambodia, Vietnam, Thailand, and Burma before entering North East India and reaching Mumbai in the March of 1928, where they were received amid applause and garlands.

Their adventures were later inked forever when the trio published With Cyclists Around The World in 1931, which had a foreword by Jawaharlal Nehru. "I envy the young men who have made the book. I too have some of the red blood which seeks adventure; something of the wanderlust that even drives one forward. But fate and circumstances have prevented from satisfying it in the ordinary way – I seek adventure in other ways," he wrote.

Lost and found

But over the decades, their story was lost, until Anoop Babani, a cyclist and former journalist, came across the book in 2017, and upon research found that there were three groups of Parsi men, who over two decades, travelled across the globe. His wife, writer-painter Savia Viegasa, dug deep into their stories as the duo contacted the families of these unsung heroes, and even curated a photo exhibition on the cyclists in 2019 titled Our Saddles, Our Butts, Their World. She realised that the Parsis were the closest to the British, they often took up many allied activities that the British did in India, including love for exploration and adventure. That's one of the reasons that they were the first ones to take on the world expedition, followed by the desire to carry the name of Mother India to far-flung areas.

Parsi cyclists | Global Indian

Inspiring a new generation

Babani found that the cycle expedition trio inspired Framroze Davar, a Parsi sports journalist from Bombay, to set off on a solo cycle voyage. It was after nine months on the road that he reached Vienna where he met Gustav Sztavjanik, an Austrian cyclist, who was so impressed by his journey that he decided to join him, and the two explored the world for the next seven years.

[caption id="attachment_39556" align="aligncenter" width="427"]Parsi cyclists | Global Indian Framroze Davar at Sahara desert[/caption]

"Theirs was the longest, toughest, and most adventurous journey," Babani told Scroll. From pedalling in the Sahara desert and Amazon forests to riding over the Alps and parts of the Soviet Union, the duo braved sandstorms, snow, and the worst weather conditions. At times, the terrain was so thorny that they had to stuff grass in the tyres to push them across. En route, they even contracted malaria. However, it was the ride through the thick forest of the Amazon that was the most challenging part of their journey. "It was their first such trip ever from the West coast to the East coast of South America and took them about nine months,” wrote Austrian author Hermann Härtel in a book on Sztavjanik, adding, "This was uncharted territory and very dangerous. Many explorers before them never made it back out again."

Davar, who covered 52 countries and five continents, ended up penning three books on his travels - Cycling Over Roof Of The World, Across The Sahara and The Amazon in Reality and Romance. According to Scroll, these adventurous stories inspired another group of Parsi men Keki Kharas, Rustam Ghandhi, and Rutton Shroff to cycle the world in 1933. They too covered five continents and 84,000 kilometers, and ended up chronicling their adventures in two books: Pedaling Through The Afghan Wilds and Across The Highways Of The World, where they wrote extensively about being days in a desert in Afghanistan without food and water and were suspected British spies in eastern Turkey.

[caption id="attachment_39554" align="aligncenter" width="715"]Parsi Cyclists | Global Indian Keki Kharas, Rustam Ghandhi and Rutton Shroff in New York[/caption]

These Indian cyclists were not just keen to see the world but also acted as nothing short of brand ambassadors of India at a time when not many dared to take the path unknown. "It has a lot of relevance because sports history is going to become a part of academics. [It also serves as inspiration] for younger people. These cyclists went through such hardships; they made themselves into some kind of superhuman machines, travelling with cycles that did not have the wherewithal to go through the desert heat, for example [they stuffed it with straw to make the tyres last].” These Parsis not only put India on the global map but also showcased the power of human curiosity, resilience, and the transformative potential of travel.

Reading Time: 6 min

Story
Ruskin Bond: The British descent author whom India loves too much

(October 12, 2022) The eminent contemporary Indian author of British descent, Ruskin Bond is one of India’s most-loved authors. The 88-year-old has been prolific for decades, writing mainly for children but also for adults. For his illustrious work in literature, he has been awarded the Sahitya Akademi award (1992), Padma Shri (1999) and Padma Bhushan (2014). Many of this celebrated author’s works are part of Indian school curriculum. Generations have grown up reading his books.   [caption id="attachment_30483" align="alignnone" width="1057"] Ruskin Bond, one of the most loved authors of India[/caption] In his latest work, A Little Book of India: Celebrating 75 years of Independence, the acclaimed author pays homage to the country that has been his home. In the books introduction, he writes: I have dwelt on the highlights of the last 75 years of India’s progress to maturity as a nation. It is a record of some of my memories and impressions of this unique land — of its rivers and forests, literature and culture, sights, sounds and colours — an amalgamation of the physical and spiritual. Born in 1934, in Kasauli, British India, Ruskin Bond is the son of an Anglo-Indian mother, Aubrey Bond, and British father, Edith

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have dwelt on the highlights of the last 75 years of India’s progress to maturity as a nation. It is a record of some of my memories and impressions of this unique land — of its rivers and forests, literature and culture, sights, sounds and colours — an amalgamation of the physical and spiritual.

Born in 1934, in Kasauli, British India, Ruskin Bond is the son of an Anglo-Indian mother, Aubrey Bond, and British father, Edith Clarke, who taught English to the princesses of Jamnagar Palace. Ruskin and his sister Ellen lived there till he was six. Later, his father joined the Royal Air Force, and little Ruskin got an opportunity to travel to different places soaking in the diversity of people and their behaviours.  

[caption id="attachment_30508" align="aligncenter" width="773"]Indian Author | Ruskin Bond | Global Indian Ruskin Bond calls the dictionary his favourite book[/caption]

Huge impact of personal experiences   

Unhappy experiences at an early age had a deep impact on the author. He was just eight when his parents separated and his mother left him to marry someone else. In the absence of love from his mother, he became emotionally distant from her and this resulted in a very complex mother-son relationship. However, his father’s undivided attention helped him grow as a mindful child.

[caption id="attachment_30484" align="aligncenter" width="850"]Indian Author | Ruskin Bond | Global Indian Little Ruskin Bond[/caption]

Little Ruskin faced another tragedy with the untimely demise of his father in a war. Heartbroken, the 10-year-old moved to Dehradun to be with his mother, step father and grandmother. He was sent to Bishop Cotton School, Shimla from where he passed out in 1951. That year, he wrote one of his first short stories, ‘Untouchable’. Ruskin won several writing competitions in school, including the Hailey Literature Prize and the Irwin Divinity Prize. In 1952, he moved to England and stayed with his aunt for four years.  

[caption id="attachment_30491" align="aligncenter" width="770"]Indian Author | Ruskin Bond | Global Indian Busy at work[/caption]

Ruskin learned to cope with his difficult childhood by expressing himself on paper. He was also a voracious reader, a habit inculcated in him by his father. However, despite a lonely childhood, he grew up to be an optimistic human being, which is evident in all his works. Since writing came naturally to him, he became an earnest writer just as his father had hoped.   

Life in London   

It was in London that Ruskin began writing his first novel, ‘The Room on the Roof’. It is about the life of Rusty, an orphaned Anglo-Indian teenager, a character inspired by his own life. He poured his heart out in the novel, portraying distinct experiences of his life, like living in a small rented room on the roof in a house in Dehradun. It was published in 1956. It fetched Ruskin the John Llewellyn Rhys Memorial prize (meant for British Commonwealth writers under 30) in 1957. Basking in his newfound success, he wrote its sequel, ‘Vagrants in the Valley’. Apart from writing he did several other odd jobs to make a living in London.  

[caption id="attachment_30486" align="aligncenter" width="679"]Indian Author | Ruskin Bond | Global Indian Ruskin Bond in his youth[/caption]

Back to where heart belonged  

The yearning for India was too strong. At the end of his four-year stay, Ruskin returned to India and worked as a journalist in Delhi and Dehradun for some years. Later, he relocated to Mussoorie in 1963, a town in the foothills of Himalayas, working as a freelance writer for The Pioneer, The Leader, The Tribune and The Telegraph. Gradually he shifted his focus to short stories, essays, novels, memoirs and poems.   

[caption id="attachment_30488" align="aligncenter" width="768"]Indian Author | Ruskin Bond | Global Indian Ruskin Bond with his cat Cleopatra[/caption]

 

In the 1980s Penguin established its operations in India and approached him to write books. There was no looking back for the author after that, who became known for stories that were simple but immensely powerful.

Such is the best-selling author’s love for writing that in one of his interviews he said:

If I were not a professional writer who was getting published, I would still write. 

Connection between India and Ruskin Bond   

In his essay, "Scenes from a Writer's Life", Ruskin has emphasized his Indian identity, "Race did not make me one (an Indian). Religion did not make me one. But history did. And in the long run, it's history that counts.”  

[caption id="attachment_30480" align="aligncenter" width="526"]Indian Author | Ruskin Bond | Global Indian Ruskin Bond in his childhood with his sister Elle[/caption]

Since 1963 Ruskin Bond has been staying in Mussoorie with his adopted family. His sister Elle who lived in Ludhiana is no more. Life and works of Ruskin Bond are deeply revered by people of the country.

The Global Indian said in an interview:

I do not know what happens when one dies. I will want to be reborn in India and nowhere else and be a writer.  

Rich body of work  

Ruskin Bond has written more than five hundred short stories, essays and novels and over 64 children’s books. He has also penned autobiographical books like Scenes from a Writer’s Life that encompasses his formative years in India, The Lamp is Lit and Leaves from a Journal that consists of journal entries, essay collection and experiences of his years trying to make it as a freelance writer. The autobiography, Lone Fox Dancing is a magnificent biographical sketch of Ruskin Bond full of anecdotes and photographs.

[caption id="attachment_30494" align="aligncenter" width="883"]Indian Author | Ruskin Bond | Global Indian Amidst the books[/caption]

Many of his works are inspired by his life in the hills. Some notable works include Rain in the Mountains, Blue Umbrella, Roads to Mussoorie, Angry River, Till the Clouds Roll by, The Cherry Tree, and more. “Men can come and go; the mountains remain,” he writes, in his latest book.  

Film and television adaptations of Ruskin Bond’s works  

His works have been adapted for television and film. The 1978 Bollywood film, Junoon directed by Shyam Benegal and produced by Shashi Kapoor is based on his novel, A Flight of Pigeons, that encompasses an episode of the Indian Rebellion of 1857.   

[caption id="attachment_30500" align="aligncenter" width="611"]Indian Author | Ruskin Bond | Global Indian Playfully pretending to be a flower[/caption]

Stories of Rusty, the character that bears resemblance to him have been adapted into a Doordarshan TV series called Ek Tha Rusty.  

His short story, Susanna’s Seven Husbands, has been adapted into a BBC TV-series and also into a film, 7 Khoon Maaf, by Vishal Bhardwaaj in 2011. Ruskin Bond made his maiden silver screen appearance in it as a Bishop. Earlier Bhardwaaj collaborated with him for adaption of his popular children’s novel, The Blue Umbrella which won the National Film Award for best children's film.  

[caption id="attachment_30511" align="aligncenter" width="691"]Indian Author | Ruskin Bond | Global Indian Busy at work[/caption]

Ruskin Bond’s memoirs that shouldn’t be missed:   

  • A Song of India  
  • All the roads lead to Ganga  
  • Scenes from a Writer's Life  
  • With Love from The Hills  
  • Looking For the Rainbow: My Years with Daddy 

Follow Ruskin Bond on LinkedIn, Instagram and Facebook

Reading Time: 5 mins

Story
Master commander Suneha Gadpande, first to captain an all women officers’ ship

(March 27, 2022) She steers a mammoth ship. On the deck, vigilant, observant, she stands tall, dressed in her smart Navy whites. Captain Suneha Gadpande has navigated through cyclones like Tautke, carrying cargo, ensuring safe passage of both cargo and crew. During the pandemic too, it was business as usual as master and commander sailing across China, Korea, Japan, West Africa and Somalian waters. “Throughout the pandemic, every shipping company worked while the world stayed home. Everything was shut except world shipping,” explains Suneha, the first Indian woman to be promoted to the rank of captain at an MNC, “If we had stopped, everything would have stopped.” To grasp her achievement – mull over this - Men have been voyaging since the 1700s, yet Captain Anna Ivanovna Shchetinina, a Soviet merchant marine, was the world’s first woman captain of an ocean-going vessel at 27 (1935). Over two centuries later. Being a ship’s master-commander is a male bastion, so Indian seamaster Captain Suneha Gadpande’s entry into this lonely male citadel, is an achievement. “The word promoted is important as girls were not hired in the merchant navy. I created a path others can follow,” smiles the effervescent Suneha Gadpande in an

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vescent Suneha Gadpande in an interview with Global Indian. Among the first girl nautical cadets, she also went on to captain at Danish shipping company, the 132-year-old Torm as its first Lady Captain from India.

[caption id="attachment_22061" align="aligncenter" width="438"]Master commander | Capt Suneha Gadpande Capt Suneha Gadpande[/caption]

Behind these achievements is a straight talking no-nonsense mind. As warm and sparkly-eyed she is, there lies a staunch, stern and resolute commander inside. “I am not this friendly on a ship, I have to be aloof,” chuckles Suneha. Among India’s 100 women achievers honoured by late President, Pranab Mukherji (2016), the years of toil and tears saw this Bhopal girl prove her mettle every step of the way. Today, proud, her spiffy crisp Navy whites shine as does her conviction, work ethic and extraordinary attitude.

Steely determination saw this outspoken, tad rebellious girl create maritime history – she is also the first Indian captain to command an all-women officers' tanker, MT Swarna Krishna, for Shipping Corporation of India.

Courage of conviction

The Maharashtrian Bhopal-born tomboy had her sights set on the Navy. “In my eighth, I realised that in the Indian Navy, girls cannot join after 12th like the NDA - you had to graduate to undergo training,” she says. Her mother worked in admin at the Bhopal police HQ, and her father retired as a manager from RBI, thus a sincere work ethic was inculcated early on. Her father was shell-shocked at her joining the merchant navy, “Kya tum pagal ho gayi ho? (Are you mad?),” he asked. The rebellious Suneha stood unabashed. And the rest, as they say, is maritime history!

Master Commander | Suneha Gadpande

Sheepishly, she admits that her brother and sister were “ideal” children, she an upstart, who left Bhopal to live in Mumbai. Even today, her father keeps her rooted amid the honours pouring in. “He is unable to comprehend what the big deal is,” she adds. The brilliant mind would often have her parents on edge – wondering, ‘what will Suneha do next?’

Studying mechanical engineering from NIT Bhopal, with Navy on her mind, her IIT ranking saw SCI call her for an interview. Among the first batch of girls to join SCI (2003), her graduation forgotten, time was of the essence. Soon, she became batch commander, best cadet, and after four months pre-sea training at Maritime Training Institute, Powai, Suneha was ready to sail on the high seas.

Working in a man’s world

Eyeing a foreign post, she was shocked that no Indian girl had ventured so far. Nationally too, women were not preferred.  “I was asked, ‘Is it for your brother or husband?’ – and then, ‘We don't recruit women.’”

Master Commander | Capt Suneha Ganpade

By 2011, maxing exams, working tirelessly, she was set to take up command at SCI. A job offer from NYK, a Japanese company saw her shift overseas. “I left SCI just when I was to get command. I was the only Indian woman with the highest certification of a master then,” says the lass, who delayed her own command for better pay, career prospects. Is she chuffed? Brutally honest, she says, “I haven't done anything different. Yes, it was not expected a woman could do it. The opportunity helped me clear the path for others.” The twinkly-eyed commander has also been mentoring women to break the shackles of societal expectation. The would-be captain was thrilled when SCI came knocking on her doors again, to command an all-women ship. The idea stalled, but in March 2021, it was all systems go. “No better way to give it back to your parent company. Taking up command made me feel empowered. But to feel it, society has to give you powers,” she avers. She had 14 women officers, and helmed the Indian Oil Corporation time charter.

“Imagine carrying cargo valued at millions of dollars. One mistake, and it’s a live bomb. You have to be mentally present, and cannot afford a single mistake, and work as a team,” says Suneha. The warm and bubbly Suneha soon transformed into a master-commander with aplomb. “Taking up command meant – you are given full ownership. However, the merchant navy is not glamourous. There is only one captain responsible for the safety of cargo and crew. In a rude way, we are like truck drivers,” rues this changemaker who has battled harassment and fought against decades-old stigma.

Master commander | Suneha Gadpande

 

She loves her international stints but the stigma in India is unrelenting, and unsurprisingly less work related, more people specific. “Once you become a captain, there is no growth. Once a captain, always a captain,” she says. Signing up with Danish company Torm saw her get the moniker of the first Indian woman to captain an international merchant navy ship. Now, in between projects, she will take up a shore opportunity in Singapore as a permanent marine superintendent in Danish company, Hafnia tankers (BW Group).

Oh captain, my captain

Yes, she will miss sailing immensely. Unlike Navy, with over 150-odd crew, merchant navy has 20-25, and a strenuous 24-hour work day. “We have to be ‘jack of all trades,’ - plumber, carpenter, mechanic, or cook.” The ‘jill’ of all trades has been lauded for her work, and over the years, she has learnt to put her game face on, use subtle firmness to be respected among men. “As a captain, if you say juniors are misbehaving, it will be seen as the lady or captain is unable to command,” she adds. Privy to dangerous situations, she manoeuvres it all, “While docking, a ship’s speed is lesser as it does not have a break - the effect of the water is greater. It is not difficult but one needs immense skills. You navigate - through storms, tricky situations, and know how to get out. You are taught to be in command.”

Master Commander | Suneha Gadpande

The dream of being a single mom

Commanding a ship takes years, and for this reason, Suneha put her personal life on hold. The 37-year-old decided to freeze her eggs so she could concentrate on her career. “I am planning to be a single mom. I knew my command was taking time, and I couldn't afford a minute’s break. If you take a break from sailing, it's tough to get back,” reveals the master-commander.

Her remarkable ability to spring back, after wiping away tears shows great fortitude. Was training difficult? “That’s a tricky word. It's relative. If you see a situation as difficult, it becomes difficult. Once you begin doing it, it is a piece of cake,” she smiles.

 

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A lone woman standing against the tide through brickbats, she advices, “You have to train the mind, aap ko ek box bana lena padta hai mind mien (you have to make a box in your mind), the ignore box. If I like something, I’ll listen, smile. If I don’t, I’ll smile but it goes straight into the ignore box,” smiles the unrepentant captain, who adds, “Learn to say no,” she chides, “as men are unused to hearing it.”

After 18 years of her goals, she now strategises, chooses her battles, and is an amateur psychologist to understand her crew. Her next 18 will be of consolidation. The naturopath does yoga, occasionally signs up at Jindal Bangalore for detox.

To sail, or swim, that is the question

The master commander is, admittedly, wait for it, “shit scared of water.” Surely a prerequisite to life at sea? “Yes, I have done 12 weeks swimming training, and can jump 60-50 feet with a life jacket,” cheekily adding, “I don’t know swimming.”

Master Commander | Suneha Gadpande

She takes great pride in her navy whites though work is in boiler room overalls, with grease and muck. The roadie loves her X3 BMW, giggling, “I love driving – I drove from Mumbai to Bangkok,” she laughs modestly.

A Buddhism follower, Suneha does Vipassana, mediates, and advises, “empty the mind, and be in the moment.” And marriage? “Since I was a child, I wanted to run away and get married. I have my Sabyasachi lehenga and jewellery ready. Just waiting for a boy that is worth it.” Aye, aye captain.

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Story
My name is crimson: The remarkable life of Anish Kapoor

(April 24, 2023) If by chance you were to open the website of the artist Stuart Semple and make your way to the 'art products' page, you will be asked to confirm two things: One, that you accept cookies and two, that you are not Anish Kapoor. When the British Indian artist purchased exclusive rights to Vanta Black, created by Surrey Nano Systems, he ruffled many feathers in the art world. Nevertheless, Anish is arguably one of the world's most successful artists and his works have pride of place in the world's top galleries and in spheres of public art. Everything about the man is larger than life - his colossal works and the statements they make. He is known for his ability (and desire) to provoke, whether it's other artists with his proclivity for copyrighting colours, his fascination for gore, his licentious works and the fact that he maintains, through it all, "I have nothing to say." In retaliation to the Vanta Black controversy, Stuart Semple, calling Kapoor a "rotter," created another pigment, the 'world's pinkest pink'. You can buy it online, but only if you manage to prove that "You are not Anish Kapoor, you are in no

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apoor, you are in no way affiliated to Anish Kapoor, you are not purchasing this item on behalf of Anish Kapoor or an associate of Anish Kapoor." However, in 2016, Anish, who freely admits that he is "not an artist's artist," got his hands on the pink and of course, flaunted it, dipping his finger (we won't specify which finger) in the pigment and posting it on Instagram.

The outsider

Despite his renown in the art world, Anish has made himself an outsider there, too. It's a theme that has followed him throughout his life and while he isn't happy about it, he does wear it on his sleeve. Back in 2020, he purchased for himself, to house the Anish Kapoor Foundation, the Palazzo Manfrin in Venice and placed, at the entry way, an upside-down mountain, "inverting the Italian tradition of the painted ceiling," according to the New Yorker. At the 59th Venice Biennale, which took place earlier this year, Anish presented two monumental exhibits - one at the Gallerie dell’Accademia and the other at Palazzo Manfin. There is some poetry to this acquisition - the palace, which was vacant for many years, was once owned by Count Manfrin, a Croatian tobacco merchant . He was proud of his art collection and had transformed the first floor into a public viewing gallery. Many eminent personalities have visited the place, which became one of Venice's main tourist attractions, including Lord Byron, George Ruskin and Edouard Manet. After his death, the place lay vacant, deteriorating into a dereliction, until Anish bought it back in 2020. After extensive restoration, which was hampered by the pandemic, the place is now almost ready and will house the Anish Kapoor Foundation.

 

[caption id="attachment_28642" align="alignnone" width="1080"]Anish Kapoor | Global Indian Photo credit: Instagram[/caption]


Courting controversy

Over a decade ago, his work, Dirty Corner, which was displayed at the Palace of Versailles, was vandalised with anti-semitic comments. The controversy snowballed, with the then President Francoise Hallane and Prime Minister Manuel Valls expressing their regret over the vandalism of the work and also over the nature of the vandalism itself. Anish, however, decided to leave it intact.

Anish was born in Bombay in the 1950s, to an Indian father and a Jewish mother. His maternal grandfather was a cantor at the synagogue in Pune - the family had moved there from Baghdad in the 1920s - "They were very poor, they spoke Arabic mainly, and spoke Hindi better than English generally," he said during in an interview, speaking in the plummy British accent he has developed over the thirty-something years he has lived in the UK. His father, he says, joined the Indian Navy and went on to become an admiral.

"I was anti-authoritarian," he says, "Not willing to listen to my admiral father or anyone else." He was also a terrible student - Anish and his brother were day-scholars at the Doon School, where he hated the emphasis on a disciplined physical regimen. It was a cosmopolitan house regardless, his father loved Russian Romantic music and disliked ritualistic religion. There was a strong sense of trying to understand what it meant to be Indian. Anish describes, in various interviews, having felt like an outsider, being part of a very small religious community in a very large country.

From an Israeli kibbutz to art school in the UK

When Anish was around 16, he and his brother went to live in a kibbutz in Israel. "We believed then that a kibbutz had a form of communal life that was real, shared and equal. What it hid was that there were unequal Jews and non-Jews," he said, in an extensive interview with Yanis Varoufakis.  One day, a man walked up to him and said, "black," in Hebrew, leaving the teenage Anish completely taken aback. That sense of being an outsider was driven in further and has always remained with him. It was during those three years - that he decided to be an artist and rented himself a studio where he would paint.

 

[caption id="attachment_28643" align="aligncenter" width="875"]Anish Kapoor | Cloud Gate | Global Indian Cloud Gate in Millennium Park, Chicago. Photo credit: www.anishkapoor.com[/caption]

In 1973, just before the Yom Kippur War, Anish moved to Europe. His family had relocated to Monaco by then and he hitchhiked his way across the continent. The UK at the time was in the throes of the 'New Left', where activists were campaigning for a range of issues, including civil and political rights, environmentalism, feminism and gender equality. "It was amazing, at one level." Anish remarks. "There was garbage piled high on the streets because people were not working - adamantly not working. I loved it."

Naturally, this revolutionary fervour peaked in university campuses and art colleges are especially prone. The Hornsey College of Art was "a militant, lefty college where nobody did anything. It was protest all day and all night," Anish describes it. For the anti-authoritarian who had defied his conservative family, art school was a different experience. He had to find himself, as a human being and as an artist. "I have come to discover, it isn't to do with what I think or what I have to say. I often say that I have nothing to say. One uses a different part of one being to create."

When fame found him

At the time, nobody really made a living from art, apart from big names like Lucien Freud, Henry Moore and a handful of others. The thing to do was teach, which Anish thought he would do a couple of times a week, dedicating the remainder of his time to his art. However, recognition came early on - through his first series, 1000 Names, inspired by his first return visit to India since he had left for Israel. In 1982, his works then made form styrofoam and wood and using the powdered pigment for which he was known, were taken on by the prestigious Lisson Gallery.

[caption id="attachment_28662" align="aligncenter" width="761"]Anish Kapoor | Descension | Global Indian Descension, at Brooklyn Bridge Park, is 26 metres in diameter, a giant swirling pool of water.
Photo credit: www.anishkapoor.com[/caption]

He's always on the intersection of art, sculpture, engineering and technology - the latter two are maybe a nod to his parents, who hoped their son would be an engineer, as a good Indian boy should. In Cloud Gate, for instance, he bought a milling machine from Boeing, a machine that can "make stainless steel completely flat so you can't see ripples even at a micro level," he said in an interview. "We wanted to see if it would be possible to make curved forms. The whole point was to make an object without any seams and no joints, so there is no scale."

Shades of Red

His fascination for the colour red is known. Anish's artistic expression carries an unmistakable undertone of violence, he creates the distinct sense in the viewer that he or she has walked into a slaughter-house. In 2019, he created Sacrifice, which is not for the faint of heart. The walls and floors are covered with artificial gore while the centerpiece itself, a massive sculpture in steel, is covered in what looks remarkably like human skin, made from a resin that he has created to resemble blood. If you were to think he was making a carnal statement, you might not be entirely wrong.

Svayambhu, an installation created for the Haus Kunst in Munich, is a response to the building's history. The Haus der Kunst is the first monumental propaganda building of the Third Reich and its debut exhibition was "The Great German Art Exhibition," a display of Nazi-sanctioned work. A Sanskrit word, Svayambhu means auto-generating or self-generating and Anish makes sure that it lives up to its title. Tracks ran through the Haus Kunst, on which a motor-propelled block of wood carrying red wax slowly moves through the rooms, leaving a trail of gore in its stead.

 

[caption id="attachment_28658" align="aligncenter" width="834"]Anish Kapoor Svayambhu. Photo credit: www.anishkapoor.com[/caption]

 

Other art works include Shooting into the Corner, which includes a fully functional cannon that shoots tons of gory goop into a corner, as the name suggests. His 1992 work, Descent into Limbo, is a cube shaped building with a 2.5 metre hole set into the floor. The hole has been painted black to create the feeling of being an infinite drop - once, an Italian man in his sixties actually fell in.

Anish lives in the UK and works out of his sprawling studio Camberwell District in South London, which encompasses almost an entire block. From here, the Turner Prize winning artist, who was also given a Knighthood, has created works that are on prominent display around the world, at the top galleries and in public spaces. His architectural works are Cloud Gate, in Chicago, Void Field at the British Pavilion, Descension, at the Brooklyn Bridge Park and the Arcelor Mittal Orbit, possibly the best-known piece of public art in Olympics and one of Anish's most famous works overall.

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Story
Odisha’s red ant chutney hailed by Gordon Ramsay gets GI tag

(January 24, 2024) "Now this is what I have travelled into the wild for, the chutney," says Michelin-star chef Gordon Ramsay in his documentary when he travelled to India in 2010. Clad in a blue tee and beige cargo pants, he tries the red ant chutney served on a leaf. "It's hot but absolutely delicious," he remarks, adding, "I am never going to touch mango chutney for the rest of my life." Keen to know what makes the chutney so delicious, he finds himself escorted to a nearby jungle where a man climbs up a tree and cuts a branch that has what looks like a nest. Upon closer examination, he finds that it's a nest for fire ants - and the chutney in question is Odisha's Kai Chutney which has bagged the GI tag recently for its unique taste and texture. https://www.youtube.com/watch?v=hz7L_DKNDBE Rich in protein, zinc, vitamin B-12, calcium, potassium, magnesium, iron et al, the Kai chutney, made from weaver ants, is found in the Similipal forests of Mayurbhanj district and has become a quintessential part of their culinary culture. If experts are to be believed, the savoury chutney helps boost the immune system and prevent diseases. Early this

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e system and prevent diseases. Early this month, red ant chutney was awarded GI (Geographical Indication) tag for its exceptional health benefits and nutritional value. The tag serves to safeguard the unique flavour profile, preventing the dilution or replication of the dish, and the global recognition will help pave a deeper understanding of the superfood.

The making of the chutney

In the Mayurbhanj district, numerous tribal families earn a livelihood through the collection and sale of these insects and chutneys. They have cleverly included red ants in their daily lives by harvesting and making tasty dishes that highlight their unique flavours, finding sustainable and innovative ways to use this natural resource. They collect kai pimpudi (red weaver ants) and their eggs from nests, meticulously clean them before making a semi-solid paste chutney by grinding a blend of salt, ginger, garlic, and chilies in a pestle mortar, which increases its shelf live to one year.

Red Ant Chutney | Global Indian

"The chutney is popular not just for its delicious taste but also for its medicinal properties. It addresses coughs, colds, aches and pains. The ants' high levels of formic acid, amped up by seasonings, make this chutney extremely hot," Pobitra Mandal, a Mayurbhanj native said in an interview, adding that ants are tastiest as larvae or adults. "This is when the ants are optimally developed and produce maximum flavour."

About 500 tribal families make a living by collecting and selling these insects, along with a chutney made from them. Due to high demand, they can sell large amounts at village markets and fairs. The price for a kilogram of live kai pimpudi is around ₹400-600, and the chutney sells for ₹1,000.

According to Nayadhar Padhial, the secretary of Mayurbhanj Kai Society, each year around three quintals of kai pimpudi is collected by tribals from the forest in the district. "We started the society in 2018 to promote kai pimpudi chutney by organising tribal food festivals and awareness meetings," he said in an interview.

Red Ant Chutney | Global Indian

Promoting the rich culture of the state

The red ant chutney is not just restricted to Odhisa but is a pivotal dish among the tribes of Chattisgarh's Bastar region. Chefs from India and abroad often indulge in tours that showcase the process of harvesting and storing red ants in indigenous communities. Even the Belgadia Palace in Mayurbhanj takes pride in showcasing its culinary delight to the world. "Our property has its trees and we have enlisted a member of a local tribe to collect the ants from the trees. Then, our chef, also from a tribe, prepares the chutney the traditional way," Sautam Pramanik said in an interview.

Red Ant Chutney | Global Indian

The recognition of red ant chutney with a GI tag has propelled Odisha's superfood onto the global culinary map. This unique culinary creation, crafted by around 500 tribal families, not only showcases the innovative use of a natural resource but also highlights the rich culinary traditions of the region. With its distinctive flavors and sustainable harvesting practices, red ant chutney stands as a testament to the diverse and remarkable gastronomic offerings emerging from different corners of the world. This GI tag not only adds value to the local economy but also positions Odisha as a hub for culinary innovation, inviting global attention to the intriguing and delicious world of red ant-infused delicacies.

 

 

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About Global Indian

Global Indian – a Hero’s Journey is an online publication which showcases the journeys of Indians who went abroad and have had an impact on India. 

These journeys are meant to inspire and motivate the youth to aspire to go beyond where they were born in a spirit of adventure and discovery and return home with news ideas, capital or network that has an impact in some way for India.

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